Tag: historicals

New York Groove

Sunday morning where we’ve sprung forward (I hate Daylight Savings Time) and I feel off, like always when this happens. I’ve never cared for the spring part of it, but must admit I do enjoy the “extra” hour in the fall. I did go to bed early last night, and slept well–it apparently rained overnight, which undoubtedly helped with that. Of course, Sparky’s body clock didn’t change, so he wasn’t hungry enough to bother me until it was actually time for me to go ahead and get up, which was nice. (It’s this fall when he’ll annoy me early, isn’t it?) I have some things I need to get done today, which should be easy enough to do. I finished reading The Bell in the Fog yesterday (my thoughts are posted here) and really enjoyed it; and I am going to revisit an old Ian Fleming James Bond novel, Moonraker1 next I think. I may read something new alongside of it, but I haven’t decided which yet. Revisiting the original Fleming Bond novels will also give me something to think and write about on the subject of toxic masculinity and sociopathy. (So many post-war “heroes” defined masculinity so narrowly–and dangerously; Mike Hammer, James Bond…and yes, reading The Bell in the Fog put me in mind of post-war crime fiction.)

I am kind of working on a long essay–I have been since last spring, actually–about gay men and masculinity, and how societal norms and mores about them impact/twist our lives and makes it harder for us to just, I don’t know, be. I just read a great piece on the taboo of the male body that also plays into the paradigm I’m writing about. The societal reticence about the male body, and male nudity, is almost always centered on the groin area; you could depict a male completely nude as long as there was a fig leaf over the genitals. A lot of Renaissance paintings and sculptures at one point had “modesty leaves” placed over make genitals–and why is that? (Don’t even get me started on women…I’d be here for the rest of the year) Because whenever someone sees a limp penis resting on a pair of testicles they go mad with desire and sexual lust? (Although the way websites for gays drool and get “parched” over revealing pictures of influencers, actors, musicians, and other celebrities has always turned my stomach a little bit. I know, I know, but at the same time there’s something a little ‘junior high locker room” about that I find personally distasteful and almost cringe-y. Your mileage might vary and I am only speaking for myself. I enjoy looking at gorgeous men as much as the next gay man or cishet woman; I post one on here with every entry that isn’t about a book, movie or TV show. I like eye candy! There’s nothing wrong with it! I just feel the way the links and emails and so forth are shared, and the language used, is kind of juvenile and pandering and Tiger Beat-esque.)

You see how reading can influence my work? Lev’s got me thinking about writing queer historicals again–not that I was ever not going to write Chlorine, and I am hoping to get that done this summer or fall, finally–but the next book I am writing is Never Kiss a Stranger, which is also kind of a historical, since it is set in New Orleans in the summer of 1994. (An excerpt from it will be published in an upcoming anthology, which is very exciting for me. I also sold an excerpt from Chlorine recently also as a short story, so guess what, Constant Reader? You’ll be able to get a preview of both books soon! How fucking fun is that?) I often think of all the things I want to write–books, essays, short stories–and get overwhelmed because I know I’ll never get to them all before I expire. It doesn’t look like I will ever be able to retire now (fuck you again, MAGA, now and forever and ever, amen), so it really is going to be about managing my energy, being selfish, and being able to continue to write in my free time. It’s also going to make doing research no easier. Sigh. I am starting to resent all the volunteer time I’ve done over the last twenty years or so–not for Saints and Sinners, but pretty much everything else. I used to think I was making a difference, not only in the world but in various writing communities, but the truth is I wasn’t.

I’ve always wanted to make a difference in the world, and the reality is I should have realized that difference I could make would be best served from my writing, not from anything else. I think that comes from a lifetime of never taking myself seriously because no one else ever did. I did learn things about myself, the community, and other people from the volunteering; so that was something gained, and while I hardly consider myself to be a “sage” or even a “community elder” 2, I have been around a long time. I always thought I got started in publishing way too late, but the number of people who published their first novel before forty isn’t that long, actually. But that also means I’ve been doing this now for almost thirty years (I started writing for a queer paper in Minneapolis in 1996, and my how things have changed over the years. I also never really had any desire to be famous; sure, when I was a kid I fantasized about being a movie star or a singer (alas, couldn’t act or sing), but writing was what I always wanted to do, hungered to do, and basically that desire subsumed every other ambition or fantasy. I also never wanted to be a celebrity author, or have the kind of success others have. All I ever wanted was to just write and make a living from that. I don’t need to be rich; I’ve never needed that. I’d prefer to be comfortable, and never have to worry about bills and things.

But the thing with money and success is most people never think they have enough, isn’t it?

