Glass Candle Grenades

Monday and a holiday; it’s lovely to have another day at home to work on these edits, which I am hoping against hope to complete today. Yesterday was lovely and relaxing; I worked on the micro edits–the lines/copy edit–which is always a long and tedious process. The macro edit, to me, is more fun if more creatively taxing. I’ll be digging into that a little later, when my mind is more awake and I have more caffeine in my system. It’ll be a weird and short work week for me, and then of course next week I am on vacation. I’ll be taking lots of books with me on that trip, although I’m not sure I’ll have much time to read. I’m not really sure what Dad and I will be doing in Kentucky. I know when I’ve been up there before he’s mentioned going sight-seeing; like to Cassius Clay’s home (the original, the one Muhammed Ali was named for at birth; he was Henry Clay’s brother and one of Kentucky’s leading abolitionists) or to the Kentucky Derby museum. Which is fine, I love history and while horse racing history isn’t something I’ve ever looked into much before, but you never know. I had thought about writing a mystery around the horse racing at the Fairgrounds…I knew a horse trainer back in the day–but never got around to it. I mean, Dick Francis kind of cornered the horse racing mystery market, did he not?

Of course, I’ll come home to another short week because of the 4th holiday, too–so it’s going to be three weeks before i do another full five day work-week. I slept decently last night–not great, but not bad, either–and so this morning feel a little bit dragging around, but that’s fine; coffee, a shower, and some time reading should get me over the hump. We abandoned City on Fire last night; we just had no enthusiasm for watching, and so moved on to The House of Hammer, which is about, of course, the twisted history of the Hammers through the lens of Armie Hammer, the actor, getting canceled for his abusive sexual preferences. It was interesting–I am always fascinated by twisted rich families that hate each other so passionately–but we need to find something meaty, like a good crime series, to dig into. It’s amazing how we can hve so many options yet can never find anything to watch, isn’t it?

I spent some time yesterday with Chris Clarkson’s adorable That Summer Night on Frenchmen Street, which is charming and fun and delightful to read, and may even be able to finish reading it today, with any luck and some strong motivation, at any rate. I think from that I will move on to either Megan Abbott or Eli Cranor; I can’t decide which of the plethora of great 2023 new releases to select from, to be honest. I know I’ll be listening to Carol Goodman in the car next weekend on the way up and I’m not sure who I’ll listen to on the way home.

A quick glance at Twitter has shown me that LSU fans have now surpassed eleven thousand shots in the Rocco’s College World Series Shot Competition, and are well on pace to break the record (just over eighteen thousand) set by Mississippi last year. Oh, how the bars and restaurants in Eauxmaha must love LSU fans! I mean, even if the shots are only a dollar, that’s over eleven grand in receipts on those shots alone, not counting everything else being sold there. LSU is playing Wake Forest tonight, and it will take a strong effort for the Tigers to pull off the win. If they do pull out a win, I’m thinking the shots record will fall tonight.

I also read an old short story yesterday that I remember from when I was a kid. Periodically, Mom let me join a book club. The first one I joined was the Mystery Guild, and those selections i received from the Mystery Guild really kind of shaped my future both as a reader and writer. I still remember the books–still have some of the original copies–and over the years, I’ve tried to replace the ones lost over time to cross-country moves. Recently I repurchased a copy of Alfred Hitchcock Presents a Month of Mystery on eBay, and there was a story in it I read as a kid that I never forgot; and I wanted to reread it. It was called “The Queen’s Jewel” and was written by Robert Golding (I’d forgotten the name of the author). I took the book down yesterday afternoon to reread the story, and it was amazing to me how much of it I still remembered, the details. The main character, Jane Farquhar, owns a small hotel of sorts with guest cabins in the brush in Africa. One of her ancestors was a server for the imprisoned Mary Queen of Scots, and before her execution she gave him the pendant of a ruby set in a heavy gold chain with four carat blue-white diamonds surrounding it. It is very valuable, and Jane’s father raised her to be prepared, always be prepared, because someone will eventually come to try to steal it from her in some way…and thus the story is about her defending herself against a criminal pretending to be an American cousin. The story holds up and works, but it opens with Jane discovering the body of her poisoned guard dog–which did make me wonder, would this story be published today? Opening with a dead dog?

I also didn’t know much about Robert Golding, so after reading the story I used the google to find out he was one of the many Ellery Queen ghostwriters (I only recently found out that many Ellery Queen novels were ghostwritten) and it turned out Golding wrote two of my favorite Ellery Queen novels, The Player on the Other Side and Calamity Town, which is one of my all-time favorite mystery novels; little wonder his short story connected so well with me. I don’t remember The Player on the Other Side other than that it was one of my favorites; but Calamity Town? I remember a lot of that novel, and it was primarily about the Wrights, the first family of Wrightsville–a location so popular that Queen kept returning there for more murder mysteries (The Murderer is a Fox was another great Wrightsville mystery). He also apparently wrote a lot of the juvenile Ellery Queen mysteries–published as Ellery Queen Jr.–which I also enjoyed as a kid; Ellery Queen Jr. and the Jim Hutton 1970’s television series Ellery Queen (which I loved) were what originally brought me to reading the adult Ellery Queens; the first I read was the one they actually filmed for the pilot, The Fourth Side of the Triangle, which was marvelous, and then I started buying his books or checking them out from the library. So thank you, Robert Golding, for being an influence on me and my writing without my knowing it. I’m really looking forward to reading some more of these old short stories. I got another Hitchcock (Alfred Hitchcock Presents Stories to Be Read with the Door Locked) and an old MWA one, edited by Robert L. Fish, With Malice Toward All, which also looks rather fun.

