Tag: Tower Records

Blue Bayou

Sunday morning and all is well in the Lost Apartment. Yesterday was kind of nice. I slept well again on Friday night, woke up at five, six and seven like every morning with no alarm, and then finally got up around seven thirty to get ready for the day, which was nice. I decided that it made the most sense to run my errands in the morning before the brutal heat of the afternoon; I needed to mail a letter and pick up the mail, as well as drop off Scooter’s leftover food at the Cat Practice and make groceries–and I needed cleaning supplies, so that was crucial to the day; an errand that had to be run. It was brutally hot, but I managed it all. I bought a lot of cleaning supplies, and spent most of the afternoon yesterday cleaning. I did the stairs, the floors in the bedroom, and finally emptied and cleaned out Scooter’s litter box. I was avoiding it because I was afraid doing it would make me sad, but ironically it was just a chore…but writing about it just now made me start to tear up a bit. Sigh. He was such a dear cat. (I also looked at the adoptable cats on the SPCA’s website. I really really want to get this twelve year old ginger boy that no one’s going to want because he’s old..but we’re old. Is it fair to get a baby cat that might outlive either or both of us? Well, that certainly cheered me up a bit. Christ.)

I also did the baseboards and the CD stand…which is something we’re going to have to discuss. We don’t even have a CD player anymore, and yes, it’s terrible to have paid for all that music only to lose it now all these years later but…I haven’t listened to a CD in years. My car has a CD player–maybe I can move some into the car and listen to them instead of the phone? We have all these great gay deejay dance mix CD’s–we used to buy them all the time, the little store across from the Pub used to sell them, and Tower Records–when it existed still–also sold dance remix CDs; I think I got the Debbie Harry dance mix CD single for “I Want That Man” at Tower Records. Anyway, years and years ago Paul had this wooden CD stand custom built. It’s a lovely piece of furniture, and perhaps it can be repurposed for something else–but the CDs are grimy and I cleaned them with a lick and a promise; but…do we really need to hold on to all those CDs? (The stand needs to be repainted white, too–years of nicotine have turned it precancerous–but that will have to wait until the weather calms the fuck down.

But I feel good about the apartment, really. Having the walls finally finished has awakened a nesting instinct in me that’s been dormant for quite some time. As I was finishing the stairs and looking around, I actually thought I wouldn’t mind having someone come by the house now even though it’s still not up to my standard (my work space will never stay tamed, alas), which is something I’ve not even considered in years. It felt good wiping down the walls and baseboards, picking up all that nasty dust and getting rid of it. I also bought a dust mop at the store yesterday (as one of my cleaning purchases) so I can run it over the walls more regularly to keep the dust from accumulating and turning into grime or cobwebs. It’s still very much a work in progress, of course, but I am feeling good about the homestead, and probably am about to do another brutal purge of the books.

I read some short stories yesterday as well–more of the Alfred Hitchcock Presents anthology stories, of course–and I am getting such an education in short stories, as well as having some powerful insights (well, to me anyway; remember, I go through life completely oblivious to everything) about my own stories, what I find myself afraid to do and how limiting my own fears about my abilities and my talents and my creativity have proven to be. One of the stories I read yesterday, “Getting Rid of George” by Robert Arthur, was about a movie star whose carefully hidden past suddenly comes back with a vengeance just as she is about to marry the love of her life and start her own production company with him, making herself quite rich in the process, and it hit me: one of the stories I am struggling with writing right now is about a wealthy gay man and his boy toy looking for a fabled ‘fountain of youth’ in a fictional Latin American country. I’ve had the idea for decades–since visiting the Mayan ruins in the Yucatan and thinking I should write a story about these ruins (and yes, well aware that I have to be incredibly careful and respectful of the Mayan culture and their descendants)…and this is the story set in a foreign locale I was going to try to write for the Malice anthology. I need to recognize self-destructive thinking when it presents myself; and whenever I think you can’t write this for whatever reason my reaction shouldn’t be to shy away from it but to dive into it headfirst and commit to it. (This is also one of those stories that I thought I had already written a draft of; but it is not to be found anywhere, nothing other than pieces of aborted openings–it may have been lost in the Great Data Disaster of 2018….but I just realized where it probably was and THAT’S WHERE IT WAS! Victory!)

And really, one of the two main characters in my story “Don’t Look Down” was a retired former boy band star. So, that was certainly outside my expertise, was it not?

I really enjoyed the Robert Arthur story; Arthur was also the creator of, and wrote, eleven of the first twelve Three Investigators mystery series, which makes him always special to me. He worked for Hitchcock on the literary side of the brand (Hitchcock became a brand like before we thought of creatives in terms of brands and branding and brand marketing), and also “helped” (i.e. “ghost edited”) most of the Alfred Hitchcock Presents anthologies. Arthur was a great writer, “Getting Rid of George” certainly is evidence of his talents, and it’s a shame he isn’t better known or regarded; but the great tragedy of juvenile books is that they rarely survive the test of time–they inevitably are forgotten, as are their authors, unless they win a Newbery medal or something, like Johnny Tremain, but I suspect even that tired old war horse of American revolutionary propaganda isn’t read nearly as much today as it was when I was a kid. There are few–Lois Duncan being one–crime writers for juveniles or young adults to be named Grand Masters by Mystery Writers of America; Arthur certainly deserved to at least be considered, as the creator of the Three Investigators and as a rather successful writer of crime short stories.

