Tag: Mexican Gothic

Kind of Woman

Sunday morning and to celebrate the holiday weekend, I decided to not only sleep in–almost till nine!–and then made myself a cappuccino when I finally rolled out of my bed. I feel marvelously rested, which is lovely, and the cappuccino is amazing. (I was only going to have one, but I may have a second…but then I worry about sleep tonight and sigh.) I hope to have a marvelously productive day–yesterday wasn’t that productive–and I think I can power through everything I want, or would like, to get done today.

Or I may not.

I didn’t do much writing yesterday, alas, but I did get some done. I did my self-care errand (Ugh, such modesty; I don’t know why I am being so coy. I got my back waxed, but don’t come for me. I don’t care if other people are into body hair, I don’t care if other people like having hair on their backs. I am not one of those people. If I am not saying too much, I am very hairy and since I can’t see it, in my head I always imagine it’s much worse than it probably is, and I don’t like it. I feel better when my back is smooth, okay?) After that I went to the post office and picked up the mail (which included such marvelous books as The Seven or Eight Deaths of Stella Fortuna by Juliet Grames; The Hacienda by Isabel Cañas–which I want to read back-to-back with Mexican Gothic by Silvia Moreno-Garcia; and It Dies with You by Scott Blackburn, a debut) and then did the making groceries thing. By the time I had done all that the heat and humidity had sapped my strength, so I decided to take a break once the groceries were done and watch the rest of Slow Burn, that Watergate documentary series I mentioned the other day. Scooter, of course, seized that opportunity to turn my lap into his bed, and that lulled me into a sense of relaxation that also turned into my rewatching Tootsie on HBO MAX rather the reading–Paul got home while I wasn’t very far into it, but I was already not enjoying it. (I’d forgotten that Michael Dorsey doesn’t decide to pretend to be Dorothy Michaels until at least twenty to thirty minutes into the film, while the time before that is spent showing us what a horrible, difficult, narcissist he was before he got in touch with his feminine side…which isn’t fun at all.) I’d seen the film in the theater–in those halcyon days of the early 1980’s before we truly discovered how horrible Ronald Reagan really was and what he was going to to do to the country; Tootsie was the latest in what could be considered an attempt to “queer” the movies; it came out in the same year Victor/Victoria did (we rewatched that recently to see if it had aged well or had become problematic; it actually does) but I suspected that Tootsie–the year’s other “gender bender” comedy, probably did not. When I mentioned how unlikable the Michael character was and how hard the opening of the movie was to watch again, Paul smirked, “Oh, you mean when Dustin Hoffman was playing Dustin Hoffman?” I laughed–but he wasn’t wrong.

Paul and I then watched a four hour documentary series about fundamentalist Mormons–you may remember the ones with the compound in the early aughts, whose children were taken away because they not only subscribed to plural marriage but also to child marriage and conception? (Girls under the age of consent were being given to men sometimes three or four times their age as wives and had children; yet another example of who the real fucking groomers are.) It’s called Keep Sweet–the credo of the fundamentalist Mormons for how women should behave, which is horrifying in and of itself–and it was terribly interesting. We then caught this week’s episode of The Boys (huzzah for adding Jensen Ackles to the cast!), and then of course, retired to bed. I also did some cleaning and organizing yesterday, which was nice–and I did get a few chapters into John Copenhaver’s marvelous The Savage Kind, which is really compelling. I did do some writing–not much, but some, and the character in that project is starting to come to life, and this is really my favorite part of writing. Yes, it’s daunting to start writing a new book project–knowing there’s so much more work to come–but this is the part where all the possibilities are swirling and other characters are trying to take shape and I am also trying to figure out how to shape the story. I also thought about how to develop and carry the chapter I was working on forward, so hopefully today I can get that done as well as some other structuring and planning for the rest of it. I also want to work a bit on “Never Kiss a Stranger” today; I am feeling like my creative mojo is back in some ways and I really want to take advantage of that while it lasts. And of course, I need to get some things done for Scotty, too.

I am also going to spend some more time with John Copenhaver’s book this morning as my mind and body continue to wake up. I am almost finished with this cappuccino, but I am afraid I’ll probably have to switch to regular coffee rather than having another one; far, far too much caffeine that I will most likely never wear out of my system today. But….that doesn’t mean I can’t have one tomorrow; maybe I can have one a day before switching to regular coffee? I guess we’ll see how it affects my sleep tonight. Fingers crossed that it will be not at all. I’ve been sleeping well for quite some time now; let’s hope the cappuccino doesn’t fuck that all up.

