We Are Family

Work at home Friday, and my alarm kitty let me sleep in a few extra hours, so praise be at the very least, right? I do feel a bit fatigued this morning–my hip joints and legs ache a bit–but hopefully that won’t impact the day too terribly. I have some data entry to do and quality assurance to check off my to-do list. I have some errands to run, too–making groceries and the mail–which I will do after I get my work done. It looks to be sunny outside this morning; we’ve not had rain in a while, and there’s none in the forecast, either. As much as it rained in July and early August, we’re still almost in a drought in southeastern Louisiana. Wild that we’ve not had enough precipitation down here to stave off a drought…but it’s also why the humidity dialed back these past few weeks.

I finished reading the manuscript last night and made lots of notes, so I am also hoping to make a lot of progress this weekend on getting it finished, or at least much closer to the finish line. I was pretty tired when I got home from work–being client-facing in the clinic for thirty-two hours is a lot–and so ensconced myself with the manuscript and my lap kitty into my easy chair while catching up on the news, before watching the first episode of this season’s Real Housewives of Salt Lake City, which somehow manages to keep the original spirit of these shows–delusional, petty women who create drama out of nothing–without somehow ruining it in some way. I’m pretty sick of most of the others, and it is true that Bravo will try to milk every single penny out of a franchise rather than letting it die a natural death when it’s time. It’s the way of American television, after all. I also slept deeply and well–the exhaustion, most likely–and so am hoping to get a lot done today.

First things first, though–I need a new to-do list.

This week saw the most horrifying example of government overreach and censorship perhaps in our nation’s history, directly violating the First Amendment. I was also extremely disappointed to see ABC/Disney caving in to a government demand, particularly when you think about how firm and steadfast progressive support for Disney has been when they’ve faced boycott threads from the Hard Right. Is this the same fucking company that filmed Johnny Tremain? As far as I am concerned, I would have sued the complaining Hard Right affiliates for breach of contract or cut off their national ABC feed. You can’t make money without any content, can you? The fact that major network affiliate companies have just publicly admitted that they don’t support free speech and filter content with an agenda for their audiences means they shouldn’t be allowed to be in broadcasting, period. You either take all of our content, or you get none of it, would be my position. Obviously, my view and opinion on how all of this works is uninformed and possibly naïve, since I don’t know how this stuff works, but when a media company goes on the record making demands of talent and makes threats? I really don’t think you should be in business when you’re on the record as pro-censorship of ideas and speech you don’t like. Disney used to always play hardball and always won. This cowardice in the face of authoritarianism and the fall of the Constitution is something I personally will never forget. And going to their theme park in the middle of Disease Central? No fucking thanks.

Never ever forget that corporations are soulless entities only interested in profit and power, for all that the Supreme Court had determined they count as a person…although a person who cannot face criminal charges or jail time. How precisely does that kind of personhood work? Sad that corporations have more legal protections than people, isn’t it? And isn’t that really the bottom-line problem in this country, after its systemic racism and dedication to preserving white supremacy and the American heresy?

I’ve also gone back to my old standard rule of social media: if you come across my feed talking stupid-ass shit, I am going to not engage but just block you. Yesterday I saw an author stupidly claiming that this recent outrage wasn’t a First Amendment violation but a business decision. This woman, who clearly is too stupid to understand anything, has had some shitty takes before–but I have no time or patience for anyone who is that stupid…so out the airlock she went, and not sorry to see her stupid flat unwashed ass go, in all honesty. Here’s hoping this helps my sanity going forward and stops me from wasting my time.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll be back on the morrow most likely.

Oh, look, yet ANOTHER sexy image of St. Sebastian. At least he hasnt been “penetrated” yet by the arrows…

Come In With The Rain

And just like that, we somehow made it to Friday yet again. Good for us all! Seriously, at this point survival is about all we can hope for these days–what with the world aflame, all the hatred and divisiveness in our society and culture, a pandemic, and all this economic uncertainty. I’ve noticed on social media a tendency for people to be hesitant about terrific things that are happening for them, whether personal or professional or both, and to them I say shout it out from the rooftops! We all need to find some joy in this life and world these days, and for heaven’s sakes, don’t feel guilty because good things are happening for you during tough times!

And anyone who looks at your good news and finds it inappropriate or whatever–really should take a long, hard look at themselves and their values, because if you have reached a point in your life where you cannot be happy for other people’s good news….maybe you shouldn’t be on social media at all and need to withdraw to heal yourself for a while.

I’ll take any joy or happiness I can find anywhere in this year 2020.

We all should, frankly.

