Wait for Me

The first Monday after the time change is always the worst, isn’t it?

I was thinking, as I went to bed last night and didn’t feel tired in the least, that I’ve had several weeks running of good sleep, and I wondered if the time change would affect that. Sure enough, it did; I wasn’t deeply asleep ever all night, instead in that miserable half-sleep where you know if you open your eyes you’ll be awake. I fucking hate that, and as such, am feeling really tired and sleepy and frayed this morning; so much so that I even considered calling in sick for a brief moment. It’s currently pitch-black outside–which doesn’t help, and it’s seventy-three degrees, with a high of eighty-four forecast.

Complete and utter madness–which also means my sinuses are also acting up a bit, which probably also has something to do with feeling miserable this morning. But I am also confident I can make it through the week…if I can survive today and tomorrow, that is.

I wrapped up the final copy edit of Royal Street Reveillon yesterday, preparatory to turning it in today, and really feel terrific about it. I honestly believe it’s the best Scotty I’ve done since the original three, and writing it off contract was definitely the smart way to go with the book. I am probably going to spend this week mostly thinking rather than writing; I am going to reread the ten chapters I’ve already got written of the WIP and figure out what tweaks are necessary to those before finishing the second half of the book. I’ve got my main character pretty much figured out now, but there are also some issues with the plot and the pacing I need to get figured out. I also kind of need to figure out how to deal with April’s revision of the old WIP (as opposed to the current WIP) and how precisely I want to make that work.

As I’ve said before, I’ve been trying to force it to work based on an original story idea that has morphed over about thirty years into about five or six different plots and stories…but I’d also forgotten that I’d essentially used all the characters from that original idea for Sara, so yeah, I have to have new characters. The primary theme of that story, I think, is alienation, and that’s key to revising the hell out of it.

Ah, the writing life. Always such a joy.

And now back to the spice mines.

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Stand by Me

Friday; the last day of my work week and it’s a half-day, at that. How lovely.

Or it would be, but I have to go to Metairie to the Apple Store this afternoon. My laptop is acting funny, and I really really don’t want to replace it. Granted, it is eight years old, and it may not even be fixable, but it doesn’t hurt to find out one way or the other. Yesterday morning some long black lines showed up on the left of the screen, and the images beneath the lines were flickering. Heavy heaving sigh.

It never fails, does it? I was just starting to feel a little bit more comfortable. That’ll teach me, right? Plus this is throwing a monkey wrench into my plans for the weekend. Oh, okay, yes, I had only a two and half day work week, sure. But still. I was really looking forward to not leaving the house this weekend. Heavy heaving sigh.

Ah, well. It is what it is. The worst part of the trip to Metairie is going to be returning to the city during rush hour. Just thinking about it turns my stomach…heavy heaving sigh. Now i am also thinking I should have made the appointment for Saturday and kept my Friday as originally planned.

Paul and I started watching You on Netflix this week, and I have to say I was most impressed with it. At first I was like, oh, okay, a stalker story where the girl falls in love, unknowingly, with her stalker. I’ve seen this before, thank you very much and thought I’d give it an episode or two…but then the first episode took a much darker turn that I didn’t see coming and that woke me the fuck up. I am looking forward to watching the rest of the show now…alas, with the festivals looming on the horizon, Paul is terribly busy so leisure watching isn’t really a priority for him these days.

I am still feeling a little bit out of it this morning; like my life is something I’m watching on television and not actually participating in. Needless to say this is a bit disorienting. I’ve not been doing as much creative thinking this week as I would have preferred, but this entire week has been an exercise in “just make it through till the weekend”; I’m not sure why that is, but it has been. I also feel very disconnected from the world at large; Carnival always has this weird tendency to separate us here from the rest of the country and the rest of the world and what’s going on out there, and these days the news moves so quickly that it’s impossible to get caught up on what’s happened during the parades.

I did do some creative thinking yesterday, about the long-abandoned and pushed to the side used-to-be-WIP. I had already decided to do one last revision of it and turn it in to my publisher; it’s what I am going to do once I finish the first draft of the current WIP. I also am going to start doing my research on the next Scotty; I suppose that makes it kind of official that I am going to do a ninth one. But don’t get too excited, Scotty fans; I am going to have to finish these other two first and there’s another first draft I want to write before I get to the Scotty; a gay noir I’ve been wanting to write for quite some time. That would be Muscles, and over this weekend one of the things I want to get done is pulling all of the material I want together (that I already have on hand) for the next three manuscripts. I am also going to go over Royal Street Reveillon one more time; one final read and copy edit before it finally is turned in for good.

