Tag: Ripley

Paperback Writer

John Copenhaver, one of queer crime’s latest (and brightest) stars recently (you should read his books, frankly; I am looking forward to his latest, Hall of Mirrors) wrote a brilliant essay on the concept of writing complex queer characters, and the artistic need to push beyond ‘gay is good’ messaging and not worrying about the question of role models which you can read by clicking here. I highly recommend it–it’s well thought, reasoned, and stylishly written, and the kind of thing I wish I could write.

But reading this essay made me think about my own work, the pressures I’ve had–either real or imagined–about representation and addressing social issues through the framework of queer people and characters, and made me think about the work I do from not only a creative view (which is how i always view my work) but from a cultural, political, and societal perspective. That’s not something I’ve ever really consciously done (“oh, let’s make this political“) but one thing I’ve never done is worry about how straight people might react to my work…primarily because it isn’t really for them that I write my books in the first place. If my work offends straight people that isn’t my problem, nor is their whining about how queer people see and perceive them…and it’s not like there aren’t millions of books designed as comfort reads for cishet white people. I’ve also never understood taking offense at a book. I’ve read plenty of books whose point of view I’ve neither understood nor care to; and I tend to not read anything that I think is going to either offend me or be antithetical to everything I read–I tend to avoid Westerns, international spy thrillers, and war novels, and mostly for the same reason I tend to avoid most cishet white male authors. Your work isn’t written for me, and I can’t imagine westerns to be not problematic1–likewise, I’m not interested in reading about toxic male he-men that are racist rah-rah-rah books to make white men feel better about themselves (you know who you are) and so I avoid covers that pretty much spell out to me what the contents are going to be–women who exist only to be beautiful sex toys, any gay characters are offensive stereotypes and usually die, and so on and so forth; I love my country in spite of its flaws, and that love is strong enough to bear critiques on our nation and the people who run it, so I don’t need to read fiction designed to make me thump my chest and scream AMERICA LOVE IT OR LEAVE IT at anyone who dares critique the country and its domestic and foreign policies.

If cishet white people enjoy my work, fine. If they don’t, well, as I said it isn’t intended for them in the first place.

first author photo

When I first dreamed of being a writer, it never occurred to me to write about gay characters or themes. I was a child, for one, and for another that child was terrified that anyone might figure out that I wasn’t one of the “normies”, and what I actually was inside was something they’d all view with contempt. When I was a kid I wanted to write a kids’ series, like Nancy Drew or the Hardy Boys, and even came up with multiple different ones that I wanted to write, and came up with a rather lengthy list of titles for the books (which I still have, because I’d still like to try this at some point before I die), and gradually moved on to wanting to write other styles of books as I got older and began reading more. My addictions to soaps, both daytime and nighttime, during the late 1970s thru the early 1990’s, had me looking at writing more about towns and large casts of characters, and I always wrote a murder mystery into my ideas for these Peyton Place type novels I wanted to write; I also wanted to write Gothic suspense novels, and Stephen King had me also wanted to write mainstream horror novels…and later on, I moved into wanting to write horror/suspense/crime novels for young people.

It wasn’t until I met Paul, and I found gay bookstores, that I realized I could write gay stories and themes and characters, and I decided I wanted to write gay crime novels, set in New Orleans, and so that’s what I set out to do, starting a novel called The Body in the Bayou, which I had already thought up as a series about a straight Houston private eye–so I made the main character gay and moved it to New Orleans. I threw out the first ten chapters within two weeks of moving here, and started over again.

Promo photo for my old training business

And then I found myself in the conundrum John talks about in his essay so brilliantly; is it okay to have queer characters be the bad guy? Do we have to write all of our stories and novels from a thematic viewpoint that ‘gay is good’? Do we as creators have a responsibility to the community to only present queer people as heroic, or can they be flawed or even bad?

Author photo from 2007

I’ve talked about this before–how the idea for the case in Murder in the Rue Dauphine came to me, and I also worried about how the book would be received because I was explicitly creating a case and a world where not all queer people were good people. It was inspired by a gay man who came to New Orleans, got involved in the non-profit world here, threw a bunch of money around, and then disappeared overnight as his house of cards was about to collapse, stealing a shit ton of money and owing everyone a lot of money. That was when I realized how we always are welcoming to other queer people and we can sometimes overlook red flags and warning signs because you’re working with another queer person. We tend to give other queer people the benefit of the doubt and more chances than we would a straight person…and I wanted to explore that in fiction. Shining heroes without feet of clay also aren’t fun or interesting to write about, either.

