Tag: Pia Zadora

Cast Your Fate To The Wind

Ah, and here we are, three day weekend in the rearview mirror as we coast headfirst into a Tuesday that is destined to feel like a Monday all day. I set the alarm and got up at seven-ish; an hour later than a work day and really, something completely sensible to do on days off. An extra hour still feels like a treat, and then I have the entire morning to get things done. I washed dishes, made breakfast, wrote two posts, and then dug into the book and cranked out over two thousand words before noon–with the entire day still ahead of me. I wish I could tell you that I worked on some other writing, but I didn’t. I was reading newsletters and magazines that have stacked up (another thing that is stupid–I let magazines pile up, collect dust, and just be clutter rather than simply reading them at first opportunity and then tossing them in the trash–or tearing out an article that may be of interest to me at a later date (can’t imagine how all that paper piled up on me over the years). I am pleased to say I have only three back issues of Texas Monthly (their true crime reporting is stellar) and the latest 64 Parishes to read now. I also watched some news clips on Youtube, fell into a wormhole about the history of the Cathars in southern France and the Albigensian Crusade that killed them all, and finally started reading about the Baptist War in Jamaica–there’ll be more on that at another time, trust me on that– before doing some filing and touching up around here. All in all, it was a lovely weekend, and I am so delighted to be back into the book again (I was worried about picking it back up again after the last few days not working on it), and knowing that my editorial and creative eye is coming back together, too. I still have to get used to my life as it is now, and I know there are going to be bad days that I just need to accept and roll with, and not beat myself up over those sorts of things. Being too tired to write or create is a valid reason for not doing so. It just is painful and the writing isn’t any good, anyway–and it’s not like I need to prove to myself that I can write a goddamn crime novel, do I?

I feel pretty rested and good this morning. We shall see how that develops for the rest of the day. I think we’re pretty busy today; or maybe not; maybe it was next week? We always get busy at the STI clinic after Southern Decadence…which kind of makes me a little proud, because we’ve trained our clients so well that they know about the window periods for the bacterial infections so they wait. (The schedule isn’t that busy; I just checked it–laptop came home with me on Thursday–so yes, it’s next week that is super-busy.) I have to make groceries on the way home from the office tonight; I may be too tired to work on the book tonight but…that’s okay.

Yesterday afternoon I was kind of at loose ends and dangerously close to being bored, when I remembered a conversation at work recently, in which one of my co-workers told me he loves to watch bad movies with a friend to laugh at them, so I asked, as is my wont, if they’d seen Voyage of the Rock Aliens–I have yet to find anyone else who has seen it (I saw it twice in the theater) and so that was in my mind. Right now I can’t remember the brain trail that led me to think of it yesterday, but I did, and the whole movie is up on Youtube…so yes, I rewatched it, and…it really can’t be watched alone to be laughed at properly. Anyway, it was the great Ruth Gordon’s final movie (what an epitaph!), starred Pia Zadora and an incredibly beautiful young Craig Sheffer. It’s a weird mash-up of the bad scifi and beach movies of the 50s and 60s, a lot of the humor is of the time (I’m sure kids today, or even viewers of any age for that matter, would get the Lake Eerie jokes, because the lake was cleaned up), and it’s even more godawful to rewatch after forty years or so. It may even be worth it’s own entry…

We also started watching Kaos, which is demented in a very fun way; a modern twist on Greek mythology. A reboot kind of, if you will. Jeff Goldblum is perfect as Zeus, as is Janet McTeer as Hera. Of course, since it involves Orpheus and Eurydice, it put me in mind of Hadestown, which I saw on Broadway in New York thanks to Mike Ford. I’m looking forward to watching more tonight, if I’m not too tired and Paul isn’t working on a grant the way he has been for the last week or so. Of course, I could unwind with my Alison Gaylin ARC, which I am doling out to myself as a reward for getting things done.

I am very glad that my brain has finally unlocked and I am not only writing again, but writing the way I did before the recent times of troubles. I’m enjoying it, and am having fun with it again. I don’t know if I am all the way there again yet, and I’m not all the way back to normal (or whatever passes for normal in my life) quite yet, but I don’t feel like there’s a dark cloud in my brain and just getting through the day is a triumph anymore. Now that it’s unlocked, I can also see that some of the stories I’ve written over the last four years and not been able to place (or finish)? Now that my mind is more clear than it’s been in a while, I can see what the problems are–the voice and tone of the story. They’re written kind of in a cheery, pleasant tone, and that doesn’t work with what the stories are about. What was I thinking? No, they need to be colder, and more desperate, unsentimental, which isn’t as easy for me as it should be. They need to be harder and colder and crueler, more desperate, in order for the stories to work, which is also pretty cool. I’m so glad I’ve figured this out at long last! I also think part of the reason I made the stories not as dark as they needed to be was because of the shitshow life had become for us all and I didn’t want to write anything dark. My brain was telling me something, wasn’t it?

