Tag: Wendy Corsi Staub

Killer Queen

So, Greg, you have a book coming out from a new press in October, and the main character is a drag queen? What the actual hell?

Well, therein lies a tale.

I never thought I would write about a drag queen, in all honesty. It’s not that I’m opposed to drag or anything like that; drag has always been an important part of gay culture (I really wish someone would do a history of drag that’s not academic in tone and therefore accessible to everyone without a PhD) and I’ve always appreciated it as an art form. Yes, some queens are better at it than others, and there are some who are just really tragic…but I admire and respect every single one of them who puts on the dress and wig and heels and make-up and goes out there to perform. My own anxiety manifests itself whenever I have to perform or speak in public (although I managed to successfully control it and get through Boucheron panels swimmingly; I don’t think my stage fright is a thing of the past yet but I’m getting better); I can’t imagine the courage it takes to do drag that first time.

I also never considered doing drag because of my vanity–I wouldn’t look pretty in drag and I would want to be pretty. Shallow, party of one, your table is ready. I’ve seen many performances over the year and even have friends who do it, but my primary interest in drag has always primarily been in it as an art form and political statement critiquing gender roles, masculinity, and femininity; and it holds a very important place in queer culture. I once did drag, for a Showgirls-themed birthday party–I looked like Stockard Channing, which isn’t a bad thing–but it was more of a costume than a real attempt at doing drag. My friend Mark always wanted to make me up for Halloween or Fat Tuesday as Joan Crawford–it was the shoulders, the eyebrows, the narrow hips, and the shape of my face more than any striking resemblance to Ms. Crawford, I think–and while I was interested in being transformed into Ms. Crawford, one of the things I hated the most about doing plays in high school was the make-up. I hated having that shit all over my face, and it never did what it was supposed to in the first place (I inevitably always played old men, so they had to try to age me, and it’s not like we had make-up artists who knew what they were doing in high school.). And the padding? The wig? The dress? Not to mention the lack of pockets and the difficulty in using the bathroom– yeah, not for me. Drag does show up in my work sometimes–not very often–and the most fun thing for me about that is coming up with drag names for the characters. I know I’ve used Floretta Flynn a number of times, to the point where in my New Orleans universe she’s probably one of the bigger and most successful queens in New Orleans. Two of the biggest names in drag came from New Orleans–Varla Jean Merman and Bianca del Rio are both from here. We used to go to Drag Bingo hosted by Bianca and Blanche Debris at Oz on Sundays before she left for New York after Katrina–and Bianca was just as funny and just as big of a bitch then as she is now. She always drew crowds, and of course I met her a few times out of drag (I am quite sure Roy doesn’t remember me).

And believe me, I was very careful not to attract her attention while she was holding a microphone.

I also once wrote a short story that opened with one character saying in the Clover Grill, “You sure see a lot of tragic drag in this town at four a.m.”

Paul and I also were fans of RuPaul’s Drag Race for awhile, too–but like Project Runway, we stopped watching one season when it was obvious that it wasn’t being judged fairly (it was fucking blatantly obvious) and that was it for us. Don’t serve me competition reality when the competition is obviously rigged for a particular competitor. I do love some of the queens we did watch on there–it’s been amazing watching Jinkx Monsoon’s star take flight–and I always liked Tatianna, and just to name a few–Ben de la Creme, Adore Delano, and Manila Luzon are all fabulous. Paul follows a lot of them on Youtube, and of course I do enjoy Trixie and Katya’s We Like to Watch on Netflix.

And naturally, we love Bianca because she’s a New Orleans queen.

But it never crossed my mind to write about one as a main character. It wasn’t my milieu, so to speak (and just typing that made me want to bang my head on my desk. Take risks! I should always take risks in my work!), and so while every once in a while I’d think “maybe I should write a drag queen into this story”, I never did.

