Together Again

Oh, wow, it’s pay the bills day and I didn’t even see it coming! How weird is that?

I managed to write 1500 words or so on a short story yesterday–AND I went to the gym. I slept well again last night, which was also pretty marvelous. It’s lovely to feel rested, as well as to feel awake when I leave the house, rather than walking and driving in a fog I don’t remember later. As such, my moods have been better and I haven’t been on edge, either. While this is all quite marvelous, at the same time I find myself reluctant to deal with odious chores or tasks–simply because I worry about opening Pandora’s box and releasing the demons of stress, irritation, and insomnia into my little world again.

The short story I am working on is called “The Sound of Snow Falling,” and it was one I had thought up in order to submit to the Minneapolis Bouchercon anthology I am co-editing with the marvelous Terri Bischoff. But I have also been thinking lately that I probably shouldn’t submit anything to the blind read; I did for the other two I edited, and my stories were chosen. No one ever said anything, but after the books were released I always felt a little uncomfortable because it could be seen as improper (the New Orleans story was nominated for a Macavity Award and the St. Petersburg for an Anthony, so that helped alleviate that somewhat), but I am thinking this time around that it’s better to not mess with it at all. I like the idea behind the story, and I might try to actually go the submit it to a magazine route, but we’ll see. Right now I am just regurgitating stuff up on the page that I’ll have to whittle down later to make it work, but I love the title and I am interested in the story, so will keep going with it and see how it turns out. I am thinking this weekend I am going to edit stories–I have one that was rejected by the last MWA submissions call that needs a bit of work, and of course, the novella; hopefully I’ll have a first draft of this one finished to edit this weekend. I also would like to do some reading this weekend–but this is all dependent on how things go with the tooth extraction. If I am still on painkillers this weekend, well, it’s not very likely I’ll be writing or editing or doing much reading–if my memory of painkillers is accurate–but I am not going to worry about any of that now, and am just going to proceed with making my plans. It won’t be the first time life interfered with the plans of mice and Greg.

I am enjoying writing again, frankly, and it feels very good, to be honest. I am enjoying going to the gym again. I feel like in some weird way that I am more of myself now than I have been in a long time, and I am not really sure what that is all about, to be completely honest; like I’ve just been going through the motions for a very long time and somehow in a dark cloud that turns everything into an odious chore, one more thing I need to check off the list, one more task to accomplish on the slow descent into the grave or something. Plotting out the Scotty is also turning out to be something a lot more fun than I had thought it would be; I am enjoying thinking and plotting and creating, and also thinking of other ways to challenge myself and stimulate myself into taking bigger chances with the writing and pushing myself harder. I’ve been thinking a lot about one of Michael Nava’s questions for us all on the San Francisco Public Library panel on queer crime writing–how do you keep your series fresh? It also came up during Laura Lippman’s interview on CBS This Morning that I watched the other day; and it’s a valid question. One of the reasons I stopped writing the Chanse series was a sense that I had fallen into a repeating pattern with the stories–and now that I am thinking back on the Scotty series, I am also seeing patterns developing in the last few books. I’ve already mentioned here about someone asking how many car accidents HAS Scotty been in?–which is actually valid; I think he’s been in one at least four times out of eight books–and last night I was thinking, you know, the last two Scotty books opened at parties–or rather, with him GOING to a big party, which then set up the story for the rest of the book…

Not good, Gregalicious. But this new one–working title Mississippi River Bottom, although Mississippi River Mayhem fits the alliteration pattern of the previous books in the series better–will NOT open at a party, and there will be some changes for the boys as well–no, I am not moving them out of the Quarter, no worries on that score–but some significant changes nonetheless. For one thing, and I’d hinted at this in Royal Street Reveillon–Scotty has bought the building from Millie and Velma, who have retired to the Florida Gulf Coast (which will give me a chance to the send the boys to the panhandle at some point to solve a mystery). But I’ve also got a sticky note on my computer reading NO CAR CRASHES THIS TIME.

I also worry about repeating myself with short stories and the novellas, frankly. I was thinking about my 1994 New Orleans novella, “Never Kiss a Stranger”–and realized that the scene I originally envisioned for my main character meeting the younger man he becomes involved with I had lifted and used in another story, “A Streetcar Named Death.” I mean, there’s clearly no reason why my character can’t first see the young man on the streetcar in the early hour of the morning–it happens, and it’s definitely a way for people to meet in New Orleans, for sure–but there’s always that nagging worry about have I done this already? Is this story pattern the one I default to following all the time?

Sigh. It’s never easy being a Gregalicious,

And on that note, tis off to the spice mines. Have a lovely Wednesday, Constant Reader!

Sisters Are Doing It For Themselves

So we had a major thunderstorm yesterday afternoon, complete with street flooding and thunder and lightning and all the fixin’s. This naturally led me to wonder, as the lights flickered at the office and Elysian Fields (the street, not the Greek afterlife) filled with water, whether or not to wait until the advisory was lifted (in theory at 5:45 pm), or head home when my work day was complete? One can never be certain where and when parts of the city are going to flood; and the last thing in the world I need–being this close to having the car paid off–is to risk flooding it out and possibly ruining it.

