Tag: Jon Krakauer

I Deserve It

It’s very difficult to market books about social issues. How do you promote something like that without looking like you’re trying to cash in on a tragedy, or some horrific real world incident? I don’t urge people to read Murder in the Rue Chartres every time a hurricane threatens Louisiana/New Orleans, nor do I ever try to piggyback promotion of the book which talks about the Upstairs Fire with the tragedy’s anniversary, or any time the fire comes up on social media. I don’t like the idea of capitalizing on tragedy for capitalism. It makes me uncomfortable, and while I don’t judge people for doing that, it doesn’t sit right with me.

Yesterday, I wrote and sent out a newsletter inspired by the breaking news about the mishandled Cornell gang-rape situation. Rape is something I have always felt strongly about–against, for the record–because it’s such a bodily violation. Having something shoved inside you without your consent–it sends a shudder through my body and turns my stomach whenever I think about it. So, I talked about the book I wrote about a similar situation happening in a fictional Midwestern town with a strong high school sports culture. My intent wasn’t to promote the book, which would be a shitty thing to do; the intent was to call more attention to the fact this isn’t something new; the book is OLD. I started writing it in 2015, after Steubenville and Marysville. Almost immediately after I hit post and share, I saw someone on social media bitching about people using this Cornell gang-rape (call it by its real name) to promote their “shitty book1s.” I knew that was a risk I was running by talking about my book in the context of why I wrote it (I had started writing the essay originally after the on-line Rape Academy expose by CNN), but after I blocked her, I shrugged. If she wants to assign that kind of blame to an essay I wrote about rape culture through the context of a novel I wrote about it and why, so be it. Go ahead and put me on your “no-read” list; I’ll put you on my “blocked as a bitch” list. See how that works?

Congratulations on your purity, ma’am.

Although I guess hit dogs do holler. The reason I reacted so strongly was because I was concerned people would think that was what I was doing, and anxiety medication aside, I somehow still feel a need to justify that newsletter. The woman probably wasn’t even talking about me–she just popped up, unasked for, on one of my feeds. It’s a free country and she’s welcome to express herself however she wants to–but I am not required to see, read or interact with her on any level.

And frankly, if people are looking for more information on how bad the sexual assault horrors are–well, authors might be thinking hey, you may want to read this for my research. I researched the fuck out of this over the many years I spent working on my book, but I would also direct people to Jon Krakauer’s Missoula, which examines the relationship between college athletics and sweeping rapes under the rug to protect players. LSU has had these problems over the years–it’s part of the package of why Les Miles was fired as football coach (although the cover-ups were okay as long as the team was winning at the national level), and there’s a rapist on campus today who is on the football team.

But all of this did make me think more about the marketing aspect of publishing, and how I’ve never been good at doing it.

I generally don’t talk about my books with an air to selling them to people; I don’t, as I made clear in my essay, selling books is generally the last thing I think about when it comes to my books. (Nothing bugs me more than when someone says “sell me your book!”) I don’t know how to talk about them in ways that will sell them; a manager I had in my twenties told me “you could sell ice to Eskimoes2” but that was just me being me, you know? I know I’m supposed to use every tool at my disposal to market myself and my books but that isn’t something I’ve ever been comfortable doing; to me, it’s cringe. I always think nobody cares and so I talk about my work and my writing in ways that I find interesting. I can’t write something if I’m not interested in it, and that usually isn’t an issue; I can almost always find something interesting (to me, at any rate) in most subjects…but I never, ever set out to write a blog or a newsletter with the thought this will sell me some books.

My mind isn’t wired that way. I guess other people’s must be? But I also don’t see the issue with writing about a societal problem through the lens of having researched the topic and being moved to write a novel to share these stories with people. I didn’t say buy this book, but rather I wrote this book and this is why I did, and the lifelong education on the subject that led me to write it, to try to make sense of something that is completely alien to me.3

I also wasn’t raised to “sing out Louise”4. Being raised to be modest and not accept compliments hasn’t been easy for me to process out of my brain/psyche, but I am getting better about it. But if you always downplay your achievements and successes, why would anyone else play them up? I also had that terrible anxiety-driven “pick me” bullshit going on, too; there’s nothing wrong with tooting your own horn so long as you don’t make it your entire personality, as so many seem to do. There’s a happy medium in there where I can live and exist, and I hope that someday I’ll be able to find that place where I can feel comfortable. One can hope, at any rate, right?