Last summer, I am not exactly sure when (2022 was pretty much a blur of misery), I got an email with a request for a ZOOM meeting with two very dear friends, along with another friend of theirs I may have met once over twenty years ago, James Conrad. He wrote Making Love to the Minor Poets of Chicago back in the days when I was a reviewer/worked for Lambda Book Report, and the purpose of the call was they wanted to talk about a possible project for me. You know me, I am always up for a new project and a new possibility…so you can imagine my surprise to find out what they wanted was for me to write a cozy with a drag queen main character. James owns and operates the Golden Notebook bookstore in Woodstock, and decided to start a publishing company through the store and wanted this to be their first venture into crime. I pointed out that I a) knew next to nothing about drag and b) I’m not really a cozy writer (the Scotty series can be classified that way except for a lot of cozy rule-breaking; and yes, I did write A Streetcar Named Murder, which wasn’t out yet and I wasn’t sure if it was even any good), they pointed out that I am a writer who can write anything (this is true, but there are some things I can’t and won’t ever write–and yes, as I typed that I was thinking there you go limiting yourself again–maybe those are the things you should be trying to take on), and then I also remembered a few things–some of my co-workers at the day job do drag, and in fact, my former supervisor had attend a “drag school” here locally, started by a queen who’d retired here from San Francisco after a lengthy and successful career in drag; Paul even knows the queen who runs it. I sent James an early electronic uncorrected proof of Streetcar, so he could get an idea of my writing style, and waited to hear back.

While waiting, I asked some of my co-workers if they’d be okay with me asking them questions–which of course they were more than happy to do–and the more I thought about it, the more it made sense for me to approach this in the same way I approached writing Streetcar–I knew nothing about antiques, so I made my character the same. So, if I am going to write about a drag queen, I needed to write her origin story first–and I decided to make her an accidental drag queen; forced to step in when a queen doesn’t show for a performance. But how would that work? I realized my character had to already know about hair and make-up, so I decided to make him a glam artist, hired to do make-up for women on special occasions and styling them. How did he wind up doing glam? His grandmother, who was from New Orleans, used to have her own Uptown beauty shop on Magazine Street that was frequented by upper class New Orleans women, who would also hire her for special occasions to style them. He spent his childhood summers in New Orleans; his grandmother was the only family member who had no problem with his sexuality, and she taught him all about hair and make-up (and classic Hollywood). He went to cosmetology school instead of college (his grandmother paid for it) and he worked in a high-end salon in Dallas until his grandmother died, leaving him the house and most of her money.

I also had a great idea for the opening, which I quickly wrote up and James liked it…and so we moved forward with the plans for it. I had a Scotty book under contract, and I knew I could juggle the two and get them both done on time.

Of course, I didn’t realize how much work it would be to turn MWA over to my successor, I didn’t know Mom was going to go into the final decline ending with her death during this time, and….well, hindsight is twenty-twenty, isn’t it?

“I don’t know, Jem,” Lauralee Dorgenois said, frowning and raising a perfectly plucked eyebrow as she looked back over her shoulder into the three-way mirror set-up in her dressing room. “You’re sure that this dress doesn’t make my butt look big?”

Okay, I’m going to take a sidebar right here to give y’all some free-of-charge advice that is more than worth its weight in gold. There is only one correct answer to be given without pause or hesitation any time a woman asks you if something she is wearing makes her butt look big: “No.”

You always, always, ALWAYS say no.

If that is, in fact, a lie—you say “I don’t know if that cut drapes right” or “I don’t like what that color does to your skin”.

There are literally a thousand other options besides making the incredibly foolish mistake of saying ‘yes’ or the seemingly safe, non-comital ‘maybe.’ Marriages, engagements, friendships, and relationships have all ended over this question being answered incorrectly—and no, it’s not a trap question. Women are bombarded from childhood with images of what they are supposed to look like and what they are supposed to wear. They are taught to fear fat cells and fatty foods, spend millions on diets and gym memberships and personal trainers. They are gaslit into thinking that being any size larger than zero and not having big firm breasts and not having a wrinkle-free face aglow with the dewiness of youth means they are doomed to grow old alone and unloved. So, they try to fight aging—and the fear of being traded in for a younger model—by having poison injected into their faces, excess skin surgically removed, and their hair constantly colored and touched up. Centuries of societal and systemic misogyny, of telling women they don’t measure up, echo in those sad, simple words: does it make my butt look big?

My heart breaks a little every time I hear them.

However, I get paid to make them look good. My opinion must be honest, but I still need to be delicate. Why be hurtful when you don’t have to be?

