Tag: John Jakes

Only Girl in the World

I saw that John Jakes died yesterday–or they announced he had passed yesterday–which was kind of jolting; primarily because he’d come across my radar again lately. I don’t remember who or how, but I was looking at something or looking up something and a quote from him about reviews and critics and his place in American literature, or he was asked about the literary stars of the day or something (these memory lapses are so aggravating) but I loved what his response was: I don’t remember exactly the comparison, but he compared books to wine: his were an inexpensive wine you could pick up at a grocery store, satisfying but nothing special, while others were the really rare and fine vintages you went down into the cellar to retrieve and had to blow dust off the bottle. (It may have been meats; I can’t remember exactly but the wine analogy seemed more correct and apt, frankly.) I appreciated that, because I spent a lot of my teens and early twenties reading Jakes’ American history novels. They were fun to read but not great, and I wound up reading the entire eight volume Kent Family Chronicles as well as the North and South trilogy (and I think in some weird way the train of thought that led me to the Jakes quote was remembering Kirstie Alley and Patrick Swayze in the mini-series of North and South, because I was also thinking about the Civil War because I was watching Civil War documentaries on Youtube, which led me to abolitionists and a meme I saw reading I don’t argue with people John Brown would have shot and you see how that all goes; the weird and twisted slipperiness of my mind. I hadn’t thought about Jakes in years; and now he’s popped up twice within a couple of weeks. (He was ninety, so had a long and full and vastly successful life. Those books were all bestsellers and the first three of the Kent books were filmed for television; I think the original plan was to film them all but that ended after the third made for television movie.)

I think there were eight books in the Kent Family series; the original plan was to follow the family through American history, but the book series ended in the 1880’s, I think; it ended before the twentieth century–which was smart. How would you cover the world wars and Vietnam? Civil rights? These were very pro-Americana books, too; they were all part of the big Bicentennial Celebration of 1976–which was a very big deal at the time, if you weren’t born yet, and the years leading up to 7/4/76 were a lot of patriotic overkill, frankly. Every business and company had some sort of Bicentennial celebration tie-in, starting in about 1974, I think, so by the time the actual Bicentennial rolled around many of us were already sick and tired of hearing about it. We had just moved to Kansas that summer, and we still only could get one channel–CBS out of Kansas City. (Hard to believe there was a time when you could live somewhere and only get one channel, but it used to be very commonplace, and there were only three networks anyway.) The primary problem, for me, with the Kent series was how plausible is it that every member of this family is a friend or acquaintance of every famous person in our history?

I slept well again last night, which is marvelous. I did laundry and put the dishes away after work, and made a grocery run, picked up a prescription, and got the mail. I was a busy Gregalicious yesterday, and I worked some more on the book as well. I feel a lot better about the book–it’s not nearly as terrible as I had feared; I really do need to work on not hating my work or at least going overboard as far as their condition, frankly. I am looking forward to making some more good progress this weekend as well; now that I am feeling more myself again (I feel good this morning, too) I think I am going to be able to get all of this finished and revised and reworked and handled and improved. This is the part of writing a book that I enjoy; the drudgery is the first draft, and the polishing and improving is the most satisfying, because you see and can feel it taking shape.

I did break down and watch the first episode of the new season of Ted Lasso without Paul last night; it was marvelous, as expected, and just such a delightful show and characters. I decided it was okay to go ahead and watch because I figured I wouldn’t mind a second watch when the Festivals are over. It just might well be my favorite comedy series of all time; definitely up there with Schitt’s Creek and Cheers for sure. Today I also am heading in to see the doctor this afternoon about my toe, which still hurts to bend and twinges when I walk, but I am not limping. Maybe it’s a waste of the doctor’s time, but you never know, and once you’re past sixty you kind of have to take any of these sorts of things that happen seriously. (I have a tendency to ignore it and hope it goes away on its own.) It’s been nearly a month since it all started; I think it was exactly four weeks ago today that it started hurting and initially swelled, but between Carnival and Mom, I didn’t really have a chance to get in, and as soon as I was able to know for sure I could make an appointment and keep it, I did–and this was the first one available. Fingers crossed it isn’t anything more serious than arthritis or (sigh) gout.