And on that note, I am going to make another cup of coffee, take Copenhaver with me to the easy chair, and read for about an hour or so. Have a lovely Sunday/Father’s Day, everyone.

Girl, You Make My Day

One of the things I’ve greatly enjoyed over the last few years has been the sea change in how publishing views works by non-white and non-straight authors; the push for more diverse voices in the publishing community has already borne wonderful fruit. I’ve been saying for years that the world of crime fiction was in danger of getting stale again, much as it did in the late 1970’s and early 1980’s; particularly the private eye novel. The arrival of Sara Paretsky, Sue Grafton, and Marcia Muller on the scene shook things up and shook things out; the private eye novel got a much-needed shot in the arm of adrenaline with these three women and the others their work inspired; I strongly believe the move toward diversity is going to bear fruit in much the same manner–and it already has, frankly; the works of diverse writers like S. A. Cosby, Kellye Garrett, Rachel Howzell Hall, Alex Segura, Tracy Clark, Cheryl Head, and so many others have joined the great pioneers like Walter Mosley and the wonderful Barbara Neely to open up new perspectives on crime and crime fiction; our society and world; and again, this was desperately needed–and is necessary every so often, for our genre to refresh and expand and become more inclusive. We’re also seeing more queer books being sent out into the world from the big houses in New York, which is also incredibly exciting (another shout out to Yes Daddy By Jonathan Parks-Ramage and A Beautiful Crime by Christopher Bollen).

It’s a very exciting time to be a fan of crime fiction.

Noir has always been one of my favorite sub-genres of crime fiction, and I always enjoy reading modern takes on it. I want to write more noir, quite frankly; Chlorine would be the first of at least four I want to write, if not more (for now, I have ideas for four of them, with Chlorine being the most full formed). I always enjoy modern takes on noir–Laura Lippman’s Sunburn was quite marvelous, as was Christa Faust’s Money Shot and Choke Hold)–and of course, S. A. Cosby is a master of rural Southern noir; both Blacktop Wasteland and Razorblade Tears are destined to be considered classics, I think.

So, I was very curious to read Silvia Moreno-Garcia’s take on modern noir, Velvet Was the Night. It took me a very long time to finish–which is not indicative of the quality of the book, I hasten to add–because after I read so much during the post-Ida power outage, I kind of broke my brain and thus haven’t been able to really focus as much on reading as I would like; yesterday after the LSU game I sat down and finished it with Georgia-Kentucky on as background noise.

And what a fun ride it was.

He didn’t like beating people.

El Elvis realized this was ironic considering his line of work. Imagine that: a thug who wanted to hold his punches. Then again, life is full of such ironies. Consider Ritchie Valens, who was afraid of flying and died the first time he set foot on an airplane. Damn shame that, and the other dudes who died, Buddy Holly and “The Big Bopper” Richardson; they weren’t half bad either. Or there was that playwright Aeschylus. He was afraid of being killed inside his house, and then he steps outside and wham, an eagle tosses a tortoise at him, cracking his head open. Murdered, right there in the stupidest possible way.

Often life doesn’t make sense, and if Elvis had a motto it was that: life’s a mess. That’s probably why he loved music and factoids. They helped him construct a more organized world. When he wasn’t listening to his records, he was poring over the dictionary, trying to memorize a new word, or plowing through one of those almanacs full of stats.

No, sir. Elvis wasn’t like some of the perverts he worked with, who got excited smashing a dude’s kidneys. He would have been happy solving crosswords and sipping coffee like their boss, El Mago, and maybe one day he would be an accomplished man of that sort, but for now there was work to be done, and this time Elvis was actually eager to beat a few motherfuckers up.

He hadn’t developed a sudden taste for blood and cracking bones, no, but El Güero had been at him again.

The recent rise of Silvia Moreno-Garcia has been meteoric, although I am sure to her it has seemed anything but. I read her terrific vampire novel, Certain Dark Things, a while back, loved it, and have been following her career ever since as she has turned out novels at a terrific rate–Gods of Jade and Shadow, Untamed Shore, Mexican Gothic–all of which have been critically acclaimed and sold very well; I love that she bounces from genre to genre–horror to fantasy to crime; even bouncing around in the sub-categories of the crime genre. This is only my second read of her work–I have them all, of course–and had been meaning to get around to her take on noir with a Mexican flourish for quite some time. (I am really sorry I broke my brain with all the reading I did after the power went out; I greatly enjoyed this book, but it was so hard for me to focus for some reason…but am glad I sat down yesterday with the book, determined to finish it at last.)