I tilted my head to one side and brought my eyebrows together as I looked her up and down yet again. “You’re curvy, Lauralee,” I replied finally, fluffing the peacock feathers on her shoulders to spread them out further. It was true. Lauralee was about five seven, and maybe could stand to lose a pound here and there. Her hourglass figure had thickened a slight bit once she hit forty, but it was barely noticeable. I’d picked out a green silk dress for her because the color made her green eyes sparkle like emeralds. It clung perfectly to her hips and was cut low in the front to shove off the ample bosom, highlighted by an emerald pendant handing from a gold chain just above the cleavage. I’d braided her long auburn hair into a French braid that dropped about half-way down her back. I’d woven some extra pieces of auburn into the braid to make it thicker. “And there’s nothing wrong with that, you know. We’d put Marilyn Monroe on a diet today.”

Several years ago, I tried writing a third series set in New Orleans with a gay male protagonist. It was a character I had already created; he showed up in a couple of Scotty books: true crime writer Jerry Channing, who’d gotten rich on a true crime novel about a child murder case in the Garden District in the 1990’s called Garden District Gothic, (which also became a Scotty title when he and the boys got sucked into that ancient cold case) and wound up solving it. I had wanted to write a fictional story based on the very real Jeff Davis Eight murders, and thought who better to center in the story than a true crime writer researching the case for an article or perhaps even a follow-up book than Jerry Channing? But as I started developing the character out from the sketchy details provided in earlier Scotty books, I suddenly realized what I was actually doing was combining Chanse and Scotty into a single person, so I shelved the story–or at least, the new series, because if all I was going to do was just merge two previous characters into one, there was no point in bothering. I had then gone on to create a new series with a straight woman as the main character (A Streetcar Named Murder), and I was determined that, with this new potential series set in New Orleans, the last thing I needed was to just rip-off previous characters.

So meet Jem Richard, twenty-something glam artist and New Orleans home owner. Jem lives in the 7th Ward (not far from my day job office, actually; over on St. Roch Avenue between Claiborne and St. Claude), and the house flooded during Katrina–Jem remembers coming down with his family to help work on the house for his grandmother, Mee Maw of sainted memory–and I gave him a pole-dancing roommate who also works at Crescent Care. (Another Easter egg is the book opens with Jem being enormously disappointed to be ghosted by someone with whom he had several dates –a Tulane grad named Tradd. Bury Me in Shadows readers may remember Tradd as the asshole who broke up with Jake and sent him into the alcohol/drug spiral that landed him in the hospital when that story opens. I also want to use Tradd again somewhere else…but that is indeed a tale for another time.) Jem does well for himself, but has no health insurance and never is guaranteed work–but he also really doesn’t want to go back to working in a salon again, either. (He also sometimes books gigs with film, theater and television companies.) He’s kind of a lost soul, not really sure what he wants or what he wants to do with the rest of his life–but he also is lucky: he owns his own home, for one, and has several marketable skills. He kind of feels like he’s been spinning his wheels and not getting anywhere since coming to live in New Orleans. Jem has considered doing drag before–he’s very into costuming, and has won the Bourbon Street Award for Best Drag Costume on Fat Tuesday the previous two Carnivals–but he (like me) is haunted by stage fright. He did a play while in high school and the stage fright was such a horrible experience he gave up his dream of being a performer and started working as the make-up and hair person for the school productions.

So, when he’s hired to be a back-up glam artist for a fashion show at Designs by Marigny, only to find out the models were drag queens. A little taken aback, he rolls with the challenge, and when one doesn’t show, Jem gets pressed into service (he can fit into the dress). The show is being managed by the same person who runs the local drag school–a sweetheart named Ellis, whose drag name is Mary Queen of THOTS. Jem has a bad history with Marigny the fashion designer–she’d hired him todo the make-up for a previous show, and her check bounced–so the friend who recruited him to do the show makes sure he gets paid in advance. Of course, since the models are drag queens, the show attracts anti-drag protestors–there’s a suspicion that the designer, Marigny, deliberately used queens hoping to attract a protest and more publicity. Throughout the course of the evening Jem overhears Marigny arguing with several different people, and the next morning wakes up to the news she’s been murdered–and somehow Jem is not only a suspect but he’s also a target.

