Thank God, my sister was never into Donny Osmond or his brothers. But he was everywhere on Top Forty radio in the 1970s, and later he teamed up with Marie–which was actually worse than his solo/with his brother efforts, but for some reason they were enormously popular1, which I never understood. But then I’ve never understood a lot of things that were popular in our culture.2
And “puppy love” is kind of a creepy saying, anyway.
My first infusion is now scheduled, for this coming Monday morning. I am winding down the prednisone; half a pill this week and next, then a quarter pill for the next two, and the massive swelling of my ankles and feet (side effect of the prednisone) has gone down significantly, which is why it is easier for me to walk now than it was before. There was a slight hang-up, of course, with my insurance (I know, gasp) but it got straightened out and the treatments are now approved. For the record, I will never take the word of an insurance company trying to make money for its shareholders about what is or isn’t “medically necessary,” thank you very much. How much of everyone’s time did this waste? How on earth is this considered an effective use of staff time? Our system is so broken. I am getting good care, and I am very grateful for that, but at the same time I shouldn’t have to spend so much time stressing about what is going to be covered and what is not when I am trying to get well. It seems counterproductive to the healing process, but I am not an insurance company employee, so what do I know?
I worked a bit on the story yesterday–broke through the middle and realized what I am writing will need to be restructured in the next draft, but I do like where it’s going–and was also kind of tired by mid-afternoon. I think it was the relaxation from the insurance approval; I hadn’t realized how much that was bothering me under the surface. It also rained all afternoon–marvelous downpours with thunder and lightning, which kind of made me sleepy. I think we’re going to have a very tropical summer this year in New Orleans, where it’s so humid it rains every afternoon. I didn’t read anything when I got home–the traffic on the highways was dense and moving very slow–but just kind of relaxed for a moment before working on the story very briefly. I’m glad I figured it out, though–I was getting a little worried, as I always do when writing doesn’t come as easily as it used to. The story is over two thousand words now, which pleases me; it’s been a hot minute since I wrote that much on anything, so that’s a win, thank you very much.
But it’s Thursday and my last day in the office for the week. The schedule is very light in the clinic today, so I’ll be able to get a lot of Admin work taken care of, which will have me all caught up on the office work before Remote Friday, which will again be admin work, just at home (I save stuff that I can do at home for Remote Fridays), and then it’s the weekend. I should do chores tonight, so I don’t have to do them this weekend, but the house does need to have some picking up and cleaning done. I want to finish writing this story and work on some other writing this weekend, all the while getting the reading done. I should be able to finish my three current reads this weekend before moving on to the next three; I think probably Mia Manansala’s new y/a, along with a Jay Bennett 3reread of one of his y/a’s, and my adult reread will probably be another Barbara Michaels, perhaps The Crying Child, which I’ve not reread in forever.
Those are some really good choices, don’t you think?
I also have some library books for research that I need to get through and make notes so I can return them. One is for Chlorine, and the other is for my deconstruction of Gone with the Wind and Lost Cause mythology–primarily focusing on how the Confederate widows and their daughters drove that mythology (because they couldn’t accept the fact their husbands, fathers and sons were treasonous losers, so they deified them, to the detriment of the country to the present day).
And of course, LSU plays this weekend in the College World Series, so I’ll definitely have that on, too.
And on that note, I am heading into the spice mines. Have a great day, Constant Reader, and I’ll be back tomorrow morning.
I did like his comeback hits in the early 1990’s–“Sacred Emotion” and “Soldier of Love”, though. Go figure. ↩︎
Don’t even get me started on Jonathan Livingston Seagull, which was the Number One bestseller for two full years in the early 1970s. ↩︎
Bennett is mostly forgotten today, but he wrote y/a noir/suspense, won two Edgars from three nominations, and was a master. I’ll probably do a newsletter about him someday, once I get through his entire canon. ↩︎
Here we are on a cold Sunday morning and I hope everyone is doing as well as they can this morning. I went to bed early and slept well–I really do think adding another to the pile of blankets, and its additional weight, is making a difference. Today I have to do some reading and some writing, go to the gym and make groceries. I feel rested and awake this morning, so as I slurp down my coffee and wake up while Sparky wants my lap in the easy chair I have to admit I feel pretty good this morning. Maybe I shouldn’t let myself sleep so late on Saturdays? I don’t know, but the coffee is hitting the spot and I do feel more rested than I did yesterday, so your guess is as good as mine. It’s kind of gray outside this morning, and it’s forty degrees–yikes–but it’ll get warmer later once the sun is higher in the sky.