It’s amazing what a difference to my overall mood getting back on the writing horse makes, seriously. Now that I am working on the manuscript again, I’m sleeping better and feel more settled and like myself again, which is lovely–I was beginning to wonder. I wasn’t quite as tired yesterday when I left the office, and I have to say, it’s been marvelous feeling rested and being able to work again. Much as I whine and complain about writing–usually, it’s not the writing itself I complain about, but rather deadline stress more than anything else–I do love it, I do love doing it, and it really makes me happy. I recently realized that while my primary identity is author, another identity (and one I’ve held much longer than author) is reader. I have always been, first and foremost, a reader. I love to read, and wish I had more time to do so; hence the not worrying about ever being bored if and when I do get to the point of retirement–there will always be books to read, stories to write, and something to clean around the house. I am only bored if and when I choose to be; and there’s also always some movie I haven’t seen I can stream, too. I’m a homebody, and the older I get the more true that becomes. I am putting off a Costco run until after the Festivals, even though we’re getting low on things and out of others; there’s no point in doing much restocking of the kitchen since Paul will be moving down to the hotel on Wednesday and not coming home until either Sunday or Monday. I need to figure out what I am doing over the weekend myself. I think I have something Saturday morning, a reading that afternoon, and then a panel on Sunday? I don’t know, I’d have to check I suppose, and at some point I should get that all put into my phone calendar.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

We Gotta Get Out of This Place

Saturday morning in New Orleans and all is right–for now–in the world. I slept in this morning, which felt great, and while I have some errands to run–mail, drop off a return, make groceries, take books to the library sale–overall I pretty much have the day free. The LSU-Kentucky game isn’t until six thirty, and I don’t have any need to actually watch any of the other games today–although I will undoubtedly have the television on and tuned into said games–but I want to work on cleaning today, getting organized, and potentially doing some writing. I started writing another Blatant Self Promotion (BSP) post for Bury Me in Shadows the other night, and I really would like to get that finished and posted (I had hoped to write a post a day to try to sway you, Constant Reader, into opening your wallet and buying the book, but there’s only so much time in a day and I do need to rest and refresh both body and brain) at some point either today or tomorrow. But the book–and therefore the self-promotion–walk a line that I have to be very careful with, which always makes me nervous. It’s never my intent to ever offend or upset anyone, but my books are my books and my personal politics, values, and beliefs do affect what I choose to write about–and if you’re looking for a conservative point of view (or a white supremacist one) you are definitely buying the wrong books should you buy one of mine.

Yesterday was actually kind of lovely. I did some work, I made some condom packs, and I rewatched a film from the 1970’s that fits both into the Cynical 70’s Film Festival as well as the Halloween Horror Film Festival: Brian de Palma’s The Fury, based on a book by John Farris, which I read at the time (I eventually originally saw the film on HBO; I never rented it nor saw it in the theater). Horror fiction and films made an enormous comeback in the 1970’s; one could see the genre actually achieved never before see heights in that decade. Part of this, naturally, was the publication of Stephen King’s first novel, Carrie, and the enormously successful, Oscar-nominated film adaptation of it a few years later (still one of the best King adaptations of all time). Both publishing and film responded accordingly, and also in the late 1970’s the one-two punch of Halloween and Friday the 13th took the slasher film to new heights, taking the horror genre along with them. The 1970’s also saw the debut of Anne Rice’s Interview with the Vampire, which wound up spawning an enormously successful series of books that completely changed the vampire dynamic in fiction–following the lead of Dark Shadows and making vampires into deeply flawed, romantic heroes. But horror was everywhere in the latter part of the decade (you should really check out Grady Hendrix’ marvelous Paperbacks from Hell, which examines the proliferation of horror titles in the 1970’s and 1980’s, through the window of their cover art), and so, naturally, The Fury–with the same director as Carrie, Brian de Palma–was primarily viewed as a rip-off trying to cash in on the success of Carrie.