But why?

Jem also has a black cat named Shade.

As I said, while it had never occurred to me previously to write a drag queen character, the more I thought about it, the more I wanted to do so. Drag queens are currently under attack by the forces of bigoted evil. Part of this comes from the right-wing demonization of transwomen, spear-headed by hateful bigoted lying trash like Libs of TikTok (if you’ve ever retweeted the Axis Sally of the Proud Boys, know that’s why I blocked you and we will never, ever be friends again) and Moms for Liberty, who are both so fucking ignorant and clouded with hate that they think drag queens and transwomen are the same thing. The idea that children need to be protected from drag queens at all costs because it’s somehow sexualizing them is disgusting and ignorant and offensive on its face; merely rephrasing Anita Bryant’s vile claim that queers need to recruit children, i.e. all queers are pedophiles. They prove they’re liars on a daily basis and that it really has nothing to do with “concern” for children and everything to do with bigotry and hatred, because they never go after religious organizations, youth pastors, Boy Scout troop leaders, and Republicans–you know, the ones who are being convicted of child rape and child porn on a regular, almost daily basis –but only the queers are their primary concern. First off, not all drag queens are transwomen and not all transwomen were drag queens. Yes, some transpeople start their transition by doing drag, to get a better idea of whether or not they are more comfortable as a woman than as a man. I work with a lot of transpeople, and have for quite some time. I’ve witnessed people transition and evolve, and I’ve also seen the change in demeanor, confidence, and emotional well-being when they do.

What better way for a writer to fight back against ignorance than writing about it? And I loved the deliciousness of fighting homophobic and transphobic bigotry by writing a cozy series.

It releases on October 10th, and you can preorder it here, if you would be so kind. I am pretty pleased with it, to be honest, and here’s hoping it does well for James and the press.

Squeeze-Wax

Back to the office for me today, with tomorrow yet again a work-at-home day for one Gregalicious. Yesterday was an interesting one. It’s always strange disrupting your usual work week with a day off, but I slept super great Tuesday night and woke up feeling incredibly well-rested and on top of things. I did a load of dishes and a load of laundry, cleaned the kitchen, did some filing, and had a highly productive chore morning. I went to my doctor’s appointment (more on that later), and ran some errands before getting out of the blistering temperature of another heat advisory into the delightful cool of the Lost Apartment. The doctor visit was okay; we’ve (he’s) come to the conclusion that the issue with my left arm is most likely a torn bicep tendon, which will need surgery to mend. Hurray. Which means since our corporate insurer is dropping us after December 31 and there’s been no word about what’s going to go down with that, I need to have this done before the end of the year. Huzzah even more. So far, that’s dental surgery in September and now arm surgery before the end of the year. But…since the corporate insurance scum company is dropping us, I’m happy to force them to spend more money on us.

Insurance, the biggest scam ever perpetrated on the American people. Every kind and every type: an utter joke and scam to make shareholders profits.

But I am glad it’s going to be looked at and potentially repaired; this staying out of the gym has been horrendous and I hate that I am getting so out of the fit condition I prefer to usually be in. At least we’re saving money on the gym membership; we put mine on pause after I originally injured it. I tried talking Paul into a SPCA run to look at kitties this weekend, as I do not like living in a kitty-free home, but he is going to visit his mom soon and wants to wait until he gets back. I get that–not wanting to go away right after getting a pet–but it also means I won’t have a cat to keep me company while he’s gone. Heavy heaving sigh. But I can also consider our new kitty, when we get him, as a birthday gift. (And I will keep working on him, of that you can be sure.)

I read deeper into Megan Abbott’s brilliant Beware the Woman yesterday, around appointments, errands and chores, and it is deliciously marvelous. As always, reading Megan inspires me to write better myself–the truly great writers always are an inspiration, even as their talent awes me it also inspires–and it gave me some ideas, too, as the best writers always do. I am looking forward to finishing the book this weekend, after which I will move on to S. A. Cosby’s All the Sinners Bleed. I’ll get my grubby paws on a copy of the new Laura Lippman soon enough, and let me tell you, I’ve got some amazing reading ahead of me for the rest of the summer; Eli Cranor, Jordan Harper, Alison Gaylin, Wendy Corsi Staub, and the new Silvia Moreno-Garcia novel, Silver Nitrate, just arrived the other day as well.

