Maneater

Thursday and my last day in the office for the week. I also decided to go in a half-hour later than usual and stay until five instead of four-thirty; alert the media! I know how hard it is to go on without knowing these minute details of my life. But it was cold this morning, and Tug woke me at the usual time–but curled up and went to sleep next to my head on my pillow once I hit snooze for the first time. Of course now that he’s awake and eaten and had some water, he’s all over the kitchen counters this morning knocking things off. He is particularly fond of pens and cigarette lighters–Paul is missing any number of them, and I’ve noticed he always make a beeline to any lighter lying around. Why the fascination with my pens and Paul’s cigarette lighters is a mystery for the ages.

I was tired when I got home yesterday. I had book mail yesterday (Tananarive Due’s The Reformatory, which is a horror writer’s version of the Dozier School for Boys in Florida, which I’ve already read two fictionalized versions already–Lori Roy’s and Colson Whitehead’s). I’ve not read Due before–my own fault, and no one else’s–but am really looking forward into digging into this one. I was also oddly tired by the time I got home; I felt fine when I left work, but after a couple of errands I was exhausted by the time I got home. The termite exterminator came by yesterday morning (the hole in the kitchen roof was partly rot and partly termite damage), and apparently Tug was fascinated by the Terminix man. I also watched another episode of Moonlighting last night–guest star was a very young, pre-China Beach Dana Delaney–(that’s another show I wouldn’t mind revisiting; does anyone else remember China Beach?) and I enjoyed it thoroughly. Paul and I then finished The Fall of the House of Usher, which was really quite good and very well done; I also had read a piece recently which stated that Mike Flanagan has placed Ryan Murphy and American Horror Story as everyone’s go-to horror television creator. I will even go further than this and say Flanagan’s surpassed him. There were, at best, three top-level seasons of AHS–“Murder House,” “Asylum” and the election one; but it would be hard for me to say than any Murphy season is superior to any of Flanagan’s work; Midnight Mass alone was so superior to any of Murphy’s seasons that it’s not even a fair comparison–and Murphy had Jessica Lange and all of those other amazing talents in his repertory company.

I also recognized yesterday that I’ve been in a bad place since somewhere around last Thursday. There have been moments this week where I’ve come out of it and gotten some things done, but it’s still there. When I came home yesterday I intended to finish laundry and the dishes, but Tug wanted a lap bed and I gave in, figuring I wouldn’t be there for very long. This was incorrect; he slept there for several hours and since I was tired AND comfortable, I didn’t disturb him and just stayed there, watching Youtube documentaries about the Holy Roman Empire and how it slowly but surely divested itself of its association with the Papacy; Charles V being the last emperor to be actually crowned by a pope. I’ve also been reading The Rival Queens, which is marvelous–it’s a history of Catherine de Medici, Queen of France and her daughter Marguerite, Queen of Navarre–known to history and literature as Queen Margot (which is also the name of the Dumas book about her). I’ve always wanted to write a suspense/intrigue novel set during that time period, and having to do with Catherine de Medici’s Flying Squadron–women who were trained spies and seductresses in her employ. Margot herself is fascinating–and both women would be in my history The Monstrous Regiment of Women about all the women who held power in the sixteenth century. Margot was as equally fascinating as her mother, and pretty much lived her life the way she wanted…which of course made her notorious. But the French, surprisingly enough, loved their princess with the loose morals–and the arrangement between her and her husband, Henri King of Navarre (eventually Henri IV of France) where they lived apart and took as many lovers as they could handle was also surprisingly modern for a royal couple.

I am hoping to spend some time with Lou Berney’s Dark Ride this weekend. Lou has become one of my favorite writers and favorite people in the crime fiction community over the years, ever since that fateful panel at Raleigh Bouchercon where I met and made some new friends who also are amazingly talented. (I think Lori Roy has a book coming out soon, too–huzzah!), and I also want to make a plan to stick to for getting things done this weekend. The LSU-Alabama game is Saturday night, so that will require me to do some strategic planning. I just hope for a good game. Obviously my preference would be for LSU to win–that’s always my default–but as long as we don’t get humiliated I am good with a close and/or exciting game–emotionally exhausting as that will be. I know my anxiety was involved in this funk I’ve been in for longer than I think I’ve been dealing with it–me thinking it started sometime late last week is laughable in its naivete–but I need to get some things done and underway before i get derailed with the surgery. Nineteen days from today I will go under the knife. YIKES.

