Stand Back

I have to work today, so am spending this morning catching up on chores around the house. After I get off work, we are heading up to Baton Rouge for tonight’s LSU game, which I am quite naturally excited about. It’s also my first time taking the new car to an LSU game in Baton Rouge! Woo-hoo!

GEAUX TIGERS!

I also started reading Donna Andrews’ latest, Gone Gull, last night, and am enjoying it pretty thoroughly already. I’ve already laughed out loud a couple of times in the first few chapters, an excellent sign, and am looking forward to reading more of it. Since I am working today and going to the game tonight, I have to do other errands–get groceries, etc–tomorrow, but I am also hoping to be able to carve out some time tomorrow to do some writing/inputting edits. I am so far behind on the inputting of the edits–it’s such a tedious process–but maybe if I just devote myself to it tomorrow, I can power through it, and then spend next weekend making the necessary tweaks the manuscript needs to have made before I start querying agents.

Ah, the joyous sting of rejection to come. Woo-hoo. But I’m much better about that sort of thing now than I used to be. Now, as long as the rejection is handled professionally, I no longer mind. And by professionally, I mean that you are notified. There’s nothing more infuriating than writing something for a market–say, an anthology–and finding out you didn’t get into the anthology when the book is released. This has happened to me more than once, and I am really tired of it. I am also really tired of the people involved turning around and saying oh, I just don’t time to contact everyone. Um, it’s part of the fucking job. I notified every single person who submitted a story to Blood on the Bayou–in fact, for every anthology I’ve ever been involved with–to let them know I wasn’t able to use their story, and to encourage them to submit it elsewhere.

There’s no fucking excuse, otherwise.

Agents who say on their website that ‘if you don’t hear from us in two months’ or some other time period? That’s different, because they are letting you know right up front they will only contact you if interested, and are giving you a timeline. Personally, I still think you should thank someone for submitting, but I’m also old school, and maybe agencies nowadays simply don’t have the staff or the time to do that anymore. I’m not an agent, have never been one, and have never worked for an agency, so I give them the benefit of the doubt.

And on that note, tis back to the spice mines.

Here’s a Saturday hunk for you, actor Caspar Van Dien.

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Allentown

I was so tired last night when I got home from work–and I worked a short day! After work yesterday, a friend and I went to lunch to a place on the corner of Tulane and Carrollton called Namese, and I had an enormous  bowl of beef pho, which was absolutely delicious. I was in the mood for noodles, and having never actually had pho before, was quite thrilled to try it, and it was amazing. I’ve been wanting to try pho since seeing a show on our local PBS channel, WYES, about the big Vietnamese community in New Orleans, and one of the things they talked about on the documentary was pho. I’d been wanting to try it ever since, and got my chance.

DAMN THAT WAS GOOD.

I’d known we have a big Vietnamese community in New Orleans for quite some time–most of them live in New Orleans East, and were devastated by the flooding after the levees failed back in 2005. Poppy Z. Brite wrote about that community in his brilliant (and deeply disturbing) Exquisite Corpse, doing it so well I never had the nerve to try to write about it myself. (Our first, and only,  Congressman from Orleans Parish was a Vietnamese; Joseph Cao, who defeated “Dollar Bill” Jefferson in the post-Katrina scandal created by the fifty thousand dollars in cash he had stored in his home freezer. Cao was born in Ho Chi Minh City (then called Saigon), and only served one term in Congress–but I liked Congressman Cao; he put New Orleans ahead of party, and I was sorry to see him go.

I have an idea for a noir involving the Vietnamese communities of the Gulf Coast that I hope to write some day. I’ve also been toying with an old idea for a horror novel that’s been dancing in my head for the last thirty years or so–I can tell that I am writing another book; my creativity always spikes when I am writing a book.

Honestly. One would think I could get that under control.

Anyway, I also finished reading Margaret Millar’s Do Evil in Return last night. It wasn’t the below edition I read, but rather one of the volumes of The Collected Millar; this volume also contains Fire Will Freeze, Experiment in Springtime, The Cannibal Heart, and Rose’s Last Summer. But I rather like that Gothic-style cover.

millar-do-evil-in-return-lancer

The afternoon was still hot but the wind carried a threat of fog to come in the night. It slid in through the open window and with curious, insinuating fingers it pried into the corners of the reception room and lifted the skirt of Miss Schiller’s white uniform and explored the dark hair of the girl sitting by the door. The girl held a magazine in her lap but she wasn’t reading it; she was pleating the corners of the pages one by one.