I also was asked to moderate a panel at Bouchercon on Saturday afternoon; which brings my panel total to four (the other three are nominee panels, and since I have THREE nominations that means THREE panels; my queer crime writer friends are always telling me I need to shout that from the rooftops, so I am trying to be a little less self-deprecating and trying to take more pride in my accomplishments, and let’s face it, it’s pretty impressive and cool to have those three Anthony nominations. I think S. A. Cosby and I are the only people to be nominated three times in the same year; pretty heady company to be in, quite frankly.) That means I’ll have to prepare and I no longer have Saturday as a free day; but that’s okay. I can sleep in, grab some coffee, and make notes that morning before the panel. That Saturday is going to be one of those days where I’ll have to remember to eat, so I should probably make lunch plans with someone.

I slept well again last night, so deeply I didn’t want to get up this morning, but it’s my last day in the office for the week and I think I’ll survive somehow. I got my errands done yesterday, and didn’t get as much done around the house as I would have liked. I really need to make a project out of the kitchen drawers and cabinets. But it was miserably hot out there and I did get everything done outside the house that needed doing, and now this weekend I may need to make a single grocery/mail run while dropping books off at the library sale; there are at least two, if not three, that are ready to go. I may even get another box down from the attic to go through for book purging. We also watched more of The Crowded Room last night, and if Tom Holland isn’t at least nominated for an Emmy for this, the Emmys will be an utter and complete joke.

And on that note, it’s time for me to head into the spice mines. Have a lovely day, Constant Reader and I may be back later.

Pur

Wednesday Pay-the-Bill day, and I have the day off because I have a doctor’s appointment smack dab in the middle of the day, so…no choice but to take the day off. I don’t mind, despite the disruption of routine it causes. I have errands I can get done, and I can also take Megan Abbott with me to the appointment to read while I (inevitably) wait.

Coming home from work wasn’t as rough yesterday as it was Monday. I did pause once I shut the front door to wait and see if Scooter would come downstairs before remembering, which made a bit sad. It really doesn’t feel like home without a cat in it. And of course, our next cat may not be anything like Scooter. Scooter was a completely different cat from Skittle, after all–Skittle wasn’t nearly as affectionate, but he was but only when he wanted to be and for as long as he felt like it, while Scooter was constant. I’m torn between a kitten and one that’s already full grown; primarily because everyone wants kittens and it’s harder to adopt out full grown cats. Kittens are awfully cute; Skittle was a kitten when we got him. But our stairs are pretty steep for a kitten to navigate, and it also means we’d have to be a lot more careful with the front door. Scooter had no interest in going outside whatsoever; the front door could be wide open and he was having none of it. He was so disinterested in the outside he wouldn’t even stare out the windows–unless he heard Paul talking outside on his phone. That always intrigued him, and was the only time I ever worried about him going outside–if Paul was out there, Scooter would want to join him. But as a general rule, he didn’t give a rat’s ass about outside. (I’m with you, Scooter, I’d never go outside again if I could get away with it!)

I wasn’t tired yesterday either. I slept really well on Monday night–I’ve slept well ever since I finally adapted back to my life and reality after my vacation and the 4th holiday fucked with me–and we had a relatively easy day at the office. Between clients I did some more deep diving into Alabama history; I don’t know why it never occurred to me until this week that if I was going to write a short story built around an urban legend, why try Louisiana when I have all that history and lore and legends about my home state? I found a particularly gory and grotesque Civil War revenge story–based in fact–which might do the trick. One of the things that has been interesting me lately is the concept of the interior civil war inside the state of Alabama in the north hill country; Union sympathizers who didn’t believe in secession and refused to fight for the Confederacy, and some even served in the Union army. The Alabama Home Guard was particularly brutal; they were the ones who committed the atrocities that triggered the vengeance story, and that something I think I can work with. I know there’s a legend that one of my aunt-by-marriage’s ancestors served in the Union Army and when he snuck home for a visit, the Home Guard caught him and skinned him alive. Gruesome and horrible, but the back country in the South’s entire history is gruesome and horrible. There are a lot more stories to be told about the part of the country from whence I came…