There was definitely a clown show on Capital Hill yesterday, and good ole Cornpone Kennedy had his stupid ass in it up to his neck. MAGA is such a joke; they are so not serious, but they are just as dangerous as a manic three year old on a massive sugar high who got into his parents’ gun cabinet. Thank God they are all so stupid and inept and incompetent; it’s like we got the Hogan’s Heroes brand of fascists here. Imagine if they were as smart as they are evil.

And on that note, I am heading into the spice mines. Have a great day, Constant Reader and I will check back with you tomorrow.

This photo, from the aftermath of the California fires, never ceases to amaze me.
  1. Anyone dismissing any group of books as “shitty” is always going to get my ire up. ↩︎
  2. Is that offensive now? If so, my apologies, but it’s a direct quote. ↩︎
  3. It did occur to me while I was writing the essay that the reason women have always felt comfortable around me is they somehow sense I’m not interested. ↩︎
  4. A friend of mine says this Gypsy quote all the time, and there is something to it. If you don’t talk well about yourself, who will? ↩︎

Mr. Bojangles

Saturday morning in the Lost Apartment, and I am kind of excited about the weekend if I am being honest. It’s nice, for one thing, to be able to sleep in a bit this morning and tomorrow; I do have some things to do today (one is doing something personal for myself; along the lines of important self-care) and of course, I am doing an on-line interview with Spirit of Ink’s Jaden Terrell as well (she’s actually quite lovely, too; I can’t believe how many years I’ve known her now). Tomorrow I have to probably go run some errands–I am hoping after my interview today I will make it to the gym, after which I will come home to curl up with Carol Goodman’s The Lake of Lost Languages with an eye to finishing it. It really is good, y’all; I hate that it’s taking me so damned long to get it done, really. I also have some other blog posts I need to finish and post–I’ve got to stop starting blog entries and then not finishing and saving them as drafts and then never going back and finishing and/or posting them; every time I go to the draft page here those unfinished entries reproach me, and they’re getting MEANER the more time goes by. Like I really need to be shamed and mocked by unfinished blog posts?

Bastards, really.

So, as I mentioned, we finished watching Minx earlier this week. I had started this during my festival widowhood, had some initial issues with it (still kind of have those original issues, to be fair) but somewhere around the third or fourth episode the show hit its stride and I started to really enjoy it. (It’s also a stark reminder that women had little to no rights less than fifty years ago, and thanks to the fuckhead judicial activists on the “supreme Court”–which should now always be put in quotes as the fucking joke it actually is, as well as supreme should henceforth be in all lower-case–those rights are about to be taken away in the service of an incredibly anti-American authoritarian agenda by the party of “small government”…yeah) The premise behind the show is simple: an ardent feminist and journalist wants to launch a new magazine for feminists called The Matriarchy Awakens (yes, that is actually what she is calling it) while working the subscription line at a magazine for teen girls. She believes that women–once they are aware of what feminism is really about–want and need such a magazine, to enlighten them about their own oppression and to learn more about their own power and equality. The show opens with her going to a weird fair where magazine companies take pitches for new magazines (is this something that really used to happen?) and of course, none of the old white men take her seriously or see anything of potential in her magazine. While she is waiting to go inside, she meets a pig of a man who actually produces porn magazines…long story short he offers to publish her magazine with the catch that she needs photo spreads of nude male models inside–“why shouldn’t a woman get to look at a dong if they want to?” Naturally, she is horrified…and then the Burt Reynolds issue of Cosmopolitan comes out and she realizes that it could, indeed, be empowering for women to look at naked men–but the editorial content will have a very strong feminist bent, and that empowering female sexuality should also be a part of feminism. As I mentioned in my earliest commentary on the show, I disliked the trope of the uptight feminist woman who needs to loosen up and enjoy herself–and her own sexuality–more; but it was handled a lot better than I thought it would be; it wasn’t the tired old “she just needs to get laid” thing. There are also a lot of male dongs shown in this; I wasn’t expecting the parade of penises as they look for their first centerfold–but there was nothing salacious or even erotic about the dongs on this show; they were just…dicks. But the show continued to improve with each episode, and it–along with Physical, which we didn’t finish–is a stark reminder of just how shitty it was to be a woman in this country back then (somewhat better now, but not even remotely close to where it needs to be, frankly).

It also made me think it would be interesting to see a documentary about how Playgirl got started and its journey over the years until it finally ceased publication. (I have an idea about a noirish type thriller set in the 1970’s about the struggle against prohibitions on porn called Obscenity, which is part of what I call The Chlorine Quartet.)