“I don’t know if Dr. Keating will be able to see you,” Miss Schiller said. “It’s quite late.”

The girl coughed nervously. “I couldn’t get here any sooner. I–couldn’t find the office.”

“Oh. You’re a stranger in town?”

“Yes.”

“Were you referred to Dr. Keating by anyone?”

“Referred?”

“Did anyone send you?”

Margaret Millar is a treasure, and her work, despite now being dated because of societal and social changes, are worthy of not only being read by modern audiences but also deserving of study. She, along with Dorothy B. Hughes and Charlotte Armstrong, formed a triumvirate of strong women writing suspense novels featuring women protagonists that were the equal of anything written by male contemporaries; there were numerous other women doing the same, but these three had longer careers and are now being rediscovered, in part thanks to the diligent work of Sarah Weinman and Jeffrey Marks. Library of America has released a two-volume collection of works by great women writers of the time; Soho Crime is releasing thick volumes collecting all of Millar’s work, which I am happily acquiring. I read Armstrong when I was young, and loved her; I am in the process of working my way through the canons of both Millar and Hughes, as well as two other great women writers of the same period, the incomparable Patricia Highsmith and my personal hero, Daphne du Maurier.

Do Evil in Return, originally published in 1950, is ultimately a novel about how society and its hypocritical misogynistic treatment of women can destroy them. The main character of the novel, Dr. Charlotte Keating, is a strong, independent woman with a successful practice in a small California coastal town. She is both single and hard-working; owns her own car and her own home–no small feat for a woman in 1950–and the book opens with a young woman coming to her for help. The woman, Violet O’Gorman, is only twenty and married, but finds herself with a particular problem; estranged from her husband, she had a one-night stand with a married man which has left her pregnant, and she is desperate for an abortion, which of course was illegal in 1950. Dr. Keating–Charley to her friends–refuses to break the law and perform this service, but her heart goes out to her patient and wants to help her, but while distracted by a phone call doesn’t notice the girl slipping out of her office. With a local address her only clue as to how to find Violet, she goes looking for her…and soon finds herself wrapped up in a terrible string of events beyond control, a noose tightening around her own neck. For, like her patient, Charley herself is involved in a love affair with a married man–a platonic one, to be sure, for she refuses to become intimate with him as he is married–and the similarities she sees between herself and young Violet is part of what drives her. The following morning, Violet’s body washes ashore, an apparent suicide, according to the police but Charley herself isn’t so sure.

And of course, she is right.

Millar’s particular genius lies in how casually she lays out her cards; she never tells her reader straight out what’s going on, but allows it to unfurl naturally, leaving it to her reader to figure it out. When we meet Charley’s platonic lover, there is no mention of his being married–Millar simply talks about the stifling existence he has at home with Gwen. As the story continues the reader slowly realizes that Gwen is actually his wife, and she is also one of Charley’s patients. Charley has tried to foist Gwen off on other doctors, but hypochondriac Gwen refuses to see anyone else–and is incredibly needy, ringing Charley for help at all hours of the day or night. Charley’s own feelings for Gwen’s husband also aren’t that simple; and in 1950 divorces weren’t as easy to obtain as they are today.

Perhaps the strongest part of the book is how Millar clearly depicts how claustrophobic a woman’s world was in 1950, and the delicate balance a single, independent professional woman had to maintain. Exposure of the relationship would ruin Charley, both personally and professionally; just as Violet’s unexpected pregnancy has ruined her. Society’s expectations of women, and their sexuality, are the true villains, the true evil in this novel; and the realization that this world Millar so brilliantly depicts was only sixty-seven years ago is truly chilling.

I think this book would be excellent reading for a Women’s Studies course; to let young women know how truly awful and misogynistic society was not so long ago, as a reminder to everyone today how far women have come in a short period of time, and how hard they fought to get to where they are today.

 

Stray Cat Strut

Friday!!!!

I have almost made it through this short week–I am working tomorrow before we head up to Baton Rouge for the LSU-UT Chattanooga game–and am pretty happy about it. It seemed off this week; I’m not sure what that’s about. We’ve had a chilly week here–for September, it’s been in the 70’s without humidity, which is November weather, really. I’ve slept fairly well, despite waking up a couple of times per night, and each morning have not wanted to get up. I may get up tomorrow morning so I can get the groceries and run errands prior to going to the office–get that out of the way so I can sleep late Sunday, since we’ll probably not get back from Baton Rouge until around midnight.

