I’ve always1 been interested in Weimar Germany, and Berlin during that period particularly. My interest grew, obviously, as it became more and more aware of how tolerant and progressive the period was; one of the first periods of true freedom for queer people in history. I’m sure there was still homophobia, but the culture and intelligentsia of the period were more interested in examining and studying queerness than eradicating it. This was part of what the Nazis sneeringly referred to as “decadence2” and opposed; everything began changing (for the worst) after 1933.
Sometimes I wonder if the more time passes after the fall of Berlin in 1945 and new generations come along that are farther away from the horrors of the second World War also make it seem less real and more history? It was very recent history when I was a child. My paternal grandfather served in the Pacific theater in the south Pacific, people on the street where we lived in Chicago when I was a kid was chock full of veterans and war refugees, people who lived through the war in Europe. A friend’s father had numbers tattooed on his forearm, and wasn’t Jewish, just an ethnic undesirable. We watched documentaries about the war and the camps as far back as I can remember. There was also an amazing PBS documentary that aired all the time–it was a series, The World at War. War fiction and non-fiction were still being published, still new, and still horrifying. I was a teenager when I read Herman Wouk’s definitive war novels, The Winds of War and War and Remembrance, which became mini-series in the 1980s and I still think should be required reading for US History classes. (Granted, the two books are about three thousand pages long in total; it would take most students the entire class year to read them both, but putting a human face on the war by showing it through the eyes of people who were living through it has always been the best way, in my opinion, to teach history; by putting the students into the place and minds of the people who did experience it.) Anyway, clearly the history of the period isn’t taught correctly in this country else we wouldn’t be facing the rise of fascism here not even a hundred years after defeating it so thoroughly in the 1940s3.
Liebestrasse4 was suggested to me by Kindle Unlimited after I read Sins of the Black Flamingo, and I’m always up for a compelling queer story. My German isn’t good anymore, but I could read the title of this as “Love Street,” and given the nervous way the two embracing men are looking around, I gathered it was a Weimar Republic story.5
How could I pass that up?
And it didn’t disappoint.
It is, as always, both heartening and disheartening to see how open and inclusive Berlin was in those years leading up to 1933; how queer people could be open and live their best lives. Sure, there was oppression–there always has been and probably always will be–but it was easily skirted and just part of the risk expressing yourself has always held for queer people (I was explaining to a co-worker the other day how freeing going out to gay bars used to be for all of us, an escape from the stifling heterosexual world we are all trapped in, all the while knowing a police raid could, at any moment, possibly destroy your entire life.)
Leibenstrasse has no happy endings. Queer lives didn’t have them back then as a general rule, and those who managed it somehow didn’t broadcast it, either–because that would have ruined the happy ending. The main character is a deeply closeted American businessman, one of those alpha sharks we are always taught to respect, admire, and aspire to be–but he’s single, dodging all attempts to avoid being set up with women and dates, parrying all commentary about his private life–and finally decides to take an opportunity to go to Berlin to look for business opportunities for his company as well as to establish the company in Berlin. He does this not only to escape the stifling world he is living in, but also because he’s heard about the freedoms in Berlin, and that is very appealing to him. The story is cast several years after the war, with him returning to Berlin again, and remembering that lost time, and falling in love with an anti-Nazi gay activist and becoming a part of his circle. He gets arrested, and fired, from his company, and decides to go back home to escape the coming Nazi storm. He wants his love to come with him, but he wants to stay in Germany and keep fighting the Nazis…and they lost touch. Is his love still alive? DId he make it through the Nazis and the war?
Or did he die in one of the camps?
It’s a very heavy subject, and it is also one I would love to see more fiction and non-fiction about; how do you handle the guilt for fleeing and leaving your great love behind to potentially die horribly? What does that say about you?
This was an excellent read, and the art is also fantastic. Highly recommended.
- Always is an interesting word choice; obviously I didn’t come out of the womb with an interest in Germany between the wars. But as I grew up and became more and more aware of the period, the higher my interest. ↩︎
- Decadence, sin, sodomy: it’s all the same thing, so you see why it’s irritating when modern American fascists lie about the Nazis to fool people into thinking they don’t, you know, share beliefs and values with the most disgusting and horrific political ideology of all time. ↩︎
- Or maybe not. There’s always been a pro-fascist element in this country–look up “America First 1940” and see what comes up. They were pushing for us not to enter the war at all, or if we did, our natural ally was Hitler against the Soviet Union because communism. ↩︎
- In actual German, it would be spelled with a scharfes s, but I don’t know how to make that symbol on here…ß! There it is! ↩︎
- I recently bought a copy of Stephen Spender’s novel of the time, The Temple, and intend to reread Isherwood’s Berlin Stories and Christopher and His Kind. ↩︎
Queer and Loathing in America 