Tag: top forty radio

Rocks Off

That’s a rather charming title for a blog post, isn’t it? As you may have noticed, I generally pick a list of songs to use as titles for the blog, and I am currently (perhaps obviously) now working my way through the Rolling Stones’ extensive discography, which will occasionally provide something a little off-color (the best was the Pet Shop Boys; every song title sounds like a great essay title about gay life), like today. Today’s title just makes me think of sex and “getting your rocks off”; I don’t think I am familiar with the actual song, in all honesty, but it wouldn’t surprise me if that was the gist of the song.

Whatever gets your rocks off, man.

Ah, the 1970s were such a different time, weren’t they? I’ve been going down a lot of 1970s wormholes lately, not just for the sake of the nostalgia afforded (all those lovely memories of the Top Forty AM stations in Chicago, WLS and WCFL, that I grew up with; WGN before it became a nation-wide cable channel) but because it’s also a bit of research, you see. Yes, after I finish writing the book I am writing and editing the one I turned in last month and then editing the one I am turning in at the end of this month, I plan on writing Chlorine and a different book I’ve been planning for a while, but after that I am thinking about a 1970’s book–or a romance; I can’t decide which I would prefer to do next. Romance is a whole new ball game for me, which is part of the appeal, but then I look at Romancelandia on Twitter and think, yeah, not so sure I want to go swimming with those sharks. I’m not even sure what precisely is going on in that world anymore, either; I don’t know if RWA ever recovered from the “burn it all to the ground” December of 2019, and I think Romantic Times has also gone away? It’s funny, though, every time I dip my toes into the waters of another genre something inevitably will run me screaming back to crime fiction, my publishing safe space as it were. I do feel like doing something completely different from everything I’ve done already–it’s always fun and challenging to go in another direction than you usually do, and I think it helps me with my mystery writing, frankly–but I am not sure if a romance is the way to go. I have what I think is a great idea for one, but….it’s not like I haven’t thought that before, either.

Of course, writing what would be best for my career and my “brand” (whatever that may be) never enters my head. Which is probably why I am not a New York Times bestseller and a household name–yeah, that’s why, Greg.

But I went to my doctor’s appointment and am pleased to report that the arm was just a pulled muscle and lingering tendonitis (he added that I should keep it wrapped until the swelling goes does–yes, there is some weird swelling), got my prescriptions refilled, and started the process rolling that will hopefully result in my getting hearing aids at long last. My weight was high, but my blood pressure was also fine and all vitals were good, so…yay for that at any rate. And now I find myself home earlier than usual and more time to work on my writing than I ordinarily would, so hurray! I also got Art Taylor’s new short story collection The Adventures of the Castle Thief and Other Expeditions and Indiscretions, from Crippen and Landru (order direct from them! It’s better for everyone!), which is very exciting–Art is one of our best crime short story writers, period, and has won every possible award in crime fiction for short story writing at least once, and I love his work. I started reading Abby Collette’s Body and Soul Food while I waited for my appointment and it’s off to a really good start, which is very cool.

I am really excited about the hearing aids, Constant Reader, you have no idea. I’ve always had trouble hearing conversations in crowded restaurants and whenever there’s ambient noise, and it’s gotten progressively worse as I’ve gotten older. (I smile and nod a lot…) And since I’ve long since stopped caring how I look, who cares if people can see me with my hearing aids in? (I wish I’d stopped caring about that a lot sooner than I did, frankly.) So once I get this done and a load of dishes in the dishwasher and a load of clothes going in the washing machine, I am going to dive headfirst into my book and see what I can get finished today.

So, best to head into the spice mines else I’ll never get started.

I’m Gonna Make You Love Me

I’ve always considered myself to be a child of the seventies.

