Tag: Mobile River

Too Many Rivers

I don’t know; I kind of love rivers. Can you have too many? One of my favorite things about driving south to Mobile through Alabama is all the rivers and marsh you have to cross over; kind of like how you cannot leave New Orleans without crossing a bridge1. I think my affinity for rivers has to do with my love of history; civilization depending on rivers for millennia. Would there have been an Egypt without the Nile? Babylon or Ur without the Tigris and Euphrates? Paris without the Seine? London without the Thames? The North American rivers had a lot to do with the conquest of the continent and its colonialization, too–the St. Lawrence, the Ohio, the Mississippi and the Missouri all were major thoroughfares for movement and shipping. I sometimes wonder if the home county was settled because of the Sipsey River, which drains into the Tombigbee. (It eventually drains into the Mobile River in the marshes north of the city that I mentioned earlier.)

It’s Monday morning and back to the office with me. I didn’t get nearly as much done as I would have liked yesterday but I also don’t mind. The rest felt marvelous, and I stretched to alleviate the muscle tightness from working out Saturday. Physically, I felt pretty good most of the day, and again had some trouble falling asleep last night, but eventually I did and slept very deeply and well. It’s forty degrees out there this morning (yikes!), so it’s going to be a layers day (the office is always cold) and I am going to try to run errands after work on the way home. Today is an Admin day, and I am pretty much current on everything, I think. There are some things I absolutely will need to do today, but it should be an easy one. Sparky kind of wants me to go sit in my chair so he can curl up in my lap, but alas, Spark; it is not to be today, at least not until I get home from the office tonight. I don’t think I’ll have any trouble falling asleep tonight, though. I miss my warm bed already!

Paul was out most of the day yesterday getting tattoos, and he didn’t get home until late. I was watching the Golden Globes, which was kind of dull, actually; as I’ve gotten older I’ve lost interest in awards shows (I used to enjoy the Golden Globes more when everyone got drunk). There are so many now, to the point where the Oscars are so predictable there’s not any point to even rooting for someone, or being very vested in it. I did read for a little while, wrote and cleaned for a little while, and basically just spent the day relaxing and resting from going to the gym on Saturday. My muscles feel a bit fatigued still–which could be frustrating, if I let it be; I practically did hardly anything, compared to the workouts I used to do back in the day–but I’m also a lot older and had to recover from surgery for over a year. Today I feel like getting it together–my life, my shit, my everything–so hopefully that will be my mindset going forward from now on. I’ll still have lazy days, of course–my tendency to be lazy always overrides everything else when I let it happen–but I no longer berate myself when I do so. That’s kind of nice.

It’s also Twelfth Night, which signals the opening of Carnival season for 2025. It’s also the four year anniversary of the insurrection that tried to overthrow the 2020 election; I will never forgive the voters for signing off on pardons for everyone who attacked the Capitol that day. I’ve tried writing about how that felt, to sit at work and watch the horror unfold, wondering if this was ushering in a new authoritarian government and the end of anything decent in this country (that’s right, MAGA, y’all are indecent people as well as traitors); as Paul and I say to each other on an almost daily basis–“thank God we’re old.” I can’t imagine how bleak it must be to be young now and to have absolutely no hope for the future. I will be stopping on the way home from work to get our first king cake, and I am sure someone will bring one into work; it’s a thing, you know, but since the season is so long this year I am sure we’ll get bored with king cake long before Fat Tuesday. We will be having Carnival despite the terrorist attack; “won’t bow, don’t know how” is our attitude down here, and we always hold our heads high even in the midst of tragedy. We had Carnival (abbreviated, but we still had it) after Katrina, and it was so cathartic; it remains to this day one of my favorite Carnivals.

And on that note, I am going to head into the spice mines. Have a lovely Twelfth Night, Constant Reader, and I may be back later; stranger things have indeed happened.

  1. The bridges of New Orleans is a very fascinating subject, and they have an insane history involving so much bribery, corruption, and incompetence that it’s amazing that somehow, miraculously, they managed to get the job done. ↩︎

Under the Boardwalk

I hadn’t been sure that I would keep writing young adult novels after I revised, rewrote and published the first three (Sorceress, Sleeping Angel, and Sara) I didn’t know if it was a direction I wanted to keep going in. I knew I wanted to do stand-alones–always have wanted to do stand-alones–and I also like writing about teenagers and young adults.

You may remember (doubtful) me talking about a horror novel a while ago that I started writing in the 1980’s called The Enchantress that I only got about three or four chapters into before abandoning (because I didn’t know where to go next with it; and the first chapter I specifically remember rereading at some point in the decades since and shuddering in horror at how badly it was written), but one of the places in the book really stuck in my head–an old family-owned hotel called Mermaid Inn, which sat on the shores of Tuscadega Bay (which was my stand-in for Choctawhatchee Bay–my grandparents retired to a house on that bay and I’d always wanted to write about that area; still do–it’s where “Cold Beer No Flies” was set). After shelving The Enchantress (which I do think about from time to time, and wonder if I should revisit the idea) I kept thinking, you should write a book and call it Mermaid Inn because that is a great title!

I made a folder for it, wrote a few sketchy notes, and then… it sat in my files for a very long time.

