Tag: Laura Lippman

Church of the Poison Mind

Sue Grafton very famously said that if you want something, you have to voice that desire out loud; say it to someone.

It’s very strange; we are often taught–at least I was–that ambition in slight moderation is a good thing, but over-weaning ambition is a bad thing. I was taught that bragging is unbecoming; because if you truly did something well or a great job at something, you wouldn’t need to boast, would you? This was drilled into my head for as long as I can remember: you get complimented, you don’t brag, and if you do get complimented, you are gracious and self-deprecating.

This is so deeply ingrained in me that it is very hard for me to be ambitious, or share my ambitions with anyone; it’s hard for me to take pride in what I’ve accomplished; and I always look for a way to turn any compliment into a “if I can do it, anyone can” kind of thing.

Another friend of mine thinks daily affirmations is also a way to get what you want; if you say what you want out loud to your mirror (or your computer, whatever), you can create the kind of mindset that will help you attain your goals. I wrote some out last year, at the beginning of the year, but after a few weeks I started feeling self-conscious about doing it, kind of silly, and I stopped.

Self-defeating, isn’t it?

So, in the interests of breaking this cycle, and of getting better at taking compliments and believing more in myself, here are some goals I want to achieve:

I will take my career to go to the next level.

I will get an agent.

I will write reviews for the New York Times.

I will sell short stories to high paying markets.

I will get a story selected for the Best American Mystery Short Stories series.

I will get a short story published as part of the Bibliophile series.

I will win a major writing award.

Whew. I already feel like writing all the down is going to jinx me in some way. NO NEGATIVITY NO NEGATIVE THOUGHTS.

So, there’s that. I’ve also made some great progress on the Short Story Project, including “Dear Penthouse Forum (A First Draft” and “The Babysitter’s Code.”

You won’t believe this, but this really did happen to  me just last fall, and all because I was five minutes late, which seemed like a tragedy at the time. “It’s only five minutes,” that’s what I kept telling the woman behind the counter, who couldn’t be bothered to raise her gaze from her computer screen and make eye contact with me. Which is too bad, because I don’t need much to be charming, but I need something to work with. Why did they make so many keystrokes, anyway, these ticket clerks? What’s in the computer that makes them frown so? I had the printout for my e-ticket, and I kept shoving it across the counter, and she kept pushing it back to me with the tip of a pen, the way I used to with my roommate Bruce’s dirty underwear, when we were in college. I’d rounded it up with a hockey stick and stashed it in the corner, just to make a pathway through our dorm room. Bruce was a goddamn slob.

“I’m sorry,” she said, stabbing that one key over and over. “There’s just nothing I can do for you tonight.”

And so begins yet another delightful Laura Lippman story, only written in the style of a letter to Penthouse Forum. That premise, very clever in and of itself, also makes the story a bit of a time capsule; does Penthouse and it’s sister digest of letters, Penthouse Forum Letters, even exist anymore? How long before no one even remembers their existence anymore? And why did I not ever try to write them? It was good money. But I am digressing. This clever story goes on to have our main character trapped in the Baltimore airport overnight; unable to swing the money for an airport hotel or can back to his apartment, and then a beautiful woman in her thirties shows up to not only save the day for him, but to entice him with the possibility of incredible, strings-free sex. (Which was pretty much the theme of every letter to Penthouse Forum; there were erotic flash fiction.) But being a Lippman story, there’s more going on than just incredible, no strings attached sex, and when the story turns, it’s unexpected and quite delightful.

This second story from Hardly Knew Her, “The Babysitter’s Code,” was originally published in Plots with Guns in 2005; and this is the period when Lippman moved from her delightful Tess Monaghan series (which I should reread) to writing her stand-alone thrillers; or literary fiction about crime, which is what they really should be described as. That broadening of her scope, and stretching of her talents, is very clear in this story.

The rules, the real ones, have seldom been written down, yet every girl knows them. (The boys who babysit don’t, by the way. They eat too much, they leave messes, they break vases while roughhousing with the kids, but the children adore the boys who babysit, so they still get invited back.) The rules are intuitive, as are most things governing the behavior of teenage girls. Your boyfriend may visit unless it’s explicitly forbidden, but the master bedroom is always off-limits, just as it would be in your own house. Eat what you like, but never break the seal on any bag or box. Whatever you do, try to erase any evidence of your presence in the house by evening’s end. The only visible proof of your existence should be a small dent on a sofa cushion, preferably at the far end, as if you were too polite to stretch across its entire length. No parent should come home and peer into the Pringles can–or the Snackwell’s box or the glass jar of the children’s rationed Halloween candy–and marvel at your capacity. There is nothing ruder that a few crumbs of chips at the bottom of a bag, rolled and fastened with one of those paper clips, or a single Mint Milano resting in the last paper cup.