We watched LSU Gymnastics compete against three of the best teams in the country yesterday, and with half of their usual competitors out with an injury, they only came in second by three tenths of a point; and Haleigh Bryant can make that difference up all by herself, not to mention the other two powerhouses who sat this meet out–which bodes well for the rest of the season. It’s so cool knowing they are the defending national champions! We also watched some of the Australian Open last night, and I went to bed early. I also managed to get some chores done around here, and overall, it was a pretty good day. I don’t think I even went outside yesterday, to be honest–which is always a good day for me.
I spent some time yesterday morning with Ode to Billy Joe, and while Raucher is a very good writer, he doesn’t really know how to write for teenagers, I think. Just because the story is set in the early 1950s and people were more innocent (?) back then in theory, it’s almost like reading something from a past civilization, and in some ways it kind of is. Raucher tries very hard not to condescend to rural Southerners, but there is a touch of that “zoo animal” thing to the story, if that makes any sense? It doesn’t quite seem real, and Bobbie Lee, the female lead, seems so child-like it’s hard to believe she’s supposed to be fourteen, and “receiving callers”–did Southern girls still say that in the 1950’s? It’s like something from The Glass Menagerie, and I don’t know if that archaic social phrase was in use, if at all. But there’s definitely more depth to the book than there was to the movie, and I think I’m going to end up enjoying the book more than I did the movie–despite the beautiful presence of Robby Benson and his amazing blue eyes and surprisingly deep voice.
Thinking of Ode to Billy Joe being a historical now made me realize that my own 70s book is kind of an artifact of another time, too. Researching and remembering things from that time of my life is always a bit of a surprise; things that had been locked away in a corner of my brain coming back to the front of the memory banks. Television shows and commercials, the looming Bicentennial (which was, at the time, shockingly commercialized; although the Tricentennial–which I won’t make it to, but hopefully the country will–will be even worse), the gas shortages and economic fears, the ever-present threat of nuclear war and annihilation, the never-ending conflicts in the Middle East, and the massive clean-up of the country’s air, water and litter. Top Forty radio was a weird mishmash of all kinds of music, from the bubblegum of the Osmonds to the Rolling Stones, Queen, and the Who to horrible novelty songs that were incredibly popular and were overplayed to death to the point I never want to hear any of them ever again, and everyone watched American Bandstand on Saturdays to hear music and see the latest dance moves. I am really looking forward to writing it. I also have two short stories to complete sooner rather than later, and of course as always I have too much to do in too little time–but I can make it work.
I’ve also, since the election, been thinking about how to resist the new regime and the inherent hatreds, cruelties, and horrors that are coming with them. Our only hope as a country depends on the Republican-controlled Senate (well, Republicans plus the bootlicking traitor John Fetterman) actually standing up for the Constitution, and looking for a spine on the Right is as fruitless as a snipe hunt. I am not getting involved with the Democratic Party, because it feels like I’ve been throwing my time, money and energy on them while they just roll over and play dead since the 1990s; and nowadays seems to be no different. Here’s the thing about our system; the only difference between the two parties since World War II has primarily been on domestic and interior policy; the foreign policy has always been the same, and a lot of bad things have been done by our government in the name of “national security” and our endless thirst for oil. This changed a bit under the MAGA monarchy the last time around–turning our backs on traditional allies while cozying up to Russia, North Korea, and China (Ivanka needs her trademarks!). I also love how the MAGAts are so quick to whine and complain against the forever wars they fully supported, and does anyone else remember their toxic patriotism on the eves of the invasions of Afghanistan and Iraq? How questioning the invasion decisions was basically treason and not supporting the military and pissing on the graves of the 9/11 dead? Because I sure the fuck do, and I also remember how the Right created cancel culture for the Dixie Chicks, as country music began to swing from being about the working class and resisting the rich? It’s also amusing to me that they complain about “forever wars” without remembering that the same people they are supporting today are the exact same people who lied to them and whipped them up into a disgusting “patriotic” frenzy?
