Broken Promise

And here we are on Friday yet again. The nights this weekend are a return to the frigid climes of earlier this week, but the days promise highs in the 50s, at least, and it’s supposed to get back up into the 70’s next week…or so it said the last time I checked. I generally tend not to look at weather forecasts more than a few days out, primarily because New Orleans weather is completely unpredictable and defies expectations all the time. It feels chilly this morning–I’ve not checked the temperature yet–but the space heater is on, as always, and I am shivering a bit under my layers and considering going to get a blanket. The HVAC guys were here yesterday, but there’s still no heat and there’s also no sign of them outside this morning. Which is fine; I can huddle under blankets as I do my work-from-home duties this morning. Okay, I checked, and it’s thirty-five with a high of 48 predicted. Yikes! Sometimes, methinks, it’s better not to know some things.

The forecast for next week looks much better. It’s simply a matter of getting through this last blast over this weekend.

We finished watching season two of Mr. Mercedes last night, and it was…well, it was a bit disappointing. The season wound up diverging significantly from the book it was based on (End of Watch, the concluding book of Stephen King’s Bill Hodges trilogy), and while the middle of the season was compelling and impossible to turn away from, the last two episodes, for me and Paul at least, significantly went off the rails. The third season starts airing on March 4, based on the second book of the trilogy, and we’ll watch because we really like the characters–and I think Book 2 was my favorite of the trilogy–but now It’s a Sin has dropped and so has something else we wanted to watch as well, but right now I can’t think of what that other show might be. Oh, yes, The Luminaries with Eva Green.

I also watched, while making condom packs yesterday, the original film version of The Amityville Horror, which fits into both the Cynical 70’s Film Festival as well as the Halloween Horror Film Festival. I actually saw this movie in the theater when it was released all those years ago, and just like then, I found it unimpressive, not particularly scary, and farfetched. I had read the book, of course–I think I bought it off the wire racks at the Safeway in Emporia on 6th Street–but the book wasn’t very well written and the story–theoretically something that actually happened–wasn’t convincing and, I thought, pretty poorly written (and I wasn’t a particularly discerning reader back then, either). It was, however, a phenomenon; a huge bestseller and the movie also made a ton of money, spawning numerous cheesy sequels (none of which I watched). Horror made a big comeback as a genre in the 1970’s; it could even be seen as a “golden age”–there was a glut of films and movies in that decade, and the demand didn’t taper off until the late 1980’s/early 1990’s. Amityville was a big part of that–following The Exorcist and Rosemary’s Baby and Carrie; it was the decade when both Stephen King and Peter Straub’s careers are writers took off, and there were a lot of books published….a LOT. (I do highly recommend Grady Hendrix definitive Paperbacks from Hell–it will trigger a lot of memories for you if this was a period when you were actually alive…it certainly did for me.) But the movie is still bad, after all these years–James Brolin was certainly handsome, coming off his years on Marcus Welby and before he spent the 80’s managing Arthur Hailey’s Hotel on ABC. (Although I couldn’t help thinking, “wow, of someone would have told me back then Brolin would marry Barbra Streisand and live happily ever after and his son Josh would become a major star, I would have laughed and laughed and laughed.”) Margot Kidder plays his wife, Kathy, and this is the best, I think, she’s ever looked on film–they are a handsome couple and have some chemistry together, even though both performances eventually descend into one note, repeated over and over again. Rod Steiger also has a supporting role to which he brings all his Method bombast in a role that doesn’t really make a lot of sense, nor does what happens to him. The movie’s end, like the book’s, explains nothing other than the family abandoned the house and never returned. (Of course, the house has changed hands with people living in it for decades and none of them have experienced anything the Lutzes claim to have. Even cynical teenager me, when reading the book, thought, oh, you bought a house you couldn’t afford and dreamed up a crazy story to try to get out of the mortgage..the movie only convinced me further that I was correct in my theory. I looked it up on line, and the lawyer for the kid who murdered his family in the house later admitted he and the Lutzes, “over many bottles of wine”, came up with the story…to not only get them out of the mortgage but to try to get his client a new trial. The Lutzes still claim it all really happened. *insert ‘sure Jan’ GIF here*)

I think I bought another copy of the book several years ago–still in print all these years later!–to reread and see if it was as bad, if not worse, than I remembered. I have yet to get around to it…but watching the movie made me think I need to reconsider that urge to reread it.

But the 1970’s were, as I have said before, a weird decade of transition and change. Conspiracy theories were running rampant everywhere about everything–the JFK assassination in particular was talked about and theorized about a lot–but this was also the decade of the Bermuda Triangle, when UFO’s really became a topic of discussion, when The Late Great Planet Earth truly began shifting certain sects of Christianity into doomsday prophecy and end-times philosophy, and of course, we cannot forget the existential threat of Communism that had some people seeing Russian agents everywhere and there was the ever-present threat of nuclear annihilation.

