Tag: Jessica Lange

Brothers in Arms

Ah, the Menendez Brothers.

I hadn’t thought about them in years until Ryan Murphy announced they would be the focus of the second season of Monsters (although it could also have been a season of American Crime Story, for that matter; how does he decide? How did he decide Grotesquerie would stand alone when it could have been a season of American Horror Story? For that matter, why is the Aaron Hernandez one American Sports Story instead of American Crime Story?). It’s been over thirty years since the original murders, and this case was the first one I remember that was, thanks to cable television, part of the public discourse; the trial was televised and people watched; everyone had an opinion; and the tabloid coverage was crazy. I don’t remember another crime story have this kind of impact before, but it set the stage for OJ’s trial, the Jon-Benet Ramsey murder, and so many since then it’s hard to really keep track of them all. But I do believe the brothers were the first to be so much in the public eye once they were arrested; a “viral” crime before anyone knew what that even meant.

I wasn’t sure I wanted to watch this latest take on the Menendez brothers and the murder of their parents, to be honest. I’ve watched at least one documentary on the case years ago, and I watched the made-for-TV movie with Billy Warlock of Days of Our Lives and Baywatch fame (I remember especially the scene when his wig was torn off his head), and of course I read Dominick Dunne’s coverage in Vanity Fair. As I mentioned, it was one of the first murder cases to get national attention, to be was all over the 24 hour news channels, not to mention Court TV and all the others. The national tabloids, magazines, and even local newspapers and stations scrambled for coverage1 . I remember the first trial ended in a hung jury, and I kind of lost interest after that–as did the media. The only reason I knew there was a second trial that ended in convictions was thanks to Dominick Dunne. The case would get back into the news periodically in the years since, but I didn’t really pay much attention. Books and documentaries and fictional adaptations continued to be churned out in the decades since their conviction, and like I said, I wasn’t really planning on watching this new series2. I thought they were psychotic killers who murdered their parents for their money.

And yet, one Saturday night after we’d finished watching all the football games, Paul suggested we start watching Monsters, and I thought, why not? If it’s not good, we can always stop watching.

I didn’t think the first episode was very good3, but we decided to give the show one more episode on Sunday, and then we were hooked. It’s a very Ryan Murphy show, to be sure: it’s visually beautiful, and the acting is excellent. The two young men who play the brothers, Cooper Koch (Eric) and Nicholas Alexander Chavez (Lyle), late of General Hospital, are gorgeous to look at, are often shown in some form of undress (including a full frontal shot of Koch), and they deliver some astonishing performance (so does the entire cast). There’s one scene that Koch does that is almost the entire episode, him doing a monologue about his life, his parents, his brother, and his failures, his weakness, that is an Emmy reel in and of itself. Javier Bardem and Chloe Sevigny are also fantastic, as is Nathan Lane as Dominick Dunne; Leslie Grossman and Ari Graynor also shine in supporting roles. One thing you always have to give Murphy credit for–incredible actors giving incredible performances is something you can usually expect from one of his shows. (Jessica Lange’s four seasons on American Horror Story is a masterclass in acting talent and range.)

While I know the family has had some objections to the series–not the least of which is the implication that the brothers had that incestuous closeness; but some of the scenes that showed that were from other people’s perspectives; for example, the scene in which they are in the shower together–a cousin has stated that the dad did make the boys shower together–and Lyle did testify under oath that when they were kids, his dad encourage him to also molest Erik. (I think seeing a report on that is what made me think there were hints of incest in their relationship; I honestly don’t remember as it was thirty years ago and I didn’t pay that much attention. I did think, when I first read about the murders, that they were guilty (they did shoot their parents) and when they switched the sexual abuse defense, I 1000% thought they were making that up (no one could say it didn’t happen) as a “get out of jail” free card.

And watching this show? For the very first time, I thought they might have been telling the truth. I knew boys were capable of being raped and molested and abused as children, even as teenagers; the priest scandals were just slowly beginning to come out into the light. but the amount of Americans–men especially–refused to accept the fact that boys could also be victims was astonishingly high. For one thing, most victims were too ashamed to do anything about it (another toxic masculinity issue), and because other men wouldn’t believe them, or think “they wanted it” (you know, the same things they say about women rape victims). The shame of “being unmanned” was still a thing in the 1990’s–the toxically masculine also have issues with gay men because it besmirches manhood or something fucking stupid like that, or “womanizes” men. And it was very difficult for anyone to believe a father could do that to his sons.

