Tag: Jon-Benet Ramsey

Brothers in Arms

Ah, the Menendez Brothers.

I hadn’t thought about them in years until Ryan Murphy announced they would be the focus of the second season of Monsters (although it could also have been a season of American Crime Story, for that matter; how does he decide? How did he decide Grotesquerie would stand alone when it could have been a season of American Horror Story? For that matter, why is the Aaron Hernandez one American Sports Story instead of American Crime Story?). It’s been over thirty years since the original murders, and this case was the first one I remember that was, thanks to cable television, part of the public discourse; the trial was televised and people watched; everyone had an opinion; and the tabloid coverage was crazy. I don’t remember another crime story have this kind of impact before, but it set the stage for OJ’s trial, the Jon-Benet Ramsey murder, and so many since then it’s hard to really keep track of them all. But I do believe the brothers were the first to be so much in the public eye once they were arrested; a “viral” crime before anyone knew what that even meant.

I wasn’t sure I wanted to watch this latest take on the Menendez brothers and the murder of their parents, to be honest. I’ve watched at least one documentary on the case years ago, and I watched the made-for-TV movie with Billy Warlock of Days of Our Lives and Baywatch fame (I remember especially the scene when his wig was torn off his head), and of course I read Dominick Dunne’s coverage in Vanity Fair. As I mentioned, it was one of the first murder cases to get national attention, to be was all over the 24 hour news channels, not to mention Court TV and all the others. The national tabloids, magazines, and even local newspapers and stations scrambled for coverage1 . I remember the first trial ended in a hung jury, and I kind of lost interest after that–as did the media. The only reason I knew there was a second trial that ended in convictions was thanks to Dominick Dunne. The case would get back into the news periodically in the years since, but I didn’t really pay much attention. Books and documentaries and fictional adaptations continued to be churned out in the decades since their conviction, and like I said, I wasn’t really planning on watching this new series2. I thought they were psychotic killers who murdered their parents for their money.

And yet, one Saturday night after we’d finished watching all the football games, Paul suggested we start watching Monsters, and I thought, why not? If it’s not good, we can always stop watching.

I didn’t think the first episode was very good3, but we decided to give the show one more episode on Sunday, and then we were hooked. It’s a very Ryan Murphy show, to be sure: it’s visually beautiful, and the acting is excellent. The two young men who play the brothers, Cooper Koch (Eric) and Nicholas Alexander Chavez (Lyle), late of General Hospital, are gorgeous to look at, are often shown in some form of undress (including a full frontal shot of Koch), and they deliver some astonishing performance (so does the entire cast). There’s one scene that Koch does that is almost the entire episode, him doing a monologue about his life, his parents, his brother, and his failures, his weakness, that is an Emmy reel in and of itself. Javier Bardem and Chloe Sevigny are also fantastic, as is Nathan Lane as Dominick Dunne; Leslie Grossman and Ari Graynor also shine in supporting roles. One thing you always have to give Murphy credit for–incredible actors giving incredible performances is something you can usually expect from one of his shows. (Jessica Lange’s four seasons on American Horror Story is a masterclass in acting talent and range.)

While I know the family has had some objections to the series–not the least of which is the implication that the brothers had that incestuous closeness; but some of the scenes that showed that were from other people’s perspectives; for example, the scene in which they are in the shower together–a cousin has stated that the dad did make the boys shower together–and Lyle did testify under oath that when they were kids, his dad encourage him to also molest Erik. (I think seeing a report on that is what made me think there were hints of incest in their relationship; I honestly don’t remember as it was thirty years ago and I didn’t pay that much attention. I did think, when I first read about the murders, that they were guilty (they did shoot their parents) and when they switched the sexual abuse defense, I 1000% thought they were making that up (no one could say it didn’t happen) as a “get out of jail” free card.

And watching this show? For the very first time, I thought they might have been telling the truth. I knew boys were capable of being raped and molested and abused as children, even as teenagers; the priest scandals were just slowly beginning to come out into the light. but the amount of Americans–men especially–refused to accept the fact that boys could also be victims was astonishingly high. For one thing, most victims were too ashamed to do anything about it (another toxic masculinity issue), and because other men wouldn’t believe them, or think “they wanted it” (you know, the same things they say about women rape victims). The shame of “being unmanned” was still a thing in the 1990’s–the toxically masculine also have issues with gay men because it besmirches manhood or something fucking stupid like that, or “womanizes” men. And it was very difficult for anyone to believe a father could do that to his sons.

