Riders on the Storm

Sunday morning the Gregalicious slept late.

Yes, that’s right–I didn’t get out of bed until the sinfully late hour of eight thirty. (It’s kind of sad that I now consider that to be late, isn’t it?) But I have eaten two pieces of chocolate-marble swirl coffee cake (my GOD, it’s good) and am about to have the first of my morning coffee. Yum, marvelous. There really isn’t anything quite like the first cup of coffee in the morning, is there?

Yesterday morning’s workshop went okay–there was a light turnout, which I had kind of worried about–so rather than going with the whole presentation I’d prepared (I remembered the correct notes to take this time) I tailored it down to fit a smaller audience and made it more intimate conversation. I don’t know if it was any good or the attendees got anything out of it, but I guess it went well. They did have questions, and there were answers I didn’t have for them–but I also didn’t pretend to know them, either, which I think is worse than not having an answer. I did stop at That’s Amore on the way back home and got us a deep-dish Chicago style pizza, which was absolutely lovely, but other than that I really didn’t do a whole lot yesterday. We finished watching Queer as Folk, which I have thoughts about–am curious to see what other people think about it–but regardless of anything else, the show certainly made New Orleans look beautiful, or rather, really did a great job of capturing how beautiful New Orleans actually is. (One of the only reasons I kept watched Real World New Orleans: Homecoming beyond the first episode was specifically to see my city and how beautiful it looks on television…I am not entirely sure I am going to continue watching it because I don’t really care about any of these people.) We also watched the new episode of The Boys, which we enjoyed, and then I toddled off to bed for the evening. I am going to spend this morning swilling coffee and reading Tara Laskowski’s The Mother Next Door, and then maybe this afternoon I’ll do some cleaning and writing on “Never Kiss a Stranger.” I realized that last week at this time I was scrambling to finish the edits, so this is really my first free weekend in quite a while…and so I think, after taking yesterday off after getting home, I may just take all of today off as well.

How fun is that?

And yes, the kitchen is a mess, but I’ll get around to it at some point today–there’s also a load of laundry that needs folding–but for right now, the entire concept of being lazy and slothful for the rest of the day, to completely recharge my batteries (or finish recharging them) sounds entirely too good to pass up, and so I don’t think I will. AND NO GUILT ABOUT IT EITHER IF THAT IS THE PATH I CHOOSE.

I did spend some time yesterday reading some history in the form of Ernie Bradford’s The Great Betrayal: The Great Siege of Constantinople, which has to do with the Fourth Crusade–and if Constant Reader has been around long enough, they would know that I am fascinated by this historical event, which was of a far greater import than Western historians ever give it–there are reasons for that, too–and has always seemed to me to be the starting point for a great treasure hunt/adventure story, and one that I have always wanted to spin Colin off into. (I’ve always wanted to spin Colin off into his own Indiana Jones/Clive Cussler/Steve Berry type series, where he goes around the world in his role as an operative for the Blackwood Agency…but I’m not really great at writing action/adventure, and of course whenever you write something like what I see as the first Colin adventure, you kind of have to be good at it–I also don’t see how you can tell a story like that making it up as you go along, either.) So, in some ways it’s research that may prove useful someday–which is how I always read non-fiction; with an eye to it being useful to me in some way in the future–and I am learning about the crusade and the fall of the city, which is always a good thing, at least in my mind–I always think learning new things at any age is crucial and vitally important.

it’s also Father’s Day and I forgot to mail my dad his card–which I will put in tomorrow’s mail–as usual. I really am a terrible child.

The one thing I am going to do today is figure out what all I have to get done and make appropriate lists.

And on that note, I am heading to the easy chair with my morning coffee and The Mother Next Door. Talk to you tomorrow, Constant Reader, and have a great Father’s Day.

Sweet Mary

Preparing for a workshop on writing sex scenes is not as easy as one might think. And of course, I have to do it today since the workshop is tomorrow morning, but I am going to have to do it around appointments and driving all over the metropolitan area of the city and it looks like we’re going to be having a shitty weather day on top of it all. Huzzah. I did sleep in this morning–I suspect my Fitbit, which I am not so sure I trust anymore is going to tell me that I didn’t sleep well (oh, there was some thunder!) and in just now checking the weather I see we are going to be having thunderstorms during the entire time I will be out dashing around the city. Huzzah.

Heavy heaving sigh.

