Tag: Emily Hampshire

Promises

Tuesday morning, and I hope all is well with you, Constant Reader. I slept deeply and well, didn’t want to get under the weight of the blankets, but did and now I am waking up. I just had a piece of King cake (the on I bought Sunday has mysteriously been almost completely eaten since yesterday morning) with my coffee this morning. It’s forty degrees again this morning, only getting into the mid-fifties later. I did pick up my copy of Bemused (and a few other books, Disclaimer plus two non-fiction tomes, one about Appalachia and another about the Satanic panic and the Go Ask Alice literary fraud), came home, and Paul and I started watching season two of The Rig, which is interesting; I remember nothing much about the first season, but the show has shifted from the smaller story of the workers trapped on an oil rig in the North Sea and weird shit happening to a much bigger story that was kind of jolting. I do like the cast (including Emily Hampshire from Schitt’s Creek), and it’s interesting as it shifts from a horror story into The Abyss. Definitely an interesting choice, and one I did not see coming.

This year has turned into something, hasn’t it? Everyone was so glad to see 2024 usher itself out the door that we weren’t prepared for 2025 to be a disaster from day one. A terrorist attack on New Orleans to ring in the new year, and of course California is still burning. The very notion of putting conditions on federal aid, as well as “blaming” California for its own situation, is so not very Christian (looking at you, Mike Johnson–the fact that you consider yourself a modern Moses instead of a modern Jesus is telling) and an absolute joke when we open the federal wallet for hurricane relief without question every hurricane season (AS WE SHOULD)—when what we should be doing is figuring out way to make hurricane relief faster and more effective and efficient and to do better by victims of natural disasters–which are only going to keep increasing and with greater impact as we navigate the treacherous waters of the new regime. They come so fast and furious now that it’s easy to forget even the more recent ones. California is burning while North Carolina continues to recover from it’s unexpected hurricane disaster–does anyone even think about North Carolina now, in the winter? I do find it interesting that their state government is far more interested in overturning a free and fair election in their state while so many of their citizens don’t have shelter or power (or both). But we move on, like we always do, and assume that the recovery is completed once the story is out of the news. Angelenos are suffering a trauma right now, just as the North Carolinians still are, and the effects of those traumas are very long-lasting. Trust me, I know, and it will be years before either region is recovered, if they ever do.

Well, the New Yorker dropped its horrific article on the sexual abuse (re: rapes) perpetrated by Neil Gaiman on a LOT of women, and yes, I needed a Silkwood shower after reading it. It’s awful, and yes, it is terrible, but it doesn’t surprise me as much as it did the Gaiman fanboys and fangirls. I’ve never truly been that kind of a fan boy for anyone, really; there have been a few whose beliefs and values wound up not aligning with mine, but it wasn’t a trauma for me nor did it trigger an emotional meltdown because I don’t get that vested in artists as a general rule, so when they turn out to be awful in some way my reaction is generally well that’s a shame and I don’t read them anymore. Simple. Getting rid of Orson Scott Card from my shelves wasn’t a big deal, nor was never reading any further of Marion Zimmer Bradley’s1. I had read David Eddings’ The Belgariad2 in the 1980s when I went through my fantasy reading period, but didn’t know about his crimes (with his wife and co-writer) against their adopted children3 or that they did jail time until the piece on Gaiman dropped yesterday and the Internet lit up with angry former fans and friends denouncing his behavior. As for me, well, I’ll always be fond of The Sandman and sorry the Netflix series is ending after a wonderful first season, but I probably won’t be reading anything else of Gaiman’s, or revisiting The Sandman again. But I do think you can separate the art from the artist, to some degree; but that’s up to individuals and their own ick factors, I think. My mentality is I won’t ever get a chance to read everything I want to read, so why revisit the works of problematic, or read new works by them? I had no problem whatsoever cutting Dan Simmons out of my must-read list, and he was one of my favorite horror writers.

The Internet blew up at Carrie Underwood yesterday for agreeing to perform at the coronation of the anti-Christ Monday. Hey, if she wants to lick his boots, go for it, bitch. I’m not the one who’ll have to answer for it to God someday. Have at it, but remember no gay will ever listen to, download or buy anything you ever record from now on. Everything he touches dies, and why do you think you’ll be exempt from that? I imagine you lost any non-MAGA listener you had, but hey–you’ve got that Aryan Master Race thing working for you, so have fun performing for the glory of the Fascists. How did that work out for Leni Reifenstahl?