Look at Space Nazi, for example. Isn’t he about the right age to be a boy from Brazil?

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will chat at you again soon, most likely tomorrow morning.

  1. I saw a meme on-line that pointed out how dated Moonraker was–since it’s about a billionaire who moves to England and gets involved in the government with an ulterior motive… ↩︎
  2. I can’t deny I am old, so therefore it stands to reason I am, in fact, an elder. But I don’t think I’m a sage at all. ↩︎

Midnight at the Oasis

…so put your camel to bed.

Work at home Friday, and I am delighted to have made it through another week, which was at the least bizarre and at most a really screwy one. Next week will be screwy, too, because of July 4th, but oh, well. I am taking the 5th off too so I can have a four-day weekend next weekend, which means more organizing and getting rid of things. I am going to do some more book pruning this weekend, and am going to dump more files, too. My end goal is to stop using the shelves in the laundry room for book storage and turn it into an overflow pantry, with extra stuff moved in there to clear out cabinets and so forth. I have some errands to run later today and more errands to run tomorrow; but I am hoping to make progress.

Paul was late getting home last night–he had meetings, and then stayed at the office during the massive thunderstorm that rolled through here last night. I didn’t get much done last night after I got home because I got very tired in the late afternoon and after getting the mail, I just basically collapsed into my easy chair and played with Sparky. Again, I couldn’t focus on reading, but I am hoping to finish Horror Movie this weekend and start Hall of Mirrors. The US Gymnastic Team Trials for the Olympics are this weekend, so we’ll be spending some time watching that, of course–I keep forgetting the Olympics are this summer–and I had another breakthrough on the new book last night, so I guess I can claim that I wrote last night–thinking and planning counts as writing, after all, and am getting a bit more excited about what I am doing with it, and the imposter syndrome seems to be taking a back seat at long last. I also have to do one more pass on that short story, which is due on Sunday.

I also need to bang out some more Pride Posts, which will finally come to an end on the 4th of July, and I have some plans and thoughts for that final post, too.

Something I just realized last night during my thinking session in my chair was that this weird nostalgia kick I’ve been on since Mom passed was naturally triggered by that (and all the conversations I’ve had with Dad about their early life together and his childhood) and of course, by the fact that I am writing two “historicals” in a row, both set in periods I lived through so I am trying to remember what it was like; how it felt to be gay in New Orleans during the early 1990s, and of course a lot of immersion into the early 1970s. I’ve already decided to set the book in 1994–the year my life actually truly began–so trying to remember what was where and what the city was like back then has also been flooding me with memories. The kids at work have also been asking questions about my life and past.

That, along with some other things I’ve been noticing lately, also has had me thinking deep thoughts. There was a social media post about becoming a daddy, and how people in my generation and the one right after…well, we didn’t really have a lot of men a lot older than me that were out in the 1990s to serve as mentors and/or guides to the community. HIV/AIDS had killed off a good number of them, leaving a void amongst the survivors without that oral history of the community being passed from generation to generation. There was a conversation about “role models” somewhere the other day, which is something I never wanted to be or ever thought I could be, and I’ve actively avoided it. Hanging out with and bonding with the Queer Crime Writers at conferences over the last few years was marvelous, and I actually started feeling like a part of the queer writing community again. That has also made me realize that while twenty years or so may have passed since my first publication–twenty-four in August, actually–I have done a lot, written a lot, and been nominated for a shit ton of awards, both queer and mainstream. (Hell, next year will be the twentieth anniversary of Katrina; which means it’s been almost as long ago as Betsy was when I started coming here) I’ve lasted a long time, if nothing else, and that longevity has to count for something, right? I don’t think I am the most prolific queer writer (I think Neil Plakcy and Mark Zubro are more prolific than I am, at least with the crime writers, anyway), but I have been around for a very long time, with minor breaks of a year or so here and there. Like it or not, I’ve become a community elder, and I intend to try to be better about helping out queer writers and lending a hand when I can.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I’ll most likely be back later on.

Kiss

Thursday morning, and the first full day of my mini-stay-cation. Hip hip hurray! Yesterday I got a new journal, which is always a lovely thing; I’d forgotten how much I loved getting new journals once I’d filled the last one. When I started using them again by buying one on New Year’s Eve this year, I was excited to be starting up again with them; I’d forgotten how getting a new one felt–how wonderful and full of possibilities and potential the new journal is; all those blank pages to be filled with thoughts and ideas and titles and characters and sentence fragments and snippets of dialogue. Do I get too excited about the new journals? Maybe; but they also, for my OCD/anal retentive self, symbolize new beginnings as well as completion; even if finishing a journal doesn’t mean completing an actual manuscript or short story, there’s something about filling those pages that is enormously satisfying. When I first started writing when I was in high school, I always wrote on notebook paper long hand; usually in black ink with a fine point (I’ve always been partial to fine point black ink pens; and this new brand I’ve recently discovered, Tul, is amazing. I love these pens), and I think that’s why I get that satisfaction from writing by hand in a journal. Opening a Word document and starting to type isn’t quite the same feeling, and I always have a sense that everything I write that way is somehow incomplete.