We also started watching The Offer last night, which is about the making of The Godfather, from the point of view of producer Albert Ruddy. I knew a lot of this material already–Mario Puzo had already documented the writing and selling of the book, and then the making of the movie, in a long-forgotten book called The Godfather Papers back after the movie was released and hailed as an instant classic; which included his memories, diary entries, and correspondence. I read the book (I mean The Godfather) when I was about eleven or twelve years old; I don’t really remember. My father had the paperback edition with the black cover and the white print, with the image of the hand holding the puppeteer’s strings, and I also recall one summer while visiting relatives in the South one of my cousins had a copy that had all the “dirty parts” dog-eared–so I had read about Lucy Mancini’s bizarre vagina problems before I actually sat down and read the book. I’ve been meaning to go back and reread it; it’s been called a turgid potboiler melodrama, trash, you name it–but if nothing else, it was a really good read. Obviously this is one of the cases where the film was better than the book, and I’ve been meaning to watch the movies again at some point, but it’s such a time commitment…

We also got caught up on this week’s Under the Banner of Heaven, which is twisted and bizarre. I’ve never read the book, despite being a fan of Jon Krakauer, so I don’t know where this is going, and I am very tempted to go back and read the book now.

I slept well last night (as I am sure some of you are wondering about; like anyone really cares whether I can sleep or not) and so feel pretty good this morning. I have a lot of things to get done around here before my appointment at 11:15–the sink is full of dishes; the dishwasher is also full with clean dishes to put away; I am doing laundry; and at some point the trash needs to be taken out–and of course I need to make lists so I know what all I have to get done over the course of this weekend.

Heavy sigh.

And on that note, I’d best head into the spice mines and make another cup of coffee. Have a great Saturday, Constant Reader.

If You Really Love Me

Wednesday morning and I forgot to set my alarm. No worries, because my body went ahead and woke me up before the alarm would have gone off, so that I could see that the alarm hadn’t been set–which isn’t, frankly, very like me, but yesterday was a weird transitional day where I went to the office and had to deal with the jarring reentry into my normal everyday life after the high of the Edgar banquet last week. I think I slept well last night; I certainly feel awake and alert this morning, more so than I did yesterday, which is great. I have some errands to run on my way home from the office tonight–mail, groceries–and then I am in and settled for the evening. We finished watching Minx (I do have some thoughts on this show) last night and started Under the Banner of Heaven, starring Andrew Garfield and based on the Jon Krakauer book (I am a fan of Krakauer, but I never got around to reading this one), so am not really sure what true crime the book was based on, so the entire thing is new to both of us, and we are definitely enjoying it. I didn’t get to spend any time reading or writing last evening because I had a long overdue phone call with a friend (it was marvelous) when I got home from the office and by the time we were finished talking Paul was home and it was time to watch some of our shows.

Scooter has also readjusted to being back home, and it’s not he was never boarded now and has completely forgiven us (or forgotten it happened, more likely) and is back to normal again. He spent most of the evening moving from my lap to Paul’s and back again; moving whenever one of us got up and/or shifted how we were sitting (or lying down, in Paul’s case), so he’s happy again, which is nice. I always feel guilty about boarding him, especially since the kitty spa he boards at is also where we acquired him; so I always worry he thinks he’s being abandoned again whenever we take him there. I know animals may not think in those kinds of terms, but I always imagine they do, and it kind of breaks my heart for them.

My own reentry/readjustment period actually comes to fruition today, I think. Yesterday was difficult in some ways adjusting back to the work schedule and routine of the every day; today feels more in line with how things were before I left for New York. I’m not traveling again until June (I also am traveling in July; again in September, and then hopefully not again until the holidays; I may be heading up to New England again in November but we’ll just have to see how that works out, with vacation times and all but I don’t really want to think that far ahead of things, either), if then–the jury remains out on that one–and time is really slipping away through my fingers. I need to get back to writing, and soon–I am glad that I have that story draft finished–and I also need to get the Bouchercon anthology finished as well. I think if I can get these fragments of things finished and crossed off the list that will make getting back to actually writing something much much easier as I move forward through this swimming pool we call life.

“The swimming pool we call life.” Jesus fricking Christ, I can get full of myself and write some garbage, can’t I? This is yet another example of why no one sees early drafts of anything I write.

The Anne Rice tribute anthology I was asked to write a story for–which wound up being “The Rosary of Broken Promises”–is going to be released later this month; it’s called Dancing in the Shadows: A Tribute to Anne Rice and it’s a fundraiser for a charity Mrs. Rice supported during her lifetime–although I cannot for the life of me remember what that is right now (no worries, Constant Reader, at some point I will post the cover art and the name of the charity along with buy links and the opening of my story, as I always do with anthologies that I am in).

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader!