Liar

Look at me, up and awake before seven in the morning on a Sunday! Who would have ever thought that would happen? I feel surprisingly awake and alert and rested this morning, given the early hour and all, but that’s okay. When you’re awake, you’re awake–so I figured I might as well get up and get a jump on the day. I will be going deep into the edits of A Streetcar Named Murder today. I ran the errands I needed to run yesterday, got some organizing and cleaning done around the house, and started the deep dive into the edits yesterday–most of the day was spent planning and figuring out things in the book that I didn’t have time to figure out when I was actually writing it (mistake mistake mistake; how do pantsers do this all the time?) and with my lesson firmly learned, am ready to get cracking on fixing the errors here and clearing up and tightening up the story. I want to be finished with it all before I leave on Thursday, because it will be very hard for me to finish it while I am in Kentucky. (And I’d rather spend whatever time I have free while I’m up there reading, frankly.) I’m getting a bit excited about the trip, if I may be so bold as to say so, which is a good thing; right now I am not even dreading all those hours in the car–I have Carol Goodman and Ruth Ware novels to listen to in the car–and while I do have to go into the office tomorrow, I work at home on Tuesday this week and can packed and ready to go that day so Thursday morning I can get up, have some coffee, and head out on the highway early.

There’s also some straightening and organizing I need to get done this morning–looking around the workspace is making me shudder right now–but it’s nice to feel rested and ready to go, honestly. I wonder what was so different about last night that I slept so much better? I’m not even going to check the Fitbit because I don’t necessarily trust its judgement and evaluation of my sleep, to be honest. I mean, it’s interesting to see how I feel vs. how it thinks I slept–but there are times when I wake up and feel rested and great but I supposedly slept poorly; and then mornings when I get up and feel groggy and tired and exhausted, it claims that I slept very well. I don’t know if I can trust it, and frankly, if it wasn’t part of the complicated system of trying to get cheaper health insurance through my job, I sure as hell wouldn’t wear it. Paul often buys me really nice watches as gifts and I never wear them–mainly because I am clumsy as fuck and inevitably break things that are nice–but the Fitbit…like I said, there’s this really complicated system of scoring points through a program that helps reduce the cost of my health insurance. I’m not entirely sure I understand it–I never really grasped it when it was explained eight or nine years ago–but I know I score points, earn a medal status (bronze, silver, gold) and if I get to silver, I don’t have any “out of paycheck” contributions to my health insurance, and registering my daily steps and how well I slept through the Fitbit scores fifty points per day. (The points also can be cashed in for gift cards; I always get Amazon to buy books, of course. Don’t @ me; the other options don’t really work for me.)

It looks to be a nice day outside my windows this morning, although it’s undoubtedly already incredibly hot outside. I’m hoping to manage to not go out into it much today–maybe taking out the trash or something–and I may be meeting a friend who’s in town for drinks later this evening (not too late, since I have to get up early in the morning), but other than that, I mostly plan to sit here at this desk and edit and revise and rewrite today. I also don’t know how long it’s going to take me to get this finished; I am hoping by focusing and working really hard and not allowing myself to get distracted I can power through and get this back to my publisher before I leave on Thursday.

One can always hope and dream at any rate.

We watched Hacks last night, and the most recent episode of The Offer, although I’m not really sure why we continue to watch the latter. I noticed last night that there are any number of shows we’re in the middle of (Severance, Pieces of Her, Slow Horses) that we forgot we were watching and thus will need to pick up again–it wasn’t that we weren’t enjoying them, but rather that we inevitably ended up having our viewing disrupted by something for several days and when we had time to go back and get caught up on things, we forgot we were watching them (we also never finished Physical either). It is interesting–I thought about this while watching The Offer last night–how many shows we’ve seen lately that were set in the 1970’s (Minx, Candy, The Offer) as well as what a great job they are doing depicting the era. I remember saying during one episode of Candy, “living this kind of life was my biggest nightmare when I was a kid, and they are doing a great job of showing how bleak and ugly and dull suburban life was back then.”

I also have started up again with The Real Housewives of Beverly Hills. I’d stopped watching last season because I quickly grew tired of the Erika Jayne/Erica Girardi mess–I’d never particularly liked her very much, but at least she was somewhat entertaining–but given that the great wealth she has flaunted ever since she joined the cast was essentially stolen from settlements for victims of great and horrific tragedies and she was completely unrepentant and tried to play like she was the real victim, I no longer felt any desire to watch a sociopathic narcissist who has knowingly or unknowingly participated in embezzlement, fraud and God knows what else. I’d reached a point where I kept thinking someone just needs to slap the shit out of that fucking crooked bitch and felt that giving them eyeballs and a rating point on Hulu was endorsing the fact that Bravo was enabling her and giving her a platform to try to redeem herself in the public eye, which was shitty. Sure, innocent before proven guilty and all that–but The Real Housewives of Beverly Hills isn’t a court of law; and the fact they milked her potential criminality for ratings was disgusting and craven. I don’t love to hate her, I just fucking hate her. And the rest of the cast–outside the newer ones–are equally garbage. I stopped watching The Real Housewives of New York during its most recent season because I couldn’t watch the blatant racism being offered up as “entertainment.” Fuck you, Bravo, and fuck you, Andy Cohen. The Real Housewives shows have become a microcosm of everything that is wrong with American society and culture: there’s no accountability for anything. In fact, it’s quite the opposite: people are rewarded for being horrible.

