Tag: The Best of Everything

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It is very bright and sunny this morning; it was in the seventies yesterday but took an alarming dip over night. It is currently forty-three degrees outside, with a forecast of a high of merely fifty-six. The weather? She is bipolar in New Orleans in the winter, and we never really know what to expect from day to day. I’ve also realized that my mom also became obsessed with the weather when she was older, and I now check it every morning when I never really did before.

I had thought I had more to do today with the Bold Strokes Book-a-thon; but I was wrong–it’s next weekend that I have three panels on Saturday. Today is just a reading, and I’ll be reading from Mississippi River Mischief, of course, since it’s my most recent release from them. Other than that, I’ll be spending the day cleaning up and writing and doing things around here. I did get a lot accomplished yesterday–not as much as I had hoped or wanted, of course, that never happens–but I feel better about things around here now than I did before. I think I still haven’t gotten my stamina back yet, which is going to probably take a hot minute anyway right? I start strength PT on Monday, which should be exhausting. I did sleep really well last night, which was terrific; I really cannot get used to sleeping so well every night. I mean, I can, but feeling so rested when I get up every day rather than tired and groggy has been marvelous.

I spent some time with Tara Laskowski’s marvelous The Weekend Retreat last night and will definitely try to finish it today, if I can. It’s quite excellent, and is kind of a master class in both point of view and how to structure a novel. There are three point of view characters (four, if you count someone who is merely identified as “the weekend guest”), and the three women she uses are very different and the voices she’s created for them are distinct and unique. It’s very well done, and it also follows the structure of four that I’ve often noticed in novels–three that are in the same generation and whose lives are entwined, along with another who is not (Valley of the Dolls, Peyton Place, The Best of Everything, Class Reunion)–the list of books that follow that plot structure are countless, and something I’ve always wanted to write about. Anyway, Tara’s book is terrific and I am looking forward to spending more time with it this weekend.

We also watched this week’s Reacher last night, and we’re both a bit amazed at how different this season is from the first; but the books often were very different from each other. Sometimes they were intimate stories, sometimes they were action-adventure romps with very high stakes. Alan Ritchson is simply perfect as Reacher, and he has a very strong supporting cast in the season, but the dialogue is a bit hackneyed, cheesy, and clichéd at times. The action sequences are fantastically shot and choreographed, though, and the story is pretty good.

I also started watching the original BBC miniseries of Brideshead Revisted, which I’ve never seen, and I also got a copy of the book, which I’ve never read…but have become more interested in them both since watching Saltburn and seeing it compared to Brideshead. I’ve been sorting my thoughts on Saltburn since watching and enjoying it, which means it obviously had an impact on me and stimulated me intellectually. It’s been a long time since I’ve seen a film that has engaged my mind and my knowledge of film and novels so thoroughly.

Sparky also wreaked havoc on the kitchen again last night while I slumbered, so there’s some picking up that needs to be done, and since the kitchen will again be the background for my reading, I should probably work on clearing the counters and the dishes and all that; of course, I imagine Sparky will make an appearance during the reading, too, since he is very determined and doesn’t take no for an answer (at least for the first five or six times he is told no).

I also need to run a couple of errands today so I won’t really have to leave the house again other than PT until Tuesday morning. I love when I don’t have to leave the house, seriously. To me, that’s the real appeal of retiring–not having to leave the house every day.

Hmmm.

And on that note, I am heading into the spice mines. Have a marvelous Saturday, Constant Reader, and check out the Bold Strokes Book-a-thon if you have time!

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

The Boss

Probably one of the most annoying, if not downright irritating, thing about being considered a marginalized author–no matter the cause of the marginalization–are the inevitable diversity panels one is almost always required to participate in; diversity is a topic worthy of discussion on panels at conferences or for libraries or bookstores or round tables for websites, newspapers, and magazines, after all; and what better way for people to learn about the challenges non-straight and non-white writers face all the time than public forums where they can talk about those things?

But it’s also a double-edged sword, too: as Steph Cha once put it, very wisely, “diversity panels inevitably turn into let’s teach the nice white people about racism panels.”

She’s right, although in my case, as a general rule, it becomes let’s teach the nice people about homophobia as a general rule.

It’s frustrating, and it’s tiring, frankly, and more than a little bit on the insulting side to realize programmers only see you as being of value because you’re different from the majority of the pool of writers they are programming for; why, for example, can’t I talk about character or plot or story or setting or all the plethora of subjects straight white people get to talk about? I am not just a gay writer; I’m a writer, and the adjective gay shouldn’t overrule or overpower any noun that comes after it.

But…I accept the invitations to do these panels because other invitations to do other panels, other readings, other events, aren’t forthcoming. I only get invited to do “diversity” readings and “diversity” panels; but I do them, even as I gnash my teeth a bit as I read the invitation.

I do them because my hope is that by doing them, queer writers of the future won’t have to do them. It’s a long haul, and a long game to play, but the recent movement of the crime fiction community in the right directions regarding diversity, and diverse authors, has been absolutely lovely.

But I also realized, several years ago, that I myself have no high horse to mount and ride in this game; because I myself wasn’t reading books by other queer and/or non-white writers. I set out to correct this, and an entirely new world of reading opened up to me; other experiences, other points of view, different ways of seeing society and culture and the world–and using these new points of view to breathe new life into a genre that was beginning to get a little stagnant again.

And I hate the thought that I might have, because of ingrained prejudices of a lifetime lived in a culture rooted in white supremacy, missed out on reading authors like Zakiya Dalila Harris.

Stop fussing at it, now. Leave it alone.

But my nails found my scalp anyway, running from front to back to front again. My reward was a moment of sweet relief, followed by familiar flood of dry, searing pain.

Stop it. Stop it.

I’d already learned the more I scratched, the more it’d resemble the burn of a bad perm–a bad perm that had been stung by fifty wasps and then soused with moonshine. My small opportunity for reprieve would come only after the trains started moving, when I could finally close my eyes and take comfort in the growing distance between me and New York City. Still, I continued to scrape at the itch incessantly, my attention shifting to another startling concern: we weren’t moving yet.

My eyes darted to the strip of train platform visible through the open doors, my mind moving faster than I’d moved through Grand Central Terminal just minutes earlier. What if someone followed me here?

The Other Black Girl is a riveting novel of suspense; workplace noir rather than domestic noir–and really, is there any place more noir than the office workplace? I’ve always been fascinated by group dynamics; how individuals behave in groups, and even in the smallest of workplace, office politics inevitably come into play–unfair bosses, under-appreciated employees; the suck-ups who don’t work as hard or aren’t as competent but somehow always get the plum gigs and promotions because they play the game properly; the underminers….the first workplace drama I ever remember reading about was, of course, also set in publishing: Rona Jaffe’s The Best of Everything, which is vastly overdue for a reread (but I barely have time to read as it is). While the workplace and the drama swirling around the coffee machine or the break room wasn’t the center of the novel–it was more about the girls who worked there’s outside lives, and trying to maintain the balance between what they wanted with their ambitions and what is expected of them as women in American society–it’s always remained in my brain as a book about the workplace. The Devil Wears Prada also took a look at a workplace–that of a fashion magazine–and I personally thought the deeply flawed film version was far better than the deeply flawed book–but also firmly established in American culture the character of Miranda Priestley, the monstrous boss from hell; but Miranda was also the most interesting character in both book and film to me. I wanted to know more about her, who she was; Andie was neither original nor interesting enough, in my mind, to center a book or a film around.

The Other Black Girl also takes places at a prestigious publishing company, Wagner’s, and our main character is Nella–and a fascinating, well-rounded, and deeply developed character is she–one it is easy to sympathize with, to become vested in, and root for. Nella is a young woman of color–the only Black employee in editorial at Wagner’s, and her own drive and activism is being gradually worn down by the micro-aggressions and games and politics played in that workplace, only to be further complicated by the arrival of another Black girl, Hazel. At first, Nella is excited to have another Black girl in the workplace with her…until she slowly begins to realize that everyone responds to Hazel better; listens to her more; and sees her own not exactly rock-solid position at Wagner’s slowly being undermined by the other Black girl…is it deliberate undercutting of a fellow Black girl (‘there can only be one”) or is Nella being paranoid, the every day stressors of working in a mostly white environment making her paranoid, her grip on sanity beginning to slip a little bit? And then she starts getting threatening notes left on her desk….

This is a terrific read, and I loved Nella (although I would have loved to see more of her best friend, Malaika); Nella was fascinating to me. Raised in a mostly white upper middle class world, Nella often questions herself about whether she is “Black enough”–she has a white boyfriend, Owen, and has spent most of her life in mostly white spaces, and has for the most part found herself comfortable–if micro-aggressed–there; she’s ambitious and has a role model–a Black female editor who worked at Wagner before disappearing–and you can’t help but root for her to achieve her ambitions. Hazel is more of a mystery, but she is developed as well as can be for someone who isn’t the point of view character; and this mystery helps drive the story. What exactly is Hazel up to? Is she even up to something?

And the book also–spoiler alert–has a huge shift about 2/3rds of the way through that the reader will NOT see coming…and after that point, you won’t be able to stop reading.

Brilliant, absolutely brilliant. I loved it.

Walking After Midnight

Here I am, up at the crack of dawn–well, not really, but earlier than I usually get up on a Thursday–so I can catch a flight to New York later this morning. And I think I packed the clothes I intended to wear on the plane this morning–which is fine. Not particularly smart, but I’ve been running on accessory all week as it is, so it’s not particularly surprising, either.

I also woke up well before my alarm this morning, too. Not sure what that’s all about, but there you have it.

Today is also my first time flying out of the new terminal at Armstrong, so that’s also kind of exciting.

I am taking probably too many books with me on this trip: The Talented Mr, Ripley; Blanche on the Lam by Barbara Neely; Pretty as a Picture by Elizabeth Little; and Dread Journey by Dorothy B. Hughes. I’ll probably finish Ripley at the airport and get started on the Neely on the plane. I hope to have some free down time periodically in order to do some work on my secret project; but knowing how these trips usually go that’s most likely never going to happen. But hope springs eternal and all that nonsense.

Last night didn’t do much of anything once I got home. I packed and spent the evening in my easy chair, watching videos on Youtube–clips and analysis of the LSU game on Monday, as well as discussions on whether or not this team is one of the best of all time. It’s kind of hard to argue against it, really; given the teams they beat and how they beat them. The last three games of the season were against Number 4 Georgia (37-10); Number 4 Oklahoma (63-28), and Number 3 Clemson (42-25). They beat everyone in the preseason top 4 (Clemson, Alabama, Oklahoma, Georgia). Excluding the LSU losses, those three times they beat at the end of the season totaled 2 losses total; add Alabama into the mix and that would be three; adding Florida would make it 4.

Sorry, I know I tend to run on and on about this LSU team, but damn, they were amazing.

But I’ll be glad when this trip is over and I get home Sunday evening. I have Monday off–Martin Luther King Jr Day–and so I can relax and recover and get some things done before I return to work on Tuesday. Traveling has become more and more of a chore the older I get; I always wonder if getting older has just made me crankier, or if traveling has, indeed, gotten terrible. I suspect it’s a combination of the two–less patience and more stupidity and inefficiency. But I do love New York; I never feel more like a writer then I do when I am in New York; probably because as a child New York was the nexus for authors–and certainly in every book I read that had a writer as a character, that was certainly the case; everything from You Can’t Go Home Again to Youngblood Hawke to Peyton Place, for that matter; and of course the crown jewel, Rona Jaffe’s The Best of Everything. And I will be there this afternoon! It’s not that I mind trips–it’s the getting there, the actual travel, I’ve come to loathe–from getting to the airport to the check-in process to security to the seemingly endless wait at the gate; the gathering of luggage and transporting one’s self to the final destination.

And on that note, tis time to hop in the shower and make my final preparations for the departure. Have a lovely day, Constant Reader!

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A Beautiful Morning

Well, I finished reading The Underground Railroad yesterday, and will most definitely be blogging about it, once I’ve digested it some and thought about it some more. It was, to say the least, very powerful, and not only did it made me think about the subject matter–it also made me think about a lot of other things, which I will be more than happy to discuss once I’ve digested them. I also started reading The Nest by Cynthia D’Aprix Sweeney, which I am enjoying as well.

We were supposed to get heavy weather yesterday, but it arrived over night instead–everything out there is wet and dripping, which is always a joy. Ah, well.

I didn’t write yesterday, or at all over the weekend, which is, of course, terrible. I did get some cleaning done and some organizing–not as much as I would have liked–but we’re also working on getting caught up on our shows and I did want to power through and finally finish the Colson novel, which I did manage to do, and then we got caught up on The Walking Dead, watched last night’s Feud, and then it was bedtime.

I am greatly enjoying Feud, and am very impressed with how it’s taking on the issue of how Hollywood/entertainment treats women; which also, in some ways, goes along with another show I am looking to finishing watching–the season finale of Big Little Lies was also last night; which we will undoubtedly watch tonight as well as continuing to get caught up on Bates Motel (a show that is KILLING it now in it’s final season). The way two of my favorite old Hollywood actresses–Bette Davis and Joan Crawford–are being depicted is brilliant, and the two women playing them, Jessica Lange and Susan Sarandon, are turning in stunning, award-worthy performances. Last week’s episode, in which both Davis and Crawford are still not fielding any offers before the movie opens–and then it becomes a huge hit–was particularly brilliant; the moment when Joan Crawford, leaving the theater after the preview of the film that ended with a standing ovation, is recognized in the lobby and then mobbed with fans–when this happens, the look on her face–surprise evolving into pure joy at being treated like a star again, is so poignant it’s heartbreaking.

Last night’s, Oscar night when Crawford was snubbed in favor of Davis, was also almost painful to watch; the naked need Davis had for that third Oscar, the pain and anguish Crawford felt about being overshadowed once again by her rival (the scenes where Crawford talks to Geraldine Page and Anne Bancroft, asking them if she can accept for them, and the pity and sympathy Page and Bancroft feel for her, agreeing to let her do it because she needs to…wow)–and Judy Davis is also killing it as Hedda Hopper.

And last night, for the first time, Catherine Zeta-Jones actually delivered as Olivia de Havilland.

I got the idea for an essay yesterday about women’s fiction–using three novels to not only compare and contrast to each other but also to talk about how fiction by, for, and about women is so regularly disdained and dismissed as somehow lesser–the three being The Best of Everything by Rona Jaffe, Peyton Place by Grace Metalious, and Valley of the Dolls by Jacqueline Susann. I’ve been toying with the idea for quite some time, and I thought about it again yesterday, partly because of Feud, but also partly because of Big Little Lies. Of course, I have no idea where to publish the thing…and it’s not like I don’t have a million other things to write as well.

Heavy heaving sigh.

And on that note, back to editing.