And bearing that in mind, I completely understand why the Menendez brothers wouldn’t have told anyone, nor would they have told the cops or their original lawyer. It makes sense. And they only admitted to it when it looked like they were definitely headed for the chair.

It. Makes. Sense.

And I would have probably voted to acquit.

The show also highly sexualizes its young stars in a way that we are seeing more of these days (certainly in Ryan Murphy series; I have to say I do approve of the objectification of men–and I also like that the gay male beauty standard, so often maligned within our own community, has clearly spread to straight men of all ages. I’m amazed, for example, how many young men have realized the importance of leg day and building up a lovely round hard butt. The two young actors playing the leads, Cooper Koch (Erik) and Nicholas Alexander Chavez, are incredibly gorgeous; Koch even does a full frontal scene sans prosthetic. They also had good chemistry between them, which…I can certainly understand why the family was furious about the hints of incest in the series–but that was what the person whose perspective was being shown thought. Lyle also testified to abusing Erik when they were younger–and like I said, they seemed almost unnaturally close.

And when it was all over, Paul asked, “do you think they were abused?”

GREG: I didn’t at the time, but now I’m not so sure. And they’re the only ones who know for sure, so we’ll never know.

I think the show had changed a lot of minds about the brothers–and now that a member of Menudo had come forth to claim he was also sexually abused by Jose Menendez, they may even finally get out of jail…but would they have been so “viral” at the time if they weren’t good looking young men?

Sexualization, Party of Two?
I could be wrong, but I don’t think men’s bikinis were cut or worn like this in 1990.
See what I mean about sexualizing them? There’s an entire scene of him doing squats with dumb bells FROM BEHIND.
This is another example of the “incest inference” scenes. It doesn’t look like anything off until you think, would two young men talking in a pool float this close together?
  1. When we got to the episode on the Ryan Murphy series where OJ went on the run in the Bronco. Paul turned to me and said, “The 90’s were a time, weren’t they?” to which I replied, “Jon-Benet Ramsey, Versace, OJ, the Menendez brothers–yeah, it was one major crime mystery after another.” ↩︎
  2. I have a love/hate relationship with Ryan Murphy productions. When he hits the ball cleanly, he knocks it out of the park. But most of the time his shows collapse under their own weight and endings rarely resolved everything. But his better shows are usually based on a true story… because the story’s already written. ↩︎
  3. It was very over the top and campy; it wasn’t until later that I realized that each episode is the story from someone else’s perspective (aka Rashomon), which is something I absolutely love, so I should rewatch that episode to get a better sense of it. ↩︎

Maneater

Thursday and my last day in the office for the week. I also decided to go in a half-hour later than usual and stay until five instead of four-thirty; alert the media! I know how hard it is to go on without knowing these minute details of my life. But it was cold this morning, and Tug woke me at the usual time–but curled up and went to sleep next to my head on my pillow once I hit snooze for the first time. Of course now that he’s awake and eaten and had some water, he’s all over the kitchen counters this morning knocking things off. He is particularly fond of pens and cigarette lighters–Paul is missing any number of them, and I’ve noticed he always make a beeline to any lighter lying around. Why the fascination with my pens and Paul’s cigarette lighters is a mystery for the ages.

I was tired when I got home yesterday. I had book mail yesterday (Tananarive Due’s The Reformatory, which is a horror writer’s version of the Dozier School for Boys in Florida, which I’ve already read two fictionalized versions already–Lori Roy’s and Colson Whitehead’s). I’ve not read Due before–my own fault, and no one else’s–but am really looking forward into digging into this one. I was also oddly tired by the time I got home; I felt fine when I left work, but after a couple of errands I was exhausted by the time I got home. The termite exterminator came by yesterday morning (the hole in the kitchen roof was partly rot and partly termite damage), and apparently Tug was fascinated by the Terminix man. I also watched another episode of Moonlighting last night–guest star was a very young, pre-China Beach Dana Delaney–(that’s another show I wouldn’t mind revisiting; does anyone else remember China Beach?) and I enjoyed it thoroughly. Paul and I then finished The Fall of the House of Usher, which was really quite good and very well done; I also had read a piece recently which stated that Mike Flanagan has placed Ryan Murphy and American Horror Story as everyone’s go-to horror television creator. I will even go further than this and say Flanagan’s surpassed him. There were, at best, three top-level seasons of AHS–“Murder House,” “Asylum” and the election one; but it would be hard for me to say than any Murphy season is superior to any of Flanagan’s work; Midnight Mass alone was so superior to any of Murphy’s seasons that it’s not even a fair comparison–and Murphy had Jessica Lange and all of those other amazing talents in his repertory company.