And bearing that in mind, I completely understand why the Menendez brothers wouldn’t have told anyone, nor would they have told the cops or their original lawyer. It makes sense. And they only admitted to it when it looked like they were definitely headed for the chair.

It. Makes. Sense.

And I would have probably voted to acquit.

The show also highly sexualizes its young stars in a way that we are seeing more of these days (certainly in Ryan Murphy series; I have to say I do approve of the objectification of men–and I also like that the gay male beauty standard, so often maligned within our own community, has clearly spread to straight men of all ages. I’m amazed, for example, how many young men have realized the importance of leg day and building up a lovely round hard butt. The two young actors playing the leads, Cooper Koch (Erik) and Nicholas Alexander Chavez, are incredibly gorgeous; Koch even does a full frontal scene sans prosthetic. They also had good chemistry between them, which…I can certainly understand why the family was furious about the hints of incest in the series–but that was what the person whose perspective was being shown thought. Lyle also testified to abusing Erik when they were younger–and like I said, they seemed almost unnaturally close.

And when it was all over, Paul asked, “do you think they were abused?”

GREG: I didn’t at the time, but now I’m not so sure. And they’re the only ones who know for sure, so we’ll never know.

I think the show had changed a lot of minds about the brothers–and now that a member of Menudo had come forth to claim he was also sexually abused by Jose Menendez, they may even finally get out of jail…but would they have been so “viral” at the time if they weren’t good looking young men?

Sexualization, Party of Two?
I could be wrong, but I don’t think men’s bikinis were cut or worn like this in 1990.
See what I mean about sexualizing them? There’s an entire scene of him doing squats with dumb bells FROM BEHIND.
This is another example of the “incest inference” scenes. It doesn’t look like anything off until you think, would two young men talking in a pool float this close together?
  1. When we got to the episode on the Ryan Murphy series where OJ went on the run in the Bronco. Paul turned to me and said, “The 90’s were a time, weren’t they?” to which I replied, “Jon-Benet Ramsey, Versace, OJ, the Menendez brothers–yeah, it was one major crime mystery after another.” ↩︎
  2. I have a love/hate relationship with Ryan Murphy productions. When he hits the ball cleanly, he knocks it out of the park. But most of the time his shows collapse under their own weight and endings rarely resolved everything. But his better shows are usually based on a true story… because the story’s already written. ↩︎
  3. It was very over the top and campy; it wasn’t until later that I realized that each episode is the story from someone else’s perspective (aka Rashomon), which is something I absolutely love, so I should rewatch that episode to get a better sense of it. ↩︎

Garden District Gothic

Oh, Scotty VII, what an interesting path you took to publication.

Back when ebooks and Kindles first started to be a thing, they rather revolutionized publishing. This new technology rang the death knell on some independent book stores as well as some small presses, and it was considered the great equalizer: you no longer needed to follow the long-established path to publication that went writer/agent/publisher; and just having an agent was no guarantee your book would ever see print and if it did, that it would sell. You no longer needed a publisher to put your book out and get it to readers; all you needed to do was get a cover designed and format your manuscript and upload it. This excited a lot of people; I was one of them, but still approached the entire thing very cautiously. I have never had a problem with people who elect to self-publish their work rather than follow the traditional path; I certainly never followed the traditional path or ran my career the way I was supposed to, at least according to almost every author I knew.

But ultimately, for me, the ebook revolution and becoming a publisher/author hybrid seemed not only like a risk but a time-consuming one. I didn’t have the time available to market the books I was traditionally publishing the way I should, let alone having the time to have to do all the marketing myself.

But I was curious, and remained open-minded. A friend started her own company and wanted me to write some things for her–short, more like novellas than novels–and since I’d always wanted to spin Paige off into her own series (despite being concerned about writing a mainstream type book from a woman’s perspective) and so I thought, well, here’s a chance to try something new and different. I wound up writing two of these and was partly through a third when I began to realize that even with an independent publisher doing some of the work, I just didn’t have the time or money or incentive to work any harder at marketing these books than I already was–and they needed more attention and promotion than I was able to give them, so we decided to end the business relationship, the already done books came down from sales sites, and that was the end of that.