This story is more of a character examination than an actual story, and it’s also slightly reminiscent of Raymond Carver’s “Neighbors,” and talks about an essential truth we all tend to really ignore: when someone is alone in our homes, whether they are watching our children or pet-sitting or cleaning, they are privy to our secrets. And this house has plenty of secrets, in this affluent suburb of Baltimore; secrets that are too hard for our young babysitter to resist, as she snoops through the lady of the house’s closet and underwear drawers, and observes the crumbling marriage of the wealthy homeowner, his much younger trophy wife, and their genetically damaged baby. This story is both wistful and sad, more so than suspenseful, although the fear of being caught is always there. It’s also a very insightful look at how a teenage girl’s mind works. Brava, Ms. Lippman, brava.

I also discovered a volume I’d forgotten, and was very excited to rediscover. I’d forgotten that one year Sue Grafton skipped a book in the Alphabet Series and instead published a short story collection, Kinsey and Me, and I am really looking forward to diving into it. Yay!

I am really enjoying the Short Story Project of 2018.

Here’s a hunk for you.

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Nobody Told Me

Friday, and a Holiday Weekend Eve. Huzzah! I am going to get so much done this weekend, Constant Reader, you have no idea. Huzzah! Huzzah!

One thing I did notice this week–and this is really funny–is that when I was posting my book covers and book blurbs on Tumblr this week ((you can follow me here) I saw that in one of my former y/a’s, I’d used a name that I am again using in my WIP; obviously, that’s going to have to change! I also realized I was going to need to reread that book (Sara, in case you were wondering) to make sure I’m not pillaging other names from it, either. This happens, you see, because of manuscripts I wrote in my twenties and early thirties, and names I used in those books that I have re-used in rewrites of them or in new books. I also always would come up with character names for short story or book ideas; and so those names are already lodged in my head and when I need a new character name they boil up in my subconscious. So, now I have to rename this girl…and hopefully, I won’t have to rename anyone else.

(This hilariously happened another time, with two male names: Chris Moore and Eric Matthews. I originally came up with those names in the 1980’s when I was making notes on a fraternity murder mystery–great idea I should revisit–and then, when I was writing Every Frat Boy Wants It, I used those character names. In another irony, they were both from a small town in the California mountains, Woodbridge. When I was revising and rewriting and finishing Sleeping Angel, set in a small town in the California mountains named Woodbridge, I used those character names again and didn’t realize what I had done….which sort of makes Every Frat Boy Wants It kind of a sequel to Sleeping Angel. My work always somehow winds up connected in some way…)

I’ve been reading a lot of short stories lately; in fact, I’ve read about six over the last two days! How cool is that? I discovered that I had a collection of all Ross McDonald’s Lew Archer stories, The Archer Files, and dug into that last night while I was waiting for Paul to come home. I also can’t stop reading Troubled Daughters Twisted Wives by Sarah Weinman, and also read another couple of Laura Lippman’s stories in her collection Hardly Knew Her. There was a discussion recently on social media about short stories, and how the market has been slowly imploding over the last twenty years or so…it was interesting, and it also made me curious. I generally don’t read a lot of short stories–hence the Short Story Project–and yet, whenever I do read short stories I enjoy the hell out of them. You should always read the kind of things you like to write, and perhaps the reason I have so much trouble writing short stories is because I don’t read them very often (yes, yes, I edit anthologies, but that’s an entirely different thing–but maybe because I’ve done so many anthologies is part of the reason why I don’t read short stories in my free time? Hmmmm, something to ponder there), and frankly, reading these amazing short stories since the Short Story Project started has been kind of inspirational for me. So, the Short Story Project is working. Huzzah!

One of the last two stories I read in the Weinman anthology were “Lavender Lady” by Barbara Callahan; the story was originally published in Ellery Queen’s Mystery Magazine in September 1976 and was nominated for an Edgar Award for Best Short Story:

It was always the same request wherever I played. College audiences, park audiences, concert-hall audiences–they listened and waited. Would I play it in the beginning of a set? Would I wait till the end of a performance? When would I play Lavender Lady?