One of the things that strikes me about Moreno-Garcia’s work is that I am seeing Mexico, a place I greatly love, through a fresh new perspective; like all Yanquis, I always view Mexico through the prism of a tourist. I’ve always wanted to write about Mexico, and have several short stories in the files that are set there (I did write one erotica story as Todd Gregory set in Acapulco; from the perspective of a tourist, of course: “Oh, What A Friend I Have in Jesus”)…but reading Moreno-Garcia makes me aware of how scant my knowledge of our Southern neighbor is–all of the counties south of the Rio Grande, frankly–which is a stinging indictment of our education system. (Don’t even get me started on the concept of Latin America vs. “America”) I know very little of Mexican history after the Spanish conquest, other than the Mexican War and the French empire set up under a Hapsburg by Napoleon III during our civil war. I know very little history of any of the countries that make up the rest of the American continents, really–and isn’t that more than a little bit disgraceful? I also know very little about their cultures, their politics, and what goes on there; a quick glance through the news also will show very little information or news being reported about those non-United States/Canada American countries, which is really a shame.

Velvet Was the Night is set un 1971, a particularly politically rife period in Mexico. The US was terribly concerned about communism being spread by the Soviets in what has always been considered the American soft underbelly–I mean, look at our reaction to Cuba–and there’s no question that CIA operatives and money were working to subvert Communism while supporting borderline Fascist governments because that was preferable to Washington than another potential Soviet satellite state in our hemisphere. The vast paranoia of that time–which really lasted from 1945-1990, really–cannot be underestimated or understated. By rooting her story in actual events of 1971–the crackdown of the Mexican government on dissidents–Moreno-Garcia slyly gives us a taste of how American foreign policy of the time affected everyone in Mexico, as well as a history lesson. (One of the great modern deceptions of our society is this idea that we always act benevolently as a nation; we’re doing this for your own good.) The book has two point of view characters; one, depicted in the opening above, is “Elvis”, a very young man who works as a thug, basically, for an oppressive group of anti-Communists that try to infiltrate dissident groups and haunt protests in order to make them turn violent, so the military can intervene on behalf of the “people.” Elvis grew up very poor and sometimes imagines what his life would be like if he were able to pursue his primary interests–educating himself and music. He doesn’t know what his future holds but is vaguely aware the path he is on–violence and more violence–will not end well. Over the course of the book he begins to question the values he’s been taught to believe in his gang, and begins to aspire to get out of it.

The other main character is Maite, a legal secretary barely getting by on her low salary and barely able to afford food. Her car has been in the shop unclaimed because she cannot afford the mechanics’ bill. She leads a lonely and solitary life, has a very vivid imagination and fantasy world she prefers to inhabit, colored strongly by her love of romance comic books and the music she likes to listen to. Maite’s lovely neighbor, Leonora, asks her to feed her cat while she is away, and when she agreed, Maite unknowingly enters the world of political struggle and upheaval. The riot depicted in the first chapter, that Elvis helps engineer? A friend of Leonora’s has taken pictures that prove that the riot was started by government forces, and those two rolls of film are the McGuffin everyone in the book is after–except poor innocent Maite, who, like any main character in a great Hitchcock film, becomes involved in something life threatening by simply agreeing to feed a neighbor’s cat–something she resents agreeing to do. When Leonora doesn’t come back, Maite starts looking for her–primarily motivated by the fact she can’t afford to keep feeding the car, and Leonora promised her money for feeding it–money she needs to get her car back. Motivated by her own poverty, Maite finds herself getting involved more and more in this clandestine world, and her own life is in danger soon.

The true strength of the book lies in the careful characterizations of both Elvis and Maite; two desperate people trapped by poverty in lives they want to escape, and the parallel journeys they both follow that lead their paths to cross; and the richness of the reality of what life in Mexico City was like during the turbulent time when the book is set. Moreno-Garcia shows us, as she did in Certain Dark Things, what the reality of life is like in one of the world’s largest cities, the reality the tourists rarely, if ever, get a chance to see. And while the hopelessness of both their situations seem unresolvable at times, the pacing is strong and the story construction so tight, and you the readers finds yourself rooting for them both to get out safely.

I really loved this book, and am sorry my inability to focus forced me to take so long to finish reading it. It’s extraordinary, and I recommend it highly.

Morning Rider on the Road

So, going back to the office wasn’t a terrible experience. We didn’t see any clients yesterday–we’re hoping to get the supplies we need delivered today, so we can get started again tomorrow–but I was able to go into the office and get some things done before coming home and doing some more work at home as well. I am going in again today–good to get the routine back on track again–and am hopeful that tomorrow will be another step forward in returning to normality.