I did eventually slap up Bourbon Street Blues as an ebook on Amazon, and it’s done okay for me; I’ve not promoted it at all but copies sell every month–but I am not getting rich, either. I also have a longer short story up as an e-original (but it’s also in my print collection Survivor’s Guilt and Other Stories) and yes, I know I need to get Jackson Square Jazz up (one of these days), and perhaps when I’ve retired and have more time, I’ll explore the self-publishing option again just for the hell of it.

But there I was, with a partially completed manuscript and it was a very fun story; I hated wasting it (it was called The Mad Catter), and so, with a little bit of tweaking, I turned it into the seventh Scotty book, and renamed it Garden District Gothic.

I really love the cover Bold Strokes gave me for it, too:

You know you live in New Orleans when you leave your house on a hot Saturday morning in August for drinks wearing a red dress.

It was well over ninety degrees, and the humidity had tipped the heat index up to about 110, maybe 105 in the shade. The hordes of men and women in red dresses were waving handheld fans furiously as sweat ran down their bodies. Everywhere you looked, there were crowds of people in red, sweating but somehow, despite the ridiculous heat, having a good time. I could feel the heat from the pavement through my red-and-white saddle shoes and was glad I’d decided wearing hose would be a bad idea. The thick red socks I was wearing were hot enough, thank you, and were soaked through. They were new, so were probably dying my ankles, calves, and feet pink. But it was for charity, I kept reminding myself as I greeted friends and people whose names I couldn’t remember but whose faces looked familiar as we worked our way up and down and around the Quarter.

Finally, I had enough around noon and decided to call it a day.

“I don’t think I’ve ever been so hot in my life, and I grew up in Alabama,” my sort of nephew, Taylor Wheeler, said in his soft accent, wiping sweat from his forehead as we trudged down Governor Nicholls Street on our way home.

“It hasn’t been this hot in a while,” I replied, trying really hard not to laugh. I’d been forcing down giggles pretty much all day since he came galloping down the back steps the way he always does and I got my first look at his outfit. “But the last few summers have been mild—this is normal for August, usually.” It was true—everyone in town was complaining about the heat like it was something unusual, but we hadn’t had our usual hellish summer weather in a couple of years.

Last summer had been not only mild but dry, with little humidity and practically no rain—which was unheard of. Usually it rains every day around three in the summer, when the humidity has gotten so thick it turns to rain.

“I don’t even want to think about how much sweat is in my butt crack,” he complained, furiously waving the fan he’d picked up somewhere, trying to create a breeze.

I gave up trying to fight it and just gave in to the laughter.

One of the primary problems of turning The Mad Catter into Garden District Gothic was that the book was intended originally to be a sequel to a pair of books that no longer existed; vanished forever into the ether. I had established a character in earlier books of the series who was supposed to take front and center in this one, but I no longer had the back story and was facing the issue of how do I introduce this woman into Scotty’s world? And it was important, because the case involved a long ago murder that took place in this woman’s Garden District mansion–she didn’t own it at the time; she bought it from the original family that owned it, and owned it at the time of the unsolved murder–but I decided the easiest way to do this was make the woman a friend of Scotty’s older sister, which is how he knew her; and she had been a member of the cast of a reality-TV show called Grande Dames of New Orleans, which had been the centering of the previous book in the now-defunct series. I always thought the Grande Dames (obviously, my version of the Real Housewives franchises) was a clever idea and a fun one to explore as well as poke fun at in a fictional setting, and I hated wasting in a series that no one could access anymore. So I decided to keep Serena, and mention that she was in the cast of the new show which hadn’t started filming yet, and she had bought this big house as a centerpiece for her to be filmed in from the show, giving up her luxurious condo in One River Place. (This also gave me the opening to center the next Scotty book in the Grande Dames show.) The party that now opened the book was a housewarming party, so Serena could show off her new manse with the checkered past.

I had also created a character in the Paige series to serve as a kind of nemesis for her, a true crime writer named Jerry Channing, whom eventually I used as the impetus for getting the plot started in The Orion Mask. Jerry became rich and famous writing a book about the infamous, unsolved murder called Garden District Gothic, which in the Paige series seemed like a Scotty title to me, and I used it as a wink to those who were familiar with the Scotty series…and so, in writing about Scotty and the gang solving this old notorious murder, why wouldn’t I call the book Garden District Gothic, since it really is a Scotty title after all?