Once I tried to trick them into forgetting that song. I sang four new songs, good songs with intricate chords and compelling lyrics. They listened politely as if each work were merely the flip side of the song they really wanted to hear.

That night I left the stage without playing it. I went straight to my dressing room and put my guitar in the closet. I heard them chanting “Lavender Lady, Lavender Lady.” The chant began as a joyful summons which I hoped would drift into silence like a nursery rhyme a child tires of repeating. It didn’t. The chant became an ugly command accompanied by stamping feet. I fled to safety.

Mick Jagger famously said he’d rather be dead than singing “Satisfaction” when he was forty-five; that comment came back to bite him in the ass as he was singing it when he was in his sixties. I often wonder about that; how tired musicians must become of playing songs that are trademarks; the monotony of singing the same songs day after day, year after year. Imagine how many times Judy Garland sang “Over the Rainbow,” or Cher has sung “Gypsies Tramps and Thieves,” Madonna “Like a Virgin,” and so forth. How do you manage to do it without it becoming rote, routine, dull and boring?

But what makes this story so strong is that our main character’s signature tune, “Lavender Lady,” has a dark history. The song is beautiful and beloved, but the story behind it, the story that inspired the heroine to write it, is twisted and nasty. She was born into a wealthy family, neglected by everyone, and was kidnapped by her nanny…who was the Lavender Lady. That is the story behind the song, and so you can imagine how anguishing it is for her to sing it, over and over again, to have it be the signature tune that audiences expect for you to perform, come to hear; reliving that awful memory every time you play the first chord and sing the first note.

Terrific story!

The other was written by the amazing Vera Caspary, who also wrote the classic novel Laura, which of course was made into an even more well-known classic film. This story, called “Sugar and Spice,” which is the story of a very twisted relationship between two cousins.

I have never known a murderer, a murder victim, not anyone involved in a murder case. I admit that I am a snob, but to my mind crime is sordid and inevitably associated with gangsters, frustrated choir singers in dusty suburban towns, and starving old ladies supposed to have hidden vast fortunes in the bedsprings. I once remarked to a friend that people of our set were not in the homicide set, and three weeks later heard that her brother-in-law had been arrested as a suspect in the shooting of his rich uncle. It was proved, however, that this was a hunting accident and the brother-in-law exonerated. But it gave me quite a jolt.

Jolt number two came when Mike Jordan, sitting on my patio on a Sunday afternoon, told me a story which proved that well-bred, middle-class girls can commit a murder as calmly as I can knit a sock, and with fewer lumps in the finished product. Mike had arrived that morning for an eleven o’clock breakfast, and after the briefest greeting had sat silent until the bells of San Miguel started tolling twelve.

As I mentioned, “Sugar and Spice” tells the story of two cousins; Nancy and Phyllis. Nancy’s father was the richest man in their small town, and so therefore Nancy was rather spoiled and had a privileged upbringing, was used to getting her own way. Phyllis’ father walked out on her and her mother, and so her mother was forced to give piano lessons to support them. Everyone in town felt sorry for them; as they were quite poor. Nancy was overweight, ungainly and unattractive; Phyllis was kind of effortlessly beautiful, and their grandmother preferred Phyllis, constantly insulting Nancy and putting the two girls at odds with each. Mike Jordan, as mentioned above, is telling the story of the two cousins, and the murder of actor  Gilbert Jones, to his hostess, Lissa. As he gets to know both girls and they get older, the twisted relationship between the two girls becomes even more entangled and bitter and twisted, as they tend to keep falling in love with the same man. The story is fantastic, absolutely fantastic, and a master class in how to build suspense in a short story. Wow. Amazing.

And now, back to the spice mines.

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Cruel Summer

I am having a rather productive day so far, really. I slept late–which I didn’t want to do, but maybe, you know, just maybe I needed the sleep–and since getting up feeling completely rested, I’ve been taking my own advice I gave out on the panel yesterday and am cleaning; and the cleaning is clearing my mind and that mind clearance is bearing fruit. I’ve already made some good notes on a short story I’m working on, and as the Lost Apartment slowly but surely gets more clean, I feel more on top of my game; I think I am finally getting back on track after being derailed by being sick for so long.

Huzzah!

I have also dived back into my Short Story project, and today I read Laura Lippman’s “What He Needed.”

