Tag: Bywater Books

Rhinestone Cowboy

Tennessee Williams is kind of responsible for my career, in a very indirect way. Sounds impressive, doesn’t it? But it’s true, even if he had been dead almost two decades.

When we first moved to New Orleans, Paul got a job working for the Grants Director of the Arts Council of New Orleans, and at that time, the Tennessee Williams New Orleans Literary Festival had an office in the Arts Council’s suite. Paul got to know the director, and he convinced me to volunteer with him at the 1997 Festival…which was my introduction to the world of the book/writing festival/conference. I had the best time. That first year I met so many authors, and they were so kind and lovely. I volunteered again the next year, after Paul was hired part time (he left the Arts Council), and that was the year I met the author who would offer to mentor me. Three years later, I had a book contract and had sold some short stories and there was no turning back for one Gregalicious at that point.

So, yes, Tennessee Williams had a hand in the establishment of my career as a professional writer. I began reading the plays again, and started using quotes from them as epigraphs for my books.

It was a no-brainer when John Copenhaver asked me to contribute to this anthology to write about Tennessee Williams, even if it wound up being kind of peripheral to the story itself. The anthology is up for preorders everywhere, or you can preorder from Bywater here.

There was a little brass plaque on the next to the table the host showed me to.

The plaque was below an enormous tinted picture window looking down Dauphine Street. Engraved on the face were the words “TENNESSEE’S TABLE.” The host offered me a menu as I sat in a chair facing the door, placing another down on the setting across from me. “Why Tennessee’s Table?” I asked. “Are there tables for Alabama and Mississippi, too?” 

I was joking, but in my two months in New Orleans thus far I’d found there were historic markers pretty much everywhere you looked. The others explained why the place was historic, but this one had no explanation, no words in smaller type below explaining why it was there.

This meant there was a story behind the plaque. I was also finding out the city had a story about almost everything.

His grin exposed a chipper incisor. “Tennessee is for Tennessee Williams, the playwright,” he explained, adding, “He loved the Quarter Scene and had lunch here every day he was in town. This was his favorite table, and he’d just call whenever he’d get in and let them know, so they’d reserve it for him. They put the plaque up after he died.” He winked. “We get a lot of Williams tourists who like to trace his steps—I guess to commune with his spirit, maybe? The plaque makes it easier for them.”

And less hassle for the staff, I added mentally.

I’d heard of Tennessee Williams. He’d also been out and proud when that could have been career and social suicide. The name brought up memories of chalk dust, a cold classroom in winter, and canned dry hot air. We must have studied him in high school. A Streetcar Named Desire and Cat on a Hot Tin Roof, I think the plays were? I’d slept with a Williams scholar once, on a vacation in Honolulu. I’d met him on the beach. He had a stack of non-fiction books piled up on his nightstand for a paper he was writing, pages marked by a forest of Post-It notes.

You see the peripheral connection in that excerpt, don’t you? That’s all Tennessee had to do with my story, other than a later mention.

That table and plaque did exist. The Quarter Scene closed and was replaced by Eat, but it now called the Quarter Scene again. I don’t know if the plaque is still up by his table or not, but I always sat there whenever I ate there.

Years ago, when we first moved here, I started working on two novels. One became Murder in the Rue Dauphine, the other was a kind of Tales of the City kind of thing about three young gay men who rented apartments around a courtyard in the Quarter, with an older gay man living in the main house and kind of being a mentor to them all. I called that one The World is Full of Ex-Lovers, and began putting it together by writing short stories. One of those stories was called “Tennessee’s Table,” and that was what I immediately thought of when casting about in my head to write a Tennessee Williams inspired kind of story. I dug it out of the files–it was dreadful–and threw everything out except the very opening with the main character arriving at the Quarter Scene to meet someone for lunch. I also realized that this story would actually work in a longer project I am also writing–a book set in 1994 New Orleans called Never Kiss a Stranger, and so I wrote that story with the idea that I could insert it into the novel manuscript.

I am kind of pleased with it, to tell you the truth. It’s called “The Rhinestone.”

And just look at this contributors’ list!

A pretty impressive table of contents!

Have you preordered your copy yet?

American Life

Friday Eve! Or Thursday, in actuality. But we’ve made it this far, with just today and tomorrow to get through before sleeping in on the weekend! Huzzah! I slept decently last night–not deeply, not that wonderful “I’ve turned into a log” coma-type sleep, but it was good enough that I don’t feel tired this morning, and I actually was awake before the alarm. It’s ridiculous how much more awake I feel when I don’t get up to an alarm–and how much less resentful I feel.

I also woke up to an email that the Nancy Drew action figure I pledged to support through Kickstarter reached it’s funding goal. I got the one from the cover of The Secret of the Old Clock, where she is wearing a green outfit, is holding a screwdriver, and looks (according to That Bitch Ford) about forty years old. Given that Nancy will be a hundred this decade, forty’s not a bad look on her.

Yesterday was a pretty good day. I got home, worked for a few hours, and then repaired to the chair to rewatch this week’s Ted Lasso (which was marvelous) and then we finished off Shrinking, which is one of the funniest shows to come along in a long while. I talked about this the other day, and the quality and high level of writing and acting continue through the final episode, which was also one of the greatest (and most unexpected) literal cliff-hangers I’ve seen in a long while.