It looks like we’re going to feel something from Hurricane Nicholas, which looks to be following a particularly strange path for a tropical disturbance, but the majority of whatever it may be won’t be until Thursday. It’s gray outside my windows this morning, but I think overall the weather should be fairly decent today? I suppose I should check.

Yes, it’s supposed to rain all day today, with the heaviest fall around eleven this morning. Yay. But I kind of like gloomy, rainy days, to be perfectly honest. My preference for them is to be at home under a blanket with a book, but you can’t always get what you want.

When I visited my parents a while back, one of the books I took with me was James Jones’ unabridged From Here to Eternity, which apparently included the scenes referencing gay bars and gay activity amongst the soldiers–and how some weren’t averse to making some extra money getting paid for sex. It’s always been one of my father’s favorite books (and movies), but I had never read it. I started it a few times when I was a teenager (I always enjoyed World War II stories) but with these scenes restored (they were cut from the original publication, for obvious reasons) I thought it might prove of interest–particularly since I have an idea (don’t I always?) for a book set on Oahu that opens on December 8, 1941. I got maybe three hundred pages into the book, and literally reading it was torture. I finally gave up and moved on to something else; I don’t remember what it was, but I certainly enjoyed it much much more than I was enjoying From Here to Eternity–and the primary reason I was hating the Jones novel was because all of the characters were, basically, assholes with few if any redeeming qualities. Last night as I sorted things for work at home, I decided to watch the film again–the original, from 1953–and…yeah, I’m not really certain it holds up after all this time either. My primary takeaway from the film was how ridiculously lean and fit the actors (Montgomery Clift, Burt Lancaster, Frank Sinatra) playing the main leads were. It’s funny, because the book’s frank look at sexuality (Clift’s character falls in love with a prostitute; Lancaster has an affair with his superior officer’s wife, played by Deborah Kerr) is so ridiculously tame by our modern standards; crime series currently airing on network television are more risqué than this film–let alone soaps. (Kind of like Peyton Place–there’s more lurid content in an episode of The Young and the Restless than in the entire book!) I wasn’t overly impressed with the film, to be honest–and it was hardly a glowing depiction of the military. But it was interesting…and made me think about that book I mentioned earlier than I want to write someday.

But the gym is back to its normal hours, and so I’ll be able to get back there to workout after work today. Yay! I’ve actually missed going to the gym in these turbulent times; I did make it over there last week for a quick workout one day, and I am really looking forward to things going back to routine again. I like my routines, I like my patterns, I like my ruts, frankly; and again trying to remember what all was going on and what all I was working on before this disruption began has been challenging. Head down, nose to grindstone; get it all together, man!

We also watched a few more episodes of Only Murders in the Building, which we are really enjoying. I’m not really sure if this is a murder mystery, or about three true crime aficionados who’ve become convinced they are not only investigating a murder but making a podcast about it at the same time. I am really enjoying the show; the Martin Short character gets on my nerves periodically, but I really like the Steve Martin character, and those apartments! I can only imagine what those apartments are actually worth in today’s Manhattan rental climate.

I am also hoping to get back into Velvet was the Night soon. I read a chapter last night (or was it the night before?) and am really enjoying it thus far, and we haven’t really gotten into the story itself yet; Moreno-Garcia is letting us get to know our two main characters first; she really is a gifted talent, and am looking forward into delving more into her work in the future–perhaps either Mexican Gothic or Gods of Jade and Shadow will be up next. I love that she doesn’t limit herself to genre, which used to be a no-no in this business; you were supposed to pick a genre and if you wrote in another one, you used another name (Michael Koryta has written both crime and horror under his own name; lately he’s started publishing the horror as Scott Carson). God, how this business has changed in the years since I took my first tentative steps into it so long ago. Some of those changes are for the better–prime example being Moreno-Garcia slipping between genres effortlessly under the same name–and some not so much; I miss writing gay erotica from time to time…although I love that my erotica fell out of favor with “current” readers of gay male pornography because when I write it, it’s about lust and sweat and masculinity and control–as opposed to roses and music and love and fading to black and cuddling when fading back in.

And I need to get back to writing, which I am assuming will happen once I feel more settled, with the ground more stable beneath my feet again. Today is the 14th, which means I only have 16 days left in which to finish the first draft of Chlorine like I had wanted; I think I am going to continue working on it, while prepping for writing the next book and revising some of the other things I have on hand that aren’t finished or in early draft form; I need to make a list, don’t I?