I was also a little saddened to read about the death of one of my favorite soap stars, Leslie Charleson, recently. She was the second actress to play Dr. Monica Quartermaine on General Hospital, and she lasted decades longer than the original. I always liked Monica, and absolutely loved the way Charleson played her. Sure, I enjoyed the whole Luke-and-Laura stuff, but I primarily watched General Hospital for the Quartermaines, who were conniving and backstabbing and fucking hilarious. (Jane Elliott’s Tracy remains my favorite soap character ever; scenes between the two were great television.) I always thought they should have their own show, and the way they kept killing off Quartermaines willy-nilly over the years was really aggravating; I wanted more Quartermaines, not fewer, and they never deserved to be on the back burner.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check back in with you again tomorrow.

  1. I was a fan of her gay romance, The Catch Trap, and had always meant to read her Arthurian novels…I can live without reading The Mists of Avalon, after all. ↩︎
  2. I’d actually considered revisiting that series, because of my fond memories of it, but now? Ick ick ick. ↩︎
  3. It’s pretty horrible to adopt children so you have victims at your mercy. ↩︎

Have You Seen Your Mother, Baby, Standing in the Shadow?

Sunday morning and probably the best night’s sleep I’ve had in quite some time. I didn’t even wake up the first time until past eight, and was so relaxed and comfortable I stayed in bed for another hour like a very bad Gregalicious. I had some vague plan when I went to bed last night that I would get up early this morning since I had so much work to get done, but the pull of a comfortable bed and warm blankets was too much for me to resist. I am now enjoying a really good cup of coffee; I cleaned out my Keurig machine yesterday, which was terribly overdue, and it does make a difference. (I should probably do it far more regularly than I do.) I also ordered groceries for pick up this morning as well, which will probably be the only time I leave the house today.

Overall, yesterday was a good day. I got up in the morning, did some cleaning and ran some errands, before coming home and doing some more cleaning while i worked. I clocked in four thousand words yesterday, which was amazing–I’ve been averaging between three and four thousand since Christmas when I write, and there were a couple of days that were between six and seven (hoping for one of those today, frankly), and all the pieces of this particular one are starting to fall into place. I’m having a very good time writing, and it’s awesome to be making it a priority in my life, too–plus it helps to not really check or examine your emails quite so compulsively. After I finished writing yesterday, I started watching some documentaries on Youtube about the Great Schism and the development of the Byzantine Eastern Orthodox church; I am probably going to try to focus my history reading for the year to be on the Eastern Roman Empire and the development of Christianity (I’d really like to reread Gore Vidal’s novel Julian the Apostate again), which has always been one of those periods I find fascinating and don’t study or read about near enough. I also spent some time thinking (while football highlights played on a loop on Youtube–I never tire of watching the last minute of the Tulane win in the Cotton Bowl) about my year and my writing plans for the year and what I would like to accomplish in 2023. I am really leaning toward trying to write an actual gay romance novel at some point in this coming year or the next; I’ve always wanted to write one and why the hell shouldn’t I give it a try at some point? (Although the romance writer who faked her own death and resurrected herself this week has me again wary of Romanceland…)

We also watched The Menu last night, which was a very strange film but highly entertaining. I’ve never been much of a foodie (I even hate the word foodie), because primarily most of my life food primarily either filled a need (the abatement of hunger) or served a purpose (as fuel, during the overly-exercised period of my life), so I never viewed it as a pleasure or an art form. Sure, I loved (and dearly miss) my annual lunch at Commander’s Palace, and I can appreciate delicious food, flavors and textures and so forth, but the plating and the rest isn’t something I’ve ever been terribly interested in. I don’t care if my food looks like a work of art on a plate. Sorry, I am a peasant at heart and peasantry isn’t that easily overcome. I did make an effort to become better in the kitchen and better at cooking while I was in my forties, and after I turned fifty I started learning how to bake things–cakes, cheesecakes, brownies, etc. But I digress. The Menu , like Glass Onion, seems to be a commentary on class and snobbery; the difference between the creators and the takers. I think the film is filled with great performances and interesting twists and turns, but ultimately it doesn’t succeed in the same ways that Glass Onion did. I do recommend it be seen; I’m curious to see what other people thought of it.