And on that note, I think I am going to head into the spice mines and read for a bit while my brain continues to wake up before tackling the manuscript. Have a lovely holiday, Constant Reader, and I’ll check back in with you later.

The Other Side of the Door

Friday and I am taking the day off from the day job. Yes, I know it was a short week already and I should probably save the vacation day for sometime later in the year when it would really come in handy, but this was a rough week for me and I feel entitled to take a mental healing day, so sue me, okay?

The Lost Apartment is, as always, a disheveled hovel that looks like two college-age males live here, and that always plays a part into my emotional stability. I am not sure why that is, but I simply cannot abide clutter and dust and dirty windows–being raised, no doubt, by a woman who made Joan Crawford look slovenly probably has something to do with it–and it always weighs on my mental stability, which is always tenuous at best. I had hoped to do something about that over Labor Day weekend, and while progress of a sort was definitely made, not enough to really make a difference; rather, it was more like a lick-and-a-promise; a mere surface touching that simply kept it from looking like a condemned property. But the heat has been so horrifically intense this year that doing anything in the kitchen/laundry room is misery, let alone going outside and climbing a ladder to clean the windows. But….if I get up early one morning, it should still be cool enough to be bearable.

Right?

One can dream, at any rate.

This morning is probably the morning I should have done the windows, ironically. It’s not terribly sunny this morning, and it doesn’t feel particularly hot here in the Lost Apartment, either. There are an insane amount of tropical systems being tracked by the Hurricane Center; I’ve seen reports ranging from four to seven; and there’s a low pressure system just off the coast here in the Gulf that apparently is going to bury us with rain even if it doesn’t develop into anything stronger. I also allowed myself to sleep in this morning–note to self: set alarm for tomorrow–and it felt terrific to get rest again. I’ve already started a load of the bed linens, and when I finish this I am going to start filing in an attempt to get the office under control. Today is my day to clean and start working through all the emails that have accumulated; and later this afternoon I will try to get some writing done. I’m also going to read a couple of short stories today, rather than diving into Babylon Berlin; I don’t want to risk getting sucked into it, which I suspect will happen. I’m also reading–and savoring–Gore Vidal’s Lincoln, which is another of his American Empire series; I’ve already read Century–and I’ve always enjoyed Vidal’s work whenever I can bring myself to read it. He has a very distinct writing style that I enjoy, but I also don’t think I would have particularly liked Vidal had we ever met; he seemed like a difficult person, and an intellectual snob–and there are few character traits I despise more than snobbery of any kind. But he was incredibly smart, and a talented writer; I know I’ve enjoyed everything of his that I’ve read–and would, and probably should, like to revisit both The City and the Pillar and Myra Breckinridge again. (I would imagine Myra Breckinridge would not fly today…) I also find some of my reading choices this year thus far, looking back, to be…interesting. I’ve read a lot of plague literature, obviously, and now I seem to be gravitating to Civil War narratives. Curious.

Yes, I just got a local “tropical advisory” alert, and it looks like we’re going to get hit with a lot of heavy rain Tuesday and Wednesday. Huzzah. Of course, I love rain–it’s the risk to my car from street flooding I don’t like very much. I mean, there’s nothing more comforting than sleeping, all warm and dry, inside when it’s pouring outside, is there? I’ve always loved that warm and dry feeling when it’s raining outside, even if I am simply inside a car driving through a storm. (It always reminds me of the Trixie Belden volume The Mystery of Cobbett’s Island, which opens with Trixie and the Bob-Whites being driven by Miss Trask through a storm to a ferry to the island, and I think Trixie says something about that safe, warm feeling during storms, and it’s always stuck in my head as the perfect way to sum up why I love thunderstorms and downpours. And yes, so many things in my life inevitably lead back to the mystery series for kids I read as a child.)

Wednesday is also a work at home day for me, so I can just stay home and watch and listen to the rain while making condom packs and continuing my Cynical 70s Film Festival, which I think may move onto Chinatown and Don’t Look Now. I’ve already seen both of those, but as a lot of the films I am including in this “film festival” could also be considered crime/neo-noir, it only makes sense to rewatch both with an eye to the cynicism of the 1970’s as well as to the neo-noir aspects of both (in all honesty, I’m not really sure what the definition of neo-noir actually is; just as there’s no definition for noir, there really isn’t one for neo-noir, either; I suspect it’s because the classic films noir were black and white films and later noirs were filmed in color. I could be wrong, but that’s my takeaway). Don’t Look Now, is, of course, one of my favorite short stories of all time; and the film is extraordinary.

I’m also rather curious to see this new Netflix adaptation of du Maurier’s Rebecca. Constant Reader knows how much I love me some Daphne du Maurier; and of course, Rebecca is right up there as one of my favorite novels (the original Hitchcock film version is also one of my favorite films of all time; it’s why I generally have avoided remakes and the dreadful sequels to the original novel). Armie Hammer wouldn’t have been my choice to play Maxim de Winter, but the female casting–particularly Kristen Scott Thomas as Mrs. Danvers–is rather intriguing to me. I’ve always seen Mrs. Danvers clearly in my head as Judith Anderson–her performance was so definitive–that it’s hard for me to see anyone else in the role. Hammer is no Olivier, really, and I honestly think that if I were to recast the film currently I would have gone for Kenneth Branagh as Maxim, Saoirse Ronan as his second wife, and probably either Emma Thompson or Maria Doyle Kennedy as Mrs. Danvers…I’ve also always wondered, whatever happened to Mr. Danvers?

Just like I’ve always wanted to delve into the psyche of Veda Pierce.

I kind of want to reread Mildred Pierce and Rebecca now. Sigh.

And on that note, tis back to the spice mines with me.