I spent some time this weekend thinking about writing as activism, and that it used to be just that; my very existence and my career are made political by evangelicals and others of their ilk, and I had no say in that at all. Would I prefer to be left alone to live my life and make my own decisions without government interference? Absolutely. Is that ever going to happen? Not as long as trash and liars and false prophets continue to abuse the faith and the faithful for money, power, and control. How can anyone actually be a Christian and believe that the Prosperity Gospel of wolves in sheep’s clothing like Joel Osteen and other con artists of his ilk? Sinclair Lewis exposed all of this horror with Elmer Gantry, which is still as current as it was when first published in the early 20th century. Maybe Elmer Gantry, along with All the King’s Men, should be required reading in high school–but high schoolers won’t care anymore now than they did when I was one. (Also, back to the 1970s–there wasn’t an expectation that everyone would go to college, either. Only five kids from my graduating class went to college, I think, I could be off by one or two, out of forty-eight.) I’ve not thought of my writing as a way to make political statements–or at least I haven’t in a long time, at any rate, but someone pointed out to me several years ago (or longer, who knows anymore?) that my work was a lot more important than I’ve ever thought or believed; I did document what gay life was like in New Orleans before Hurricane Katrina changed everything. I also documented life in New Orleans in general, before , during and after a hurricane. I’ve written about gay con artists and corrupt hateful politicians and the far right and evangelicals and race and homophobia and misogyny. I often explore something that I find interesting in my books so I can learn more about the topic I am writing about as well as process my own complicated feelings about sensitive subjects. I even wrote a throuple into the Scotty series long before that ever became a subject for conversation in the community. It’s weird to think that my first two novels were released before Lawrence overturned sodomy laws nationally. My sex-life was against the law until I was forty-two. Forty fucking two.
I was filling out the pre-production form for Hurricane Season Hustle Friday, and I went to Amazon to look at the page for Mississippi River Mischief to see if information I needed was there–it wasn’t–but I also noticed I have forty-seven reviews and an average ranking of four and a half stars, which was kind of a surprise, albeit a pleasant one. That meant that overall there had to be more five star reviews than any other kind, else the average wouldn’t be over four, you know? This was a very pleasant surprise, in all honesty; I never look at Amazon pages for my books and especially never at the reviews; likewise, I will never go wading in the fetid swamp that is Goodreads. Who needs that aggravation? But as I said, it was a pleasant surprise, one that almost tempted me to look at the others, but I resisted the urge. I am more emotionally stable now than I’ve ever been in my life before, but why borrow trouble? And sure, it could be another ego boost but it could also be a blow.
And the last thing I need right now is something to rock my already shaky foundations.
California continues to burn, and people continue to expose how dark and twisted their souls and psyches are. It’s beginning to sound like most of these fires were started as arson–which would definitely count as a terrorist attack on Los Angeles, in my opinion; if Luigi shooting that fucking piece of shit counts as terrorism, burning down billions of dollars of property and destroying people’s lives as well as killing some of them definitely is an act if terror. Please don’t be a dick about the fires on-line, people. I’ve lived through a different kind of “act of God” that basically destroyed my city and generational wealth with it. Angelenos are still in shock and are going to be for a long time. This is a serious trauma, and believe me when I say a lot of Angelenos are going to be medicated for years to come. I’m still not entirely sure I’ve gotten over Katrina, in all honesty. So, for God’s sake, show some empathy and compassion for their suffering. Playing the blame game or bringing politics into this is fucking bullshit, so can you not do that? There’s no place in this country that is safe from an unexpected natural disaster.
And trust me, when it happens to you–you will hate those people. I’ve never forgiven any of them, including Chicago Bears fans. I had hoped that disgusting child rapist Dennis Hastert would die in prison, but he remains proof that only the good die young. Henry Kissinger and Anita Bryant is more evidence of that as well.
So, think before you post or comment. I hate Florida and Texas and their politics, but I also worry about them and try to do what I can whenever a hurricane devastates them.
And if you’re feeling smug and judgy–I’m looking at you in particular, Louisiana MAGA racists, remember that when a hurricane comes crashing through your home town.
And on that note, I am going to my chair to read my book for a bit before I get to work. I worked on the book yesterday and it went very well; I am feeling good about writing again and think I am going to be able to hit my stride again sometime soon. Huzzah! Have a lovely Sunday, Constant Reader, and I’ll talk to you again later at some point.