And on that note, ’tis back to the spice mines for me.

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Deja Vu

Ash Wednesday!

Carnival is over for yet another year, and today it’s back to work and farewell to the flesh and all of that. We separated and sorted the beads last night, clearing off the coffee table, and now have several bags I’m going to drop off at the library donation spot this Saturday. Today is about heading back into reality; vacation is over along with Carnival, and today is about getting back on that horse. Heavy sigh. Obviously, my preference would be to stay home.

Yesterday was a day off for me; no social media, no emails, nothing. I spent the morning, after writing yesterday’s blog, reading Lori Roy’s superb Gone Too Long, which I am still digesting. There’s a review to come–the book isn’t released until June or July–but I want to spend some more time digesting the book and thinking about it before I write anything about it. It’s fantastic, as all Lori’s books are, but this one–and I hesitate to say this about books as a general rule–is important in some ways. I do think it’s probably going to be one of the year’s best; again, that usually is the case with any Lori Roy novel.

I also started reading Alafair Burke’s The Better Sister, which is off to a rousing good start. This is part of my homework for the panel I am moderating for the Tennessee Williams Festival this year, and what a curse to have to read some fantastic books this month, you know?

I also scribbled notes in my journal for the WIP and a future Scotty, along with some notes on short stories and so forth. This most recent rejection of a short story has made me realize the stories have to dig deeper, and that’s what I am going to do with the next versions of the stories–I need to figure out who the characters are in my stories and build the stories outward from there. Usually, when I write a story, it begins as a fragment of some sort–an overheard conversation, a sentence defining who a character is–and then I build from there.  I think what I need to do going forward is branch out and write the story from its original kernel, and then break it down into its separate parts.

It’s always a learning process, isn’t it?

I also read another story from Norah Lofts’ Hauntings: Is There Anybody There? 

The story is called “Pesticide”:

“And what about Jennie?” It was an old problem and the question made a kind of chorus through my life. My sister Angela was ten when I was born; my brother Bill, twelve, Margery almost fifteen. My mother had actually resumed work and I can imagine that my arrival caused her considerable inconvenience. Inconvenient–though far from unloved–I had remained; too young to share pastimes, interests, holidays; “a drag” as Angela had once said when Mother urged her to take me on a picnic.

Now, in June, as I was recovering–rather slowly–from having my tonsils removed, both my parents, archaeologists, were invited to join a “dig” in Turkey; Angela was perfecting her Italian in Perugia; Bill was doing a stint of good work with the Labrador Mission and Margery’s exact whereabouts were unknown. The last communication was from Libya, where she had a job as secretary-interpreter to a Dutchman who had a firm in Tripoli. It was a postcard of some splendid Roman ruin and it said, tersely, “Shall not be here long. will write.” No letter had arrived; nobody worried. As a family we were happy-go-lucky as well as cosmopolitan. But even my parents jibbed at the idea of leaving me alone in the house.

Several ideas were discussed and discarded for this reason or that; and then Mother had an inspiration. “I wonder if Effie could have her.”

Effie, it turns out, was the live-in housekeeper/nanny/cook/babysitter who left the family before Jennie was born; she married and moved away. So Jennie now is sent to stay with Effie and her new husband–who is a monster of the worst sort, making Effie completely miserable and Jennie–a rather precocious ten year old–decides to take matters into her own hands.

Not really a ghost story, but it’s definitely Gothic and very chilling.

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One Fine Day

IRIS SATURDAY!

Iris has always been my favorite Carnival parade; so much so that it’s the only parade I’ve put in a book thus far; Mardi Gras Mambo opens with the boys on the neutral ground of St. Charles Avenue, watching the ladies of Iris on a beautiful Saturday afternoon:

Of all the parades, my favorite is the Mystic Krewe of Iris. There are several reasons for this. First, Iris is a women’s krewe, which means the masked figures on the floats tossing things are not men. Men always look for women (the larger the breasts, the better) and children in the crowd to reward with their largesse. They only throw to men by accident, or if someone yells particularly loud. This sucks if you like to catch throws. However, the ladies of Iris are just as sexist as the male krewe members. They throw to men and children. Flirting with the ladies definitely works. And since Iris rolls on the Saturday afternoon before Fat Tuesday, usually it’s sunny and warm. Sunny and warm means I don’t wear a shirt. (And a lot of guys don’t. It’s basically a beefcake bonanza out there on St. Charles Avenue the afternoon of Iris. Did I mention how much I love Iris?)

I get lots of throws at Iris every year.

Carnival so far had been a bit of a disappointment.  Mardi Gras was early this year, which meant despite the fervent prayers of the locals, there was a strong possibility that Fat Tuesday itself could be cold, gray and drizzly. If the weather on Fat Tuesday sucks, it adversely affects the tourist numbers of the following year, so the City Fathers were keeping their fingers crossed and praying just as hard for sunny warm weather as the rest of us who just want to run around half-naked.  Unfortunately, every night since the parades started, it had been gray, cold and wet. The parades still rolled despite the inclement weather, but all the newscasters were despondent about low numbers of people out for the parades. They fail to take into consideration that standing in a slight drizzle on a cold night waiting for a parade isn’t fun. You’d think they’d realize it as they stand out there in their trench coats broadcasting. And actually, it’s better for the businesses. Instead of being out there on the streets, the tourists were in the restaurants and the bars staying dry and warm spending their tourist dollars to support our economy.

Every night after we got home from the gym, I’d ask the boys if they wanted to go out and watch the parades. I hate standing out trying to catch throws when it’s cold, so I didn’t try very hard to convince them. I’d have gone if they wanted to, but Frank and Colin weren’t into standing around in the cold rain just to have beads thrown at them, so we pretty much blew off the earlier parades. After all, there’s always another day of parades, and the Goddess wouldn’t be so cruel as to have the weather suck the day of Iris.  Regardless, I love the Iris parade, and unless the streets were flooding, we were going. Besides, my sister Rain is one of the ladies of Iris, so going was also a family obligation. Actually, most of my relatives are in one parade or another, but Rain’s appearance in Iris is the only one I care about.

Fortunately, that Saturday dawned bright and sunny and warm.  All three of us had gotten up early, so we could go to the gym and pump up—as I said, the sexist ladies of Iris really notice muscles. We caught a ride with my best friend David Uptown, where he managed to find a place to park on Baronne, and walked the two blocks over to St. Charles Avenue.

That’s another important thing to remember about Carnival. NEVER watch parades on Canal Street. That’s where the mobs of tourists are, drunk and boisterous and pushing and shoving and just getting on your nerves. It’s much more fun to go Uptown and watch along the St. Charles route. That’s where the locals go. It isn’t as crowded, there aren’t any breasts being bared, and instead you can see what Carnival really is supposed to be like—or what it was like before the college students found out about it. That’s where you see families out with their kids, portable barbecues set up on the streetcar tracks, and coolers full of beer everywhere.  Of course people are drinking, but New Orleanians know how to pace themselves—after all, we have to all year long. Drinking might be a city pastime, de rigeuer for every social event in town, but you don’t see people puking or passing out on St. Charles. You don’t see men taking a piss in a corner.

Many locals leave town during Carnival. They’re sick of the hordes of tourists, the problems getting around the city—St. Charles and Canal, the two main streets in the city, close for the parades, and it’s easy to get trapped inside the parade route. I can only imagine how frustratingly annoying it must be to live Uptown during Carnival. There’s also the familiarity. If you’ve been dealing with it your entire life, after a while I guess it can get old for some people, but I am not one of those people. After all, do you get sick of Christmas? And so far, it hasn’t gotten old for me. I feel like a kid again every year when the parades roll. I don’t believe I would ever get sick of Carnival. I love everything about it. I love the green, purple and gold decorations everywhere—the huge masks adorning balconies, the beads hanging from the tree branches and the telephone lines. I even love the tourists, even though they do stupid stuff they would never dare to do in a million years at home. I love the parades, catching throws, the non-stop fun atmosphere. I even like the pervasive smell of grease from the vendors hawking corn dogs and French fries and those bizarre sausage sandwiches made with fried onions and green peppers. I love the signs in front of bars advertising BIG ASS BEER $3.95—40 OUNCES!! Okay, it’s not like living in New Orleans is ever boring, mind you—it’s kind of like living on a non-stop rollercoaster ride sometimes—but Carnival is different. The whole city is in a festive mood, and everyone is relaxed and just wants to have a good time. What other American city throws such a huge party and invites the whole world to come join the fun?