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My husband’s first wife almost spent him into bankruptcy. Twice. I am a little hazy about the details, as was he. I don’t think it was a real bankruptcy, with court filings and ominous codes on his credit history. Credit was almost too easy for us to get. The experience may have depleted his savings, for he didn’t have much in the bank when we married. But whatever happened, it scared him badly, and he was determined it would never happen again.

To that end, he was strict about the way we spent money in our household, second-guessing my purchases, making up rules about what we could buy. Books, for example. The rule was that I must read ten of the unread books in the house–and there were, I confess, many unread books in the house–before I could bring a new one home. We had similar rules about compact discs (“Sing a sing from the last one you bought,” he bellowed at me once) and shoes (“How many pairs of black shoes does one woman need?”). It was not, however,a two-way street. The things he wanted proved to be necessities–defensible, sensible purchases. A treadmill, a digital camera, a DVD player and, of course, the DVD’s to go with it. Lots of Westerns and wars.

But now I sound like him, sour and grudging. The irony was, we both made good money. More correctly, he made decent money, as a freelance technical writer, and I made great money, editing a loathsome city magazine, the kind that tells you where to get the best food/doctors/lawyers/private schools/flowers/chocolates/real estate. It wasn’t journalism, it was marketing. That’s why they had to pay so well.

How much truth is there in those three paragraphs? Haven’t we all been in that kind of relationship/marriage, where one partner tries to control the money and judges the other’s every cent spent? And how confined and trapped that can make one feel? In those casual, almost careless and unemotional paragraphs Lippman deftly paints the portrait of a marriage in trouble and a woman who is desperately unhappy, both at home and at work.

The story was originally published in Lauren Henderson and Stella Duffy’s wonderful anthology Tart Noir (from which I’ll undoubtedly be pulling more stories from during the course of my short story project) and was reprinted in Lippman’s wonderful short story collection Hardly Knew Her. 

Lippman is one of crime genre’s bright shining lights; her Tess Monaghan series is one of the best private eye series in print currently, and her stand-alone novels are incredible accomplishments, in which she stretches herself, the boundaries of crime fiction itself, and tells well-written, amazing stories about women and their realities, their choices, and how they respond to the bad things that happen to them. I’ve already read her yet-to-be released 2018 novel Sunburn, which is destined to make a lot of Best of 2018 lists and get shortlisted for every crime award out there (most of which she has already won, sometimes more than once). I will be discussing that one, as well, closer to its pub date.

And now, back to the spice mines.

Dancing in the Dark

Well, I finished Alafair Burke’s The Wife last night, and wow. Just….wow.

That is three, count ’em, three, amazing novels by women I’ve read recently; all of whom–Alison Gaylin, Laura Lippman, Alafair Burke–were already writing fantastic novels, and yet somehow manage to get better with each new one.  As a writer myself, reading these fantastic novels is a bit daunting–it puts me in mind of why do I bother I will never be this good–but as a reader who loves books, they make me want to send off fireworks.

I also started reading Adam Sternbergh’s The Blinds last night, and it’s also exceptional. I’d read his Edgar Award nominated debut, Shovel Ready, which was amazing, but somehow had missed his second novel; but got a free copy of The Blinds at Bouchercon (thank you, Harper Collins author signing party!) and have heard raves about it, so I decided to tackle it next. And yes, wow. I am also still processing The Wife, and Lippman’s Sunburn, and Gaylin’s If I Die Tonight. I will of course discuss all of these books closer to their release dates, in great detail, on here. But if you love great books, Constant Reader, you need to go pre-order these right the fuck now. You will not be sorry.

You’ll only be sorry if you don’t.

I don’t have to go into the office until late; which is lovely as I have about a gazillion things to do around the house this morning. I also have several errands to run: I have to stop at Garden District Books to pick up a book about the New Orleans Jewish community (more on that later); CVS to pick up a prescription; and of course, as always, I have to get the mail. I need to spend the morning outlining some short stories–one is due at the end of the month, and I am going to have to really get moving if I intend to get it finished–and I also seriously need to get some Scotty stuff finished. I also need, this week, to tear apart the WIP so I can figure out how to restructure it and add in the things that need to be added. I’d like to get that finished by the end of the year, and I think going about doing all of this in an organized fashion makes the most sense. It’s weird how disorganized I am about writing, when I try–almost to the point of being obsessive–I am about everything else in my life. I also need to start restricting my access to social media; that doesn’t help me with my attention span, which seems to be getting shorter and shorter as I get older. I’ve always had trouble focussing and maintaining that focus; I’ve got to be more laser-like in my focus if I’m going to get all of this stuff done by the end of the year.