That’s a rather charming title for a blog post, isn’t it? As you may have noticed, I generally pick a list of songs to use as titles for the blog, and I am currently (perhaps obviously) now working my way through the Rolling Stones’ extensive discography, which will occasionally provide something a little off-color (the best was the Pet Shop Boys; every song title sounds like a great essay title about gay life), like today. Today’s title just makes me think of sex and “getting your rocks off”; I don’t think I am familiar with the actual song, in all honesty, but it wouldn’t surprise me if that was the gist of the song.
Whatever gets your rocks off, man.
Ah, the 1970s were such a different time, weren’t they? I’ve been going down a lot of 1970s wormholes lately, not just for the sake of the nostalgia afforded (all those lovely memories of the Top Forty AM stations in Chicago, WLS and WCFL, that I grew up with; WGN before it became a nation-wide cable channel) but because it’s also a bit of research, you see. Yes, after I finish writing the book I am writing and editing the one I turned in last month and then editing the one I am turning in at the end of this month, I plan on writing Chlorine and a different book I’ve been planning for a while, but after that I am thinking about a 1970’s book–or a romance; I can’t decide which I would prefer to do next. Romance is a whole new ball game for me, which is part of the appeal, but then I look at Romancelandia on Twitter and think, yeah, not so sure I want to go swimming with those sharks. I’m not even sure what precisely is going on in that world anymore, either; I don’t know if RWA ever recovered from the “burn it all to the ground” December of 2019, and I think Romantic Times has also gone away? It’s funny, though, every time I dip my toes into the waters of another genre something inevitably will run me screaming back to crime fiction, my publishing safe space as it were. I do feel like doing something completely different from everything I’ve done already–it’s always fun and challenging to go in another direction than you usually do, and I think it helps me with my mystery writing, frankly–but I am not sure if a romance is the way to go. I have what I think is a great idea for one, but….it’s not like I haven’t thought that before, either.
Of course, writing what would be best for my career and my “brand” (whatever that may be) never enters my head. Which is probably why I am not a New York Times bestseller and a household name–yeah, that’s why, Greg.
But I went to my doctor’s appointment and am pleased to report that the arm was just a pulled muscle and lingering tendonitis (he added that I should keep it wrapped until the swelling goes does–yes, there is some weird swelling), got my prescriptions refilled, and started the process rolling that will hopefully result in my getting hearing aids at long last. My weight was high, but my blood pressure was also fine and all vitals were good, so…yay for that at any rate. And now I find myself home earlier than usual and more time to work on my writing than I ordinarily would, so hurray! I also got Art Taylor’s new short story collection The Adventures of the Castle Thief and Other Expeditions and Indiscretions, from Crippen and Landru (order direct from them! It’s better for everyone!), which is very exciting–Art is one of our best crime short story writers, period, and has won every possible award in crime fiction for short story writing at least once, and I love his work. I started reading Abby Collette’s Body and Soul Food while I waited for my appointment and it’s off to a really good start, which is very cool.
I am really excited about the hearing aids, Constant Reader, you have no idea. I’ve always had trouble hearing conversations in crowded restaurants and whenever there’s ambient noise, and it’s gotten progressively worse as I’ve gotten older. (I smile and nod a lot…) And since I’ve long since stopped caring how I look, who cares if people can see me with my hearing aids in? (I wish I’d stopped caring about that a lot sooner than I did, frankly.) So once I get this done and a load of dishes in the dishwasher and a load of clothes going in the washing machine, I am going to dive headfirst into my book and see what I can get finished today.
So, best to head into the spice mines else I’ll never get started.
I’ve always considered myself to be a child of the seventies.