This week my short story “Keeper of the Flame” came out in Mystery Weekly magazine, and I am inordinately proud of this. Short stories are so hard for me to write, so each sale of one makes me feel like I’ve truly accomplished something.  I struggle so much with short stories…I have so many right now that aren’t finished, but I am trying to get the edits input and the first draft of the new Scotty written and … and…and…

I also got pretty deep into Margaret Millar’s sublime Do Evil in Return, and can’t wait to finish reading it so I can post about it. It’s so extraordinary!

Anyway, if you want to read “Keeper of the Flame”, you do have to pay for it, alas. This is the link to the preview of the story, to give you an idea of whether you want to read it or not:

http://mysteryweekly.com/issues/keeper.asp

You can buy the magazine in either print or e-form here:

https://www.amazon.com/dp/1549639919/

And you can also buy or subscribe here:

http://www.mysteryweekly.com/subscribe.asp

Do support markets that pay–even in a small amount–for short crime fiction!

Here’s a hunk to get your weekend rolling, former Tarzan actor Gordon Scott:

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One on One

Thursday morning, and there’re storms out there putting lots of people and property in jeopardy. Best wishes, everyone–best to batten down those hatches and get the hell out of Dodge. A New Orleans evacuation would be troubling–usually there’s the options of either going west to Houston or north. This time, obviously, the only option is to go north. I will, of course, be making certain that the car is filled with gas at all times now; I filled it up yesterday morning just to be on the safe side; New Orleans still was in the Cone of Uncertainty for Irma, but as the day went on the model shifted completely and we appear to be in the clear–for this one, at least. Jose is out there, though, behind Irma, and Katia may be forming along the Mexican Coast near the Yucatan. Oy.

I did manage to get Chapter Four of the Scotty finished, and started Chapter Five.  I’ve also input another chapter or so of edits into the WIP as well. Pretty cool. I’ve also had some ideas for some new short stories over the last couple of days, but as always Labor Day weekend has sort of disrupted my life and I need to get my bearings back a bit. I did manage to get the bills paid today, and I have to head over to the West Bank to get my driver’s license renewed tomorrow–YAY–and then I have to work Saturday for a few hours, which is fine. I don’t mind working Saturdays that much, as long as I’m home in time to watch the LSU game. (yes, it’s Tennessee-Chattanooga, but what kind of fan would I be if I didn’t watch their games? Although going to see It in the theater is kind of sounding good…)

It’s also very exciting that four American women are all that are left in the draw for the US Open: four American women in the semi-finals. This hasn’t happened since 2002, I think they said–back when the US women were the juggernaut of Venus Williams, Serena Williams, Lindsay Davenport, Jennifer Capriati, and Monica Seles. Venus’ first trip to the semi-finals was twenty years ago. Seriously, the Williams Sisters are without question two of the greatest women tennis players of all time; if not for her sister, Venus would probably have the record for most majors won. So, we are assured an American woman will win the US Open this year, which is very coo. We watched Juan Martin del Potro knock Roger Federer out of the tournament last night; his semi-final with Rafa Nadal should be a final, really.

I do love tennis.

I had a major breakthrough about the WIP this week; long overdue, but better late than never. I realized that my underlying theme wasn’t what I originally thought it was, but rather, something else. It means some more tweaking–but I was going to do some more anyway once these line edits are put in, but knowing what the theme is will  make the query letter writing ever so much easier. I also realized that the crime that’s driving the narrative isn’t necessarily what the story is about; which will make it a trickier sale. But I am very very pleased, and very very excited.

And now, off to the spice mines.

Your Throwback Thursday hunk today–ME! LOL. From a photoshoot I did back in 2004, looking rough and tough. 😉

usafolded

 

The Safety Dance

Labor Day.

Paul and I went out for a while yesterday–the first time we’ve “done” Southern Decadence in years–because it was one of my co-worker’s birthdays and we ended up staying out WAY later than I’d thought we would. I was a little sick at first–I took a Claritin-D before leaving the house and then drank a beer on top of it and felt really nauseous and had to sit down for about an hour, but it was entertaining seeing the passing spectacle and then meeting my co-workers later. I’d never actually spent time at the 700 Club; a gay bar that opened in the twilight of the going out portion of my life. It’s a nice bar, if small, and of course they were playing some fun music–you can never go wrong with either classic Madonna or Gladys Knight & The Pips–and it was nice. I enjoyed myself tremendously, but also don’t feel the need to go out again anytime soon. It was…different, I suppose, in a way that I can’t truly explain. I guess the easiest way to say it is that I’m in a different place now, if that makes sense. There’s probably an essay in this; one that right now is amorphous and ethereal, dancing just outside my conscious self and perhaps will come to me so that I can write it down.