But if The Fury is similar to Carrie in some ways, it is much more like Firestarter than any other King work; as I rewatched I kept being reminded of Firestarter and thinking about it (and thinking it, too, was due for a reread). The premise of the film/book is that there is a secret government agency (1970’s paranoia again) tasked with exploring and examining the potential of young people with some psychic gifts, whether it’s ESP, telekinesis, etc., with an eye to weaponizing them as well as advancing science (the government will turn anything into a weapon of war; this moral debate is mentioned very briefly during the film but to no great degree). Kirk Douglas plays the father of an extremely gifted young man, played by Andrew Stevens (which may or may not have been my first exposure to the handsome son of Stella Stevens; he also appeared in a two-part television adaptation of John Jakes’ The Bastard, and I don’t remember which came first. Nevertheless, he was quite handsome and had a terrific, sexy body). The very first scene of the film shows them on the beach somewhere in the Middle East; there’s a terrorist attack and Douglas is the target, but Stevens is kidnapped by the bad guys and Douglas manages to escape, embarking on a lifelong quest to find and rescue his son from these bad guys operating under the aegis of the government (I cannot emphasize how deeply distrust of the government ran in this time, in the wake of Watergate and Vietnam, there was a definite shift in public perception). The movie then switches over to Amy Irving, daughter of wealthy parents attending an extremely exclusive girls’ school in Chicago. Amy (another tie to Carrie) also has powers she doesn’t understand and can’t control; a bully starts harassing her in the cafeteria, and Amy blurts out the girl is pregnant–and the girl starts bleeding from her nose profusely, causing a panic, etc. Amy is then recruited to a school to test her talents–the same people who kidnapped Andrew Stevens, but their end game is never really explained; they’re all just bad guys who work amorphously for the government. Amy and Andrew are somehow connected; being able to see each other’s thoughts and so forth, so Douglas helps her escape from the school and they go looking for Stevens. SPOILERS: Stevens and Douglas finally end up dead, basically killed by the government people–not really, but they are definitely the reason they do–and in the final scene Amy uses her powers to punish the bad guys (again, very similar to Firestarter, which The Fury predates by several years). It’s not a bad movie, per se, but it’s also not a great one; it’s certainly not as engaging as Carrie–and I remember thinking that about the book as well; that it was just a quickly written attempt to cash in on King’s success.

What was interesting–what is always interesting–about watching these old movies is seeing actors who have not yet made it big in bit roles. There were three I picked out in this one: Melody Thomas, yet to become Nikki Newman on The Young and the Restless for decades; Daryl Hannah as one of the bitchy mean girls at the private school Irving attends; and Dennis Franz, playing a cop years before NYPD Blue.

We watched the season finale of Ted Lasso (oh, Nate, you poor broken man) which made us both laugh and cry, as it always does; the show really is a joy and I am rather distraught we have to wait now for the next season, and then a new show on Apple TV called Acapulco. This show is interesting; a wealthy older Latino man is explaining to his nephew his life story; how he came up from nothing to become wealthy, and how it all began with him getting his first job at a ritzy resort hotel in Acapulco called Las Casinas when he was a teenager. The parts with the older man talking to his young nephew are not engaging at all; there’s a mimicry of The Princess Bride with just a hint of the story-telling structure of How I Met Your Mother as well; it didn’t work for me in this instance. But the teenagers working at Las Casinas back in the 1980’s? Very charming, engaging, and likable. We’ll keep watching, but I want to see less of the present and more of the past, which is the show’s true strength.

That’s about it here from the spice mines. I think I’ll have some more coffee and try to get that BSP post finished. Have a great Saturday, Constant Reader!

Cool Change

Saturday morning and I slept late, which felt positively marvelous. I feel rested and ready to kick some ass and take some names–at least for now, at any rate. Paul is going to be out of the house most of the day–appointments and going to the office–and therefore I have the Lost Apartment to myself for most of the day and no excuse not to get a lot of things done. I am still planning on walking over to the AT&T store to replace my phone–who knows how that is going to go?–but other than that, my day is pretty much set for cleaning, revising, and reading.