I know I can do it, and I am actually feeling a lot more confident than I should be. But the busier I am, the more I have to do–the more likely I am to get things done.

And on that note, tis off to the spice mines.

Here’s a Tuesday hunk for you, Constant Reader. Enjoy.

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Owner of a Lonely Heart

Tuesday, Tuesday. I managed to slog through another thousand words of the new Scotty yesterday, and some things I want to do with the book are starting to take shape. I also managed another five hundred words on an essay I am writing and need to finish, but it’s a tricky one–one that could easily give offense. I am going to go back to the beginning of it again this morning and see if I can start revising at the start, and maybe then I’ll be able to finish it. I feel a bit rusty–I used to be able to knock off a couple of thousand words in an hour or two, no problem, every morning, and now it’s more of a slog. I am going to blame it on a lack of practice, and that I need to simply get my writing muscles back into shape.

Yeah, that’s the ticket.

I have to say that I finished reading my advance copy of Laura Lippman’s Sunburn this weekend, and was completely blown away by it. I’ll post a review when it’s around time for the book to be released, where I will go into more detail about how incredible this book is, but reading it and the new Alison Gaylin (If I Die Tonight) was truly inspirational. Ironically, I myself have had an idea for a noir thriller lying around in my files for decades now, also called Sunburn–which, obviously, I won’t be able to use now, if I write it I’ll clearly need a new title–but they have nothing in common other than the title and the sensibility. I love noir so much, and I really want to write more of it. I also started reading my advance copy of Alafair Burke’s The Wife Sunday night, and got more into it last night, and it, too, is quite extraordinary.

Reading such amazing work by friends is inspirational, but also a bit humbling. But I also kind of love reading books that make me think, boy, I have to work harder and do better. 

And on that note, I should get back to the spice mines and get to work.

Here’s a Tuesday hunk for you:

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Hello

When I was cleaning out/working in my storage unit a few weeks ago, I uncovered the only surviving copies of two anthologies I edited pre-Katrina: Shadows of the Night (horror) and Upon a Midnight Clear (gay Christmas tales). I picked them up Saturday night during the Alabama-LSU game and paged through them, and laughed as I realized I’d published a story of my own in each anthology, but being afraid of being accused of ‘self-publishing’, I used a pseudonym. The pseudonym was one I was going to use for writing horror, and the name I chose makes me laugh really hard: Quentin Harrington. Quentin came from the old show Dark Shadows, and “Harrington” was a variation of my last name that, sometimes but not very often, people used to actually think was my name (along with Harris, Herron, Heron, Huron, Aaron, etc.).

The stories, which I’d completely forgotten about, were “The Troll in the Basement” and “The Snow Queen.”

The books have been out of print for about ten years now, and Shadows was actually a Lambda Literary Award finalist (the first time I was nominated twice in the same year; I was also nominated in the Men’s Mystery category that year for Jackson Square Jazz, and was also the first time for me to lose twice in the same year). Shadows was inspired by two thoughts: one, how much I enjoyed Michael Rowe’s two Queer Fear anthologies, and by knowing how many writer friends I had who enjoyed horror but didn’t write it. I thought it would be interesting to get a group of writers who didn’t write horror, and see what they could come up with. I can’t believe I’d forgotten about my own story; which isn’t bad, but isn’t great, either. It had one of those 1950’s EC Comics endings–something I still tend to do, even with crime stories, and is something I need to get away from.

Upon a Midnight Clear was an anthology I’d been wanting to do for a very long time before it came to fruition. I’d always wanted to do an anthology reclaiming Christmas for LGBTQ people; there is so much out there–TV shows, movies, specials, books, etc.–for Christmas but none of it exploring it from the queer outsider’s point of view. I’d gotten a story submitted for another anthology that was Christmas-themed, and didn’t really fit that particular anthology; but it also triggered the why not do a queer Christmas anthology? It could be a perennial seller at Christmas time. And that’s how the anthology was born. I got some terrific stories (of particular note: Jim Grimsley’s “Comfort and Joy,”  David McConnell’s “Christmas 1989,” and “Our Family’s Things” by Jay Quinn–but they were all lovely stories in one way or another) and the book sold a fair amount of copies. My own story was a twist on Han Christian Anderson’s “The Snow Queen,” not an exact rewrite or retelling, but something I took and twisted and made my own. I liked the story a lot, but had completely forgotten I’d written it.