I also recognized yesterday that I’ve been in a bad place since somewhere around last Thursday. There have been moments this week where I’ve come out of it and gotten some things done, but it’s still there. When I came home yesterday I intended to finish laundry and the dishes, but Tug wanted a lap bed and I gave in, figuring I wouldn’t be there for very long. This was incorrect; he slept there for several hours and since I was tired AND comfortable, I didn’t disturb him and just stayed there, watching Youtube documentaries about the Holy Roman Empire and how it slowly but surely divested itself of its association with the Papacy; Charles V being the last emperor to be actually crowned by a pope. I’ve also been reading The Rival Queens, which is marvelous–it’s a history of Catherine de Medici, Queen of France and her daughter Marguerite, Queen of Navarre–known to history and literature as Queen Margot (which is also the name of the Dumas book about her). I’ve always wanted to write a suspense/intrigue novel set during that time period, and having to do with Catherine de Medici’s Flying Squadron–women who were trained spies and seductresses in her employ. Margot herself is fascinating–and both women would be in my history The Monstrous Regiment of Women about all the women who held power in the sixteenth century. Margot was as equally fascinating as her mother, and pretty much lived her life the way she wanted…which of course made her notorious. But the French, surprisingly enough, loved their princess with the loose morals–and the arrangement between her and her husband, Henri King of Navarre (eventually Henri IV of France) where they lived apart and took as many lovers as they could handle was also surprisingly modern for a royal couple.

I am hoping to spend some time with Lou Berney’s Dark Ride this weekend. Lou has become one of my favorite writers and favorite people in the crime fiction community over the years, ever since that fateful panel at Raleigh Bouchercon where I met and made some new friends who also are amazingly talented. (I think Lori Roy has a book coming out soon, too–huzzah!), and I also want to make a plan to stick to for getting things done this weekend. The LSU-Alabama game is Saturday night, so that will require me to do some strategic planning. I just hope for a good game. Obviously my preference would be for LSU to win–that’s always my default–but as long as we don’t get humiliated I am good with a close and/or exciting game–emotionally exhausting as that will be. I know my anxiety was involved in this funk I’ve been in for longer than I think I’ve been dealing with it–me thinking it started sometime late last week is laughable in its naivete–but I need to get some things done and underway before i get derailed with the surgery. Nineteen days from today I will go under the knife. YIKES.

Which reminds me, I need to review my medical file and see what they say about the recovery period, or if it’s mentioned at all. And sometime before then I am going to get my teeth! Huzzah!

And on that note on this cold Thursday morning in New Orleans, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I’ll be back later, okay, for some more blatant self-promotion.

I Would Have Loved You Anyway

And suddenly, it’s Friday again: WEEKEND EVE!!!!

Late September is a gift Mother Nature gives to New Orleans; one that’s kind of owed to us after the brutality of a normal New Orleans summer. I greatly enjoyed my walk Wednesday afternoon, and walking to the gym after work yesterday was equally marvelous. The gym workout felt incredible; my muscles had clearly been aching to be worked and stretched, and they feel absolutely wonderful this morning. My creativity is slowly coming back–the walk on Wednesday kind of kick-started it all; and I’ve been having a lot of thoughts about this upcoming new series book I have to write, that I am looking forward to writing. First and foremost, as with all my books set in New Orleans, it needs to be more about New Orleans than what I’ve already written on it; I think I am going to spend some time over the next few days revising and rewriting those first four or five chapters to get more of a “New Orleans” feel to them; I think that’s what is missing and why I feel so dissatisfied with them.

I definitely need to reread them, at any rate.

I also need to reread and edit the first three chapters of Chlorine; I’d like to get chapter four written this weekend as well as–if not an actual outline for the rest of the book, than at least– a working synopsis of how it all is going to come together in the end. I am very behind and i need to start getting caught up, even if that means no more lazing around in my easy chair watching documentaries from the BBC/Odyssey about ancient Egypt with a bizarre British Egyptologist/historian with raspberry colored hair as the star–but the woman clearly loves not only history but all things Egypt, so it is very difficult to not get caught up in her enthusiasm about her subject. Each documentary is about an hour, and I’ve not been watching them in order; I’ve watched the one about Amenhotep III and the Armana revolution, as well as the one about the foreign conquerers, leading eventually to the final recognized dynasty of pharaohs, the Ptolemies–who fascinate me; there’s so much more there than the story of the final and most famous Cleopatra (yes, she’s fascinating, but I’ve long been more interested in her sisters/rivals, Berenice and Arsinoë).