Gay isn’t always good.

Most recent author photo, and I definitely need a new one.

And we aren’t doing our readers any services by creating “perfect” characters, either. Neither Chanse nor Scotty is perfect (although Scotty’s definitely an idealized person, I have to admit, but he does have flaws and blind spots) and the main characters in my stand alones are often messy, sloppy people who need to get out of their own way sometimes. Those are the kinds of characters I like to read about–because they are human.

I also find gay criminality enjoyable to read. James Robert Baker’s books were like being slapped in the face; full of gay anger and revenge and bitterness about the homophobic world in which we all exist–but Baker’s messy characters are active; they want revenge on the world and by God they are going to get it. The Ripley books by Patricia Highsmith are magnificent. Christopher Bollen’s A Beautiful Crime was terrific with its messy gay characters perpetrating a fraud.

I think we relate to and enjoy messy criminal queers because they are so relatable to us. There’s no worse feeling than powerlessness, the inability to control your own destiny and life, and always wondering …is it because I’m gay? I’ve gotten angry about this any number of times during my life, and I have always wondered somewhat would this happen to a straight man? and the answer is always no.

But do read John’s article. It’s very well done and thought provoking, and I’m going to let it simmer in my head for a while longer.

  1. Westerns would be a good discussion for another time, actually.
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What a Difference A Day Makes

Sunday morning here in the Lost Apartment, and today’s blog title seems particularly apropos; I do feel more rested and relaxed and ready to go this morning, and certainly more so than I have all weekend. Never fear, I can always derail my day at any time, but for right now I feel rested and able to get it going somehow. I did sleep later than I (and Sparky) wanted to, but I am firmly believe your body knows what it needs more than your conscious self. I was tired yesterday. I had to go make groceries to get the things I wasn’t able to get Friday evening, and when I got back home from that, I was tired. I had intended to cook out yesterday, but I also had the time for the NCAA Regional Gymnastics Finals wrong–it was on at five rather than seven, as I believed–so I didn’t have time to assemble our new grill in time. I wound up just having a turkey sandwich and Paul made scrambled eggs.

LSU did win that regional meet and qualified for the national semi-finals, and scored over 198, which is a benchmark. They also didn’t have a great vault rotation, which means they could score even higher if they hit on every event. The delightful Haleigh Bryant got two 10’s–vault and bars–and they pulled away from everyone by the end of the second rotation. We also finished Ripley, which is marvelous, and started watching Sugar on Apple, with Colin Farrell–which is also pretty good with a powerful neo-noir sensibility; Sugar, the main character, also has an affinity for old noir films, so sometimes the show is in black and white and sometimes in color, which gives that old, slick late 40’s noir feel to the viewer. It’s also set in LA, so there’s all that wonderful Chandler feel to it, too.

And the apartment is a bit of a mess today, too. I’ve done some good work this weekend getting it all under control, but it’s still not completely, which I will have to work on today around writing and doing others things. I also started reading Michael Koryta’s The Cypress House, which is really good (everything he writes is gold; if he weren’t so good we’d be burning with jealousy) and reminds me I need to really work a lot harder on my own stuff. I read quite a bit of it yesterday morning with my coffee; I will probably do the same again today. It felt good to be reading again; I was also paging through Grady Hendrix’s Paperbacks from Hell, which is always a fun ride down memory lane–it’s about the horror boom of the 70s and 80s, which definitely had an impact and influence on me as a writer; I always went back and forth between horror and crime when I was unpublished, and while I mostly write about crime now I always enjoy branching out into horror sometimes–I have two more supernatural/horror type stories in draft form that I would love to get revised and put in my short story collection. I was doing a lot of thinking about works in progress yesterday while I watched the crime shows and the gymnastics; it’s been a while since my mind started roaming creatively like that, and I really liked experiencing that again; my mind has been fallow for so long I was beginning to worry (as always) that it was going to be stuck like that at some point.

I am also looking forward to reading more often and regularly now; I should absolutely 100% read for an hour every day when I get home from work and decompress; what better way than to curl up in my chair with Sparky purring in my lap? And reading a good writer before settling in to do my own word count for the day is a pretty good idea–I’ve always held that one of the best ways to write better is to read works by authors you admire, and there are so many authors I admire…I also came up with the idea for the next Scotty as well as its title, which is always a challenge. I’ll probably write that later this summer, after I get everything else I want to get done this year done. I am feeling better and am feeling good again; today I have to go to the gym and get restarted on my therapy on my own, too.