And on that note, tis back to the spice mines with me. I will check in with you again tomorrow, Constant Reader, never fear!

Dancing on the Ceiling

And here it is, Saturday again, and life just keeps a chugging along.

I slept until nine this morning–I know, right?–and it felt marvelous, even though it’s taking me a moment or two to get my equilibrium this morning. I’ve already had a cup of coffee, and it’s already almost ten! I am going to try to get a lot done today–writing wise, reading wise, cleaning wise–and I am going to try to get the computer files better organized. Yesterday was a busy day; I managed to get my work-at-home duties completed; I picked up a prescription and the mail; went to the gym; and made groceries AND a Costco run (when I can plan ahead, my efficiency and ability to get quite a bit done in a short period of time can be amazing). I bought an enormous bottle of Kirkland white tequila (Costco store brand; the Kirkland vodka is basically Grey Goose, so I checked out the tequila on line and it’s seems to be close to, if not the same as, Patrón, which is my favorite tequila), and tonight I am going to have myself a Margarita. It’s so weird–we’ve not had liquor in the house for so long, and now, thanks to Costco, I have enough vodka and tequila for a fraternity party. Alcohol and I have always had a strained relationship, which is one of many reasons I never kept it in the house, but I am hoping that my sixties will be the year where I can enjoy alcohol while cutting myself off before getting completely intoxicated. In my thirties and forties I learned (finally) how to tell I’d already had too much and to stop (although there were times when I most definitely did not; and I do remember consciously thinking oh one more drink and I’ll be completely wasted; why not?) but having it in the house always kind of concerned me. But one cocktail nightly is something I think I can handle–and it should also help with sleep problems.

I really need to learn how to properly make a martini. That last one I made was so nasty I am afraid to try again.

We watched the opening ceremonies for the Olympics last night–but it felt off and weird; maybe it was the lack of an audience, and opening ceremonies that were planned to HAVE an actual audience? I don’t know, but the Parade of Nations walking into an empty stadium just seemed weird to me. I feel bad for the athletes–it’s already bad enough that this is last year’s Olympics, and the next Olympic cycle is a year shorter than usual–but at the same time this Olympics has already left a bad taste in my mouth with its systemic racism. Ted Lasso also returned last night, but I hate the thought of not being able to watch them all at the same time; it really is amazing how my television-watching habits have been completely altered and changed by streaming. This is also the first Olympics since we cut the cable cord, so streaming it through Hulu seems weird to me because I actually don’t know when anything is or when it’s going to air live…but the commentary on the opening ceremonies didn’t leave me with much hope about the coverage.

It was also a very weird week in college football. On Thursday the rumor broke and was reported that Oklahoma and Texas had reached out to the SEC about ditching the Big XII and joining, and by yesterday the entire world of college football was reeling and speculating and wondering how this would all shake out with changes to the play-offs and conference expansions and so forth. The thing that makes the most sense to me is divvying the Big XII teams up amongst the other four conferences, turning them all into “super-conferences” with two divisions of eight teams each; which essentially would turn the conference championship games into quarterfinals….with the possibility that a conference champion could not be invited to the semi-finals if there is an astounding team from outside the four main conferences…say, a 11-1 Notre Dame over a three loss conference champion. I think it’s an interesting–and it’s also interesting how much college football has changed since I was a kid and the games were exclusively broadcast on ABC, so at most two games were televised per week–usually a Major Game with National Implications and then a regional game of interest. It will be interesting to see how this most recent shake-up affects everything. I remember when it the Big 10, the SEC, the ACC, the Big 8, the Southwest Conference, and the PAC-8. (it has always amused me that the Big XII only has ten teams and the Big Ten has twelve and then fourteen)

Hell, this realigning might actually force Notre Dame to join a conference–and you can bet it will be the ACC rather than the Big Ten, which makes the most sense given their location.

I also got some great books yesterday, including Silvia Moreno-Garcia’s Mexican Gothic; Alan Orloff’s latest y/a, I Play One On TV; Heather Levy’s Walking Through Needles; Robert P. Jones’ White Too Long; and two queer sounding debuts: Yes Daddy by Jonathan Parks-Ramage and These Violent Delights by Micah Nemerever; all of them sound positively delightful, and so yes, I need to get cracking on my reading. And my writing, and my organizing and my cleaning and–heavy sigh. You get the picture.

So I am going to take my coffee right now and go curl up with Razorblade Tears for a while. Have a great Saturday, Constant Reader!