I read another story in My Favorites in Suspense, “Island of Fear” by William Sambrot, which I really enjoyed and thought was quite excellent. An Englishman looking for antiques and local art in the Greek islands spots a small island with a massive wall built along its shoreline, and wants to stop there as it is remote and doesn’t, per the captain, get many outside visitors. This is a “be careful what you wish for” tale; because he convinces the captain to let him off on the island, where he spots a gorgeous sculpture through a break in the wall, so exquisite he has to have it and meet whoever the people are who live in the land inside the wall. The island natives are quiet and don’t talk much–not his usual experience with Greeks–and finally convinces a young man to row him around the island to an opening in the walls so he can go ashore, meet the owners, and buy the statue. As I said, it’s a “be careful what you wish for” story, and the ending is quite satisfying as the last few paragraphs make sense of the “mystery” of the island. It may well have been my favorite of the stories thus far in the anthology (at least of the new-to-me material; remember the book opened with “The Birds” by Daphne du Maurier, which quite set the tone for the rest of the stories.

I also read a story from Stories That Scared Even Me, “Two Spinsters”, which falls into the category of “the unfortunate traveler,” which several stories in both anthologies fall into. It’s not bad, the main character being a police detective who gets lost on unknown backroads and can’t find the town he’s looking for, and is eventually forced to seek refuge at a strange house with two identical, if silent, spinsters–and there’s a lot more going on in that strange house than the weary traveler suspects at first. This story was written by E. Phillips Oppenheim, yet another writer I’ve never heard of or his work before. Oppenheim, however, was quite the big deal in his time; he wrote and published over a hundred novels and even more short stories; John Buchan (a Golden Age crime writer not as well known today as perhaps he should be) called him his primary inspiration when launching his own career in 1913.

Interestingly enough, the next story up in Stories That Scared Even Me is by Robert Arthur. There are only three stories left in My Favorites in Suspense, and the book closes with a short novel, The Blank Wall by Elisabeth Sanxay Holding, a classic from that post-war era that I’ve always wanted to read (it was common in those days to close a short story collection by including a short novel, and most crime novels in those days were rather short). I’ll probably finish reading those short stories today, but really need to get back to reading novels–maybe I’ll read a bit more into The Hunt by Kelly J. Ford, which is fantastic; taking so long to finish should not be seen as an indictment of Ford’s work. The book is fantastic and she is one of the great new voices in queer crime fiction–and I’ll be doing a crime panel with her later today for Outwrite DC.

I slept really well last night–it’s lovely having Paul home, really–and so today I hope to get some reading and writing done. I am about to adjourn to my chair to finish this Hitchcock anthology, and then I am going to work on getting some writing done while cleaning up the kitchen and my workspace. I feel very well rested this morning–I could have easily slept much later–so hopefully it will be a great day of getting things done.

Or not. Since Paul’s home now we can finish watching Gotham Knights, Hijack, and back to other shows we’re watching, and of course Paul needs to watch Season Two of Heartstopper, which means I can finally talk about it. I may check in with you again later, Constant Reader, and if not, I certainly will do so tomorrow.

It’s Raining Men

The first song I ever danced to in a gay bar was, quite naturally, “It’s Raining Men.”

I never said I wasn’t a stereotype, did I?

I was twenty-one the first time I ever set foot in a gay bar. (If there were gay bars anywhere near me in Kansas, I had no idea) It was in Fresno, California, of all places; where I spent the 80’s and which I often lovingly refer to as “Topeka in the Valley.” It wasn’t much of anything, really; a small building on Blackstone Avenue, I think just past Olive, and near the off-ramp for the new cross-town highway in an attempt to alleviate traffic on the main streets of the city (it may have been further north). The bar was called the Express, and someone I worked with–the first obviously gay man I ever knew, and certainly the first one who was out and proud and not ashamed of it–took me one night after work. I was nervous as hell. I had no idea what I was getting myself into, and I remember it was dark and crowded. There was a bigger front room with the bar, and there was a smaller dance floor further in the back. We arrived–I didn’t recognize the song that was playing–got a beer (he got a vodka and cranberry), and then the next song started up. I didn’t know it, had never heard it before, but he dragged me out onto the dance floor and yes, the song was quite a jam. I loved it, and rather self0-consciously danced my ass off (I always loved to dance). My friend later told me the song was by the Weather Girls, who used to sing back-up for Sylvester, and it was called “It’s Raining Men.” The song was utterly ridiculous–it still is–but those powerhouse vocals, the driving beat, and the absolute joy in the idea that all you had to do was “rip off the roof and stay in bed” so a hot man will drop in from the sky for you? How could gay men not embrace the song? I bought the single at Tower Records a few days later, and every time that song played, I’d be out on the dance floor. Even now, when I hear it, I always think back to that first night I went to a gay bar.