And on that note, I am heading to the easy chair with my book for the next hour or so before I come back here to dig into the day’s writing. You have a marvelous Sunday, Constant Reader, and I may be back later; one never knows. I have several entries that I need to finish, too.

Teen Beat

Ah, being a teenager. A lot of people look back on their teen years through rose-colored glasses, always smiling wistfully about the ‘best times’ of their lives. This always makes me reel back from the screen; it’s unfathomable to me that people miss being in high school. I made the best of high school, as I always try to make the best of every situation I find myself in, willingly or no; but you do eventually reach the point where you are so sick of the bullshit and the bullies and the assholes that it can’t end soon enough. I managed to make the best of high school all the way up until the second semester of my senior year, when I just reached the breaking point and just didn’t fucking care anymore–about my classmates, the other kids, the teachers, everything. I kept making the best of Kansas for another year or so–and when my parents were transferred while I was in college to California, I didn’t even think twice about deciding to leave Kansas in my rear view mirror.(I’ve also never been back since that snowy February night when I boarded Amtrak and headed west, either, other than in my fiction.) So, you’re probably wondering why I write about Kansas; why I dig into all those unpleasant memories and the horrible way I used to feel every day. In some ways, I suppose, it’s therapeutic; dealing with the memories and processing them now that I’m older, more centered and stable, and no longer hate myself. But…those are the important memories for writing about teenagers, which I do fairly regularly.

It’s always important to process your traumas by writing about them, I suppose.

It’s work-at-home Friday and Gregalicious slept a little late this morning. I was very tired last night–even fell asleep in my easy chair around ten, woke up just before eleven, and then proceeded home. I was too tired after work to get much done around here, or to do any writing, so I will definitely have to make up for that today and this weekend, once the work duties are done. I also have to get to the gym this morning to get back to the working out. After the Festivals and Paul got sick, my hands were a bit full and working out after being pronounced healed just wasn’t possible. Now I have to get back into it, adding a couple of back and chest exercises into the mix, and even having an official Leg Day work out, so as I get my strength and stamina back I can start using heavier weights and gradually get myself back to the point where I can workout the way I used to, before all the injuries and depression and so forth all kicked me off the gym wagon; hopefully by the summer I’ll be able to get myself back into some semblance of good physical condition again.

I suspect the tired thing will never go away.

We started watching Ripley last night around the Fayetteville Regional for NCAA Gymnastics, which LSU won while not having their best night, and I have to say I am enjoying it thus far. It’s a slow burn, but it’s incredibly stylish, and the black-and-white cinematography is terrific. The shots are amazing, and Andrew Scott manages to give Tom an air of menace, a kind of emotional flatness Matt Damon couldn’t have pulled off in the Minghella film version. I think part of the reason for the steady slow burn of the plot is because there’s not a lot of material…the book is actually very short (Highsmith was never wordy and rarely wasted time on back story), and my sense is that Scott’s Tom is much more like Highsmith’s ideation than the Minghella film. With all the comparisons made of Saltburn to Ripley, I’ve been thinking about the book and the Minghella film again, and this Netflix version seems like the Ripley Hitchcock would have made, which makes it more interesting to me. At first I was a little bummed not to see the Amalfi Coast in color; Italy is so beautiful, after all, but the black and white gives it a more pristine and polished look that is beautiful in an entirely different way. I’m looking forward to watching the rest of the show to see how it flows and develops–as well as comparing it to the book, the Matt Damon film, and Saltburn. It actually has made me rather happy that I haven’t finished my essay on Saltburn yet.

And on that note, I am heading into the spice mines for the day. Have a lovely Friday, and I may check in again later.

Strawberry Wine

Tuesday, Tuesday–can we really trust this day?

I’ve always found Tuesdays to be more questionable than Mondays, if we’re going to be completely honest. At least on Monday–despite the inevitable ring of the alarm, the grudging getting out of bed earlier than you want to, the unpleasantness of the desire and need for caffeine–you’re rested from the weekend. When the Tuesday morning alarm goes off, you have already worn off that weekend glow and are tired from a full day’s work already, with several more still left to go…I daresay that Monday’s blue and Tuesday’s, too.