I also watched, for the very first time, the original film of The Postman Always Rings Twice, which, surprisingly enough, I’d never seen. I’ve never really been much of a Lana Turner fan (I’ve never had a lot of respect for her as an actress–certainly in Peyton Place and Imitation of Life she never seemed to inhabit her characters and simply followed her director’s orders) and I’ve never really thought she was all that pretty; there was always something artificial about her to me–though the body was definitely stunning. The costume designer was incredibly smart in putting her always into white ensembles, that went with the stiff white hair, and John Garfield was pretty good as the homicidal, lovesick drifter; he had the right “beaten around by life” lived-in look that was perfect for the character. Cecil Kellaway as Cora’s husband was the best performance in the film, really; he stole every scene he was in, but was the movie progressed Turner seemed less stiff and mannered, and Garfield’s performance of a man so driven mad by lust and love that he would cold-bloodedly murder Cora’s husband to be with her (Body Heat was often compared to Double Indemnity, but I think it’s more like Postman, in all honesty). I also felt the changes to the script and to the ending actually worked better than in the book (same with Double Indemnity and Mildred Pierce, even though I love Cain as a writer). I also couldn’t help thinking, as I watched, what Marlon Brando or Montgomery Clift could have done with the role of the drifter, and Marilyn Monroe could have done with Cora. (Dream casting: filmed in 1954 with Brando and Monroe; with Karl Malden as the husband–what a film that would have made!) But it’s a very good movie, very well done, and I greatly enjoyed it; it’s definitely a classic. I’ve never seen the remake with Jack Nicholson and Jessica Lange, but what a terrific version could be made today, starring someone like Robert Pattinson along with Margot Robbie or Rosamund Pike.

It also got me thinking about noir again, and what fun it is to write, plot, and think about; as well as got me thinking about Laura Lippman’s marvelous Sunburn and everything by Megan Abbott.

I’ve also been, since my walk the other day, thinking about my noir story about the condos built recently on my street, “Condos for Sale or Rent” and so maybe I can squeeze in the time to work on it a bit this weekend…

Big dreams, as always, but at least I am thinking in terms of getting things written again, which is a big step in the right direction.

We also finished watching season two of The Other Two, which is fantastic and has one of the best, most honest and realistic gay characters–struggling actor Cary Dubek–that I’ve ever seen on television. The premise of the season finale–Cary takes a photo of his butthole to send to a potential Grindr hook-up, only he has his camera on LIVE rather than PHOTO, and the little LIVE feature means you can not only see his face at the beginning but you can also hear the flight announcements (he does it in the First Class bathroom on a flight from New York to LA)…and it kind of goes viral. It’s hilarious, and the fact that this is the primary STORY for the gay character in a TV show (granted, it’s HBO MAX) had me impressed for the writers’ willingness to go there, but how fucking funny it all turned out to be.

And on that note, I am heading into the spice mines, and a happy Friday to all.

Galveston

So here we are, on yet another Tuesday morning. Yesterday wasn’t a complete loss for me; I was very tired after going out and getting myself tested in the morning, so I came home and decided to take a “Greg Day”; no emails, no work,  and as little social media as possible. Easier said than done, of course, but you know–that’s how the ball bounces sometimes. I did get further into my reread of Ammie, Come Home (I always forget the damned comma in the title) by Barbara Michaels–one of the best Gothic ghost stories ever published, even if a little dated today–and I read a few chapters of Barbara Tuchman’s A Distant Mirror–the 14th century is my second favorite century, behind the 16th–and when my brain couldn’t focus to read, I watched some videos on Youtube that sent me into yet another wormhole, this one of videos about American Horror Story.

In my defense, it started with a video about Jessica Lange’s roles on the show, which led to Sarah Paulson, and Lily Rabe, and…you get the picture.