I also walked to Walgreens to get treats for His Impious Majesty, listening to the My Dad Wrote a Porno podcast and rather enjoying it–it’s really hilarious, you should check it out–when the door opened in my brain and I finally figured out what podcasts actually are: they’re like radio shows of old only with a more modern delivery system. so we’ve kind of circled back around the entertainment my grandparents used to enjoy–radio/podcast, they are basically the same, with the primary difference how you get distributed to listeners, kind of like do-it-yourself radio. Yes, it only took me how many years to figure it out? Heavy sigh. But now that I finally get them, I can start looking for others that could be fun and informational. I just couldn’t wrap my mind around them–sometimes I have to connect newer technology to older so I can understand its purpose. Yes, I am well aware how obtuse I can be, which I think is a part of the wacky brain chemistry that I want to talk to my doctor about. I don’t need medication to control the wandering mind syndrome, as I’ve remembered how to write again, so that’s not an issue. But it would be nice to have a diagnosis rather than simply wondering and self-diagnosing from my reading.

I also started relearning German on Duolingo this weekend, which makes sense. There are crusty memories deep in the recesses of my brain, and doesn’t it make more sense to try triggering my memory rather than starting from scratch with a whole new language. So far, so good. I can order coffee and bread and wine in German now. So, when I am in a German coffee shop I can say, kaffee und brot, bitte.

I didn’t really have much FOMO about Bouchercon over the weekend–obviously, I know I would have had fun had I gone because now I know too many people not to have fun, if that makes any kind of sense to you. I did miss seeing everyone, but my primary regret in not going was not being able to participate in the voting down of removing the DEI (aka inclusion) from the Bouchercon operating by-laws…yes another attempt by a mediocre white man who used to be on the Board and was long associated with it (back in its misogynist, racist, homophobic days where that kind of shit was not only tolerated, but enjoyed) deciding that since he had a problem with inclusion the entire conference should just do away with it. Thanks, Al Abramson, I remember reporting being treated homophobically by programming years ago and you just patted me on the head and basically told me to get over it. Fuck you all the way to hell and back, and don’t think we aren’t fucking organized, you miserable piece of bigoted trash. Can’t imagine why queers felt uncomfortable and unsafe attending your fucking event, and the trash LOC couldn’t even be bothered reassuring us, and in fact, exposed how homophobic the LOC was. But thanks to the alert Board members and some others–CWoC, QCW–rallied the troops, but the Board also refused to consider it and the refusal of this last minute last ditch attempt to make it a Karen-and-Chad conference again. But this is also why we have to be forever vigilant, because there’s always some mediocrity trying to drive out the marginalized.

Must have been a real bitch-slap seeing how diverse the Anthony Awards were.

And on that note, I am heading into the spice mines. Have a lovely Tuesday that feels like Monday, and may be back later.

G. U. Y.

I love James M. Cain.

I generally give one of his books a reread every year; Double Indemnity is a personal favorite, although I also have soft spots for Mildred Pierce, Serenade, Love’s Lovely Counterfeit, and, of course, The Postman Always Rings Twice. I’ve not read all of his books, partly because I don’t ever want to be finished with the entire Cain canon, but also because many of his lesser-known are no longer in print. But yesterday, after I finished Lori Rader-Day’s sublime Little Pretty Things, I pulled out The Butterfly and read it in a little over an hour. (Many of Cain’s works are really short.)

She was sitting on the stoop when I came in from the fields, her suitcase beside her and one foot on the other knee, where she was shaking a show out that seemed to have sand in it. When she saw me she laughed, and I felt my face get hot, that she had caught me looking at her, and I hightailed it to the barn as fast as I could go. While I milked I watched, and saw her get up and walk all around, looking at my trees and my corn and my cabin, then go over to the creek and look at that and pitch a stone in. She was nineteen or twenty, kind of a medium size, with light hair, blue eyes, and a pretty shape. Her clothes were better than most mountain girls have, even if they were dusty, like she had walked up from the state road, where the bus ran. But if she was lost and asking her way, why didn’t she say something and get it over with? And if she wasn’t, why was she carrying a suitcase? When I was through milking, it was nearly dark, and I picked up my pails, came out of the barn, and walked over. “How do you do, miss?”

And so this is how Jess Tyler, abandoned eighteen years earlier by his wife, meets his now grown youngest daughter, Kady.

Cain’s novels are all relatively short (I think Mildred Pierce is actually the longest, at least of the ones I’ve read)–which is interesting on its face; many of my favorite writers (Cain, John D. Macdonald, Megan Abbott, Margaret Millar, Charlotte Armstrong) write short novels–and The Butterfly is only 118 pages long. The book is set in Appalachia; West Virginia, to be precise, and Cain’s grasp of what life is like for poor rural Southern people is spot-on, as he always was with every book. He also manages to get across the poverty, and the acceptance of that poverty, across without using vernacular; Jess says “hollow” instead of “holler,” as an example. It’s also amazing how he managed to get this book (or any of the others, really) published at the time he did; the subject matter seems a little bit much for the time. If Mildred Pierce is an opus on motherhood, and the strain of loving a child who is a monster; The Butterfly is the obverse, telling the tale of paternal love for his child that crosses that line that shouldn’t ever be crossed; from love to lust and desire. It’s quite chilling and disturbing, but also quite good because he makes it understandable, which makes it all the more chilling and disturbing.

The book was eventually filmed, as so many of his novels were, but this film was notorious as the screen debut of Pia Zadora. I’ve never seen it, actually–the only Pia Zadora movie I’ve ever seen is Voyage of the Rock Aliens, although I’ve heard The Lonely Lady is so bad it reaches epic camp proportions–but now I am kind of curious.

I also started reading Donna Andrews’ latest, Die Like an Eagle, yesterday while waiting for Paul to come home so we could go to the Parades.

And happy Mardi Gras to one and all.