I got some writing done last night–I’ve found three different versions of the first chapter of the Secret Project, so  I spent some time merging them together; today I am most likely going to edit that chapter and get it revised, polished and pulled together. I also worked on the new short story idea I had, “Festival of the Redeemer”, which is a  noirish Daphne du Maurier-type story with a bit of inspiration from Highsmith, Ripley, and the film; which I will watch another half hour of tomorrow morning at the gym. My writing muscles are much more slack and harder to whip back into shape that the regular muscles of my body. Sunday’s gym trip broke me through the tired-muscle syndrome I was experiencing that first week back; now my muscles no longer feel a bit achy and tired all the time, and I am sleeping ever so much better.

I know I have to push through and the writing muscles will eventually catch up and the words will start coming out of me again, but JFC, what a pain in the ass. I guess the message here is to never let my writing muscles get out of shape ever again–not that I ever remember letting them get out of shape in the first place.

I do think “Festival of the Redeemer” has the potential to be a terrific story, but again–gay main character, gay noir, who’s going to publish that? I currently have a “gay” story out on submission to a mainstream market, but feel relatively confident that story is going to be rejected eventually; they’ve had it longer than they had the one they already published, and delayed response usually means eventual rejection. Every story, of course, is a different animal than the one that came before it; so a quick turnaround on one story doesn’t mean the next one will get that same quick turnaround, of course, and it’s a different story so–

I wonder what it’s like to not have to wonder if your story is going to be rejected because you wrote about gay characters?

But it’s been awhile since i wrote a short story, and I’m writing this one around the Secret Project; once the Secret Project is finished I’ll have to put this story aside to focus on the Sherlock story–which I still can’t believe I’m actually writing a Sherlock story. But this year I know I will have at least two stories for sure in print: my story for The Faking of the President will be out around the same time as my story in The Beat of Black Wings. Which is incredibly cool; both stories have the same kind of noirish dark tone, but I still think “This Town” is the best short story I’ve written over the last few years. I don’t know if it will get an Anthony nomination for this year’s Bouchercon, but you never know; stranger things have happened, and I never thought “Cold Beer No Flies” would have been an Anthony finalist, either.

“Festival of the Redeemer”–well, I’ve wanted to write a story about Venice ever since I visited there, and of course, the film of The Talented Mr. Ripley is reminding me of how much I loved Italy when I was there; I haven’t gotten to the “Tom in Venice” segments yet, but just thinking about it–and the weird friendship between Tom and Dickie–made me finally understand how I could write this story; what the crux of it is, and why it should be told–and where the story should come from within me; and I think I finally can root the story out.

At any rate, I am probably going to have to stop at the grocery store tonight on my way home to start storing provisions for the coming weekend of being trapped inside the parade route for most of the weekend. It’ll be fun, of course, wandering down to the corner to watch the parades and catch some things, watching the crowds and seeing who else from the neighborhood is out there; it always is, if somewhat exhausting. Barkus of course is Sunday afternoon in the Quarter–the dog walking parade–and there’s no parades on Sunday night, I suppose so we can start getting rested for the marathon to come beginning on Wednesday. I decided to do my usual Outreach shift on Friday afternoon, which will mean walking down to the Quarter after doing my workout Friday morning–no need, obviously, to do my cardio since I’ll be walking several miles that day–and then trying to get to the gym Sunday morning before the first parades start arriving in the neighborhood. I don’t remember who is Bacchus this year–nor do I remember who is riding in Orpheus–but I know Jennifer Coolidge is the celebrity guest Muse, riding in the big shoe this year.

I’m probably going to have to write another book about Mardi Gras someday; I think seeing Scotty and the boys through another Mardi Gras is probably a good idea–hell, it might even be worthwhile to take them through Southern Decadence again. I don’t think Scotty’s quite done with his partying ways, frankly, even with sort-of-nephew Taylor around to be badly influenced–although I would imagine it would be relatively awkward for him and Frank to be wasted on Ecstasy on the dance floor at Oz and run into Taylor and some of his friends from Tulane. Hmmm.

But I need to get back to reading Where are the Children? so I can get back to my reading of Tracy Clark; I also need to read Lori Rader-Day’s The Lucky One for a panel I am moderating this year at the Tennessee Williams Literary Festival. And I also have some MWA business I need to work on this week–the life of an executive vice-president is always intended to be, well, interesting–and as such, I should probably head back into the spice mines.

