Tag: Wildside Press

She’s a Lady

Saturday morning and I have errands to run today and chores to do; writing to get done and emails to write. I also want to spend some time today reading as well. I was a lolly-gag this morning, leisurely remaining in bed far longer than is my norm. It felt lovely, frankly, and I think it was exactly what I needed to get my body and my mind back in the order it needs to be in for me to function properly.

In other words, I think I have finally recovered from my trip to Left Coast Crime, which is marvelous.

Last evening I finished reading Catriona McPherson’s A Gingerbread House (more on that later), I actually wrote for a bit (more on that later) and then once Paul got home we binged through the rest of season 2 of Bridgerton, which I think I enjoyed much more than the first (despite the absence of gorgeous charismatic Regé-Jean Page, whom I stopped missing once the story really began going). I think I actually preferred the plot of season two more than the one for season one, and it was absolutely lovely seeing an openly gay actor (Jonathan Bailey) so brilliant and convincing in a traditional male romantic leading role. Is that homophobic of me, or a commentary on show business’ homophobia and fear of casting openly gay male actors in those types of roles? I am not sure.

So last evening was quite an accomplished one, and I was most pleased to see that going into work on Friday was actually helpful. I did manage to get a lot done in the office yesterday as well, which was lovely, and that carried over into my evening here at the Lost Apartment. Today, as I mentioned, I have errands to run (prescriptions, mail, groceries) and chores to do (dishes, floors, organizing) and I would love nothing more than to get some writing and reading done today as well. One can dream, can’t one? I want to get through the first draft of my story this afternoon, and I’d like to work some more on something else I started working on yesterday; nothing of import, really, simply a novel idea I’ve had for a very long time that, for some reason yesterday I couldn’t get out of my head, so I just went ahead, found the existing files, and started writing my way through the first chapter. It actually flowed pretty well, and before I knew it–and it was time to call it quits for the evening–I’d written well over a thousand words, which was marvelous, and had also done no less than a thousand or so on my story. This was pleasing, as Constant Reader is no doubt aware of how I always worry that the ability to write is a skill that I might lose at some point in my life, and it always, always, terrifies me.

I am absolutely delighted to let you know that my story “The Silky Veils of Ardor”, originally published in The Beat of Black Wings, edited by the incomparable Josh Pachter, has been selected as this week’s “Barb Goffman Presents” by Wildside Press in this week’s Black Cat Weekly. I am not the most secure short story writer in the world (many thanks to both Josh and Barb for their keen editorial eye that helped improve the story dramatically from the terrible first draft I wrote years ago), so these little victories help a lot with my Imposter Syndrome issues–which inevitably raise their ugly Cerberus-like heads all the time but especially when I am in the malaise period after finishing a novel manuscript, and especially if I am trying to work on something else and it simply isn’t coming. I am confident now that I will not only finish an initial draft of my story this weekend but perhaps even finish that first chapter I started writing last night and maybe even an outline/synopsis of said book project, which has been languishing in my head for at least a dozen years now, if not more. I mean, it’s not Chlorine, obviously; but that book is becoming even more complicated for me the more I research it–not a bad thing, but indicative of how much work the book is going to be. I was paging through William J. Mann’s Behind the Screen the other night, and I once again was amazed at how tunnel-like my vision was in my initial conception of the book and who the characters needed to be; but I also think the more research I do and the more fears I have of writing it making it all the more necessary for me to actually go ahead and do so.

I really need to work on my focus. I don’t know what it’s actually like to be able to simply write a book and block everything else out of my life in order to solely focus on the writing; my ADHD certainly makes it more difficult and I am inevitably always juggling a million things at once. What must it be like to be able to laser focus all of my attention and energy on a book? It will be interesting to see how retirement, should I ever reach that place, will change and/or make a difference in my writing, won’t it?

I imagine I won’t know what to do with all the extra time. I’ve gotten so used to being scattered in my approach to everything I write that I don’t know what being singularly focused that way would be like, or if it’s even possible for me.

On that somber note, I am heading into the spice mines. Have a lovely day, Constant Reader!

Mad Woman

And now we ease into Friday and what will hopefully be an enormously productive weekend for one Gregalicious.

Yesterday was a lovely day, if not as productive as one would have hoped. When five pm rolled around, my mind was fried from the condom packing (I watched The Stunt Man while making them; more on that later) and so instead, I cleaned up around here and did some brainstorming. I did a shit ton of laundry last night, and did some other cleaning as well….but I really hate that I didn’t get to the book yesterday evening. Definitely tonight it’s on my agenda, and hopefully if I stay motivated I can get quite a bit finished this weekend. I am still hoping to get this draft version finished before next weekend, so I can stick to the plan of writing some short stories next week before getting back to the final polish on this manuscript so I can get it turned in. The next deadline–the two months for #shedeservedit–is going to be much rougher on me than this revision was, so getting this one finished sooner rather than later is definitely something I need to be focused on.

We watched The Flight Attendant’s new episodes last night–I’m not sure why the release two at a time, quite frankly–but it definitely feels like the show is being padded to fill it out to the necessary (or needed) length. My mind started to wander during the first of the two episodes, but the second one picked up and became more interesting. Kaley Cuoco is a very charming and likable actress, so playing such an unlikable character is, I am sure, quite a stretch for her as an actress; yet the character is so unlikable–and as the show progresses, becomes more and more unlikable–that it becomes very hard to continue rooting for her as she makes bad decision after bad decision–and of course, she is clearly an alcoholic, and the alcoholic fog helps keep her from dealing with her own deeply problematic past. There were some big reveals in the second episode–although one was pretty predictable from the get-go, and the second one didn’t make nearly as much sense as the writers perhaps wanted it to; I won’t get into it here because SPOILERS, but while the show is very well done there are some things that feel rather self-indulgent and unearned. But Kuoco is, as I said, eminently likable and interesting to watch, so we’ll probably see it all the way through.