Alas, I only have one author copy of each anthology; someone on Twitter was looking for queer Christmas stories and ‘Nathan Burgoine recommended Midnight Clear,  and if I had even one spare copy I would have sent it to the person looking. But I don’t, and so I can’t part with my copy.

I also was invited to write a story for an anthology yesterday, which was thrilling (it’s always nice to be asked) and the story itself is going to be a challenge to write, which is also thrilling. I do love me a challenge.

I spent most of yesterday cleaning and finishing reading Laura Lippman’s astonishing Sunburn, and started reading Alafair Burke’s The Wife last night. I have a lot of thoughts about the Lippman, just as I do about the Alison Gaylin I finished Saturday night, but will review them and talk more in depth about both books closer to their release dates. I am enjoying Alafair’s book, too, by the way.

And now, back to the spice mines.

Jump

Sunday morning and the end of Daylight Savings Time. I woke up at the usual time, reset the clock to the correct time, and stayed in bed for another hour…but still got up early. It’s fine, I don’t mind, and I am actually awake rather than groggy. I need to get groceries–a minor run for some staples and a few things I need for dinner tonight–and I also need to get to the gym today. (I did not, in fact, go yesterday as planned.) I also managed to destroy my ancient iPod Nano. I took it out of my car (where it’s my music source) and put it in my jeans pocket Friday so I could take it with me to the gym, forgot about it, and yes, put it through both washer and dryer. Sigh. Now the screen is dead–the memory in it still works, if I connect it to my computer–but the controls don’t work, and they don’t make Nanos anymore, which totally sucks. I had that damned thing for almost seven years…so I guess I’ll have to use my iPod Touch, which is nine years old, for the gym instead until I can swing getting a new one, I suppose. So annoying. Then again, if it costs less than a new iPod Touch, it might be worth seeing if it can be fixed.

I suppose I could just use my phone, I suppose, but I hate how the music cuts off if you get an email or a text or something. It’s jarring.

First world problems, I know.

I am reading an advance copy of Laura Lippman’s Sunburn, and it’s really quite exceptional. It’s very different than anything she’s done before, and I have to say, it’s quite the ballsy move. It’s very easy to just write the same style and the same type of book over and over again, but Lippman has really stretched herself and grown in her stand alone novels; this, coming after the sublime Wilde Lake, is yet another gamble that is paying off big time. And as I said yesterday, reading amazing work by amazing writers is inspirational; I actually sat down at the computer yesterday and made myself write two thousand words; and they were good words. They took me longer to write than usual–my attention span is so shortened because of social media and everything else these days; I need to remember that the best thing for me to do when I get stuck is to get up and do something away from the computer; even if it is something as simple as rearranging a cabinet shelf; putting things in order and organizing, for some reason, always works as a writing trigger for me. But it’s more than I’ve written in a long time, and I am kind of excited about it, to be honest. I still have an essay to write, and there’s a short story I need to write, but I want to get some more of this Scotty done before I sidetrack myself again.

And on that note, ’tis back to the spice mines. Here’s a Sunday hunk for you, Constant Reader:

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Against All Odds (Take a Look at Me Now)

Saturday morning! I finished reading my advance copy of Alison Gaylin’s If I Die Tonight last evening, and was completely blown away by it–so much so that I tried to start reading something else and just had to put it aside for a while. I read my next book for a bit in bed before going to sleep–it’s an advance copy of Laura Lippman’s Sunburn, and it, too, is quite extraordinary–and this morning am still processing both. I’ll no doubt finish Sunburn this weekend as well–I am already itching to get back to it, although I have other things I simply must do this morning–but the kitchen is already cleaned up. I need to do the floors and put some finishing touches on things down here, and I might clean the windows. I have an essay to finish writing and I want to work on the Scotty book some; possibly some other things as well. It would be incredibly easy to sit in my easy chair and waste the day watching college football…but I’m not going to. Tonight is the LSU-Alabama game…sigh. Obviously, I want LSU to win, but it’s such a long shot, and Alabama just looks unstoppable this year. Sigh.

While work on the new Scotty has been incredibly slow going, part of that is attributable to the post-Bouchercon malaise, methinks. I feel very confident that I’m going to be able to get back to work on it today and make significant progress. I know what the underlying theme of the book is, and now it’s simply a question of being able to work the personal story and the crime story together and make it work. Rereading these old Scotty has helped; putting together the Scotty concordance/Bible is also going to help in ways I can’t even imagine right now.