It also makes me feel like I’ve always been incredibly naïve about the world, believing that being a good person means you’ll be rewarded and bad people will be punished for their wrong-doing, when the harsh reality is quite the opposite. I feel like I’ve been gaslit most of my life, frankly.

Which, of course, always comes back to me being a crime writer. I want to see justice being done. I want to see evil-doers punished and good people rewarded for their goodness. I want to write about a world where murderers and criminals are caught and punished, their victims avenged; not the real world where the wealthy can hire great lawyers and outspend the prosecution to get off, while so many innocent people who cannot afford great lawyers are convicted or talked into taking plea bargains every day and doing time while having committed no crime other than not being able to afford a great lawyer. (I’ve always wanted to write about a public defender–but who wants to read a book where the public defender loses every case?)

Heavy heaving sigh. And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader–I’ll check in with you again tomorrow morning.

Mercy Mercy Me

Sunday morning and another decent night of sleep. I felt rested this morning, and still have an insane amount of things to get done, but progress was made yesterday. I did my work yesterday–I love when my work consists of reading, especially when the book is as delightful and charming as the one I read yesterday–and so have other things to get done today. Today’s primary task involves reading as well–I also have to come up with clever questions for Ellen Byron for tonight’s (this afternoon’s?) event at Blue Cypress Books, at 5 pm. Come on, come all! There’s also some filing and organizing for me to get done this morning while my mind slowly awakens, and of course, dishes to put away.

But I did get a lot finished yesterday, just not as much as I needed to, which seems to always be the case these days. That’s okay, you see, because I’ve also learned/am trying to be kinder to myself these days, in a successful (some days more than others) attempt to try to keep my stress levels down as well as the anxiety, which will inevitably combine into some sort of depressive, overwhelmed state during which I get nothing done and only compound the problem into a vicious cycle that winds up going around and around and around and where it stops, nobody knows. But my coffee tastes really lovely this morning, which is a good thing, and I feel rested and recuperated, which is also lovely.

Last evening, after we were finished with everything we could do during the day and decided to call it quits for the day, we finished watching Candy–I still am not entirely sure what I think of it, to be honest, but man did they capture the time period absolutely perfectly–and then watched the first two episodes of the second season of Hacks, which is even funnier this time around. Everyone in the show is so perfectly cast, from Jean Smart having the time of her life in a role that is absolutely perfect for her, all the way down to even the most minor characters. It is one of the best comedies on television now, frankly. We then moved on to The Outlaws, a British show on Amazon Prime starring Christopher Walken (who has been working a lot lately, and that isn’t a bad thing at all) which is about a group of disparate characters all brought together from being sentenced to community service together. The first episode wasn’t great, so we were on the fence about continuing but gave it another episode. SO glad we did; the show really kicks into gear in the second episode and the writing is so good, so intricate…definitely recommend it to you, Constant Reader. We also need to get caught up on Severance and The Offer, and there are a few other shows out there we’d like to get started with.

How are y’all doing this morning? I am feeling pretty good, in all honesty. There are some things I need to deal with that I would prefer not, but ripping off the scab and getting it taken care of is better than letting it sit, I suppose. I’m not at all stressed about doing a public appearance tonight–Ellen is a pro, witty and warm and charming, so really all I have to do is lob softballs to her so she can hit them out of the park–because I don’t mind interviewing people (I don’t mind moderating panels so much as I do public speaking; as long as the focus isn’t on me I am more fine than I am with having to give a talk where the focus is entirely on me; I am not sure why I am so uncomfortable in the spotlight). Ellen is also a friend, which makes it easier; it can be like a casual conversation between two friends who also happen to be writers and who both happen to write about New Orleans.

And speaking of New Orleans, I also went down a wormhole of research yesterday. I’m doing some research for the next Scotty book (more on that later), and found myself in yet another wormhole; I don’t even remember how it started (I think with a story that came across my feed about the Mississippi River battures and a street that used to be on other side of the levee, and still is in some places) and then of course one article leads to another leads to still another and so forth and before I knew it a lot of time had passed. There’s so much about New Orleans and its history that I do not know, or knew at one time and have forgotten, and every last thing I find or remember is fodder: oh, this is interesting, I should write about this. This new Scotty book is mostly going to take place outside of New Orleans for the most part; which is a big risk–writing a Scotty that’s not really a New Orleans story, but also is a New Orleans story. (That sounded confusing, even to me and I know what I am talking about.) You’ll just have to trust me, Constant Reader.

And on that note, this morning’s “haven’t completely woken up yet” chores are waiting. Talk to you tomorrow, and have a lovely Sunday, Constant Reader–it’s always a pleasure when you check in.