Wednesday I saw a notice on social media–link, post, whatever–about a television reboot of the old Burt Reynolds/Sally Field film Smokey and the Bandit, which was the second biggest money-making film of 1977 (behind Star Wars). I can’t imagine this happening, to be honest; Burt Reynolds and Jackie Gleason were fairly definitive, and if we’ve learned anything from the Adam Sandler remake of The Longest Yard, Burt Reynolds is kind of hard to replace. Smokey and the Bandit was a surprising hit–I don’t think anyone involved thought it was going to be as huge as it was–and it was fairly definitive of my senior year. We only had two movie theaters in Emporia, Kansas–one was the Twin Cinema, with two screens, which showed new releases (albeit months behind their arrival in major cities and markets; Star Wars opened in June but didn’t get there until August) and another, old classic theater style place, the Granada; one of those wonderful old movie theaters with the marquee that came out over the sidewalk. It was primarily used for art films and special occasion films and things like that; midnight showings of The Rocky Horror Picture Show, that sort of thing. Anyway, Smokey and the Bandit opened at the Twin the weekend before Star Wars, and both stayed for months, rather limiting teenage high school weekend dating options for kids in town and from the rural surrounding counties. I think I saw each of them about eight times each, at a minimum; there was literally nothing else to do. (There was also a late, after prom showing of Smokey the following spring, which, of course, my date and I attended because I clearly hadn’t seen the movie enough times.) I never saw any of the sequels, primarily because I was so burned out on the movie after my senior year; I rewatched it recently–several months ago, I think–and it was kind of a weird time capsule. Burt Reynolds was the sex symbol of the 1970’s for women–he never really did much for me, but I always conceded he was incredibly charismatic and probably a lot more talented than anyone gave him credit for–the open shirts, revealing a thick mane of chest hair; the mustache; the tight jeans; the big warm inviting smile that, whether he actually meant it or not, indicated a sly amusement at life and the world in general. It also reminded me that back in the day sales of Coors beer was illegal east of the Mississippi; that illegality was the driving force of the film’s plot. (Whenever we drove from Kansas to Alabama for our annual visit to the relatives and home, we always ‘smuggled’ cases of Coors for relatives–who primarily only wanted it because they didn’t have access to it.) Everyone drank Coors in Kansas; it was usually the beer on tap in bars, and there was never any question about, when making a beer run, what beer you’d get. I used to drink Coors all the time, and thinking about Coors reminded me that Coors was the first business I ever boycotted because of an anti-gay stance. I don’t exactly remember what it was–I think Colorado passed a horrific anti-gay law; Coors helped bankroll it; and the company itself was deeply homophobic. I stopped drinking Coors and have never had it since–even though Colorado has long since stopped being the ‘hate state’ and Coors may have even apologized and become more gay-friendly; I don’t know, I don’t remember, and I don’t drink beer at all anymore so it really no longer matters anyway. But boycotting Coors was my first-ever personal activism against homophobia, and thus kind of a step in my own growth and acceptance of who I am.

Wow, I really digressed there, didn’t I? Anyway, Smokey and the Bandit actually fits into the Cynical 70’s Film Festival because it is, after all, essentially a “fuck the law” comedy; if ever a spirit inhabited films of the 1970’s if was definitely fuck the law. The movie is about bootlegging, essentially; smuggling beer illegally across country, while breaking all speeding laws along the way–including being chased, and evading, the police. There’s actually an essay in there somewhere…it was also a time when CB radios were enormously popular, or at least they were in Kansas. Practically everyone had one in their car or truck (we didn’t) and I was always amazed that anyone could understand anything being said; whenever I was in a car with a CB and the driver would talk on it, I could never understand what was being said in answer over the radio.

Maybe that was the first sign of my hearing issues. It’s certainly the first time in my life I remember not being able to comprehend what I was hearing.

My lovely Apple adapter arrived yesterday and yes, it works and yes, I can now access my back-up hard drive again…which makes me so incredibly happy, Constant Reader, you have no idea. I feel settled again, if that makes sense, and now everything at my home work station is back the way it was, even if the screen is tiny and I keep getting annoying messages about my memory being depleted. But I can now make an appointment to take it in and have them look at it, and tell me what I need to do–or do it with an on-line Apple rep–and now all feels right in Gregalicious-world again. I also picked up my library books–Montgomery Clift: Queer Star and Confidential Confidential: The Inside Story of Hollywood’s Most Notorious Scandal Magazine–both of which are research for Chlorine.

Quite marvelous, really.

While making condom packs yesterday, I watched the original Fright Night for the first time. It may have been good when it was released, but it really hasn’t aged well–despite a clever concept. Chris Sarandon is great as the vampire next door, and Roddy McDowell as the horror actor/vampire hunter is terrific (despite some bad aging make-up; but in fairness, Roddy McDowell was good in everything), but everyone else is….meh. I was interested to see Amanda Bearse playing the female lead/love interest/reincarnation of the vampire’s old love (shades of Dark Shadows!); she was fresh off her role as Amanda, Liza Colby’s sidekick on All My Children, and years away from coming out as a lesbian. But yeah, it doesn’t hold up. I am wondering if that was why it was remade in 2011? But I’m not going to bother with watching the remake. Also–weirdly enough, in looking up information on the film, one of the supporting actors, playing the character of Evil, apparently went on to be in gay porn…an interesting career choice.

I also discovered full episodes of the syndicated Friday the 13th–the series on Youtube; the first season used to be on Amazon Prime but was unceremoniously yanked before I could finish rewatching. Back when the show was airing in the 1980’s it was great fun–Ryan and Mickey inherit an antique shop from their long lost uncle Lewis Vendredi; only then his old friend Jack Marshak shows up, tells them Lewis made a deal with the devil and everything in the shop was cursed–and they need to get every object back. It’s a great idea for a horror anthology series. It ran for three seasons and yes, it’s clearly made on a low-budget in the 1980’s, but it’s entertaining enough and I watched the first two episodes while finishing the condom packs yesterday.

Today I have to focus and get things done. When I was finished with work yesterday, Paul also finished with work and came downstairs, and we started watching another series on Apple Plus, Servant, directed by M. Night Shyamalan, and it’s creepy and weird and dark and interesting and we definitely were sucked in. It’s plot is kind of complicated and weird–but essentially a nanny with a lot of secrets comes to work for a couple who also have a lot of secrets…and each secret as it is revealed is an eye-opener and changes the story almost completely; Lauren Ambrose is extraordinary as the mom/newscaster/wife. It apparently aired the first season last year; the second season is coming in December. It’s weird and off-putting and perfect for October viewing, really.

And on that note, best to get to work. May your Friday be marvelous and wonderful.