Tag: Namese

Don’t Do It

And now it’s Thursday, a work-at-home-make-condom-packs-while-watching-movies-or-bingeing-something-on-television kind of day. I also get to. take Paul in for his second vaccination today (huzzah!) and then this evening will undoubtedly work on the book some more–and possibly squeeze in a trip to the gym. Last night’s weather was horrible–it was windy all day, and then around seven o’clock last night all hell broke loose: high winds, extreme thunder and lightning, and a downpour that had me worried about the street flooding. But the sky is clear of clouds this morning and the sun is shining–I haven’t checked the temperature yet, but it looks pleasant outside, if not outright gorgeous.

I finished the first final run through of the book last night, and as I did, I knew exactly how to end it all and tie all the loose strings together and so forth. It’s going to mean more writing–but I knew that going into it–but the primary problem was the structure of the book, really, and last night I figured it out. A mere two weeks before the final deadline, but better late than never, and I am kind of excited again to whip it all together and into shape. I got rid of most of the repetitions–some of which were actually rather good, so I am going to have to decide this weekend whether to leave things as they are or switch in some of the repetitive stuff for the stuff I left in. I think it’s going to actually turn out to be what I had envisioned from the very beginning….which is very cool. The nice thing is that I have about ninety thousand words already; will probably have to add about five thousand more, while trimming and revising some of the rest out. The book kind of goes off the rails somewhere around chapter seventeen, which is where the reworking is going to really have to start, and there are also going to be some brief inserts from a podcast that goes between some of the chapters, to give the backstory and also keep the overall narrative moving. I’ve never written anything like #shedeservedit before, either subject matter or structurally, so this is a big leap for me….and why not take a big experimental leap before working on Chlorine?

I am taking my library sale copy of John LeCarré’s The Russia House with me to Paul’s vaccination appointment; I am rather excited about reading another LeCarré, to be honest. I thought The Spy Who Came In From The Cold was exceptional and extraordinary, and from looking at the first page of The Russia House, it looks like this one will be as well. I’ve not really been doing much reading lately; when I am in the weeds with a book it’s not easy for me to read anything else as my mind is too distracted to focus much on someone else’s narrative, and so when I get this novel wrapped up and finish The Russia House I expect to be doing a lot of reading in April–and I have some short stories I want to get worked on while prepping to write Chlorine in April. I also need to call the library to make an appointment to drop off this first batch of donated books to them–so I can start boxing up the next batch of them as well. I also want to start making the long-overdue Scotty Bible in April–I can work on that while I am prepping Chlorine and working on these short stories (I really want to get some more things out on submission, the sooner the better)–so that I will really be prepared to start working on Twelfth Night Knavery once I have the first draft of Chlorine banged out.

I’m actually kind of excited about all this writing to come, if a little daunted. I will inevitably, of course, have lazy moments where I will simply blow everything off, but again…that’s kind of inevitable. I slept so well last night I didn’t want to get up out of bed this morning, but I have simply too much to do to be a lag-a-bed this morning. I’m going to be a Festival widow for the rest of this week and all of next, and then I’ll have to get back into a routine of making dinner every night and watching something with Paul–and there’s plenty for us to watch. I have to get caught up on Superman and Lois, which I am really enjoying, and of course Paul and I started the third season of Mr. Mercedes–but are only able to catch an episode here and there whenever he gets home early enough since I have to be in bed by ten on Sunday thru Tuesday nights. I am also thinking about treating myself to phô from the Vietnamese café next door to the Cat Practice at some point over this weekend as well–it’s been a hot minute since I’ve had some good phô, and I just say that my favorite place to get it in Midcity–Namese–has closed permanently, which is a shame. (note to self: you need to write about the Vietnamese community of New Orleans at some point) But I am really really looking forward to a big bowl of phô; I love me some noodles. I’m also thinking about making Swedish meatballs again this weekend. We shall see, I suppose. I may put off the Costco run until next weekend; while there are definitely some things I need from there, there’s nothing really pressing. (I was also thinking last night that I need to stop thinking about going to Costco in terms of periodic visits where I spend a shit ton of money; there’s no reason I can’t, for example, make a short trip to get a few things on weeknights after I get off work, for example; I-10 makes it insanely easy to get there from the office. Rethink things, Greg, rather than remaining in stasis and doing things a certain way simply because you’ve always done them that way.)

And on that note, tis best for me to head back into the spice mines. Them condoms aren’t going to pack themselves, for example, and much as I want everything to simply take care of itself without my assistance, that’s not terribly likely. Catch you tomorrow, Constant Reader, and have a lovely Thursday.

Allentown

I was so tired last night when I got home from work–and I worked a short day! After work yesterday, a friend and I went to lunch to a place on the corner of Tulane and Carrollton called Namese, and I had an enormous  bowl of beef pho, which was absolutely delicious. I was in the mood for noodles, and having never actually had pho before, was quite thrilled to try it, and it was amazing. I’ve been wanting to try pho since seeing a show on our local PBS channel, WYES, about the big Vietnamese community in New Orleans, and one of the things they talked about on the documentary was pho. I’d been wanting to try it ever since, and got my chance.

DAMN THAT WAS GOOD.