Sure, I was a child for during the sixties, but I turned nine in 1970. While I am sure that turbulent decade provided some (a lot of) influences on me, my personality, my likes/dislikes, and my future, I am equally confident that my values and thoughts and beliefs probably weren’t as shaped from that turbulent decade as they were by the 1970’s. The seventies are really the first decade for which I have a lot of recall (recently, a friend was amazed that I remembered those horrible Rag City Blues jeans for women that were, for some reason beyond my thought processes, popular in the latter part of the decade; what can I say–I do remember the decade fairly well for the most part–or at least as far as my memory can be trusted). I’ve always wanted to write books either set in the seventies completely or even partly; Where the Boys Die, my 70’s suburban Chicago novel, keeps pushing its way to the forefront of my increasingly crowded (and clouded) mind. (NO I AM WRITING CHLORINE NEXT WAIT YOUR TURN)

I remember Watergate and how the scandal grew. I remember the 1972 landslide reelection of Nixon, and the country’s negative reaction to the Ford pardon of the man who brought him to power; I also remember Jimmy Carter running for president out of seemingly nowhere and getting elected. There was The Brady Bunch and The Partridge Family and Archie Bunker and Mary Richards; Sonny and Cher and Carol Burnett and Donny and Marie and the Jackson 5 and Grand Funk Railroad. Top Forty radio ruled the AM airwaves; not every car came equipped with FM capabilities, and the only way you could play your own music in your car was with an eight-track player. I started the decade reading the Hardy Boys and Nancy Drew and The Three Investigators; by the end of the decade I was reading John D. MacDonald and Sidney Sheldon and Harold Robbins. It was a very weird decade…of odd color and fashion choices; avocado greens and browns and American cheese orange were ridiculously popular, as was shag carpeting, velour, clingy polyester shirts, corduroys, bell bottoms and slogan T-shirts. Baseball shirts and rugby sweaters also became popular later in the decade. People had feathered hair parted in the center, and there was this weird sense of, I don’t know, missing out? Movies were grittier, harsher, more realistic; actors went from the polished shine of the old Hollywood system glamour to warts-and-all realism. Television was also beginning to change but was still heavily censored. Boogie and truckin’ and shake your booty became part of the vernacular; the decade began with the break-up of the Beatles and ended with disco’s last gasps while new wave and punk and rap started their rise.

It was the decade I went through puberty and realized that I was attracted to other boys instead of girls; I wasn’t quite sure what that meant but definitely found out in the seventh grade it meant I was a faggot, fairy, queer, cocksucker, and all those other lovely words that were burned into my brain that year. It was the decade where I read Harold Robbins’ Dreams Die First (a truly execrable novel) over and over again because the main character had sex with both men and women, and if I am not mistaken, contained the first male-on-male sex scene I’d ever read (oral); it was also the decade where we moved from Chicago to the suburbs to the cornfields of Kansas and I graduated from high school. (Ironically, it was in Kansas that I discovered gay books with explicit gay sex scenes in them–the News Depot on Commercial Street not only carried The Front Runner by Patricia Nell Warren and her other novels, but also Gordon Merrick; and their magazine racks also had gay porn magazines–which, now that I think about it, meant there were others there in Lyon County and environs; I didn’t realize it at the time, of course.) It was when Norah Lofts’ The Lute Player made me aware that Richard the Lion-Hearted was like me, too; and Susan Howatch’s Cashelmara and Penmarric also had gay characters and plots involving them…

I’ve always thought the seventies was a much more important decade than ever given credit for; usually it is merely considered a connecting time from the 60’s to the 80’s…but almost everything that came after–socially, politically, culturally–got started in the seventies. So I was glad to see this book about that frequently dismissed time.

As I mentioned previously, the Seventies were turbulent; they were the decade that also saw the beginning of the end of the post-war economic/prosperity bubble. Gas shortages, skyrocketing inflation, and the insidious use of racism to break the Democratic coalition began–everything we find ourselves dealing with today had its roots in the Seventies–and it did seem, to those of us growing up in the shadow of the mushroom cloud, that the world had lost its mind and our country (or rather, its mythology) had lost its way. Schulman’s study of the decade, breaking down how the shifts in culture, politics, and our society began, were exploited for divisive purposes, and permanently changed attitudes moving forward was a fascinating, if chilling, read. I remember the terrorist attacks. I remember watching the Munich Olympics that ended in bloodshed on an airport runway and murdered Israeli athletes. The book brought back a lot of memories; I am not so sure I agree with all of Schulman’s assertions about the decade–there certainly wasn’t very much about the burgeoning gay rights movement, other than how it chased lesbians off into the Women’s Movement–but it was interesting to read the book and relive the decade a bit, as well as the memories it triggered.

I do highly recommend this book for people who weren’t around for the Seventies and might be wondering how the fuck did we end up in this current mess?