The murder was, of course, based on the Jon-Benet Ramsey murder that dominated the media and culture for so long back in the day. I just took the set-up of the story from that real-life case and started making up my own characters and backstories for them and went with it from there. The one thing that always bothered me the most about the case was the fact that people viewed the Ramsey family as speaking to the lawyers before calling the police as suspicious; no, it’s actually smart. Sure, it made them look “guilty” in the press (with all those headlines in the tabloids screaming this conclusively proves one of the family did it!!!! Who calls their lawyer first??? To which I again repeat, people who are fucking smart call their lawyer first. Period.), but it was the smart thing to do; someone had the presence of mind to realize that the most obvious suspects in the murder of a child are going to be the immediate family, and why–in a distraught state of grief over your child’s brutal murder–you would need to have a lawyer present when you’re being questioned by the police so you don’t say anything that could be misconstrued as an admission of guilt when you are not in fact guilty.

Always, always, always call the lawyers first. Always. If i have learned anything from my extensive reading of true crime and study of crime fiction, it is “never talk to the cops without a lawyer, especially if you are innocent.”

I was pleased with it when I was finished with it, but I’d kind of like to revise the ending a bit.

And of course, writing it left me with the decision of whether to reuse my Grande Dames of New Orleans reality show for the next Scotty book.

You Got It All

Saturday morning and I literally just rolled out of bed. I cannot remember the last time I slept this late, but rather than worrying about it, I’m just going to go ahead and embrace it. I have to run make groceries today before the LSU game, but it’s at two thirty so there’s still plenty of time for me to get caffeinated, woken up, and maybe even do some cleaning around the house before the Tigers take on Mississippi State.

Last night Paul and I continued watching a show on Hulu from some true crime channel. The series is called The 1990’s: The Deadliest Decade, or something like that; last night we watched two more episodes (we’d watched the first episode, about a murder in Houston, Thursday night). Last night’s episodes were about the torture/murder of a twelve year old girl in Indiana–very grisly–and the second episode was the Club Kid Murder, which I already knew the story of–Michael Alig, the Limelight Club in New York, and the murder of drug dealer Angel; there was a book I’d read called Disco Bloodbath, written by an accessory after the fact who got immunity for testifying, and it was later made into a film, Party Monster, which starred Macauley Culkin. I’ve resisted the allure of true crime for the most part–don’t get me wrong, I do love it, it’s just that since I started writing crime fiction I’ve worried that reading a true crime novel would inspire me to fictionalize the story (“ripped from the headlines!”), and for some reason that felt like cheating in some way to me. But over the years I’ve found that a lot of crime writers draw inspiration from actual true crimes…and yet I’ve continued to avoid it. (I used to love A&E’s show City Confidential, which was amazing)

And being inspired by reading Ethan Brown’s book Murder in the Bayou (as well as by the Showtime docuseries based on the book) kind of proves my point, doesn’t it?

Then again, Garden District Gothic was my own take on the Jon-Benet Ramsey case, wasn’t it, only twenty or so years later?

And of course, this whole situation with the Hard Rock Hotel collapse last weekend has my brain working feverishly to spin a plot around it. I already have introduced a shady developer into my alternate New Orleans universe, in Royal Street Reveillon, none other than Sam Dreher. Maybe the collapsing hotel can be the basis for French Quarter Flambeaux, one of the many Scotty titles I came up with recently.

What I really need to be doing is working on Bury Me in Shadows, but I suspect my fevered brain is going to continue to jump around today. I always keep my journal and a pen handy when I’m watching an LSU game, so hopefully after I get the cleaning done and the groceries made and start the grill–we always “tailgate” at home for LSU games; burgers and hot dogs–I’ll be able to work some more on Bury Me in Shadows during and after the game. I don’t know what other games there are today–I’m beginning to care less and less about watching games all day on Saturdays these days–and so it’s entirely possible this will work, you know?

But as always, the Lost Apartment is a mess. There’s a load of dishes in the dishwasher to be unloaded, and a sink full of dirty dishes from last night’s ravioli to clean. There’s laundry in the dryer to be folded, and I really should wash the couch blankets today as part of the general clean-up of the living room. The Saints game tomorrow isn’t until 3:25, which also gives me the entire morning to clean and write and organize. I have an article for Sisters to finish writing, and various other things on my to-do list that definitely need to get done before I head back to work on Monday.

And my throat is still sore.

I also have a lot of computer files to clean up and organize.

It never really ends, does it?

I also want to spend some time curled up with Certain Dark Things today.

And on that note, tis back to ye old spice mines with me. Have a lovely Saturday, all.

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