Doesn’t that sound like fun? My very first Mardi Gras, back in 1995, was also my first experience with Iris, and I fell deeply and madly in love with the ladies of Iris. They showered me with beads, year after year. I used to have an Iris party every year; we even accidentally created a drink the first year we named the Iris: champagne, cranberry juice, and vodka.

It’s delicious.

And I finished revising Royal Street Reveillon yesterday. I still need to work on the prologue and write the epilogue, and I probably will go over Chapter 25 again, but for all intents and purposes, it’s done done done. Huzzah!

And now back to Iris prep.

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Let Me Love You Tonight

Five minutes ago I finished revising Royal Street Reveillon.

HUZZAH!

Oh, okay, I still have the prologue to revise and an epilogue to write, but the body of the book is finished, and that’s the truly hard work.

It feels good to be finished on this Friday weekend with all of those parades on the horizon, which is also kind of lovely. Now I can relax and have fun this weekend, read, and clean and go to parades, and pretty much do as I please. Monday I can run the errands, come home, and revise the prologue and write the epilogue, and then after Orpheus–or on Tuesday morning, whichever–I can send it in to my editor and breathe again.

Hallelujah.

And now back to the spice mines.

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You May Be Right

So, the fact that I am a Luddite is a well-established fact by this point in time, so new technology and so forth always throws me for a loop. The most recent example of this for me is Spotify. That Bitch Ford ™ convinced me to give it a try, and I keep getting sucked into making playlists and remembering oh yes, I loved this album or Oh! Oh! I wonder if this artist is on here and yes, time suck. Big time.

And Apple Music is probably very similar. And I already have iTunes. But I have a thirty-day free premium Spotify account, so I have thirty days to decide if I want to abandon this or go to Apple Music.

I managed to revise another chapter yesterday. Just the one, dear? is an actual valid question; it’s true. But I went and did errands, then I had to make room for things and throw things away, and there was laundry to get done. I am probably going to run to Costco today to get it out of the way–Paul had something delivered to the mail service yesterday, and if I have the leave the house, might as well run another errand and get it out of the way, right?

It rained a bit last night during the Druids parade, but remembering the mantra (marathon not a sprint) kept me inside and off the route until Nyx arrived. By then the rain was gone and there was a surprisingly large crowd out there on the route. I didn’t stay out there for the entire parade; there were still another six or so floats left when we called it a night, but I’d already  gotten a purse (thanks, Beth!) and a plethora of beads, among other things, and so it wasn’t a big deal to end early. There are three parades tonight (!): Babylon, Chaos and Muses. Muses is, of course, one of the more popular parades, so it will be mob-like out there tonight. Patricia Clarkson is the Muse tonight; the first woman to be Muse twice, and she gets to ride in the big shoe. I’ll try to take some pictures–I always try–but there are no guarantees. It’s also supposed to rain around five, but it’s also not supposed to last long.

I also need to do some cooking today; bacon and chicken breasts and so forth, so there’s readily available food for us to eat over the weekend; today is a good day for that. I woke up early this morning, and while it’s taken me a little while to get going, I am feeling energized and ready to get some shit done. I’ll probably start revising Scotty when I post this, and then head to Costco and get the mail on the way back.

Got to start checking things off that to-do list; today is a great day to get started on that.

And on that note, ’tis back to the spice mines with me.

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How Do I Make You

My last day of work before my Carnival vacation. It’s a long day; roughly eight am to eight pm, one of the notorious twelve hour days. But I slept really well last night, and while it’s gloomy and rainy and gray and a bit chilly out there, I am in a good mood and feel rested. Thunderstorms are forecast for the entire weekend of Carnival. I’m not sure what that’s going to do to the parade schedule, but adaptation is always necessary when it comes to the weather here. I just pray Endymion doesn’t rain out, so they wind up rescheduling to follow Bacchus on Sunday down St. Charles. That’s happened before, and it’s always a nightmare. The parade never finishes before three in the morning, and seriously–Sunday is already non-stop parades all day.