I’d known we have a big Vietnamese community in New Orleans for quite some time–most of them live in New Orleans East, and were devastated by the flooding after the levees failed back in 2005. Poppy Z. Brite wrote about that community in his brilliant (and deeply disturbing) Exquisite Corpse, doing it so well I never had the nerve to try to write about it myself. (Our first, and only,  Congressman from Orleans Parish was a Vietnamese; Joseph Cao, who defeated “Dollar Bill” Jefferson in the post-Katrina scandal created by the fifty thousand dollars in cash he had stored in his home freezer. Cao was born in Ho Chi Minh City (then called Saigon), and only served one term in Congress–but I liked Congressman Cao; he put New Orleans ahead of party, and I was sorry to see him go.

I have an idea for a noir involving the Vietnamese communities of the Gulf Coast that I hope to write some day. I’ve also been toying with an old idea for a horror novel that’s been dancing in my head for the last thirty years or so–I can tell that I am writing another book; my creativity always spikes when I am writing a book.

Honestly. One would think I could get that under control.

Anyway, I also finished reading Margaret Millar’s Do Evil in Return last night. It wasn’t the below edition I read, but rather one of the volumes of The Collected Millar; this volume also contains Fire Will Freeze, Experiment in Springtime, The Cannibal Heart, and Rose’s Last Summer. But I rather like that Gothic-style cover.

millar-do-evil-in-return-lancer

The afternoon was still hot but the wind carried a threat of fog to come in the night. It slid in through the open window and with curious, insinuating fingers it pried into the corners of the reception room and lifted the skirt of Miss Schiller’s white uniform and explored the dark hair of the girl sitting by the door. The girl held a magazine in her lap but she wasn’t reading it; she was pleating the corners of the pages one by one.

“I don’t know if Dr. Keating will be able to see you,” Miss Schiller said. “It’s quite late.”

The girl coughed nervously. “I couldn’t get here any sooner. I–couldn’t find the office.”

“Oh. You’re a stranger in town?”

“Yes.”

“Were you referred to Dr. Keating by anyone?”

“Referred?”

“Did anyone send you?”

Margaret Millar is a treasure, and her work, despite now being dated because of societal and social changes, are worthy of not only being read by modern audiences but also deserving of study. She, along with Dorothy B. Hughes and Charlotte Armstrong, formed a triumvirate of strong women writing suspense novels featuring women protagonists that were the equal of anything written by male contemporaries; there were numerous other women doing the same, but these three had longer careers and are now being rediscovered, in part thanks to the diligent work of Sarah Weinman and Jeffrey Marks. Library of America has released a two-volume collection of works by great women writers of the time; Soho Crime is releasing thick volumes collecting all of Millar’s work, which I am happily acquiring. I read Armstrong when I was young, and loved her; I am in the process of working my way through the canons of both Millar and Hughes, as well as two other great women writers of the same period, the incomparable Patricia Highsmith and my personal hero, Daphne du Maurier.

Do Evil in Return, originally published in 1950, is ultimately a novel about how society and its hypocritical misogynistic treatment of women can destroy them. The main character of the novel, Dr. Charlotte Keating, is a strong, independent woman with a successful practice in a small California coastal town. She is both single and hard-working; owns her own car and her own home–no small feat for a woman in 1950–and the book opens with a young woman coming to her for help. The woman, Violet O’Gorman, is only twenty and married, but finds herself with a particular problem; estranged from her husband, she had a one-night stand with a married man which has left her pregnant, and she is desperate for an abortion, which of course was illegal in 1950. Dr. Keating–Charley to her friends–refuses to break the law and perform this service, but her heart goes out to her patient and wants to help her, but while distracted by a phone call doesn’t notice the girl slipping out of her office. With a local address her only clue as to how to find Violet, she goes looking for her…and soon finds herself wrapped up in a terrible string of events beyond control, a noose tightening around her own neck. For, like her patient, Charley herself is involved in a love affair with a married man–a platonic one, to be sure, for she refuses to become intimate with him as he is married–and the similarities she sees between herself and young Violet is part of what drives her. The following morning, Violet’s body washes ashore, an apparent suicide, according to the police but Charley herself isn’t so sure.

And of course, she is right.

Millar’s particular genius lies in how casually she lays out her cards; she never tells her reader straight out what’s going on, but allows it to unfurl naturally, leaving it to her reader to figure it out. When we meet Charley’s platonic lover, there is no mention of his being married–Millar simply talks about the stifling existence he has at home with Gwen. As the story continues the reader slowly realizes that Gwen is actually his wife, and she is also one of Charley’s patients. Charley has tried to foist Gwen off on other doctors, but hypochondriac Gwen refuses to see anyone else–and is incredibly needy, ringing Charley for help at all hours of the day or night. Charley’s own feelings for Gwen’s husband also aren’t that simple; and in 1950 divorces weren’t as easy to obtain as they are today.

Perhaps the strongest part of the book is how Millar clearly depicts how claustrophobic a woman’s world was in 1950, and the delicate balance a single, independent professional woman had to maintain. Exposure of the relationship would ruin Charley, both personally and professionally; just as Violet’s unexpected pregnancy has ruined her. Society’s expectations of women, and their sexuality, are the true villains, the true evil in this novel; and the realization that this world Millar so brilliantly depicts was only sixty-seven years ago is truly chilling.

I think this book would be excellent reading for a Women’s Studies course; to let young women know how truly awful and misogynistic society was not so long ago, as a reminder to everyone today how far women have come in a short period of time, and how hard they fought to get to where they are today.