If you will remember, I had originally planned to write an entire series of interconnected young adult novels, a la the Fear Street series by R. L. Stine, and one of the varied locations they would be spread out over would be Tuscadega, Florida, in the panhandle on a fictional bay. That was part of the note I scribbled for the folder–set this in the panhandle of Florida, and somehow connect it to the fictional Alabama county you’re going to write about someday.

I decided to write Mermaid Inn sometime after Hurricane Katrina, when I discovered yet again my own ignorance of geography. I was beginning to realize that the panhandle wasn’t the right setting for this book and decided to set it on the Alabama Gulf Coast, which made me realize I had absolutely no clue about that part of Alabama’s geography. I’d just never really given it much thought, to be honest; I knew Mobile was on the bay, and I knew that when you drive on I-10 through Mobile you have to take a tunnel below the Mobile River. I just had always assumed there was nothing south of Mobile in Alabama–I mean, it’s ON the water–and figured that those lower prongs of Alabama that reach down along the sides of the bay were uninhabitable wetlands. I discovered this to not be the case when visiting friends for the first time who lived in Alabama south of Mobile. They told me to take an exit off I-10 and drive south, which I didn’t think was possible.

Turns out it was–and I realized…this will work for my book! So I filed it away and forgot about it again.

I don’t remember precisely why I decided to write Mermaid Inn, but I did, and set in a small town on the prongs, south of Mobile; my friend Carolyn Haines helped me with some background and I know she told me some stories about closeted society men in Mobile and their hijinks and I thought, I could use this for the book and I think that may have been the impetus? And then I created my character, Ricky Hackworth, from Corinth, Alabama–po’ white trash who needs a swimming scholarship to attend the University of Alabama. (Sidebar: alert readers will recognize that Beau’s last name in Bury Me in Shadows–and at one point in the story he mentions he’s only the second Hackworth to go to college; “besides my cousin who got a swimming scholarship.”)

Bold Strokes didn’t like the title, and for perhaps maybe the fourth or fifth time in my career my original/working title didn’t make it on the cover. They recommended Dark Tide, which I really liked because it gave the sense of the book’s mood and tone and voice…and darkness.

The engine of my pickup truck made a weird coughing noise just as I came around a curve in the highway on the Alabama Gulf Coast and I saw Mermaid Inn for the first time.

My heart sank.

That’s not good, I thought, gritting my teeth. I looked down at the control panel. None of the dummy lights had come on. I still had about a half tank of gas. I switched off the air conditioning and the stereo. I turned into the long sloping parking lot of the Inn, pulling into the first parking spot. I listened to the engine. Nothing odd. It was now running smooth like it had the entire drive down. I shut the car off and kept listening. There was nothing but the tick of the engine as it started cooling.

Maybe I just imagined it.

Hope springs eternal.

The last thing I needed was to spend money on getting the stupid old truck fixed. Maybe it just needed a tune-up. I couldn’t remember the last time it had one.

Dad gave me the truck when I turned sixteen. It had been his work truck since before i was born–it was two years older than I was. He’d finally broken down and bought himself a new one. This old one was dependable and had almost two hundred thousand miles on it. Dad had taken good care of it. He’d babied it, gotten an oil change every three thousand miles without fail, and I could count on one hand the number of times it had been in the shop to be repaired.

It still had the original transmission.

It might not have been the nicest or prettiest car in my high school parking lot, but it got me where I needed to go and got good gas mileage. Since I was saving every cent I could for college, that was a lot more important than horsepower and cosmetics and a loud stereo that rattled your back teeth. The swimming scholarship I’d accepted from the University of Alabama wasn’t going to remotely cover anything close to the lowest estimate of what my expenses might be, but it was the best offer I’d gotten.

And I was grateful to have it. If they hadn’t offered, I wouldn’t be going at all.

Swimming was my ticket out of Corinth, Alabama.

That opening scene!

Dark Tide was probably my most hard-boiled young adult title published to that point. It was a dark story, and Ricky was poor–an economic condition I’d touched on with Sara, and something I generally try to avoid when writing. I’ve been poor, and I know how it feels; I don’t like remembering those days of checkbook mistakes and bounced checks and not having enough money from one paycheck to another. Ricky has taken a summer job as the lifeguard at Mermaid Inn in Latona, Alabama (Latona is another name for Daphne, which is actually a town on the prongs below Mobile), to save money to pay for college expenses his swimming scholarship to the University of Alabama wasn’t going to cover, and the water being there meant he could continue training. Once he arrives and is shown to his room on the uppermost floor of the building and meets the owner’s daughter, he learns that his predecessor from the summer before had simply disappeared–and young teenaged boys disappear with an alarming regularity over the past few years. He starts asking questions, mostly out of curiosity, and also starts having horrible dreams, about vicious mermaids beneath the water, and there are a lot of stories about killer mermaids from the days of the indigenous people and the Spanish. I wrote some terrific scenes in this book that I was really proud of–one particular dream sequence was especially chilling–and I was also trying something with the rhythm of the words, which I hadn’t done in a very long time, and I think it worked.

Writing Dark Tide was important to me because this was the book that reminded me again that I was writing stand-alones to help keep the series books fresher, more creative, and less paint by the numbers, too.