I slept well again last night, too. I was able to sleep in a bit later because I took the day off for doctor appointments–I need to talk to my doctor about my arm and my toe again, heavy sigh–but since the appointment was in the middle of the day, I didn’t see any point in either going in before and returning after so took the entire day off. It’s a nice break to the week, really. We watched this week’s episode of Last Call, and then went back to The Crowded Room–mostly because we didn’t have anything else to watch last night. The first five or so episodes of the show moved really slow and you couldn’t really be sure what was going on. I figured out it was dissociative identity disorder that was plaguing the poor sad character being played (brilliantly) by Tom Holland; but the episodes we watched last night moved the story along, tied it all together, and were riveting. Paul and I agreed it was an odd storytelling choice; risking losing the interest of the viewers who might not continue because it was moving so slow and made so little sense. We wouldn’t have gone back had there been anything else for us to watch–but the performance by Tom Holland! My word, he’s quite the talent. I knew he could act–I’ve seen him give incredibly strong performances in two films, Cherry and the other one, The Devil All The Time, which was, in my opinion, terribly underrated as a film. I suspect Holland will win an Oscar at some point–if people can stop seeing him as Spider-Man.

I was thinking it might be fun–since our anniversary is tomorrow–to surprise Paul with a cat when he gets home from work tonight. But the more I think about it, the more I think that as fun as that would be, I think he’d want to be involved in the selection process. So, probably the best thing to do is talk to him about it tonight when he gets home from work, and maybe going out to the SPCA on the West Bank to see what kitties they have on hand for rescuing. I’ve looked at several websites for adoptable cats in the area, and of course want them all (Wendy Corsi Staub recently wrote a piece for CrimeSpree to promote her new book, Windfall, about winning the lottery; she asked a bunch of us what we would do should we win the huge lottery…and I should have said “buy a ranch so I could adopt all the cats in the world and give them a loving home,” because I would really love to do that), so probably its best to involve Paul in the process. Paul picked out Skittle, even though I found Scooter. I’m still missing Scooter–expecting him to come down the stairs at any moment, listening for him, and sitting in my easy chair after I get home from work just isn’t the same thing; I cannot justify sitting there doing nothing without the “cat sleeping in my lap” excuse.

I’ve got laundry going, and I need to finish the load of dishes in the sink so I can put them in the dishwasher and run it. I am going to try to get some things done around the house around the appointment, but we shall see how that goes. We’re in another heat advisory today–seriously–but this morning I am going to swill coffee, do some stuff around the kitchen, and maybe spend some time with Megan Abbott this morning. Have a great day, Constant Reader, and I’ll check in again later.

In Too Deep

Well, Constant Reader, we made it to Friday somehow, didn’t we? Huzzah, I guess?

The heat finally broke yesterday; it was very cool in the morning and evening. The afternoon didn’t feel nearly as bad as it has been, even though it did get up to about 87 degrees. There wasn’t any humidity, and the humidity is, after all, what is really horrible about the weather here. There’s also a tropical storm of some sort out in the Gulf–I should probably check on that, since it’s projected to pass by close to here–which undoubtedly is affecting the weather here somewhat as well.

I don’t have big plans for the weekend; I never do, really. Just the usual: make groceries, pick up the mail, clean, watch the LSU and Saints football games, cook out, and do some writing. Today is a short day at the office, and I’ve already started working on the cleaning this morning. I’ll undoubtedly do some more tonight when I get home from the office, and I’d also like to get back to work on Bury Me in Shadows, which has pretty much lain fallow this entire week. I have done some thinking about it, of course, and there are changes to implement into the manuscript before moving on to those later chapters, but I am way off track to get it finished by the end of the month, as I had originally hoped and planned, unless I get back to work and start kicking some serious ass as I work on it.

And maybe–just maybe–with some dedication, I can get my emails all caught up. Stranger things have happened…and may happen again. Just you wait and see.

