I was really into soaps in the late 1970s and up until the mid 1990s or so. My fandom, how it came to be, and how much of an influence soaps were to me as a writer is a topic for another time, perhaps after Pride Month is over because it’s really not Pride related, except for how they related to me as a gay man. But by the late 70s, I was strictly an ABC guy: All My Children, One Life to Live, General Hospital and Edge of Night, with me having a special attachment to Edge, which will also be a subject for another time. But soaps were strictly a daytime medium for a very long time–at least until Dallas premiered. Originally, each episode was a stand-alone but the show very quickly moved to the serial format, and the ratings went through the roof–and of course, “Who Shot J.R.?” was a global phenomenon (I figured it out early on–when I saw that Mary Crosby was only contracted for four episodes in the following season and the reveal that the shooter’s identity would be revealed in episode 4…it wasn’t too big of a leap from there to “it must have been Kristin”. I was right.), and Dallas ruled the ratings from there on out..
The success of Dallas, of course, lead to copycats from other networks trying to cash in on the new craze; television is nothing if not a place where imitating success is seen as a no-brainer; the irony was that so many of the other soaps that launched at night in the wake of the huge success of Dallas…failed for the most part. The only post-Dallas night time soaps that enjoyed long runs were Knots Landing, Falcon Crest, and Dynasty.
I first learned of Dynasty in a People magazine profile on Linda Evans, who at the time was best known as the woman John Derek left for Bo (who was a huge star at the time), and it mentioned she’d done a two hour pilot for a night time soap called Oil. By the time the fall previews started dropping, the show’s name had been changed to Dynasty, and there was going to be a gay character on the show. Once I read that, I knew I was going to watch. And then the premiere of the show was delayed months because of a strike. The show also had some other cast members I knew of and was interested to see–Wayne Northrop, who’d played Roman on Days of Our Lives; Pamela Sue Martin, of Nancy Drew and The Poseidon Adventure fame; and of course long-time television star John Forsythe as Blake Carrington, the patriarch of the family.
The first season was interesting enough, but the show didn’t really catch fire until the second season, when Joan Collins joined the cast as Blake’s first wife and mother of his children, Alexis. By the end of the season Dynasty had climbed from middling ratings to the Top Five, and it had become must-watch television.
But my primary interest was the character of Steven.
Originally played by Al Corley, Steven’s storylines were made clear in the pilot; Steven is coming to terms with his sexuality, coming back to Denver for his father’s wedding despite the fact that Blake is homophobic and he’s been living with a man (Ted Dinard) in New York for the past few years. Steven still isn’t entirely sure of his sexuality (it never occurred to anyone in production that he could be bisexual; he only had a binary choice during the entire run of the show), and decided to go to work on an oil rig to “become a man.” His co-workers pranked and hazed him for being gay at first, and then tried to “straighten” him out by buying him a hooker, which doesn’t go well. He then embarks on an affair with his boss’ wife Claudia (played by Pamela Bellwood, who was probably one of the best actresses in the cast), who was also mentally ill and her sanity wavered throughout the run of the show. Ted comes to Denver to get Steven to come home, but Steven’s decided to stay in Denver and try to get on with his life and ends things with Ted. Unfortunately, Ted comes to the Carrington estate (which was ‘played’ by Filoli, gorgeous place that was also the ‘setting’ for Laurie R. King’s superb Back to the Garden) to say goodbye, Blake comes home already angry, becomes angrier to learn Ted is in the house, rushes upstairs to see them hugging goodbye, and in a homophobic rage pulls Ted off Steven, punches him and knocks him down–only he is killed when he hits his head on a fireplace guardrail–and now Blake has to go on trial for murdering his son’s gay lover; and now the entire world nows.
Alexis returned for the trial, entering the courtroom wearing a veil, and Fallon gasps, “oh my god that’s my mother” setting the stage for season two, and night time television’s greatest villains, Alexis.
Season 2 was disappointing in terms of Steven as he spent season two trying to be straight, getting involved with and marrying Sammie Jo (Heather Locklear in the role that made her famous), but eventually telling his entire family that he’s gay, he’s tired of trying to be someone he’s not, and leaves Denver. He is reported killed in a oil rig explosion in the south China Sea in season three, which was their way of recasting–“plastic surgery so he doesn’t look the same”–and he was replaced by Jack Coleman (at the time best known for playing a serial killer on Days of Our Lives).
Coleman was fine, but he was different, and the character changed to match the actor. His entire storyline for the rest of the series involved him getting married, ruining that by getting involved with another man–before deciding what to do with him again for the sake of storyline; showing how hard it was to actually integrate someone with a same sex attraction into the cast of a soap. Every man he was involved with was a new character, and soaps–whose mainstay bottom line is thwarted romances, marriage and divorce–really didn’t know what to do with a non-straight character, other than throwing him into relationships with women (???) to have them end badly and so on.
When the reunion film was done in the 1990s, Al Corley returned as Steven (no explanation of why he looked the way he did before the surgery) and he’d made peace with his sexuality, again living in New York happily with another man and raising his son (oh yes, the gay character also impregnated one of his ‘women’)…while never once raising the possibility of bisexuality; I guess getting the 1980’s home audience vested in a gay character was risky enough without bringing in bisexuality–which tells you where we were as a country in the 1980’s…and we shouldn’t also overlook the fact that it was Dynasty that brought HIV/AIDS to the forefront of conversations in this country. Rock Hudson’s AIDS diagnosis became public shortly after he appeared on the show, and there was a lot of panic because he’d kissed the Linda Evans character–had he infected her? (We didn’t know as much then as we do now; now that fear is laughable but it was palpable back then because there was so much ignorance about it then, thanks to the Reagan Administration and the deeply embedded homophobia in post-war American culture.)
I started rewatching the original show once it was available for streaming, and that first season really is a slog; Blake was the primary villain in the first season (Alexis took his place, turning him into a more traditional soap hero–flawed but a good person at heart) and he just didn’t have the gravitas to relish being evil the way Joan Collins jumped in with both hands and feet), so while I was enjoying seeing the more honest and realistic to life way Steven and his dilemma was displayed in that first season–even the affair with Claudia made sense the way it was written–they really didn’t know what to do with him after the recast, and he descended from the fully developed realistic character Corley played to the two-dimensional soap hero he devolved into after the recast.
But…it was still pretty daring for the 1980s, and I did appreciate the attempt at representation. I know the reboot, which I didn’t watch, made Steven straight up gay; even gender swapping Sammie Jo by turning her into Sammy Joe. Progress is progress, and we cannot ever dismiss out of hand the brave attempts at using homosexuality and familial homophobia as a source for story; they were fighting the network censors, the right wing, and most of the country was homophobic, too.
They did the best they could and it was important at the time…even if it doesn’t hold up well under modern understanding.
Queer and Loathing in America 