Which reminds me, I need to review my medical file and see what they say about the recovery period, or if it’s mentioned at all. And sometime before then I am going to get my teeth! Huzzah!

And on that note on this cold Thursday morning in New Orleans, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I’ll be back later, okay, for some more blatant self-promotion.

Beauty and the Beast

Thursday and the work week approaches its end.

Yesterday was Payday, or rather, Pay the Bills Day, which is always an odious chore. Ironically, the one bill I never mind paying is my car payment; don’t get me wrong, I deeply hate making that payment every month, but I love having a newer car (I guess I can’t really call it new anymore) with all of the lovely bells and whistles and the ability to not worry every time I get in the car if it’s going to break down–not that I don’t always worry about that, it’s just not as present as it was in the Buick.

I have to say, American Horror Story has been a rollercoaster for me to watch over its many seasons; some seasons–“Murder House,” “Cult”–are fantastic, others a little disappointing, others such an enormous mess that I never bothered to finish watching. This season, “Apocalypse,” has been teetering on the edge of probably one more episode and I’m done. The storytelling has just been all over the map; the performances have been entertaining, and the first episode’s opening was pretty intense…but most of the time I’ve just been sitting in my easy chair, rolling my eyes and saying really? This makes no sense. But this week…they returned to “Murder House,” along with Dylan McDermott, Connie Britton, and most importantly, JESSICA FUCKING LANGE, and the episode was amazing. It also firmly reestablished in my mind that 1) “Murder House” was, by far and away, the best season of the show; and 2) I don’t care what you have to pay her, Jessica Lange is worth every penny and needs to come back once and for all. If she doesn’t get an Emmy for last night’s episode, they need to stop giving them out. Period. The episode was also directed by Sarah Paulson, had some extraordinarily beautiful shots, and wrapped up so much of the “Murder House” story…it may have been my favorite episode of American Horror Story ever.

My own writing continues apace; I worked on the Scotty revision a bit more last night, and I am also thinking about how to structure the final revision of the WIP; I also tried to work a bit on my short story “A Little More Jazz for the Axeman,” which is going to be the lead off story in Monsters of New Orleans. I still plan on writing Bury Me in Satin next; my mind is currently swimming in ideas and thoughts and plans. The fact that my sleep schedule has become somewhat consistent at long last is an enormous help in that regard; it makes a huge difference when you feel rested every day.

I’m also looking forward, with a little trepidation, to LSU’s game with Mississippi State on Saturday evening. One of the lovely things I’ve noted about switching from cable to Hulu Streaming Live TV is that I don’t spend all day Saturday in my easy chair watching college football games all day; I literally used to spend the entire day with my eyes glued to the television watching games that don’t matter to me in the least, usually, to be fair to myself, while I was reading a book or scribbling notes. I don’t do that anymore; not that Hulu TV isn’t easy to negotiate–it is, just in a different way than cable was–but the beauty of Hulu TV is that what tyranny cable television had left on me has been broken; case in point–last night’s American Horror Story episode. It is one of the few shows that Paul and I would make a point of watching live as it aired; Paul had a board meeting last night and didn’t get home until about nine fifteen; fifteen minutes after it had started. But because Hulu TV sort of works as a kind of DVR, I could queue it up and it started at the beginning. This is marvelous, and now it’s weird to think that we ever scheduled our lives around the airdate and time of some television show. This means I don’t ever have to rush home from work, or think rats, can’t stop at Rouses on the way home because our show is starting.

This was amazingly helpful during this last season of Real Housewives of New York.

And now I am going to jump back into the spice mines for a bit before I head into the office. Have a lovely Thursday, Constant Reader!

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Footloose

Friday! Huzzah!

I am very pleased to say that I think the malaise has passed. Yesterday I shook myself up a little bit and got organized. I’ve really been letting a lot of things slide–I’ve been blaming the post-Bouchercon blues, but truly, the malaise had set in well before that. I’m not sure what causes it; but it’s horrible when it strikes and I find myself getting depressed rather easily when it strikes…trying to work and/or get things done, but allowing myself to be easily overwhelmed, or if the work isn’t going well, letting the why do I bother mentality kick in.

But I’m back in my “I can conquer the world” mode again, and intend to ride that train as long as I can.

Before bed last night, after watching Riverdale and American Horror Story, I did two loads of laundry, the dishes, a shit-ton of filing, cleaned my kitchen counters, and started organizing the copies of my books I got from storage. (I still haven’t located the copies of Mardi Gras Mambo I’ve been looking for, which means I am going to have to go back again; but I am going to let that sit for a few weeks. There’s no urgency to find them, after all.)