Reading brilliantly written books also helps a lot. I can’t recommend reading great writers enough as a learning experience for writers. I always say that the best writers inspire me when I read their work; I think part of the reason I’m so fired up this morning to get to work is because I read a brilliant novel last night and started reading another one before bed…and have even more on deck that I know are going to be equally brilliant. This excites me to NO end, Constant Reader.

I also want to revise that old y/a manuscript and get it going. I know now, having both reread and outlined it, what was wrong with it and why it didn’t work. I am very excited about this, as well.

It’s been a while since I’ve been excited about writing, and it feels terrific.

And now, I should get  back to the spice mines. Here’s a Saturday hunk for you, Constant Reader.

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Don’t Cry

Saturday in New Orleans. I have a big to-do list to get through today, and I must get it all done so we can stream season 2 of both Stranger Things and Freakish this weekend, guilt-free. I also want to get some writing/editing/reading done on Sunday before launching into yet another week of work. I also slept late this morning; which felt wonderful–probably because it is a mere fifty two degrees here (AIEEE!) but I feel rested, which is truly the most important thing. I’d wanted to get up earlier, but hey–them are the breaks, kids. So, when I finish this cup of coffee I’ll probably make one to go and start running the errands, so as to get them over and done with. We were going to go see It tonight, but decided to wait and stream things tonight; we can always watch it when it’s available for streaming later.

I did finish my reread of The Haunting of Hill House last night before going to sleep, and as always, it was just a wonderful experience. That final sequence on the tower staircase terrifies me, as it always does; my fear of heights and my fear of spiral staircases no doubt stems from reading this book and seeing the original film, which was fantastic and remains, to this day, one of my top five horror films. (Do NOT under any circumstances watch the horrific, embarrassingly bad remake.) After I finish all my errands today, I am going to dive into End of Watch, which will probably bring my Halloween Horror reading to a close for this year. I am most anxious to dive into some of these books by authors I love (Laura Lippman, Alison Gaylin, Donna Andrews, Alafair Burke, Adam Sternbergh), and then of course there are the books collecting dust for far too long in the TBR pile. I also realized yesterday that I’ve not reread Rebecca this year, but that may wind up being something I tackle over the Thanksgiving holiday season. (I was also thinking last night of the similarities between The Haunting of Hill House and Rebecca last night; which might make for an interesting essay at some point…must make a note of that.)

Heavy heaving sigh.

So much to do, so little time in which to do it.

And on that note, tis off to the spice mines…since I overslept I can’t get more in depth on The Haunting of Hill House  as  I would like to; perhaps later, when the errands are finished.

Here’s a Saturday hunk for you, Constant Reader.

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Tonight, I Celebrate My Love

Thursday. The weekend is nigh, and Paul and I are considering going to see It at long last, as there is no LSU game on Saturday. I also am going to Costco, and want to make it to the gym to do some detestable cardio. But I will also do some stretching, so there’s that. I really need to start getting into a regular habit of going again. I always feels so much better after I work out…you’d think that would be enough motivation to go, you know?

But you would be wrong.

I also am looking forward to getting back into my reread of The Haunting of Hill House, which blows me away on every reread. October is almost over, and so my concentration on just reading horror will come to an end with October 31st; I will go on to End of Watch by Stephen King when I finish this reread, and then I’m going to dig into all the ARCs and advance copies I got at Bouchercon, which is terribly exciting. Laura Lippman, Alison Gaylin, Ivy Pochoda, and Adam Sternburgh! My new Donna Andrews, The Finch Who Stole Christmas, also arrived yesterday, which is terribly exciting. I have a lot of great reading in store.

I worked on revising the new Scotty a bit yesterday, and was terribly pleased to discover that what I’d already written wasn’t, in fact, a steaming pile of crap like I thought it was. Distance does, in fact, help. So I am going to try to get those initial chapters all revised by Sunday before putting it aside again and diving back into the WIP, for it’s last tweaks. I’m feeling a lot better about all of this, to be honest…not sure where this burst of out of nowhere self-confidence has come from, but there you are.

And on that note, ’tis back to the spice mines.

For Throwback Thursday, here’s one of my sluttier Halloween costumes, Gay Beach Volleyball Player.

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