But for now, it just is, and I can leave it as I had a lovely time, and I am quite fond of my co-workers, and it was lovely to spend time with them outside the confines of the office and work.

Before we went out yesterday, I spent the morning finishing reading Patricia Highsmith’s The Cry of the Owl.

the cry of the owl

Robert worked nearly an hour after quitting time at five. He had nothing to hurry home for and by staying on at his desk he avoided the chaos of employees’ cars that left the Langley Aeronautics parking lot between five and five-thirty. Jack Nielson was also working late, Robert noticed, and so was old Benson, who was usually the last. Robert turned off his fluorescent lamp.

“Wait for me,” Jack said. His voice sounded hollow across the empty drafting room.

Robert got his coat from his locker.

They said good night to Benson and walked toward the long, glass-enclosed reception hall, where the elevators were.

“So, you got your space shoes,” Robert said.

“Um-m.” Jack looked down at his big feet.

“You didn’t have them on at lunch, did you?”

“No, they were in my locker. You’re not supposed to wear them more than a couple of hours a day at first.”

They got into the automatic elevator.

“They look fine,” Robert said.

Jack laughed. “They look awful, but boy, they’re comfortable, I had something to ask you. Could you possibly loan me ten bucks till payday? Today happens to be–“

“Oh, sure.” Robert reached for his wallet.

“It’s Betty’s and my wedding anniversary and we’re going out to dinner, but could you come by for a drink with us? We’re going to open a bottle of champagne.”

Robert gave him the ten. “Wedding anniversaries–You and Betty out to be by yourselves.”

“Oh, come on. Just for a glass of champagne. I told Betty I’d try to get you to come over.”

“No, thanks, Jack. You’re sure that’s all you need if you’re going out to dinner?”

The book opens with this innocuous conversation between two co-workers who are friendly, but not close. Robert, as you can see, comes across as considerate and thoughtful, if a little bit unemotional. But Robert has another reason for not wanting to intrude on Jack and Betty’s wedding anniversary besides simple courtesy; he has become a bit obsessed with a young girl named Jenny, who lives in a small house out in the country. Robert is in the midst of a divorce, and has had problems with depression in the past; observing Jenny through her kitchen windows–doing dishes, making food, the little domestic chores every woman does in her kitchen–has a calming effect on him. He’s what used to be called, at least during the time the book was written, a ‘peeping Tom’; what would be called a stalker today. Jenny has a boyfriend named Greg; sometimes Robert watches the two of them interact in her kitchen. Robert knows what he’s doing is wrong, yet he is compelled to go there and risk exposure. Several times Jenny and Greg hear him make a slight noise, which concerns and worries them; but he never is caught until one night when Jenny, alone, catches him–and invites him in.

Before long, Robert is enmeshed in the troubled relationship between Jenny and Greg, as well as trying to get his own divorce from his wife settled–a wife who becomes more and more horrific as the novel continues. In fact, in a typical Highsmith switch, Robert–first seen as mentally troubled and damaged, might be the most sane person in the story. Jenny’s growing attachment to him, along with her obsession with death (a younger brother died as a child of meningitis), the equally troubled relationship with her violently dangerous fiance, Greg–continues to build in typical Highsmith fashion, using one of her favorite themes–the besieged innocent whom no one quite believes.

The book is also incredibly dark; Highsmith’s pessimism about her fellow human beings is evident on nearly every page. It’s quite wonderful, yet quite disturbing at the same time. It’s been filmed twice; one in the 1960’s, a French film (many of her works were made into French films) and an American version from 2010, with Julia Stiles.

I’ve enjoyed everything I’ve read of hers; I look forward to reading still more.

And on that note, I’d like to get some writing done today. Have a lovely Labor Day, Constant Reader!

