Tag: Wanda M. Morris

One Bad Apple

Sunday morning in the Lost Apartment and I didn’t sleep particularly well last night–more of a half-sleep most of the night more than anything else, when your mind doesn’t shut off and at any time you can just open your eyes. I fucking hate that. I have a lot of work to do today–maybe that’s why I was sleepless last night, I don’t know–but there’s nothing to be done about it this morning rather than swill down coffee and hope for the best.

Yesterday wasn’t as productive as it should have been. I did some chores yesterday morning and then sat in my chair, intending to spend a few hours reading Chris Holm’s Child Zero. Mistake. I kept reading until I was finished, around three in the afternoon, and with only a few hours left before five, I decided to do more chores than my taxes or write my short story or do other work I have to get done. (Even on the weekends, I don’t work after five.) We tried watching Cruella last night, but got bored very quickly and turned it off, switching back over to Netflix for more episodes of Dark Desire, which has such an incredibly complicated plot–it’s way fun if you’re into noir-ish erotic murder thrillers, and Alejandro Speitzer is just fucking gorgeous to look at–that I am not entirely sure I am completely following it anymore; I’ve kind of given up on trying to figure out who the killer this season is and how all the backstory from the first season as well as the characters’ pasts is interwoven into the plot because there’s just so much–kind of like How to Get Away with Murder was; but it’s also, like Murder, a lot of fun to watch. Ozark’s final episodes are also on their way, and I want to check out Moon Knight too.

There’s so much to watch, seriously.

And read. I have to decide now what to read next. So. Many. Books. I want to read the Wanda Morris, and of course I’ve got some Mia Manansala on hand as well…ah, decisions, decisions, decisions. But I have to get my taxes ready today and off to the accountant–I am really dreading this tedious chore; I don’t know why I can’t just fucking update the expenses spreadsheet at the end of every month, which would make this odious chore so much bearable at the end of the year; procrastination never makes anything easier or better, quite frankly–and I have to do some things with other work I am doing. Maybe I’ll have time to work on “Solace in a Dying Hour”; I certainly hope so, since next weekend I will be in Albuquerque and won’t do any writing at all (I am already having conference anxiety about who I am going to hang out and have fun with; my usual con crew isn’t going to be there, I don’t think–maybe I will end up hanging out in my room and reading most of the time, which is what I used to do back before I knew anyone). But you never know…

Stranger things have happened. And probably will again.

Egad, is my kitchen a mess. I can see all kinds of ways to procrastinate today. But at the top of today’s list is get the tax info to accountant and that’s really not something I can fuck around with, you know, no matter how tedious the chore may be or how little I want to actually, you know, do it. (I should have at least started it yesterday…)

Okay, now I am boring myself, so I am going to go get cleaned up, make some more coffee, and get this odious chore out of the way.

And will check in with you tomorrow, Constant Reader–happy Sunday!

Shine on Me

Sunday morning.

I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.

I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?

So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.

And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.