Although there are times, too, when I think about the 1970’s as the last gasp of American naiveté and innocence. The one-two punch of Vietnam and Watergate made everyone start distrusting the government…and HIV/AIDS was just around the corner.

Hmmm. Some pretty heavy thoughts on a shiveringly cold Friday morning in New Orleans.

And now back to the spice mines. Stay warm, everyone, and stay safe.

Lover

And now it’s the day after the holiday, where Americans ignore all sanity and safety precautions and slam into stores long before sun-up for bargains and to get their Christmas shopping finished. I don’t know if this is actually happening this year or not–I flatly refuse to participate in the nonsense of greedy consumerism (the antithesis of the holiday they intend to celebrate) known as Black Friday; for years, this was the day I drove home to New Orleans from Kentucky. In these pandemic times, I have not bothered to find out what the retailers are planning or planned in terms of safety and so forth; there was no need for me to know, frankly, and at some point today I’ll go to some news sites and see the horrors that transpired for myself.

No thank you.

I finished reading The Hot Rock yesterday, which I enjoyed very much, and then moved on to Night of Camp David, by Fletcher Knebel, which is also interesting. Knebel–I don’t know if anyone else remembers him, but he used to write political thrillers back in the 60’s and 70’s (probably the best known work of his would be Seven Days in May, primarily because it was also made into a film, and the subject–the US and the USSR on the brink of nuclear war–was timely and always in the back of everyone’s mind, right up until the day the USSR collapsed). I’ve never been a big fan of political thrillers, to be honest–political fiction has never really interested me too much, primarily because the reality is too much like fiction as it is, and for another, so much world building to do, even if you simply take the US government and political system as it is and simply graft your story and characters onto it–even if you use the actual history as the history of your new world. Paul and I avoided The West Wing for years for this very reason–why get vested in a fictional world of American politics when the real world is right there in front of you all the time–but we discovered it one day when Bravo used to do the marathons all the time, and went back and watched it from the beginning, and it remains one of our favorite shows of all time.

So, it’s entirely possible I would thoroughly enjoy political thrillers after all–I’ve certainly enjoyed, or at least never minded, when thrillers (like those of Robert Ludlum) brushed up against reality or created their own fictional American political world.

Like I don’t have enough to read already, right?

I was reminded of Knebel and his work back sometime during the past four years, as some website (maybe Crime Reads?) did a piece on this particular book, which had returned to print, and focused on a president who was losing his sanity, and the only person who really was aware is the first term, junior senator from Iowa, whom the president has taken a liking to, and keeps inviting to Camp David for late night conversations where the president tells him his insane, Fascistic intentions for his second term. (Yeah, can’t imagine what triggered the publisher to bring this back into print, can you?) I had never read Knebel back in the day, but reading this piece made me curious, not only about this book but about Knebel in general. The Cynical 70’s Film Festival has also reminded me of the deeply cynical political fictions of the time (I really want to read The Manchurian Candidate)–so many thrillers set in or around politics back in the day–and, of course, conspiracy theories flourished. (The true heyday of the JFK conspiracy theories was clearly the 1970’s.)

All in all, yesterday was a highly enjoyable, relaxing day; today will be more of the same. Sure, I did some cleaning–I cleaned out two of my kitchen cabinets, reorganizing them to make them more functional–and of course i made a turkey roast in the slow cooker, which was quite marvelous. We finished watching season one of Mystery Road, which was quite good, and then moved on to the first three episodes of the HBO MAX series, The Flight Attendant, which was based on a Chris Bohjalian novel, and stars Kaley Cuoco of The Big Bang Theory in the lead. Cuoco is tremendously appealing and quite talented. Working the first class cabin on a flight to Bangkok, she becomes involved with one of her passengers, played by Michiel Huisman, and agrees to go to dinner with him in Bangkok. She blacks out during the evening–she’s an alcoholic and in severe denial about it–and wakes up next to his bloody, dead body (his throat was cut) and has absolutely zero memory of the evening before. It’s an interesting mystery, and as I said, Cuoco is terrific in the lead, and is surrounded by a terrific cast.

There really aren’t enough books–particularly crime thrillers–built around flight crews, frankly. I kept thinking about that last night as I watched; I have a short story in progress about a gay flight attendant called “The White Knuckler”, which I’ve never finished, and it also reminded me of how much I love the Vicki Barr Stewardess mystery series for kids.

So, what’s on the agenda for today? At some point I need to get to the gym, and of course the kitchen is in ruins. I am probably going to clean up the mess in the kitchen this morning, then move onto my easy chair to read some more, and then I am going to write all afternoon before going to the gym. Since we watched all the episodes of The Flight Attendant that are currently available–there won’t be a new one again until Thursday–we’re going to need to find something else to watch tonight to entertain us. Which can sometimes prove challenging, but there are worse things.

Have a lovely day, Constant Reader.