I don’t know why that is, but it’s true, and probably is at the root of my deep sense of dissatisfaction with almost everything I write.

Or I’m simply neurotic.

My back is incredibly sore this morning; it was sore yesterday, but the pain is so bad I fear that I am going to be on a heating pad pretty much for the entire day. This is, while enormously disappointing, not the end of the world; I had hoped to be really productive today. I still can be, of course; it simply means not doing what I’d planned to do–which was organize stuff and deal with storage, but that will also include lifting boxes and I am in no place to do that–so maybe today means some light cleaning, writing, and reading. As long as I am productive, that’s all that really matters. And there’s quite a bit of mess that needs tidying up. I am taking the car to the West Bank tomorrow to have the oil changed at the dealership; I am going to treat myself to lunch over there and possibly do a little shopping whilst over there as well. And then I still have the three day weekend, which is lovely, of course.

I’d hoped to go to the gym today, but that’s simply not an option at this point. There’s no way I’m risking weight-bearing exercise with my back like this.

Sigh. I’m turning into that Grumpy Old Man, aren’t I?

I did get some more work done on “Never Kiss a Stranger” yesterday, and I have to say, setting it in the past (1994) was a pretty smart thing for me to do. Thinking about the past, of course, isn’t something I tend to do very often and when I do, it’s rare that I dwell on anything. But trying to remember that time period for a gay man has been kind of interesting; ever since that Twitter kerfuffle about HIV/AIDS the other week and my post the other day about writing about the subject has got me thinking about that time more. Yesterday on Twitter there was a thing–based on I guess something Suze Orman said, about people needing to have twice their salary saved by age thirty-five–and all I could think was how, at age thirty-five, I was just so happy to be still alive that the future wasn’t something I didn’t really think that much about. A few years ago, at work I sat down with a retirement financial planner and as she went over my finances and so forth she very sweetly and gently scolded me for not planning better for my future. Without thinking I replied, I didn’t think I would live this long, to be honest, and watching the implications of what I’d said play on her face and her embarrassment was an interesting experience. She was a younger woman, of course, and as I quickly reassured her that I wasn’t offended by anything she’d said I also marveled that the mentality most of us gay men had back in the early to mid 1990’s is forgotten largely today, not thought about, that fatalistic resignation that infection and death was inevitable.

This heating pad feels fantastic, I must say.

I am also watching The Shannara Chronicles on Netflix, based on the series by Terry Brooks. I read the first, The Sword of Shannara, when I was a teenager and it was new; I never continued with the series despite enjoying that first book. The Shannara Chronicles is/was MTV’s attempt at a Game of Thrones style high-fantasy series. It’s very well done; visually it’s stunning, and apparently the show covers the series beginning with the second book, The Elfstones of Shannara. The primary difference between HBO’s series and MTV’s is that, of course, Game of Thrones is gritty and dark and unafraid to be ugly; the entire cast is an interesting mix from stunningly beautiful young people to older people–an entire range of bodies and faces on the spectrum of looks, just like real life. Shannara is glossy and everyone on the show is quite spectacularly beautiful; and mostly young. I was interested in the show because I remembered the first book fondly and thought I’d give it a chance; it also has Manu Bennett as Allanon the druid, and I’ve been “stanning” (isn’t that what the kids call it?) him since his days on Spartacus: Blood and Sand. 

Austin Butler, who plays lead hero Wil Ohmsford, is quite pretty:

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As is the primary villain in season 2, Bandon, played by James Trevena.

Shannara08

And who doesn’t enjoy looking at pretty people on their television? One of the things I find interesting is that in Season 1, when Wil was finding himself as a hero he had long hair; which he has cut off in Season 2. Bandon, in season 1, finding himself he had short hair; now in Season 2 as the primary antagonist, he’s grown out his hair.  I’m sure there’s symbolism there; but the longer hair has made the character of Bandon look older and more mature, and likewise, the shorter hair for Wil makes him look more adult.

Strange.

And on that note, I’m heading back into the spice mines. The heat has made me back hurt a lot less, so I am going to take advantage of that until it starts hurting again.