Sigh. It’s never easy living in New Orleans.

Getting home was a challenge; Claiborne Avenue’s low-lying areas were filled with water, water was pouring down not just from the clouds but from the I-1o high-rise, and I decided to risk going through the CBD, never the best option, but potentially even worse than usual since the Plaza Tower started falling apart and

And now for some blatant self-promotion, The Queer Crime Fiction roundtable I participated in for Crime Reads can be found here. And my brief appearance on Writer Types recommending queer crime writers can be found at this link right here.

Thanks again to Lisa Levy for the roundtable, and to Eric Beetner for inviting me onto his podcast. Both were a lot of fun, frankly, and it’s always fun for me to have the chance to talk about books and writers and make recommendations of books and writers I admire and enjoyed. I really missed that during the pandemic.

We got caught up on Lisey’s Story last night–we were both dismayed to see that it hasn’t all aired yet, and so no new episode until Friday–and then went on to the second chapter of The Underground Railroad, which was equally as disturbing as the first, but in a completely different way; I do remember, reading the novel and thinking, my God, so many different ways white people have found to punish and hurt black bodies and souls throughout our history. The show, being a visual medium, is even more disturbing than the book, because my imagination wasn’t quite strong enough to erase the imagery from my head I had grown accustomed to throughout a lifetime of privilege, that kept elbowing the stark realities Colson Whitehead so poignantly and beautifully wrote about in his book, out of the way; the show does not allow this, and the beautifully way it is filmed so poetically reflects the beauty of Whitehead’s language, even as the subject matter in truly an abomination.

Laura Lippman’s Dream Girl drops today, and so those of you not fortunate enough to get an advance copy can now indulge yourselves in reading a truly marvelous book by a great thinker and a terrific writer. I need to get back to reading; Robyn Gigl’s By Way of Sorrow needs to be finished, and on deck I have Bath Haus by PJ Vernon, Everything I Never Told You by Celeste Ng, Arsenic and Adobo by Mia Manansala, and several others. So much reading; I really need to focus on getting my reading done and caught up. Now that I’ve finished the novella I can take a look at duMaurier’s “Don’t Look Now” again, as well as her “Ganymede”; I already know, from doing some post-writing research today that there are some major adjustments that need to be made to my novella, and it may wind up being longer than than 20, 430 words it sits at now–not the least of them the days of the week, and so forth. I also have to figure out some way to make the story work a little better, more suspenseful, than it sits right now; but that has a lot to do with figuring out the story as it went. I also want to start pulling together the next short story collection–madness, I know–but I do love when I am basically overwhelmed with projects; so I always have something to be working on if something stalls out or I just don’t want to work on something in particular.

I also took some time and started plotting out another Scotty; yes, I know–I really need to dive into Chlorine again, but I had also decided that I was going to do that in July; it doesn’t hurt to have the Scotty’s various intertwining plots planned and mapped out. I generally don’t do this with Scotty books, primarily because the writing inevitably takes me in much different directions than I had planned, and thus inevitably all the planning turns out to be waste time. Also ironically, despite having any number of possible and potential titles on hand, none of them seems to fit this story–and since I can’t ever really work on anything without a title, and knowing that the title can be eventually changed–I am calling this one, for now, Mississippi River Bottom, which was actually the working title for Jackson Square Jazz. My editor didn’t like Mississippi River Bottom (which I rather thought was a clever play on words) and asked me to change it. I also know that this working title doesn’t really fit the alliteration patterns of the rest of the series, and thus will inevitably have to be changed. Perhaps while I am actually writing it, the title will come to me; stranger things have, indeed, happened before.

Last night’s sleep was terrific–there were strange dreams, of which I’ve been having a plethora of lately; last night was me working at Target for some reason–but I again feel terrific and rested this morning; everything looks wet outside, so I am assuming the rain continued over night. It must not have been terrible or dangerous, as we never got one of those horrible WARNING alerts during the night on our phones. Tonight when I get off work I’ll go uptown and get the mail before heading home and to the gym. The Tuesday night workout is somehow always rushed, with me skipping things–more to do with too many people being there than me being lazy, really; the free weight area is always so crowded I inevitably skip the two exercises I used free weights for–and then it’s back home to watch some television and possibly do some writing. This weekend is going to see weird; I have a broken tooth that needs to be extracted, and I scheduled that for Friday afternoon. That inevitably will mean a strange diet of soft food over the weekend and pain killers; but better that than the dull throb and swollen gums I’ve been dealing with since the molar broke. Ah, the endless saga of Greg and his bad, bad teeth. One thing I definitely envy in other people is good teeth…I also want to get to work on “The Sound of Snow Falling.” I am assuming I’ll be incapacitated this weekend after the tooth extraction, but I am hoping I can at least sit in my easy chair and edit.

And yesterday, the first active roster NFL pro football player to come out came out! Yay, and welcome to the team, as it were. I’m old enough to remember when David Kopay came out in the 1970’s; the first former NFL player to do so.

And on that note–writing ADHD, my bad teeth, NFL player out of the closet–I am heading into the spice mines. Have a lovely and winning Tuesday, everyone.