Have a lovely Wednesday Eve, all!

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Will You Still Love Me?

Sunday morning. LSU managed to remain undefeated yesterday, squeaking out a 23-20 nerve-wracking win over Auburn and looking like LSU of old. It was a very tense, stressful afternoon here in the Lost Apartment, believe you me. But they did pull out the win to move to 8-0; with Alabama on the horizon in two weeks in Tuscaloosa. They will most likely be ranked 1 and 2 at the time of the game; the winner takes the lead in the division, becomes the favorite to win the SEC, and make the playoffs. There’s some talk, already, that even if LSU loses to Alabama they might still make the playoffs; Oklahoma’s shocking loss to Kansas State opening that door still wider. There are a number of good one loss teams in the SEC already–Georgia and Florida are about to play next week in a battle of once-beatens to determine who will win the East division, and a shot to play the winner of LSU-Alabama in Atlanta in December.

Likewise, it also wouldn’t be the first time Alabama lost to LSU and got to play for the national title.

I was emotionally spent after the game, so I spent the rest of the evening finishing reading Robert Tallant’s Ready to Hang: Seven Famous New Orleans Murders. Tallant isn’t the best writer, and he’s also, as they say, a product of his time; but I found his retelling of famous New Orleans murders quite entertaining. The last three chapters (“Let the Poor Girl Sleep!”, “The Axman Had Wings”, and “Fit as a Fiddle and Ready to Hang”) were quite interesting, and I can see easily how to translate those real life true crimes into fiction, particularly the last one–about a handsome young man who wanted to be a singer and went around killing older men with money. The book was written and published in 1952 originally, and so the story of Kenneth Neu, as written by Tallant, skirted around what was patentedly obvious to me at any rate–he flirted with older men to see if they might be interested in his looks, and then killed and robbed them. (When he was tried eventually, he was only tried for the murder he committed in New Orleans; a previous crime in New Jersey definitely involved homosexual activity, and they didn’t want to try him for that one in case the jury sympathized with him killing an older gay man…so obviously, the prosecutors in Orleans Parish successfully kept any possibility of homosexuality out of his trial.) Neu is an interesting character to me; originally from Savannah, served in the military, and extremely charming and good-looking. Even throughout his trial he was cheerful, trying to charm people, even singing and dancing for the audience in the courtroom during breaks in the trial. He’s almost like something out of Patricia Highsmith; there’s definitely some Ripley in Neu. And obviously, he would make for a fascinating character in an old time New Orleans noir.

I’m also working on a short story–have been for some months now–called “A Little More Jazz for the Axeman,” which will go into my collection Monsters of New Orleans should I ever finish it; I’d also like to send it out for submission. It’s a Venus Casanova story, and while I got off to a relatively good start on it, it kind of stalled on me–primarily because I didn’t know the particulars of the true Axeman murders. I’d read some of it in Empire of Sin, but Tallant covered it a bit more thoroughly. I do need to come up with a timeline of the original Axeman murders, which should be relatively easy to do now, and see how I can work with that for my Venus short story.

I do intend to write today, Constant Reader, after two days of meaning to but never getting around to it. But the time has come, and I really must stop procrastinating. I don’t know what time the Saints game is today, but regardless, I have to sit here and at the very least finish off Chapter Twelve, whose rewrite has been in stasis now for over a week. I only have thirteen more chapters to go before the damned thing is finished–and while I know I’ll be holed up in a hotel room in Dallas for five days this coming week, well, I also know it’s Bouchercon and I won’t get any writing finished. I won’t even read much, except for the airport coming and going and the plane ride itself. I do want to finish Silvia Moreno-Garcia’s Certain Dark Things this week as well; hopefully in time to get another horror novel read by Halloween. I’ve really fallen down on my reading lately–I also have some terrific ARC’s on the pile, including Elizabeth Little’s Pretty as a Picture and Alex Marwood’s The Poison Garden–and I really need to get back to dedicated reading again, rather then falling into Youtube rabbit holes every night. Reading also inspires writing, so there’s that, too.

I think the next non-fiction book I’m going to read is Richard Campenella’s Bourbon Street–as I continue my deep dive into New Orleans history.

And on that note, I think I’m going to get another cup of coffee and sit with Moreno-Garcia’s Certain Dark Things for awhile before i head back into the spice mines.

Have a lovely day, Constant Reader!

 

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