Last night, we started watching the new Netflix show The Umbrella Academy, based on the Dark Horse comic series–and while I didn’t madly love it, I am curious enough to continue watching. For one thing, it has both Ellen Page and Tom Hopper (who I’ve been crushing madly on since his days as Billy Bones on Black Sails), and it has an interesting premise. We will be continuing with it tonight, I think. I had just started reading Lori Roy’s Gone Too Long when Paul got home last night, and then was distracted by getting caught up on How to Get Away with Murder and then The Umbrella Academy.

And I’ve been dealing with yet another Apple upgrade issue that has fucked with my desktop, laptop, phone and iPad since last night. Now the cloud drive is missing from both my desktop and my laptop (I managed to resolve the handheld device issues last night) and so am trying to get that resolved this morning. Seriously, Apple–when you update/upgrade your systems, is it absolutely necessary to fuck up everything for your customers? 

Seriously, Apple. Do better.

So I am trying to resolve all this before scheduling a call from Apple Support…which I also don’t understand; you used to be able to do this in an on-line chat, but now of course they make you take a phone call. Why, precisely? And how able-ist is this? What about those of us who are hard of hearing, or those who are deaf? Seriously, fuck you in the ass without lubrication, Apple. HARD.

Thank you for allowing me to vent about these issues, Constant Reader. It’s helping me reduce the future body count.

This week I got a copy of Kyle Onstott’s bestselling Mandingo from the 1950’s. As Constant Reader is aware, I’ve been trying to diversify not only my fiction reading but to learn more about the horrible history of race in North America. Part of this has taking an amorphous shape in my head around a lengthy essay, tracing revisionism of slavery and the Old South and civil rights from such novels as The Clansman (which was filmed as Birth of a Nation) to Gone with the Wind to To Kill a Mockingbird and The Klansman, which I recently reread. As I was scrolling through Amazon Prime looking for something to watch the other night, I came across the late 1970’s film Mandingo, and remembered that it was also a novel. I bought a copy from eBay which arrived this week (I wasn’t able to get far in the movie because it was just incredibly bad; not even campy bad, like Showgirls, just bad.) The book arrived this week and….just looking at the note from the publisher in the beginning was horrifying. Yet Mandingo might just be the only novel about slavery and the Old South that actually tears the veneer of respectability and gentility away and exposes the true horror of what the “peculiar institution” was actually like. (Even John Jakes’ dreadful North and South series never delved deeply into the actual horrors; Colson Whitehead’s Underground Railroad was one of the first novels to truly explore this that I’ve read.) Barbara Hambly’s Benjamin January series, set in New Orleans before the Civil War, also does a terrific job of exploring how deeply entrenched and horrible racism/slavery were.

This essay I am thinking about would probably wind up, should I ever have the time to read the books and write it (it would, for example, require a reread of Gone with the Wind and it’s over eleven hundred pages, as well as some in depth reading of actual history) would probably be a part of Gay Porn Writer: The Fictions of My Life…which is a project I really do want to work on someday.  Mandingo takes on an aspect of slavery and the South that is rarely, if ever, touched on in fictions: the sexual abuse of the female slaves by their masters (come on, like it never happened. Really?) as well as the breeding of actual slaves for better, more valuable stock, as well as raising them for fighting–kind of a human version of cock-fighting or dog-fighting. Is it more likely that never happened, or that it did? Slavery, as Harriet Beecher Stowe repeatedly explained in Uncle Tom’s Cabin, debases both slave and master; are we really supposed to believe that slave-owners didn’t abuse their ‘property’?

Given how people of color–theoretically free and equal in the eyes of the law in the twenty-first century–are treated in the present day, I’m not buying the notion of the kind, gracious slave owner.

Take, for example, this passage from the Publisher’s Note to the movie tie-in paperback edition which I just received in the mail:

From today’s vantage point,, almost a hundred years after the cataclysm, the developing situation may be viewed objectively. Actually, the finger of blame should be pointed at no one geographical group of people. Although the factions that promoted the abolition of slavery were ethically in the right (emphasis: mine), Southern planters in general are shown to have been victims of circumstance rather than diabolical tyrants as they have sometimes been painted. (again, emphasis mine.)

Doesn’t get more apologetic than that, does it? Those poor planters. (massive eye roll)

And is it any wonder that we still have so many societal problems of racial injustice today?

And on that note, back to the spice mines.

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