I have been watching, with growing alarm and disgust, the recent right-wing war on anything non-Christian (which is hysterical, because nothing they believe is Christianity: you shall know them by their acts) and especially everything not straight and not white. Who knew straight white people were so fucking fragile? (Everyone non-white and non-straight) They also have incredibly weak faith in their Lord and Savior; because anything that might challenge that belief has to be eradicated, made not available, and swept under the rug and hidden from view because it makes them uncomfortable. What I would like to say to all of these people is mind your own fucking business. The hypocrisy of beating the drums and warning people about how they’re aren’t haters “just worried about the children! Won’t someone think of the children?” (Yet they are also the same people who believe everyone should be armed to the teeth and that school shootings are A-Okay with them because you know, ‘slippery slope’ and all that. Of course, they use the First Amendment for toilet paper but hey, newsflash! The Founding Fathers considered everything in the first more important than the second, otherwise GUNS would have been the First Fucking Amendment, wouldn’t it? No, they deliberately made it the second because the rights and privileges granted in the first were more important.)

The other day, a friend in the Queer Crime Writers’ group I belong to posted a screenshot of the age restriction requirement on the home page of a small but highly regarded lesbian press, where you actually had to plug in your birthdate in order to gain access. This was done to reduce potential liability in such states as Texas and Florida that have been passing unconstitutional, flagrantly Fascistic laws–laws that are deeply unpopular, but merely designed to advance the presidential aspirations of their deeply unlikable governor, who has the charisma of Ted Cruz and the charm of Matt Gaetz; nothing turns out the bigots like a fear that other people might be as equal in the eyes of the law as they are. This was horrific–but small queer presses don’t have the money or resources to fight these draconian, restrictive laws; one complaint from some skeevy parent in Florida whose pastor is probably molesting their children but oh no queer books! is what they see as the real problem. The demonization of trans people–directly tied into their stupid notion that transwomen and drag queens are the same thing (repeat after me: not all transwomen do drag–is the exact same thing as the crusades against gays and lesbians (not that far back), and is the same song, different verse. And why not go back to the scare tactics that have always worked? The piece of shit “libs of TikTok” woman is nothing more than a more modern, less talented Anita Bryant (she was a bigoted bitch, but I will give her credit for her singing talent; she actually had a successful career as a singer and spokesperson for the Florida Orange Growers–Florida again; it’s always Florida–until her bigotry destroyed her career. I have no sympathy for her, so don’t even try it. She deserved worse than divorce, bankruptcy, and public scorn.); the insidiousness of straight white women leading homophobic movements (see Maggie Gallagher) is predicated on motherhood; they are just mothers worried for their children! Won’t someone think of the children? (Unless it’s school shootings and legislation that might make a difference–doing nothing clearly isn’t working–in which case, who fucking cares about the kids? GUNS! MAH FREEDUM!)

These are indeed scary times, in which the complacent Left has allowed the rise of Fascism on the right, and even now isn’t doing enough to fight back against it; when small presses that have been doing the heavy lifting for queer books when we are not in fashion at the big houses could be fined and/or punished by a state for the crime of selling books on their website. (The irony of this happening to Bywater Books–who later took it down–whose DNA goes back to Naiad Press which was based in fucking Florida, is something you couldn’t put into a book. (In times like these, I miss Barbara Grier. Barbara would have ripped off deSantis’ head and shit down his neck.) This brings up several legal questions–which should be left to the lawyers–but it seems to me these laws and restrictions are not only censorship but also violate interstate commerce laws as well as the full faith and credit article in the Constitution.

It’s so tiring to be constantly having to explain to people why you deserve to be treated like a human being.

It occurred to me last night before I went to bed that I need to use this little platform better than I have been. I am sure anyone who reads my blog probably is on the same page as me politically; I can’t imagine this being a safe space for a bigot. But I’ve not been talking much about politics here, not in a long time at any rate, because I’ve always been of the mindset that it would just be preaching to the choir. Anyone who knows anything about me, or has read my books, should know where I stand politically. That I oppose bigotry and prejudice of any kind. That I believe that all Americans should be equal in the eyes of the law; that it’s the government’s job to intervene when something in the public sphere reaches crisis stage–whether it’s recovery from a weather event, health care, or violence. In a capitalist system, the government has to step in when the system fails to correct it.

But now we have a Supreme Court that seems determined to roll back the clock to the “good ole days” when non-white non-straight non-cisgender people were invisible–and it was socially acceptable to mistreat them if they weren’t.

For the record, your freedom ends before it infringes on mine.

Age restrictions and requiring adult permission to check out books dealing with queer or racial issues in this country essentially renders all that work–regardless of its intended audience–as pornography.

Queer characters are automatically pornography, because that’s all the “christians” think about when they think about queer people–dicks in asses, tongues in vaginas–which is frankly kind of creepy and revolting. I don’t look at straight people and wonder, does she like to do reverse cowgirl? Does he like it when she pegs him? because it’s none of my fucking business. I’m sorry you people are so frightened by sexuality and the mere thought of sex–but maybe try not thinking about it for a minute or two? My sex life is none of your business just as yours is none of mine. There is nothing more invasive that government intervention into your sex life.

Talk about slippery slopes*! Straight people also do oral and anal. Straight people are also into kink, threeways, orgies, leather, BDSM, you name it. And if we the people allow the government to legislate our sex lives…don’t you think it’s entirely possible they’ll come for yours someday? Why not outlaw oral and anal sex (sodomy laws are still on the books in some states, including Louisiana…those laws are never enforced on straight people, quelle surprise). Why not virginity laws? Or a virginity tax you only have to pay once you’ve had sex? If this sounds insane or crazy to you, please bear in mind that this is precisely what Florida, Texas, and Tennessee, among umpteen others, are trying to do.

It was nice, though, actually feeling like a full-fledged American citizen there for a few years. I should have known it would be a fleeting feeling.

*Of course, the only slippery slope the right cares about has to do with the Second Amendment, or as I like to call it, the Eleventh Commandment.