Time (Clock of the Heart)

Good morning! ‘Tis Sunday in the Lost Apartment, and Paul is still asleep. I’m on my second cup of coffee, and my back is a little sore. I’m also dehydrated; which means I’m going to have to guzzle down water at some point–probably when I’m finished with coffee for the day. We’re supposed to meet some friends down in the Quarter later on this afternoon; so hydration is going to be key.

We went to the LSU-BYU game last night in the Superdome, relocated from Texas because, well, in case you aren’t aware of it, there’s been a major flooding issue in Houston thanks to that rat-bastard Hurricane Harvey. It was the first time we’ve been to an LSU game outside of Tiger Stadium, which also felt kind of weird; it was also weird to go to an LSU game we could have to and from. The game wasn’t sold out; the tickets only went on sale Wednesday and of course, being Labor Day people probably already had made plans, weren’t planning on going to Houston for the game. Still, there were about 53,000 people or so in the Dome–which gets really loud–and I’d say probably about 90% of the people in attendance were LSU fans. (Reading a write-up on the game from the Salt Lake newspaper this morning, I laughed when the reporter said Apparently there’s a side split canyon to Death Valley in New Orleans.  So, while the crowd was partisan Tiger fans primarily it still wasn’t a home game and that seemed weird when you’re used to Tiger Stadium. They also had the Dome at an arctic climate so I was cold, and by the fourth quarter I had goosebumps from the cold that wouldn’t go away. All the reports I read of the game was that it was a dominating performance by LSU, and it kind of was; the defense smothered the Cougar offense which never crossed the fifty yard line, and limited them to maybe four or five, at most, first downs. They also got an amazing interception that was just beautifully played. The LSU offense was…well, it got the job done but wasn’t particularly exciting other than a long pass from Danny Etling that set up the second LSU touchdown in the second quarter after the interception. (LSU scored two touchdowns quickly; after an initial drive, they kicked off and on BYU’s first play after that came the interception.) But we also missed a field goal, and didn’t make a 4th and 1 from the one-yard line.

I’m not sure how confident I am that this is going to be a great season. But it’ll be fun to watch–it always is–and there were some terrific plays in the game last night. Afterward Paul and I walked home from the Superdome. We got home shortly after midnight, and I read for a while before going to bed.

This morning, I’m going to relax and rest and gird my loiB57D1D19-BE70-4E9F-BAC5-D5AF8D7314C6s for going down to the Quarter. I still have tomorrow off–my back is a little sore from doing Outreach last night and the walking last night–so hopefully tomorrow I can sleep in, get some good rest, let my back stop hurting, and get some writing down. I’ll probably try to get Chapter 4 finished today, and maybe even start Chapter 5. We shall see.

And here’s a nice shot of the Tiger band from last night.

 

Sexual Healing

Friday, the cusp of a three day weekend. Southern Decadence gets into full swing today, and I shall be out on condom duty with my wonderful and young co-workers, standing at the corner of St. Ann and Bourbon. I shall be taking lots of photos of the crowd; it’s always kind of a fun time, if a bit exhausting to stand that long in the heat without the benefit of alcoholic beverages. It’s hard to believe this is my (sigh) twenty-second Southern Decadence. Yikes.

Southern Decadence was one of my favorite times of the year; I still enjoy it, but not quite to the extent that I used to, of course; being older and wiser in theory, the truth simply being that my body cannot bear the wear and tear of a Southern Decadence the way it used to. There are few things my body can handle the wear and tear of these days. But I don’t mind it, please don’t think that I am pining for my past, misspent youth (or middle age, really). I even wrote a novel about Southern Decadence, my second one to see print, and the one that introduced Scotty Bradley to the world: Bourbon Street Blues. It’s so weird to me to still be writing about Scotty, all these years later. But I did get some work done on Chapter Four yesterday; it’s still not completed, but it’s getting there. I hate writing transitional chapters, but at least this time I was able to use this chapter to find, once again, his voice. I always worry that, as I get older, I will lose the ability to find Scotty’s voice inside my cluttered, scattered brain; and yet there it was again these last two mornings, spilling out of me and making me smile. I love the character very much, you see, and I never really want to let go of him or say goodbye to him. He’s not the same sweet, fun-loving rascal that he was when I first dreamed him sixteen years ago and started writing about him; he’s older, he has to be a little more cautious about what he eats, he aches a lot more than he ever did before and his body takes more time to bounce back. But he’s in a good place, he doesn’t resist getting older, and he doesn’t miss being younger. Scotty still sees life as an adventure, and always looks forward to what’s going to happen next.