Last night after Paul and I got home, I finished (I’d started the night before while I was waiting for Paul to come home) watching the first episode of The Real World New Orleans: Homecoming, or whatever it’s called. We used to watch The Real World religiously; I think we stopped watching during the Austin season, and never went back. But we were very excited back in the day when the New Orleans show was announced, and of course, even in those pre-Internet days stories about the cast and the filming used to break in the newspaper. They also were living in the Belfort mansion, which isn’t far from where we lived then (and now), but in the years since it’s turned into a boutique hotel. (The owner–mentioned but not by name–used to work out at my gym.) I am not sure where the house they are living in for this taping is, but I think it’s on Esplanade Avenue; I don’t recognize it from the exteriors. I never really had put a lot of thought into the shows before it filmed here–but once it started, I started to understand that “reality television” wasn’t really reality. They weren’t on camera 24/7, like the show claimed, and they also set up shots and maybe there wasn’t a script, per se, but it wasn’t “real”–we used to see the cast walking around the neighborhood, followed by a film crew that wasn’t filming them. They also filmed in places we knew; Danny the gay one worked as a bartender in one of the gay bars (I want to say Oz? I could be wrong, it’s been over twenty-odd years), and of course we used to see them and the signs on the doors of businesses announcing that the show would be filming there, the time they would be filming, and being present inside during those times meant consent to being filmed unless you advised the crew otherwise (those people who are pixilated out in background scenes didn’t give consent). The “job” the cast did while here was to produce a talk-type television show on local public access which began airing while they were still filming; Paul and I actually caught it by mistake flipping through the channels, and as we watched it, we both said, “Oh, this isn’t going to go over well here”–they were being hypercritical of the city, and yes, as you can imagine, it didn’t go over well. Places began denying them the right to film there, they were criticized everywhere–from all the local newspapers to all the local media–and they eventually had to apologize in order to get places to let them film. (I actually kind of felt sorry for them–they were kids, for Christ’s sake.) The reunion show is weird to watch–again, they were going to places I recognized (the drag show was at the Bourbon Parade, the dance club above the Pub), but it’s also weird to see how they look now, who they’ve become, and hear their stories about the impact being on the show had on their lives.

Then Paul came back downstairs and we watched the first two episodes of the new Queer as Folk, which was filmed here and is also set here. New Orleans is a beautiful city, and that’s one thing the producers and editors decided to play off; the show is beautifully filmed, and they made sure they showed off the city’s beauty at every opportunity they had. It was kind of choppy at the start–uneven, but first episodes when you’re launching a new series often are; it is the rare show that pulls off the first episode perfectly, especially when there’s a large ensemble cast. I love the cast, by the way; it’s mixed and diverse and displays a broad spectrum of the community, as opposed to the original (with its focus on white cisgender men, with the token lesbian couple thrown in just for fun). Paul and I watched the original primarily to be supportive; we knew it was a groundbreaking show and we needed to support it so networks would see there was value in queer programming, but neither of us were really fans of the show itself. It was very earnest, very ABC Afterschool Special and preachy when it came to important topics; and then would veer off into the ridiculous. For me, it was this weird mix of a Very Special Episode and silliness, and it is virtually impossible to do both. Daytime soaps make it look easy, but it’s not that easy to do–we always kept saying, “they need to either decide if they want to be a serious drama or gay Melrose Place” (obviously, we were hoping they’d go the Melrose Place route), but it seems like this reboot–despite the shaky opening–is off to a good start. We will continue watching, and hoping for the best (my supervisor at my day job filmed with the show; he does drag as Debbie with a “D”–his outfits and lewks are fucking amazing, so I am also hoping to see Debbie on the show)–and as Paul said, (and is why I’ll keep watching that awful Homecoming show) “at the very least, the city looks beautiful.” Babylon, the queer bar in the show, was actually in the neighborhood of my old office; it sits on the corner of Frenchmen Street and Chartres, and that neighborhood you see in the show isn’t the Quarter but the Marigny (I miss my old office on Frenchmen Street). We will probably continue watching it tonight, and I am kind of oddly looking forward to it. I am definitely here for all the queer rep on television lately, even as the trash continues to come for us and our rights.

Yes, I said trash, even though the word hardly expresses my deep, abiding, and utter contempt for those who hate me and my community and wish us dead.

And there’s the rain.

AND the obligatory flash flood warning came right after it started, of course.

Heavy sigh.

I did work on “Never Kiss a Stranger” yesterday some; it’s now about twenty-four thousand words, for those who are keeping track. I am really liking the story and I am really enjoying working on it, for those who were wondering. It’s nice to be writing again and enjoying it–it’s been weird this past year how that has gone; but I’ve also come to recognize that I have had periods of my life where I was going through depression and didn’t realize its extent until it had passed. I feel like I’ve been experiencing at the very least low-key depression since March 2020–the kind where I am tired all the time, not sleeping well, and even when I look back at that period, I’ve either forgotten everything and what I actually can remember…it’s through a bit of fog, with darkness around the edges…and I’ve not really been enjoying writing since March 2020, if I’m going to be honest. I am enjoying it again–good thing, since it’s compulsive for me and I always will do it, regardless of how I feel about it–but my writing has always been a source of joy for me, and having that not be the case has been very unpleasant. I’ve really not been finding much joy in anything since March 2020, but I also feel like I’ve kind of turned a corner, somehow–my brain snapped or something and it snapped back into the place where it should have been all along.

And on that note, best get ready to head out to Metairie in a thunderstorm in flash flood conditions. Woo-hoo!

Talk to you tomorrow, Constant Reader.