I also, while cleaning and organizing, had some breakthroughs on projects I am working on; which is one of the reasons cleaning and organizing is such an important part of my process–when I am busy doing something that doesn’t require my full attention, my mind wanders and it always goes to places with book projects that need fixing. And am absolutely delighted this has happened. I made some decent progress on the Scotty book yesterday, and will be making some crucial notes on another project this morning, now that I’ve gotten a good night’s sleep.

And on that note, it is back to the spice mines with me.

Here’s a hunk for you, Rafael Nadal for Armani:

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Truly

Tuesday! I made it through Monday. I also managed to get a big hunk of edits input into the manuscript, which means I am on the downward slope to getting that finished. I am most likely going to put aside working on Scotty until the edits are finished, now that I’m in a groove, and am very pleased, I must say. I would love to have this done by the weekend, so I can let it sit for another week while I work on Scotty; but I don’t know; that’s going to depend on two things: motivation and energy.

We’ll see how that turns out, won’t we?

Heavy sigh.

I am debating on whether I want to reread It. I bought it the day it was released, back in 1986 (as I have done with everything Stephen King has published since Different Seasons,  and I read it over the course of two days. (I binge-read King’s novels back then; each as they came out, on the day they were released; a habit I have sadly fallen out of.) I also used to reread King novels many times; I can’t count how many times I’ve reread, for example, The Stand, The Dead Zone, ‘salem’s Lot, etc. I still will reread one of those earlier novels on occasion; but I’ve never reread It, though, and I’m not sure why. I think I got out of the habit of rereading King sometime in the mid-1990’s; and what I wouldn’t give for the time to sit down and reread them all, beginning with Carrie and working my way through the most recent. But now that a new film version of It is out, and breaking records, and getting much critical acclaim; it may be time to reread the Big Novel. I loved It the first time, cherishing the characters more so than the story, which did terrify me; but I vaguely remember not liking the ending; which was a first for me with King.

I do love Stephen King, both as a person and as a writer; granted, what I know of him as a person is confined to news reports of things he does, and his Twitter account; plus, I did get to meet him at the Edgars several years ago, which was one of the biggest thrills of my life. It’s hard to describe what King’s work has meant to me; how it’s inspired me as a writer, and pushed me to not only find my own voice as a writer but made me want to figure out how to create characters that, no matter how bad they might be or how awful the things they do, the reader can find some sympathy for. His On Writing is the book I always recommend to beginning writers as a place to start learning to write, and ‘salem’s Lot (with Needful Things running right behind it) is one of the best novels about a small town, and small town life, I’ve ever read. “The Body” is one of my favorite novellas, if not the favorite; and of course the film version, Stand by Me, is one of my favorite films. His uncanny eye for human behavior, his insights into character that are so honest and real and true, are what make the books so damned brilliant for me.

We watched the first episode of American Horror Story: Cult last night as well; it was an excellent start to the season. But that doesn’t mean the show won’t go off the rails as it continues to unfold; it seems like it almost always does. And without the anchor of Jessica Lange giving a balls-out performance at the center, the post-Jessica seasons tend to lose my interest along the way. We never finished watching Hotel, but we did finish the mess that was Roanoke. As Halloween approaches–it’s certainly has felt more like fall around here since Labor Day, with temperatures in the low seventies and no humidity–my mind is turning more and more to reading horror; it’s almost time for my annual Halloween reread of The Haunting of Hill House, and I do have some other horror in my TBR pile I’d like to get through. I promised Katrina Holm I’d read Michael MacDowell’s The Elementals before Bouchercon so we could drink martinis and discuss it; I’ve got some unread Nick Cutter on my shelves, as well as some other things from ChiZine Press (which never disappoints), and there are some Stephen King novels in my collection I’ve yet to read. I also want to reread Peter Straub’s Ghost Story and Floating Dragon; as I said the other day, a horror novel I’ve been thinking about for about thirty years has been percolating in my frontal lobes the last week or so–I finally realized where I could set it, where it would make sense, as opposed to where I’d stubbornly been wanting to set it, where it wouldn’t work so I’ve never been able to write it–and I may start sketching some ideas for it.

And on that note, these edits aren’t going to input themselves.

Here’s a hunk for you, Constant Reader, Eddie Cibrian, in his underwear:

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