And then, of course, ESPN replayed that particular Monday night football game from back in September, 2006. That warm night when the Saints played their first home game since the 2004 season. A year after Katrina, when the roof came off the Superdome and people died and still others were trapped there for days. When the city was almost completely destroyed, its economy gone, her people scattered. Our futures were uncertain that bleak fall of 2005, and even throughout 2006, with our abbreviated Mardi Gras and frustratingly slow, it seemed, recovery. We’d almost lost the Saints to San Antonio when the city drowned, but they’d stayed–and the true hero of that was Tagliabue at the NFL, not Tom Benson–and now the Superdome, long a symbol of the city and now a monument to its worst moments, was ready to reopen and create a new identity for itself, just as the city was seeking to be reborn, just as those who lived here were waiting for hope. I remember that day in the city–I knew the Saints were winning but I was busy; the Lost Apartment was still lost and still wouldn’t be finished for another two months. All we had was a tiny old black and white portable television in the carriage house, whose carpet had been ripped up to be replaced but hadn’t yet so there were carpet tacks sticking up out of the bare, scarred exposed wood. We were sleeping on a mattress on top of a box spring on the floor. Paul’s desk and computer were set up in one corner of the room, the staircase and railing took up another side and the little television, which was rarely watched, sat on top of a dresser. I ran errands that day and sensed something in the air–I knew the Saints were winning games but wasn’t paying attention because I was busy trying to make a living and keep myself to the very strict schedule I had to follow in order to have the slightest chance of getting anything done. But i could feel it when I went out to the car, in the air. People were wearing Saints jerseys, or at least black and gold, everywhere I looked. Saints flags were flying on the front of houses (we take flags seriously in New Orleans). Everyone was in Saints gear–the post office, the grocery store, Walgreens, everywhere–and when I got home I looked it up on-line: yup, the Superdome was reopening for Monday Night Football, and we were playing the hated Falcons. Paul and I watched on that little black and white television, screaming and cheering and getting a little teary eyed.  It gave us something we hadn’t had in a long time–hope. They called the game both “ReBirth” and “Domecoming”; both fit.

And while the Saints had always been our team before, that night they became OUR TEAM. Even New Orleanians who weren’t football fans became Saints fans that night. And the sheer joy with which the team played that night was so apparent, and so obvious, and they made it so clear they were doing it for the city…I’ve rarely felt so connected with a football team the way I did with that 2006 Saints team.

As glorious as winning the Super Bowl was, I have to say I think the Domecoming game was probably the greatest moment in Saints history.

Watching the game last night during another social and societal upheaval–one that is affecting the entire world and not just us this time–reminded me of that feeling. Tears spilled out of my eyes once again as Steve Gleason blocked that punt and the Dome erupted; listening to that crowd, seeing their faces and the tears of joy on their faces…having something like the Saints to cheer for, to help us through the hard times, and to give us hope again for the first time since Katrina crossed southern Florida…it’s hard to explain that, I guess.

Try to imagine what it’s going to be like when we have sports again–or the first time you can go out to a restaurant again, or what it’s like to be free of this worry and burden and fear…heady stuff, frankly.

And now…now I am feeling tired again, so I am going to go lie down for a bit. Stay safe, everyone.

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Didn’t We Almost Have It All?

Saturday dawns, and I have so much to do I feel like I should just stick my head in an oven and be done with it. Fortunately (or unfortunately, depending on your point of view) I have an electric oven so all that would do I burn my skin and melt my hair and–well, you get the point. But I must persevere; it all must get done, and I have no choice but to chomp down hard on the bullet and get to work.

One of my co-workers started reading the Scotty series this week, which is a weird confluence of my two vastly different worlds. On the one hand, it’s kind of lovely to talk to someone who is reading and enjoying my old work; on the other, it’s very strange because I have done a really good job of keeping my two worlds separate and independent of each other. I’ve always felt that doing this–as well as living in New Orleans–has kept my authorial ego in check; I’ve also always been more than a little amused at the dichotomy of going back to the day job from writer’s conferences or events–yes, last night you might have been eating in a really nice restaurant and drinking high end liquor, but today you are back to sticking people’s fingers and testing them for STI’s and talking to them about ways of protecting themselves in the future from getting any STI’s. It’s humbling, for one thing, and for another, it reminds me of what really matters when I need to be reminded every once in a while.