I slept really well last night–only woke up twice that I can remember–and feel very rested this morning. My throat is still sore, but the earache seems to be gone for good (huzzah!), and maybe tonight I’ll dose it with tea and honey before going to bed. I still haven’t started reading Silvia Moreno-Garcia’s Certain Dark Things beyond that enthralling first page, but probably tonight when I get home from work I’ll make some time for it–Scooter always wants some cuddle time whenever I come home, so I find that’s the best thing to do–curl up in my easy chair with a book so he can sleep in my lap and purr. It’s weird how far behind I’ve fallen in my reading–I’d hoped to read more horror this month than I have–and I’ve also got to start preparing for my Bouchercon panels; I’m moderating two, and that requires prep work, particularly since I have so many ridiculously talented people on them. One features Cheryl Head, Alex Segura, Steph Cha, S. A. Cosby, Michael Nava, and my co-moderator, Carsen Taite; the other features Lou Berney, Wendy Corsi Staub, Alison Gaylin, Elizabeth Little, and Steph Cha (again–and if you haven’t read her brilliant new novel, Your House Will Pay, shame on you and get to it). Ridiculously talented and wicked smart panels…so I am really going to need to be prepared, else I will come across looking like a moron.

I am also on the Anthony Award Best Short Story panel, where I will be sharing the stage again with S. A. Cosby in addition to Art Taylor, Holly West, and the always delightful Barb Goffman. Barb and Holly have stories in Florida Happens (Holly and my nominated stories are from Florida Happens); Shawn and I are both in the upcoming Dark Yonder anthology; and Art is one of the most awarded and respected short story writers in our genre–his nominated story also won the Edgar this past spring. (Holly also edited Murder-a-Go-Go’s, which includes my story “This Town.”) I don’t hold out many hopes for an upset win and a second Anthony for my shelves; but it truly is a surprise and a delight to be nominated in the company of these other writers whom I admire and respect so deeply.

It’s nice to periodically take stock, you know? I get so caught up in the grind of editing and writing and promoting and reading and everything else I have to get done–not to mention the dispiriting slings and arrows that come along in your every day life as a writer (not the least of which is fucking Imposter Syndrome) that I never really ever take the time to sit back and reflect and enjoy what I’ve done so far, what I’ve accomplished. I think part of that is because I am always dissatisfied with where I am in my career as a writer and wanting to get more done, accomplish more, and get more work out there. It’s a grind, as I mentioned earlier, and I always forget to enjoy moments, or to even take a moment here and there to bask in the joys of accomplishment because I’m always so focused on what’s next oh my God I have so much to do and so little time when will I ever get this all finished? That, of course, is self-defeating. I’ve been trying to be better about blowing my own horn and taking some pride in myself, as well as working on my self-confidence.  I’ve written a lot–novels, novellas, short stories, essays–and I’ve won some awards, been nominated for even more. It’s a thrill to be nominated for a mainstream short story award–the second time I’ve been nominated for a mainstream short story award–and it’s really quite a thrill. It’s a thrill to be in the company of the other nominees this time; last time the other nominees included Lawrence Block and Joyce Carol Oates. (I know, right?)

So look at the positives, and ignore the negatives.

And on that note, I have some time before I have to get ready for work this morning, so I think I’ll do a bit of writing.

Have a lovely Friday!

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Steppin’ Out

Home. Sunday night–early evening, really–and I am exhausted. Bouchercon just sucks the life right out of me every year, but I wouldn’t miss it for anything. I have the best time every year: reconnecting with friends I don’t see nearly enough; making new friends; drinking waaaaaaaaaaay too much; and laughing until my abdominal muscles hurt and hurt and hurt. Right now I think if I started laughing I’d also start weeping in agony–that’s how much I laughed this weekend. (And let’s not talk about the ten hours of non-stop drinking that was Friday evening. Oooooooohhhhhh.) I often have trouble sleeping when I’m home; this is exacerbated when I travel, so I’ve not had a good night’s sleep since I left on Wednesday. I am now very close to running out of steam, but am struggling to stay awake so I can hopefully get a good night’s sleep tonight.