Sure, I was a child for during the sixties, but I turned nine in 1970. While I am sure that turbulent decade provided some (a lot of) influences on me, my personality, my likes/dislikes, and my future, I am equally confident that my values and thoughts and beliefs probably weren’t as shaped from that turbulent decade as they were by the 1970’s. The seventies are really the first decade for which I have a lot of recall (recently, a friend was amazed that I remembered those horrible Rag City Blues jeans for women that were, for some reason beyond my thought processes, popular in the latter part of the decade; what can I say–I do remember the decade fairly well for the most part–or at least as far as my memory can be trusted). I’ve always wanted to write books either set in the seventies completely or even partly; Where the Boys Die, my 70’s suburban Chicago novel, keeps pushing its way to the forefront of my increasingly crowded (and clouded) mind. (NO I AM WRITING CHLORINE NEXT WAIT YOUR TURN)
I remember Watergate and how the scandal grew. I remember the 1972 landslide reelection of Nixon, and the country’s negative reaction to the Ford pardon of the man who brought him to power; I also remember Jimmy Carter running for president out of seemingly nowhere and getting elected. There was The Brady Bunch and The Partridge Family and Archie Bunker and Mary Richards; Sonny and Cher and Carol Burnett and Donny and Marie and the Jackson 5 and Grand Funk Railroad. Top Forty radio ruled the AM airwaves; not every car came equipped with FM capabilities, and the only way you could play your own music in your car was with an eight-track player. I started the decade reading the Hardy Boys and Nancy Drew and The Three Investigators; by the end of the decade I was reading John D. MacDonald and Sidney Sheldon and Harold Robbins. It was a very weird decade…of odd color and fashion choices; avocado greens and browns and American cheese orange were ridiculously popular, as was shag carpeting, velour, clingy polyester shirts, corduroys, bell bottoms and slogan T-shirts. Baseball shirts and rugby sweaters also became popular later in the decade. People had feathered hair parted in the center, and there was this weird sense of, I don’t know, missing out? Movies were grittier, harsher, more realistic; actors went from the polished shine of the old Hollywood system glamour to warts-and-all realism. Television was also beginning to change but was still heavily censored. Boogie and truckin’ and shake your booty became part of the vernacular; the decade began with the break-up of the Beatles and ended with disco’s last gasps while new wave and punk and rap started their rise.
It was the decade I went through puberty and realized that I was attracted to other boys instead of girls; I wasn’t quite sure what that meant but definitely found out in the seventh grade it meant I was a faggot, fairy, queer, cocksucker, and all those other lovely words that were burned into my brain that year. It was the decade where I read Harold Robbins’ Dreams Die First (a truly execrable novel) over and over again because the main character had sex with both men and women, and if I am not mistaken, contained the first male-on-male sex scene I’d ever read (oral); it was also the decade where we moved from Chicago to the suburbs to the cornfields of Kansas and I graduated from high school. (Ironically, it was in Kansas that I discovered gay books with explicit gay sex scenes in them–the News Depot on Commercial Street not only carried The Front Runner by Patricia Nell Warren and her other novels, but also Gordon Merrick; and their magazine racks also had gay porn magazines–which, now that I think about it, meant there were others there in Lyon County and environs; I didn’t realize it at the time, of course.) It was when Norah Lofts’ The Lute Player made me aware that Richard the Lion-Hearted was like me, too; and Susan Howatch’s Cashelmara and Penmarric also had gay characters and plots involving them…
I’ve always thought the seventies was a much more important decade than ever given credit for; usually it is merely considered a connecting time from the 60’s to the 80’s…but almost everything that came after–socially, politically, culturally–got started in the seventies. So I was glad to see this book about that frequently dismissed time.
As I mentioned previously, the Seventies were turbulent; they were the decade that also saw the beginning of the end of the post-war economic/prosperity bubble. Gas shortages, skyrocketing inflation, and the insidious use of racism to break the Democratic coalition began–everything we find ourselves dealing with today had its roots in the Seventies–and it did seem, to those of us growing up in the shadow of the mushroom cloud, that the world had lost its mind and our country (or rather, its mythology) had lost its way. Schulman’s study of the decade, breaking down how the shifts in culture, politics, and our society began, were exploited for divisive purposes, and permanently changed attitudes moving forward was a fascinating, if chilling, read. I remember the terrorist attacks. I remember watching the Munich Olympics that ended in bloodshed on an airport runway and murdered Israeli athletes. The book brought back a lot of memories; I am not so sure I agree with all of Schulman’s assertions about the decade–there certainly wasn’t very much about the burgeoning gay rights movement, other than how it chased lesbians off into the Women’s Movement–but it was interesting to read the book and relive the decade a bit, as well as the memories it triggered.
I do highly recommend this book for people who weren’t around for the Seventies and might be wondering how the fuck did we end up in this current mess?
Queer and Loathing in America 