It looks like the massive volunteer project has finally, indeed, reached its inevitable and long-awaited end. I woke up to that news this morning, which means perhaps now I can get back to work on my writing in my free time. I need to finish two stories by Tuesday, and I also want to work on some other things, as I mentioned yesterday. Another project is being delayed at least a month, so I have October free now to finish up other things. I didn’t sleep very well last night, and I do have to run to make groceries at some point today–nothing major, just a quick run to pick up a few things–and I need to get some writing and cleaning done as well. I also want to sit down and reread Bury Me in Shadows at some point. I am thinking I need to decide which to work on this month–whether it’s the Kansas book or Bury Me in Shadows, and I also need to get a lot of reading done this coming month as well.

Time keeps slipping through my fingers.

Last night, Paul and I started watching The Politician on Netflix, and it really is something. It’s the first show of the Ryan Murphy/Brad Falchuk Netflix deal, and it is quite excellent–dark and campy and funny, with stunning performances out of everyone in the cast. I’ve never really been much of a Ben Platt fan–I do admire his singing voice–but he is killing it in the lead role on this show, as are Gwyneth Paltrow and Jessica Lange. The rest of the young cast, playing the high school students of St. Sebastian’s in Santa Barbara, are also perfectly cast and appealing in their roles. There’s also a lot of incredible eye candy for gay men and women; one of the things I do enjoy about Murphy/Falchuk shows is how they subvert the typical male gaze of most televisions shows and films; by hiring hot gorgeous actors and objectifying them rather than the women in the cast (see the shower scene in Episode 2 of American Horror Story: 1984). The young actor who plays River, David Corenswet, is one of the most beautiful young men I’ve ever seen; as are Trey and Trevor Eason, who play Platt’s brothers–twins who are basically soulless sociopaths but so incredibly beautiful. The show is full of surprising twists and turns, and goes into directions you’d never imagine; Paul and I were enthralled and binged through three episodes. Hopefully, the quality will continue. And Jessica Lange is probably heading for another Emmy win.

And we still haven’t watched Unbelievable yet, either.

It truly is a golden age of television, isn’t it?

There’s no LSU game today; so I am not so sure I’ll waste much time watching college football today. I did check the schedule to see who else is playing today, and may tune into the Ole Miss/Alabama game this afternoon while i clean around the living room; or I might not. We’ll see how the day progresses. But I definitely need to get some work done today–even though my mind is already switching to you can always do it tomorrow and you’re allowed a day off mindset that often results in me getting nothing done–and no small part of it has to do with the lack of deep sleep last night. I’ve not really had a good night’s sleep in over a week at this point, and I am beginning to despair that I ever will again.

All right, it’s time for me to get cleaned up and head down into the spice mines. Happy Saturday to all.

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Beauty and the Beast

Thursday and the work week approaches its end.

Yesterday was Payday, or rather, Pay the Bills Day, which is always an odious chore. Ironically, the one bill I never mind paying is my car payment; don’t get me wrong, I deeply hate making that payment every month, but I love having a newer car (I guess I can’t really call it new anymore) with all of the lovely bells and whistles and the ability to not worry every time I get in the car if it’s going to break down–not that I don’t always worry about that, it’s just not as present as it was in the Buick.

I have to say, American Horror Story has been a rollercoaster for me to watch over its many seasons; some seasons–“Murder House,” “Cult”–are fantastic, others a little disappointing, others such an enormous mess that I never bothered to finish watching. This season, “Apocalypse,” has been teetering on the edge of probably one more episode and I’m done. The storytelling has just been all over the map; the performances have been entertaining, and the first episode’s opening was pretty intense…but most of the time I’ve just been sitting in my easy chair, rolling my eyes and saying really? This makes no sense. But this week…they returned to “Murder House,” along with Dylan McDermott, Connie Britton, and most importantly, JESSICA FUCKING LANGE, and the episode was amazing. It also firmly reestablished in my mind that 1) “Murder House” was, by far and away, the best season of the show; and 2) I don’t care what you have to pay her, Jessica Lange is worth every penny and needs to come back once and for all. If she doesn’t get an Emmy for last night’s episode, they need to stop giving them out. Period. The episode was also directed by Sarah Paulson, had some extraordinarily beautiful shots, and wrapped up so much of the “Murder House” story…it may have been my favorite episode of American Horror Story ever.

My own writing continues apace; I worked on the Scotty revision a bit more last night, and I am also thinking about how to structure the final revision of the WIP; I also tried to work a bit on my short story “A Little More Jazz for the Axeman,” which is going to be the lead off story in Monsters of New Orleans. I still plan on writing Bury Me in Satin next; my mind is currently swimming in ideas and thoughts and plans. The fact that my sleep schedule has become somewhat consistent at long last is an enormous help in that regard; it makes a huge difference when you feel rested every day.