I did no revising yesterday. Shameful, I know, I was in a fairly good mood but completely unmotivated. I didn’t even read anything yesterday. Horrific, I know. I did start doing some laundry last night but didn’t finish, either. I am going to stop at the grocery store tonight on my way home from work and get some things; at some point over the next few days I am probably going to make a Costco run as well. As always, I have a sink full of dishes and at least two loads of laundry to finish…

Ah, the excitement! I can only hope I won’t be too overstimulated to sleep.

I also think I am going to use this vacation time–I am out of the office from tomorrow until Ash Wednesday–to head back to the gym. I stretched a little yesterday morning, and it felt fantastic; at the very least, even if I can’t drag my enormous and ever-growing ass to the gym to do weights every day, I should at least stretch because it feels good and I love doing it. Seriously. I actually LIKE lifting weights and working out; I don’t know why I have so many issues with actually DOING it.

But that’s everything in my life, isn’t it? I love writing. I love revising. I love cleaning. I love cooking. I love working out. So why do I never want to do any of those things, and when I do them it’s always grudgingly?

So, my goals over the vacation are these: finish revising Scotty and get it to my editor; get back to writing the WIP; finish reading Lori Roy’s brilliant Gone Too Long; clean and organize the entire house; get my car washed (I parked it under a tree; you can guess the rest); get my brake tag; go to Costco and eat at Five Guys; and start working out again. I think I can make all these things happen, and hopefully once I am working out again I will continue working out. I don’t really need to lower my BMI all that much to trim off the excess fatty tissue; the problem with the size gains I’ve made over the last seven years or so is any excess fat makes it ALL look like fat. Heavy sigh.

I CAN DO IT.

And on that note, tis back to the spice mines with me.

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Let My Love Open the Door

76 degrees already this morning, with the mercury forecast to continue to rise throughout the day, with heavy rains in the forecast for tonight’s parades. I think I’m going to spark up the barbecue this afternoon–get that true Carnival experience but barbecuing burgers and hot dogs–and probably try to get some work done around the parades.

I only worked two hours yesterday morning, so I went in early and did all the things, departed and went to the grocery store on the way home–there’s no way I can move my car again before Sunday evening–and then came home to do odious chores. But I got all of it done, reorganized some cabinets and the refrigerator, and then relaxed in my easy chair while I waited for Paul to come home so we could have dinner and go to the parades. Alas, he didn’t get home until too late, so we missed Oshun and Cleopatra. I guess I could have gone by myself, but that’s not as much fun, plus getting up early and doing the running around and cleaning and so forth had left me rather tired. I watched some television, including another episode of Versailles, and retired to bed relatively early. I slept well, which was lovely, and am up and at ’em this morning. I intend to get some revising done before the parades arrive, and there’s some tidying required for the living room.

But this morning I feel rested and like I can conquer the world, which is a lovely feeling.

We’ll see how long that lasts, won’t we?

Hilariously, part of my work on the kitchen yesterday including moving small appliances–I moved the microwave from next to the refrigerator back to the other counter, so it’s next to the stove now, and the coffee maker from there to the counter next to the refrigerator. As small a change as that was, it opened up the kitchen and makes that area look bigger. (I used to have it set up this way for years and changed it about two years ago; yesterday it dawned on me that was why the kitchen looked so much more crowded, so I switched it back.) I also put two boxes of books up in the attic, which was also a satisfying feeling, and at some point today I am going to combine some small boxes of books into a bigger box, and put that in the attic.

I’d also like to finish Lori Roy’s superb novel Gone Too Long this weekend, if i can. I am a little behind on the revising (as always) but am hopeful focusing can get more done before and after and around the parades today–as long as I don’t get too tired out there on the parade route…there are five today.

FIVE: Pontchartrain, Choctaw, Freret, Sparta, and Pygmalion.

Sigh. It’s a marathon, not a sprint.

I am also kind of looking forward to finishing this revision because I really want to get back to work on the WIP, which I think has a lot of potential…and there’s some stories I want to revise. It occurred to me the other day how to solve the problems with “The Problem with Autofill,” which is actually also going to need a new title; whereas I like the original title, it doesn’t really fit the story, and trying to make the story fit that title doesn’t work, either. So I will file the title away (like I had to do with “For All Tomorrow’s Lies”) and hope that a story will eventually come to me that will fit the title.