HIV/AIDS was already a thing, but we didn’t know much about it in Fresno; it seemed like something new and scary but maybe no worse than some other new diseases that had been discovered in the 1970’s/early 1980’s. The rare yet terrifying information and reporting on it referred to it as GRID. It eventually claimed that co-worker who took me to my first gay bar, and his roommate, who was the one who told me years later that the co-worker (whose name I cannot recall, I just know it started with a K) was in the hospital, dying. “It’s Raining Men” always reminds me of him; always takes me back to that first time when I so nervously paid my cover charge and flashed my ID and walked into my first ever gay bar. There was another gay bar in Fresno, the Red Lantern, that was in a much shoddier (“dangerous”) part of town. (Gay bars, back in the day, were never in the best neighborhoods. Tracks in Ybor City in the early 90’s–when I lived in Tampa–was also not in the best neighborhood. Ybor City did begin gentrifying before I moved away, but originally? Yeah, not the best neighborhood.) I went there a few times as well–made friends there, made friends in the other bar, too. I lost all those friends, of course, and their names and faces are also gone, more lives lost to the mists of time in my memory. It seems a bit shameful to not be able to remember the names and faces of the first people who knew a part of me I’d never let anyone see before, but they also didn’t know me in that I kept the other part of my life secret from them.

It’s very strange, because I decided to google the gays bars of Fresno while I was writing this and apparently the Express closed in 2013? I don’t think it stayed in the same location–according to the site I found it had also been called “708” before becoming the Express again; who knows what that was all about. But the Red Lantern is still there on Belmont Avenue, in the same location; how wild is that? That’s a pretty long-lived gay bar for a place like Fresno, really. I remember in Houston there was JR’s, and Heaven, and maybe another one there in the Montrose district. But I didn’t start spending a lot of my weekend evenings in gay bars until I moved to Tampa. Tracks in Ybor City and Howard Avenue Station were the two primary gay bars when I lived there; and there was Bedrox on Clearwater Beach–which was the gay section.

And of course, there are gay bars everywhere in New Orleans. I haven’t set foot in one in a number of years, and may never do so again. I’m old; spending the night dancing would end with me in the hospital, or needing days to recover.

I don’t know what gay bars are like now because I’ve not been a part of that culture for a very long time–we haven’t even done condom outreach during special weekends in the bars in years anymore–which is why it’s hard for me to write about Scotty being still a party-boy. His age in the book I just finished and turned in is roughly forty-three or forty-four; after Katrina when I had to actually pick a time for the books to have been set (Katrina couldn’t be ignored), I decided that the Southern Decadence where Scotty met both Frank and Colin was in 2004, Jackson Square Jazz was that Halloween, and Mardi Gras Mambo was Carnival 2005. Scotty had just turned twenty-nine in Bourbon Street Blues, which meant he was roughly born in 1976, which works with the other timelines, making him twelve or thirteen when the Cabildo caught fire the last time. While the other books can be more amorphous, obviously Who Dat Whodunnit was set in January of 2010, right before the Saints won the Super Bowl. With the pandemic starting in 2020–which I will deal with at some point–this one had to take place before the world shut down, so I am thinking it’s May of 2019. I don’t want to skip ahead a year to the pandemic, so Quarter Quarantine Quadrille will be further in the future. I kind of want to do Decadence again in another book–with Scotty older but not much wiser–but am not entirely sure. I also would like to really do a Scotty Halloween book, and maybe even a hurricane evacuation one, I don’t know.

I am, however, very glad that I did write those first three Scotty books, when I was enmeshed in gay bar culture, because I’m glad it’s preserved in fiction. That world is gone now–washed away when the levees failed and the city rebuilt. Someone once told me I was the only person to document that pre-Katrina gay male existence, of going out to bars and being promiscuous and dancing all night long and drinking too much and occasionally dipping into party drugs.

I’m also kind of glad modern gays don’t have to use the weekends and gay bars as a place to let loose and be as free and gay as possible, which they couldn’t do during the week. Friday nights were always a relief, a respite from a cold and unloving world that judged us harshly and wished us harm.

I don’t miss the bright lights, the cigarette smoke (that’s how long it’s been), the stench of male sweat and the smell of poppers in the air as the deejay spins another banger. I mean, I do, but not in a sad kind of way; those memories are lovely and they make me a little wistful for the days when gay bars weren’t clogged with bachelorette parties and obnoxious drunk straight girls. But those weren’t the good old days, really; we had no rights and our sex lives were against the law; the few legal protections we have now were goals back then, something we could strive to achieve sometime in the distant future. I certainly never thought Lawrence would decriminalize my sex life and Obergefell would make it legal for Paul and I to marry; I never thought those things would happen during my lifetime. I didn’t expect to see an openly gay member of the Presidential cabinet; out queer characters as leads in television shows and movies–none of these things seemed possible to that closeted twenty-one year old who walked wide-eyed into the Express and went out to dance to “It’s Raining Men.”

I had no idea what the future held for me or for my community that night. In some ways I wish I could let that kid know everything would be okay and his life would turn out so much better than he ever dared dream…but knowing might change things, and I wouldn’t want to change anything that would take away the life I live now, because I love it.