Mr. Bojangles

Saturday morning in the Lost Apartment, and I am kind of excited about the weekend if I am being honest. It’s nice, for one thing, to be able to sleep in a bit this morning and tomorrow; I do have some things to do today (one is doing something personal for myself; along the lines of important self-care) and of course, I am doing an on-line interview with Spirit of Ink’s Jaden Terrell as well (she’s actually quite lovely, too; I can’t believe how many years I’ve known her now). Tomorrow I have to probably go run some errands–I am hoping after my interview today I will make it to the gym, after which I will come home to curl up with Carol Goodman’s The Lake of Lost Languages with an eye to finishing it. It really is good, y’all; I hate that it’s taking me so damned long to get it done, really. I also have some other blog posts I need to finish and post–I’ve got to stop starting blog entries and then not finishing and saving them as drafts and then never going back and finishing and/or posting them; every time I go to the draft page here those unfinished entries reproach me, and they’re getting MEANER the more time goes by. Like I really need to be shamed and mocked by unfinished blog posts?

Bastards, really.

So, as I mentioned, we finished watching Minx earlier this week. I had started this during my festival widowhood, had some initial issues with it (still kind of have those original issues, to be fair) but somewhere around the third or fourth episode the show hit its stride and I started to really enjoy it. (It’s also a stark reminder that women had little to no rights less than fifty years ago, and thanks to the fuckhead judicial activists on the “supreme Court”–which should now always be put in quotes as the fucking joke it actually is, as well as supreme should henceforth be in all lower-case–those rights are about to be taken away in the service of an incredibly anti-American authoritarian agenda by the party of “small government”…yeah) The premise behind the show is simple: an ardent feminist and journalist wants to launch a new magazine for feminists called The Matriarchy Awakens (yes, that is actually what she is calling it) while working the subscription line at a magazine for teen girls. She believes that women–once they are aware of what feminism is really about–want and need such a magazine, to enlighten them about their own oppression and to learn more about their own power and equality. The show opens with her going to a weird fair where magazine companies take pitches for new magazines (is this something that really used to happen?) and of course, none of the old white men take her seriously or see anything of potential in her magazine. While she is waiting to go inside, she meets a pig of a man who actually produces porn magazines…long story short he offers to publish her magazine with the catch that she needs photo spreads of nude male models inside–“why shouldn’t a woman get to look at a dong if they want to?” Naturally, she is horrified…and then the Burt Reynolds issue of Cosmopolitan comes out and she realizes that it could, indeed, be empowering for women to look at naked men–but the editorial content will have a very strong feminist bent, and that empowering female sexuality should also be a part of feminism. As I mentioned in my earliest commentary on the show, I disliked the trope of the uptight feminist woman who needs to loosen up and enjoy herself–and her own sexuality–more; but it was handled a lot better than I thought it would be; it wasn’t the tired old “she just needs to get laid” thing. There are also a lot of male dongs shown in this; I wasn’t expecting the parade of penises as they look for their first centerfold–but there was nothing salacious or even erotic about the dongs on this show; they were just…dicks. But the show continued to improve with each episode, and it–along with Physical, which we didn’t finish–is a stark reminder of just how shitty it was to be a woman in this country back then (somewhat better now, but not even remotely close to where it needs to be, frankly).

It also made me think it would be interesting to see a documentary about how Playgirl got started and its journey over the years until it finally ceased publication. (I have an idea about a noirish type thriller set in the 1970’s about the struggle against prohibitions on porn called Obscenity, which is part of what I call The Chlorine Quartet.)

We also started watching The Offer last night, which is about the making of The Godfather, from the point of view of producer Albert Ruddy. I knew a lot of this material already–Mario Puzo had already documented the writing and selling of the book, and then the making of the movie, in a long-forgotten book called The Godfather Papers back after the movie was released and hailed as an instant classic; which included his memories, diary entries, and correspondence. I read the book (I mean The Godfather) when I was about eleven or twelve years old; I don’t really remember. My father had the paperback edition with the black cover and the white print, with the image of the hand holding the puppeteer’s strings, and I also recall one summer while visiting relatives in the South one of my cousins had a copy that had all the “dirty parts” dog-eared–so I had read about Lucy Mancini’s bizarre vagina problems before I actually sat down and read the book. I’ve been meaning to go back and reread it; it’s been called a turgid potboiler melodrama, trash, you name it–but if nothing else, it was a really good read. Obviously this is one of the cases where the film was better than the book, and I’ve been meaning to watch the movies again at some point, but it’s such a time commitment…

We also got caught up on this week’s Under the Banner of Heaven, which is twisted and bizarre. I’ve never read the book, despite being a fan of Jon Krakauer, so I don’t know where this is going, and I am very tempted to go back and read the book now.

I slept well last night (as I am sure some of you are wondering about; like anyone really cares whether I can sleep or not) and so feel pretty good this morning. I have a lot of things to get done around here before my appointment at 11:15–the sink is full of dishes; the dishwasher is also full with clean dishes to put away; I am doing laundry; and at some point the trash needs to be taken out–and of course I need to make lists so I know what all I have to get done over the course of this weekend.

Heavy sigh.

And on that note, I’d best head into the spice mines and make another cup of coffee. Have a great Saturday, Constant Reader.