And on that note, it’s back to the spice mines.

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Don’t Do Me Like That

So, here it is, the cover reveal for the eighth Scotty Bradley mystery, Royal Street Reveillon. I’m quite pleased with this cover. The book drops officially on September 10th. Preorders through the Bold Strokes website will ship on September 1; it can also be preordered soon through your local independent bookstore or, if need be, Amazon or the Barnes and Noble websites.

Someone is killing the Grande Dames of New Orleans! 

It’s Christmas time, but the last thing in the world Scotty wants under his tree is a murder case that strikes close to home. The premiere party for a new reality show sets the stage for a murder, and Scotty’s sort-of nephew is the prime suspect. As more and more cast members fall victim to a cold-blooded killer, Scotty and the boys must figure out what is real and what is scripted, and have to exhume some long-buried secrets in order to bring the killer to justice. 

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Don’t Let Go

Tuesday morning. I am not as tired or sleepy this morning as I usually am on Tuesday mornings; I suspect my body is, at long last, adapting to my new work schedule. It’s only taken, what? Three months? And I am about to have another break. Next week I only work Monday and Tuesday, and then I am on vacation until Ash Wednesday.

So I’ll probably have to get used to my schedule all over again. Huzzah.

But I revised another chapter of the book last night, which was absolutely lovely. I am getting closer and closer to being finished, and this fills me with absolute delight. I also realized that there are parades this weekend, so getting a chapter done per day is not only wise but necessary; chances are I’ll be too tired and worn out this weekend from parade-going to get caught up if I fall behind…so I can’t fall behind; I need to keep revising at least a chapter a day in order to be finished by next Wednesday.

Huzzah! I think.

I also have decided, after further thinking on the subject, that my short story “The Blues Before Dawn” would actually work better as a novel rather than a short, so I am putting it on my list of novels to work on. It’s a period piece, probably will be set in the late 1950’s, and will require a lot of research about gay life in New Orleans during the Eisenhower years. Looking some things up in the index of Richard Campanella’s book Bourbon Street was what finally convinced me that it was a novel rather than a short story; I had originally intended for the story to be set in Storyville during the time the United States entered World War I. (I do think there’s some stories and/or novels, perhaps even a non-fiction research book to be written during that time period; as I continue to read up on New Orleans history, and once I start actually doing the research, I feel certain the floodgates will open and I’ll have all sorts of ideas for stories and things…and I need stories for Monsters of New Orleans.)

I watched another episode of Versailles last night, and yes, they’ve completely tossed any semblance of historical fact away for this final season. I’m no longer sure of what year it’s supposed to be; it’s somewhere after the Affair of the Poisons yet sometime before the War of the Grand Alliance. The dying out of the Hapsburg line in Spain is part of the story this season; which only confuses matters more. Louis XIV’s wife, Marie-Therese, was a Spanish Hapsburg, and the older half-sister of the last Hapsburg king of Spain, Carlos II. In last night’s episode much was made of the fact that not only was Carlos ill, but how close Marie-Therese was to him and so it was not out of the question that she’d want to return to Madrid one last time to see him before he dies.

This is a-historical. At the time Marie-Therese married Louis XIV, her father had only two children, she and a sister who married the Holy Roman Emperor.  Because Philip IV had no sons at the time, it was possible his daughters might be his heirs; so it was written into the marriage contract that Marie-Therese renounced all claims to Spain for her and her heirs; her sister, since she was marrying a Hapsburg, did not have to do so; this way Spain would remain a Hapsburg possession. Carlos II wasn’t born until Marie-Therese was already queen of France; she could not be, therefore, close to someone she’d never met. She also died in 1683, so this has to be set in the time period before 1683.

Sigh.

Incidentally, when Carlos II did finally die, he’d been persuaded to leave his possessions and his throne to his French relatives rather than the Austrians. This resulted in the War of the Spanish Succession.

I will keep watching, though, because I do love the period, the production design is spectacular, and they are also tackling the mystery of the man in the iron mask, one of my favorite mysteries of French history.

And now back to the spice mines.

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