I’m also looking forward, with a little trepidation, to LSU’s game with Mississippi State on Saturday evening. One of the lovely things I’ve noted about switching from cable to Hulu Streaming Live TV is that I don’t spend all day Saturday in my easy chair watching college football games all day; I literally used to spend the entire day with my eyes glued to the television watching games that don’t matter to me in the least, usually, to be fair to myself, while I was reading a book or scribbling notes. I don’t do that anymore; not that Hulu TV isn’t easy to negotiate–it is, just in a different way than cable was–but the beauty of Hulu TV is that what tyranny cable television had left on me has been broken; case in point–last night’s American Horror Story episode. It is one of the few shows that Paul and I would make a point of watching live as it aired; Paul had a board meeting last night and didn’t get home until about nine fifteen; fifteen minutes after it had started. But because Hulu TV sort of works as a kind of DVR, I could queue it up and it started at the beginning. This is marvelous, and now it’s weird to think that we ever scheduled our lives around the airdate and time of some television show. This means I don’t ever have to rush home from work, or think rats, can’t stop at Rouses on the way home because our show is starting.

This was amazingly helpful during this last season of Real Housewives of New York.

And now I am going to jump back into the spice mines for a bit before I head into the office. Have a lovely Thursday, Constant Reader!

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I Say a Little Prayer

Today I venture north to Oxford, Mississippi, home to one of my literary heroes, William Faulkner, and also home to Ole Miss, aka the University of Mississippi. This isn’t going to be a quick ‘in-and-out’ like Montgomery; I am spending two nights there (the event is tomorrow night) and will drive back down to New Orleans on Wednesday. I have to work later that evening, which is daunting and will make for a long, exhausting day, but I feel like I will sleep rather well that Wednesday night, if for no other reason than pure exhaustion. I am feeling rested this morning, but not quite awake; I am going to continue with coffee-swilling before I shave and shower and depart. I am already packed; all I have left to do is put the current book I’m reading (Luckiest Girl Alive by Jessica Knoll) and my iPad into my bag. I believe the event is tomorrow evening, so I will have all day to explore Oxford. I will be taking the camera with me, and I plan on making a pilgrimage, at the very least, to Faulkner’s home. (In an aside, sometimes when I mention that Faulkner is one of my literary heroes I get mocked, or get called pretentious; but I truly enjoy reading Faulkner. He isn’t easy to read, or follow, but the language! The way he builds the story! I still think The Sound and the Fury is the greatest American novel, no matter what–but I have been thinking lately I should, as an adult and more mature reader, give both Hemingway and Fitzgerald another try.)

I did finish reading Thirteen Reasons Why yesterday afternoon, and no, it didn’t end in the same was as the television series, and yes, it’s ending was just as dissatisfying to me, although it made sense. The book makes no judgments of the characters, including Clay, although the relationship between Clay and Hannah wasn’t as developed or as evolved in the show; I didn’t get a sense of why Clay would care as much as he did from the novel. But it was a fun read, and let’s face it–as I said on the panel Saturday, what could be more noir than high school? All of my young adult fiction, frankly, is based on that principle.

We also finished Feud last night, along with the rest of the country, and Jessica Lange was absolutely heartbreaking. Sarandon really was great as Bette Davis, but for some reason, I just think Lange was better as Crawford. The whole cast was terrific, really, and it was horrible what happened to both women as they aged, how the industry turned their back on them, what it’s like to be a woman in Hollywood–and how that hasn’t, really, changed. Ryan Murphy is an interesting writer/producer. American Horror Story seems to go off the rails every season; I never got past the second episode of Scream Queens; and I never watched Nip/Tuck–but really enjoyed Popular. But with American Crime Story and Feud he’s done an extraordinary job; but then again, in both instances he didn’t have to really come up with a plot or an ending to the story he was telling: both were based in reality. I also am terrified of his Hurricane Katrina season of American Crime Story. It could be terrible, absolutely terrible; all I can do is hope that filming in New Orleans–as he did with American Horror Story–made him fall in love with the city the way Jessica Lange did (she now lives here).

Obviously, I’ve not written a word since I left for Montgomery on Friday (other than here), and hope I’ll have both the time and the energy while in Oxford.

And now, back to the spice mines.6f72d89ae05ea0959513f24176fd12e5