I signed a contract yesterday to allow Wildside Press to republish my story “Annunciation Shotgun” on the Black Cat Ebook Site as a “Barb Goffman Presents”, which is very exciting. “Annunciation Shotgun” was one of my first mainstream publications for a story with queer characters–although the queerness wasn’t important to the story, which was part of it’s subversive fun, and made it incredibly fun to write–and I do love the story. It was originally published in New Orleans Noir over a decade ago, and of course, was included in my collection Survivor’s Guilt and Other Stories; in fact, I had originally intended to call the collection Annunciation Shotgun and Other Stories. Ironically, part of the credit for the idea for the story belongs to none other than Poppy Z. Brite; I was reading his novel Liquor and at one point, the book made reference to Ricky and G-man living in a shotgun house on Constantinople Street, and I thought to myself, “Constantinople Shotgun is a great title” and I thought about gay friendships and having that one friend who always seems to be an agent of chaos–the one you’re always have to bail out but he’s so charming and lovable you always, always, get out of bed and throw on some clothes and run bail him out of whatever he’s gotten himself into. It was also born out of my fascination with how we live in such intimate closeness to neighbors here in New Orleans–shotgun houses means you share a wall running the length of the house with someone who might be a complete stranger–and that invasive intimacy with people you barely know is something I’ve turned to, again and again, in my short stories. I started writing it originally when the idea struck; when I was asked to write for New Orleans Noir I was assigned the lower Garden District as my neighborhood, which is where I’ve always lived in New Orleans since moving here–which meant the title no longer worked; Constantinople Street is in Uptown. But Annunciation Street runs through the LGD (it also runs all the way uptown to Riverbend), and it’s an unusual, multi-syllabic name, so I chose it for the title. (I still love the title “Constantinople Shotgun”–but I don’t know that I can get away with writing another “shotgun” titled story; but “Constantinople Camelback” is also not a bad title….hmmmmm.)

But I do love the story, and am glad that this opportunity has presented itself…and I’m making a title note to use “Constantinople Camelback” because of course I am.

I’m also waiting impatiently to get the final cover design for Bury Me in Shadows because I’ve seen it and I love it, and it’s one of my favorites of my own books thus far. The book itself is taking shape nicely; I am refusing to listen to my doubts and imposter syndrome and choosing instead to believe in myself and my abilities and skill as a writer.

So, other than refreshing my mailbox, my plans for the weekend include revising at least four chapters of the book, perhaps some thinking about the short story I want to submit to the newest MWA anthology (I swear to GOD I will get a story accepted into one of those anthologies if it kills me), and I definitely want to finish reading The Spy Who Came in from the Cold.

So, yesterday I watched The Stunt Man. I saw it many many years ago–I think maybe on one of the pay cable networks in the early 1980’s? HBO, perhaps?–and it was so strange and so interesting that it really took my fancy. I fucking loved Peter O’Toole, since I watched him and Richard Burton chew up the scenery in Becket, and this was only the second film of his I’d seen. He got an Oscar nomination for this–losing to Dustin Hoffman in Kramer vs. Kramer, of all things; O’Toole’s failure to win a competitive Oscar is one of the biggest crimes of the Academy–and while this movie isn’t my favorite of his, I’ve always wanted to rewatch it. Essentially, the plot of the movie is this: Steve Railsback (breathtaking in his youthful beauty) is an escaped convict, or is on the run from the cops (and we never really find out why), and he is also a Vietnam vet. While he is running he accidentally stumbles into a movie set and is responsible (this responsibility never really makes sense to me, and over the course of the movie becomes even more and more weird) for the death of a stunt man. The crazed director, Eli, played by Peter O’Toole, doesn’t want to stop filming as he is on a tight schedule and also doesn’t want to deal with the scandal involved with a stunt man’s s death, so he makes a deal with the Railsback character–fill in for the dead stuntman so they can cover it up until the movie is finished, get paid, or turn himself in. Railsback becomes a stuntman–some of the best scenes in the film are him working with a veteran to learn how to do the stunts without harming himself (note: the performance of the guy teaching him to do stunts–an actual stuntman named Chuck Bail–should have gotten an Oscar nomination at least) and of course, O’Toole is stunningly brilliant, as he is in everything. Barbara Hershey is also terrific as the actress Railsback falls for…I also had no idea it was based on a book, which I am now going to have to read. It’s also very cynical–definitely fits in the the Cynical 70’s Film Festival.

Sigh, Peter O’Toole. So talented, so gorgeous. My Favorite Year is also one of my all-time favorite movies, and his failure to win an Oscar as fading star and alcoholic Alan Swann is yet another Academy crime. It’s one of the great performances of all time, and I’ve also always thought someone should turn that movie into a television series–a behind the scenes look at how a television show like that in the 1950’s was made–with a new guest star in every episode and so on. (Just send me my check, Netflix, and you’re welcome.)

Not sure what today’s film is going to be, but it may be another O’Toole 70’s classic, The Ruling Class.

And on that note tis back to the spice mines with me. Have a lovely day, Constant Reader.