We then started watching a new prime series called The Rig, with an excellent cast headed by Iain Glen (Game of Thrones), Emily Hampshire (Schitt’s Creek, Chapelwaite), and Martin Compston (Line of Duty); the cast is diverse and the tale is interesting. An off-shore oil rig, somewhere in the North Sea I think, is riding out a terrible storm when something strange and seismic happens; whether it’s an earthquake on the ocean floor or some kind of volcanic activity isn’t clear. As the rig loses its connections to the outside world–internet, telephones, etc.–a terrifying fog comes rolling in, and something supernatural or mysterious but rooted in science is going on, particularly with a crewman who suffers a terrible fall that should have killed him; there are internal injuries they can’t do anything about–but he starts getting better, which shouldn’t be possible, and he has terrifying visions of the future. We watched one, and then couldn’t resist the temptation of staying up later and watching another. It’s quite good, and I highly recommend it. I am very curious to see how it winds up playing out.

I am going to finish this, grab a second cup of coffee, and repair to my easy chair to read for about an hour or so; A Walk on the Wild Side is calling to me, and I’d prefer to finish it before my trip (I don’t think that will happen, but one never knows), before I start writing again and dive into the day’s work. Have a lovely Sunday, Constant Reader, and I will check in with you again later.

It Came Upon A Midnight Clear

So, over the weekend I finished watching Chapelwaite.

What a terrific series this is!

When I started watching, I must admit I wasn’t compelled to continue watching past episode one. The story it’s based on (“Jerusalem’s Lot,” the only original story written for Stephen King’s collection Night Shift) was never one of my favorites, and I remembered it primarily as an epistolary story that never really got anywhere, if that makes sense–it really was just the letters of a man who was losing his mind, trying to get to the bottom of the weirdness going on in his inherited home, Chapelwaite, and there was something about “the worm” and so on. King described it as “Lovecraftian” in his seminal work on horror, Danse Macabre; and I had never gotten into Lovecraft, so I always figured I was missing something in the story because of that, and never revisited it. The first episode moved kind of slowly, as first episodes are often wont to do, and it did inspire me to reread the story–which I liked a lot more on a reread. But the episode started too slowly for Paul, and so we abandoned the show. A friend recommended it highly–“stick with it, it really picks up” so during my condom packing duties last week I started again with episode 2.

Very glad I did; and I really need to remember the truism that one should always give a show at least two episodes before abandoning it–unless that first episode is really and truly terrible (I’m looking at you, I Know What You Did Last Summer). Chapelwaite’s first episode was not terrible; but it was a very slow burn to set up the story. One thing I did greatly appreciate with how this show was done and cast was how the main character, Charles Boone (played perfectly by Adrien Brody), was more fleshed out and developed than he was in the short story. In the story, no mention was made of any spouse or children for him; his only family was the cousins who lived at Chapelwaite. The show gave him a Pacific Islander wife–who was already dead when the show opened, and three children, Honor, Loa, and Tane. In the show Boone was a whaler who lived at sea with his wife and children; the much-loved wife died of tuberculosis, and the younger daughter has rickets, so one of her legs is in a brace. The children are quickly seen as outsiders because of their mixed race heritage in the small town of Preacher’s Corners, the nearest town to the house; it isn’t just the mixed race children that are the source of the animus of the townspeople toward the Boone family. The Boones are blamed for a mysterious “illness” that infects and gradually kills the villagers; no one really knows what causes the illness or how to combat it effectively.

Charles is soon having weird visions, and hearing rats–or something–scratching within the walls of the house. An exterminator finds nothing in the walls, no signs of rats or mice or anything, which makes Charles think he might be going insane. He also engages Rebecca–who is not your run-of-the-mill nineteenth century young woman in small village in Maine. Rebecca has ambitions and desires of her own–to escape Preacher’s Corners, to become a writer, and she has been educated; so she comes to Chapelwaite to tutor the children and get them up to speed. Of course, the other children at the school are horrific to the Boone children, just as most of the adults are horrible to Charles. (Rebecca is played perfectly by Emily Hampshire, better known as Stevie on Schitt’s Creek, and the range she has is clear in this role; which is as far from Stevie as she could possibly get.)

But once the show starts rolling–as Charles and Rebecca and the children begin to find out what is really going on at Chapelwaite, and in the nearby abandoned town of Jerusalem’s Lot–it just keeps picking up speed. It is also truly Gothic in tone and feel; beautifully filmed and shot and the cast is perfect in their roles.

Highly recommended; one of the best King adaptations I’ve seen.