And I won the Anthony Award for Best Anthology; rather, Blood on the Bayou: New Orleans Bouchercon Anthology 2016 won. I just edited it. It’s kind of thrilling; it was an incredibly difficult category and I was seriously just honored to be in the company of the other nominees. Art Taylor deservedly won the Macavity Award for Best Short Story; again, I’m just so thrilled that I was even on the shortlist that I really didn’t care about winning, and Art’s story was simply phenomenal.

Okay, I am too tired to think clearly. I’ve been trying to write this for hours now, and I think I should just go to bed and finish in the morning.

Monday morning. I slept so good last night. I woke up several times during the night, and I did wake up much earlier than I thought I would, but I feel rested; it was good sleep, and that’s always a plus. It’s also weird because it’s not light in the mornings anymore; it’s fine, and I’m going to love the extra hour whenever we get it–but I always hate giving it back.

Wow, what a weekend. As I said before, I laughed so hard all weekend; it was almost non-stop. I can’t believe how much I drank…but every year Friday turns into an epic drinking marathon. (This year broke Raleigh’s record.) So many great friends, so many highlights…the only low light was the “not able to sleep in hotels so am always running on accessory” thing, and that’s my low-light of every year and every conference. I met some amazing new people and made some amazing new friends; I was on two glorious panels with fantastic people and fantastic moderators and fantastic audiences; my biggest regret is the same as it is every year–that I didn’t get to spend as much time as I would like with everyone I would like. Toronto was absolutely lovely, and so was the hotel. (The hotel bar was just okay, but the private lounge on the 43rd floor was fantastic.) I read two books on the trip–Burnt Offerings by Robert Marasco and The Vines by Christopher Rice, and started reading Oh, Florida! by Craig Pittman on my way home–which is also fantastic. I got some new books that I’m looking forward to reading: The Blinds by Adam Sternburgh; Sunburn by Laura Lippman; and the new Ivy Pochoda, Wonder Valley. (I finally met Ivy this year, and she told Paul and I a story about visiting Louisiana with her mother that had us both sobbing with laughter.) I had some awesome meals–but I think my favorite was the noodles I had for lunch on Friday, with the fish and chips on Sunday night at Braddock (not sure if that was the place) a close second. I drank wine instead of martinis–the martinis in Toronto were somewhat less than what I would have hoped for–and I got to laugh with so many wonderful friends. Paul, of course, was with me for this entire trip, and he fit in like I knew he would–I swear I think some of my friends like him better than they do me (I’m looking at you, Wendy) and oh, how I could go on.

I even ran into the ChiZine crew–Michael Rowe, Brett Savory, Sandra Kasturi–on Saturday night as two of my writing worlds converged!

And that LSU game on Saturday! That and the books are getting their own posts.

But probably the best–and this is simply because it was bigger than just being a good time for me–part of the weekend was being on the Writing the Rainbow panel. Moderated by Kristopher Zgorski of BOLObooks.com, the other panelists were Owen Laukkanen/Owen Matthews (seriously, buy his books!), John Copenhaver (whose debut novel I can’t wait to get my hands on), Stephanie Gayle (read her books–and she looks like Laura Dern with dark hair), and Jessie Chandler (seriously, read her books). When I was assigned the panel, my first thought was great, three people will show up for this. 

I was wrong, The room was packed. Kristopher had great questions for us, and the answers were all fantastic and thought-provoking. We talked about great queer books and great queer writers, talked about our own experiences writing about queer characters, and the audience was so receptive and amazing. I almost got teary and emotional, honestly; it was the first time I’ve ever be on such a panel at a mainstream event to have such a  great audience and such a great crowd. We’ve come such a long way. I just wish some of the great writers who were publishing when I first was getting started were still publishing so they could have enjoyed this moment as well. It was an honor to talk about Michael Nava and John Morgan Wilson and R. D. Zimmerman and Mary Wings and Katherine V. Forrest and there were so many others we didn’t  get to mention…and there certainly wasn’t enough time to mention all the great people doing the work now–although we were definitely able to plug the two great lesbian writers, Ellen Hart and J. M. Redmann.

And now, I have some things to get done around here while my other blog posts take form in my head, so I will leave you with a picture of me and my partner in crime for the weekend, the always amazing and hilarious Wendy Corsi Staub:

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