Lean on Me

GEAUX TIGERS!

I still can’t believe we have tickets for tonight’s game. We try to make it to at least one game every season, if we can; we’ve managed to go to at least one game per season since our first trip to Tiger Stadium, when we went to the Ole Miss game in 2010. We’ve seen some exciting games there; we’ve seen some blowouts, and we’ve seen some games that were closer than they should have been. One of the things I love about being an LSU fan is that they are never boring to watch. That 2007 national championship year was probably, overall, the most interesting and fun season of college football that I can remember. It’s also LSU’s Homecoming, and of course, we’re playing hated rival Florida; both teams undefeated, both ranked in the Top Ten. And while a loss for either team doesn’t necessarily mean being taken out of the conference championship race, or out of national hopes, it would mean an uphill battle the rest of the season–and another loss will spell the end of all hopes for the season.

Not looking forward to driving to and from Baton Rouge, though.

But Death Valley is going to be rocking–after all, it’s Saturday night in Death Valley!

It’a also going to be in the 60’s–perfect stadium weather tonight.

Very exciting.

I’m going to try to get some writing done, as well as some cleaning around the Lost Apartment, before we head out this afternoon. I also have to walk over to the International School to vote in the Louisiana primaries.

I’m not really sure what to do with Bury Me in Shadows. On the one hand, I’d really love to get it finished and turned in soon; on the other, I’m worried that I’m rushing to get it out of my hair. Of course, I can always turn it in and do a final revision before the official deadline it will be given, but…I don’t really like doing that. I did it with Royal Street Reveillon, though, and that seemed to work really well. So, maybe? I don’t know; I am very torn. I do think this might be one of the better books I’ve written, and more attention to it could make it my best. But again, I am terribly worried about turning it in, getting it on the schedule and then trying to get another finished draft finished before it’s due for production–because I absolutely have no idea what my life will be like at that time.

Last night I watched, of all things, the E! True Hollywood Story: Dynasty on Youtube. It occurred to me, really, how correct they were when they said Dynasty encapsulated the 1980’s more than any other television show; Dallas might have averaged higher ratings throughout its lengthy run, and there were certainly other successful night time soaps in the 1980’s, but Dynasty really captured the era more so than anything else–and let’s not forget, Dynasty had the first openly gay character in a television drama series (Jody on SOAP was probably the first; but it was a comedy), and then of course, Rock Hudson’s appearance on the show when he was dying from HIV/AIDS–not revealed until after he’d left the show–made the epidemic world-wide news and shone a bright light on an epidemic that was actually being largely ignored by the world at the time and when it was talked about, well–as said by a horrific bigot on Designing Women a few years later, “it’s killing all the right people.”

I also watched the final episode of Showtime’s Murder in the Bayou last night, and cannot help but feel sorry for the families of the victims. The mystery of who murdered the Jeff Davis 8 will most likely never be solved, which is an absolute shame, but it is such amazing fodder for a novel. Every time I watch an episode, I think to myself how to structure such a book, and start populating it with characters. It’s definitely a Chanse novel more so than a Scotty; obviously I could do it as a stand alone–which is still a possibility–but almost from the very beginning I’ve seen it as a Chanse novel; primarily because Chanse is from a small town in east Texas, which would give him good insight into the class differentials in a small town, as well as some insight into police corruption. I’ve never done a Louisiana corruption novel yet; this is almost too perfect a case to hang such a story upon.

I know I said Murder in the Arts District was probably going to be the last Chanse novel, but I always add the caveat “unless I get a good idea.” I was burned out on writing Chanse when I finished that book, and I felt like it was probably past time to retire the character from my canon. I’ve written one short story with him as the main character, “My Brother’s Keeper,” which was included in Survivor’s Guilt and Other Stories, and I’ve started writing another one, “Once a Tiger,” which started off strong but then petered out as I wrote it. It’s still unfinished, and I think it’s going to have to be overhauled completely. It’s a great idea–Chanse comes back to LSU to solve a murder at his old fraternity–but it doesn’t really get traction in the way I started writing it. As I was thinking about the story for the new Chanse novel last night, I also recognized that some things that I was thinking about, as far as Chanse was concerned, would have to change; I really do need to go back and read the last few books in the series again. I am probably going to cross over a character from the Scotty series into this Chanse, should I write it–Jerry Channing, the true crime writer. I may not, it just seemed like he would be the perfect person to bring the murders in a western Louisiana parish to Chanse’s attention.

Anyway, we’ll see. I need to finish Bury Me in Shadows, the Kansas book, write some more short stories, finish “Never Kiss a Stranger,” and, of course, Chlorine.

I also found myself thinking about some other stories I have in progress, in particular “Please Die Soon,” which I think is going to be pretty good–if I ever finish it.

And on that note, I’m going to get cleaned up and go vote. Happy Saturday, Constant Reader!

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Your Mama Don’t Dance

Well, Monday has rolled around again after a lovely, restful weekend, and I am hopeful that this week–the tail end of July and the beginning of August–will be lovely and productive.

Yesterday I managed to have the hole in the page open and finished off Chapter Nineteen–which, once I started, was much easier than I’d thought it would be, and I was also able to get Chapter Twenty set up at the end of that chapter. I’m also, as I go into the final act, aware of things that I need to set up earlier in the manuscript; which is lovely, even though this is wrong way around; I should have known all this when I was writing it, which is my usual way of doing things. (Although, if I am being completely honest, the Kansas book wasn’t written this way, and I only figured out how to end Royal Street Reveillon while I was writing it; this is a trend I don’t like and needs to end now. Perhaps when I start writing Chlorine, things will follow the more traditional Greg writing path.)

Speaking of Chlorine, I did manage to find my copy of Tab Hunter’s memoir, Tab Hunter Confidential: The Making of a Movie Star. I met Tab Hunter years ago, at a Publishing Triangle party in New York (he was with Joyce Dewitt–yes, the one from Three’s Company, and she was absolutely charming), and he was still incredibly handsome and a very nice man. He eventually came to the Tennessee Williams Festival (yes, I played Good Husband and asked him if he would do it, got his manager’s card, and passed that along to Paul), and was again, just as handsome and charming as ever. We have a signed copy of the book, but I’ve never read it–it’s been in the TBR pile for over a decade–and I am delighted now to have a work-related excuse to read it, along with any number of other Hollywood histories and books about show business and celebrities from the 1950’s. (Must find biographies of Rock Hudson, Montgomery Clift, and Anthony Perkins…and George Cukor, for that matter.) It’s going to be ever so much fun to submerge myself in post-war Hollywood and Los Angeles.

Steph Cha’s novel Your House Will Pay also continues to fascinate, entertain, and enthrall. It’s quite excellent, and I am savoring the pages, the chapters, the development of the parallel stories of the two families tied together by a trauma in the past. It’s also incredibly immersive; the characters are so very terribly real, as is the world they inhabit. It’s turning out to be so much more than I thought it was going to be–and I was excited for what I thought it would be–so it’s even more of a gift than I originally thought it was going to be.

We are also getting drawn in more to the Prime series The Boys, which is also, like the Cha novel, turning out to be so much more than I’d anticipated. It’s darker, for one thing, and kind of exceptional in showing how powerful a single, average human being actually can be, without the assistance of extra-special powers of some kind. It’s also a much more complex examination of how extraordinarily gifted humans would be monetized, branded, and image controlled–very similar to the Hollywood period I am going to be immersing myself in shortly. Yay! It’s a fascinating period, and definitely one I want to know a lot more about.

And on that note, tis time to get back to the spice mines.

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