Tag: Universal

Tumbling Tumbleweeds

Thursday, and my last day in the office for the week. There are, of course, meetings tomorrow morning, but after those have passed, I can do my data entry and quality assurance before relaxing and diving into Between a Flock and a Hard Place, which I am really looking forward to. I did get a little tired yesterday afternoon–more sleepy than fatigued, though, which is different and better. I made groceries on the way home–not much–and did some straightening once I got home, so the kitchen doesn’t look like a hurricane went through here and the counters are cleared. I have errands to run tonight after work, too–but it’s the last day for me in the office before the weekend, and the last day of the pay period, so I get to leave early thanks to accumulated time.

Paul didn’t get home last night until after I went to bed, so I spent the evening sitting in my easy chair with Sparky sleeping in my lap while I caught up on the news of the day–and I woke up this morning to even more fallout from yesterday’s news. This Epstein thing is going to be really bad, which is why the powerful and the rich have done their damnedest to bury every last bit of it. Ghislaine Maxwell lied to the DOJ to cover for the president and got moved to a country club prison, for one thing–we knew it before, but now there’s incontrovertible proof she lied, and only the MAGA-iest of his supporters could possibly believe anything the clown says about anything from now on…or how quickly MAGA loses interest in pursuing actual pedophiles now that their foul lord and master is so damnably implicated now (which we on the left always knew) that there’s no getting away from it–and the Supreme Court’s gift naming him the Very Special Boy who can commit crimes as long as he calls them official acts–doesn’t fucking apply here. Wompity wompity womp womp.

And we really need to make “but his emails” a thing now.

I didn’t have any trouble getting out of bed this morning–I even forgot to set the alarm, but Sparky woke me up anyway–and while I do feel a bit of fatigue in my legs, it’s bearable. I am sure I am going to hit the wall this afternoon before I leave to run my errands (groceries, mail, prescriptions) after work, but that’s fine. All I need to do is refluff the clothes in the dryer and fold them to put away, empty and reload the dishwasher, and maybe–maybe–do some other cleaning work before sitting in my chair with Sparky and Donna’s book and reading for a bit before Paul comes home and we try to get caught up on our shows. I also want to watch the new Frankenstein movie; I was never really a fan of any of those films (other than Young Frankenstein, which is still one of the funniest movies ever made), so I am not going into it with any bias. I originally read the book (along with Dracula) as a teenager and found them both to be a bit…boring. I reread them sometime around the turn of the century and found myself really enjoying them more, and Frankenstein1 the book? I preferred it to any of the films I’d seen as a child; perhaps I should revisit those old classics from the 1930s again. Funny how, when revisiting horror last month for Halloween, I primarily focused on slasher movies like Scream rather than going back to the original classics from Universal, isn’t it? I think I need to watch horror more broadly next October, and should make a list. The Uninvited would be a good choice, methinks—and I have a copy of the book, so I can read it and watch the movie!

Huzzah!

I’m also, due to the lack of fatigue, getting better organized and getting more things done. I am on my game at the day job for the first time since I had COVID in the summer of 2022, which is cool (I like being good at my job, you know). I’m hoping to get some more writing done before Monday, and to make some progress on getting ready to finish the first draft of Chlorine. It really sucked these last few years not being in the right mental space to write and enjoy it; it’s seemed like an odious chore since the COVID thing, and it’s really nice getting back into the swing of creativity again. I doubt I’ll ever write five to six books per year ever again, until I retire at the very least.

And on that note, I am heading into the spice mines. Have a great Thursday, Constant Reader, and I’ll be back on the morrow.

  1. aka The New Prometheus, which is a big tell about the book’s themes. ↩︎

Promises in the Dark

I grew up loving both horror and crime stories–those wonderful old black and white Universal monster movies used to scare me to death, not to mention all the marvelous ghost stories and mysteries that got filmed back in the day. I also watched a lot of the 1950’s paranoia horror monster movies–Godzilla and its ilk–and those also used to give me horrible nightmares. I also liked how twisted horror comic books like The Witching Hour, House of Mystery and House of Secrets were. I’ve always wanted to write those kinds of stories, but if you think I have zero confidence in my abilities as a crime/mystery writer, there’s even less when it comes to my writing of horror. I never feel like I ever get it right, you know, and my stuff is macabre and peculiar and slightly twisted, but it’s not really scary. But like I did with the mystery novels and movies I watched as a child, I was always looking for myself in those tales and not finding myself. Oh, every once in a while there would be some homoeroticism in some horror I would be reading (Peter Straub’s If You Could See Me Now comes to mind), but for the most part, there wasn’t much. Thomas Tryon’s The Other resonated with me–it wasn’t until decades later that I learned Tryon was gay, and that sensibility infused all of his work, hence my connection with it–but usually when gays showed up in horror they inevitably were effeminate and soon to become victims. (Kill your gays has always been a thing, clearly.)

When I was going through my “I want to be the gay Stephen King” phase in the 1980’s, I didn’t put gay characters or themes in any of my stories–although rereading my attempts at horror from then now, I can see the sensibility was always there–but the horror novel I started writing in about 1986 or 1987, The Enchantress, had a gay point of view character, even though I didn’t really know what I was doing. I was always afraid, you see, to include gay characters in anything I hoped to get published because I was so busy keeping my two lives completely separated that I feared writing sympathetic gay characters would out me. (During my many writings about my high school students from Kansas, one of them was actually gay and was probably the most realistic and honest character in all of those writings) Trying to salvage those stories now, decades later, I sometimes will revise one and make the point of view character gay–which inevitably makes the story work better, incidentally–and they see publication eventually; “Crazy in the Night” was one of those stories, and another morphed into Bury Me in Shadows, actually. Just this morning I was thinking about some more of those old stories and how to make a couple of them work–partly because I spent the last two mornings reading Other Terrors: An Inclusive Anthology from the Horror Writers Association, edited by my friends Vince Liaguno and Rena Mason. The point of the anthology was to focus and highlight horror stories from marginalized writers–where they are marginalized by race or religion or sexual orientation or gender identity, and it includes stories from some of the top names in horror publishing today.

As with any anthology, some stories stick with the reader more than others; this isn’t a dis on any of the contributors to the anthology–every story was incredibly well-written–it’s just that everything is subjective and some stories stick with the reader longer than others. For me, the standouts were Jennifer McMahon (“Idiot Girls”); Alma Katsu (“Waste Note”); Gabino Iglesias (“There’s Always Something in the Woods”); Hailey Piper (“The Turning”); Larissa Glasser (“Kalkriese”), Michael Thomas Ford (“When The Lovelight Gleams”); M. E. Bronstein (“The Voices of Nightingales”); and S. A. Cosby (“What Blood Hath Wrought”). These were the ones that really resonated me, with the connections of strong writing, three dimensional characters, and completeness of the story. For many of the contributors, this is my first experience with their work, and I will definitely look out for more of their work. These were the ones that made me start thinking about ideas and stories and characters; stories that not only were enjoyable and immersive to read but also kick-started my own creativity and inspiration.

And what more can you ask from a reading experience, as a fellow writer?

Now I want to write more horror.

Definitely check the book out, Constant Reader, I think you’ll enjoy it.