He’s just so much fun to write about, you know?

It’s hard to believe there are so many books with him now–Bourbon Street Blues, Jackson Square Jazz, Mardi Gras Mambo, Vieux Carre Voodoo, Who Dat Whodunnit, Baton Rouge Bingo, and Garden District Gothic. I am writing the eighth Scotty now; I would have never believed back in 2001 when I was writing the first one that I’d be writing an eighth one all these years later; I certainly never thought this series would last longer than the Chanse series. Scotty’s world is much richer and more vibrant than it was when I first wrote about him; we’ve gotten to know him and his family on both sides; he has a nephew-in-law now that he cares about very deeply; and he’s a richer character from everything he’s been through–but he doesn’t regret anything. Everything he’s experienced, good or bad, has brought him to where he is now and who he is now, and he’s happy with his life so he doesn’t regret anything.

And that’s kind of a lovely thing, you know?

And since we’re on the subject, before I head back into the spice mines, here’s who I currently think would be perfect to play Scotty, True Blood star Ryan Kwanten, and how delightful that I was able to find a picture of him wearing pretty much what Scotty was wearing in the opening scene of Vieux Carre Voodoo:

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And here’s an excerpt from Chapter One of Bourbon Street Blues:

In the summer, the French Quarter reeks of sour beer, vomit, and piss. At seven ever morning, the hoses come out and the vomit and spilt liquor and piss is washed down off the sidewalks. By eight, Bourbon Street stinks of pine cleaner, a heavy, oily scent that cloys and hangs in the air. It hit me full force when I slipped out of the front door of the Bourbon Orleans hotel at eight-thirty in the morning. The bellman on duty winked at me. I shrugged and grinned back. I wasn’t the first non-guest to slip out of the Bourbon Orleans that morning, and I wouldn’t be the last that weekend.

It was Southern Decadence, after all. Urban legend holds that Southern Decadence began in the 1980’s as a bar-crawl-type party a group of gay guys had for a friend who was moving away. They had so much fun, they did it again the next year. Each year it grew and grew until it became a national event, drawing gay men from as far away as Sweden and Australia. As opposed to other circuit events, for years there was no big dance party. It was just a big block party held in what we locals called the Fruit Loop, a five-bar, four-block stretch that runs from Rawhide to Good Friends to Oz and the Pub to Café Lafitte’s in Exile. All the bars have balconies except for Rawhide, and of course you can always take your drink with you.

The gay boys had started arriving yesterday afternoon, with the big crush coming in today, Friday. Labor Day weekend. The end of summer, when the locals can begin to breathe a little easier. The mind-numbing heat will break in the next few weeks, and what passes for our fall season will begin. Sunny days with no humidity and the mercury hovering in the seventies and low eighties. In New Orleans, we turn off the air-conditioning when the temperatures drop into the low eighties and open the windows.

I headed for the corner of Orleans and Bourbon. My stomach was growling. The Clover Grill was just a few blocks up Bourbon, and one of their breakfasts was sounding damned good to my slightly swollen head. There’s nothing like scrambled eggs and greasy full-fat bacon to make you lose your hangover. The food at the Clover Grill is one of the best hangover cures in town. I shifted my gym bag to my other shoulder.

The bars at the corner of St. Ann and Bourbon still had patrons. It was probably too early for new arrivals from out of town, so these were the holdouts from the night before, who still hadn’t grasped the fact that the bars don’t close. Tourists always have trouble pacing themselves in New Orleans. Bars that have no last call is an alien concept to most. The bars had been packed with tourists who had come in early for the weekend, the liquor had flowed freely, and there were very likely a lot of drugs to be had. Today the bars would be packed again, almost impossible to navigate through. I waved at Abel, the morning bartender at the Pub.

I was dancing at the Pub this weekend for extra cash. One of the porn stars, Rock Hard, who was supposed to dance this weekend, had overdosed on crystal meth on Wednesday. Condition stable—but no condition to dance. Randy Westfall, the manager, had called me on Thursday afternoon to fill in. It was very good timing. I was behind on some bills. It probably wasn’t very good karma to be happy that Rock Hard had overdosed, but I reasoned that it was probably a good thing. Perhaps the overdose would wake him up to the fact he had a substance-abuse problem, and he would now get some help for it. The summer’s heat is always a bitch on my personal training business, but this one had been particularly bad. It had been hotter than usual, which is a staggering thought. Everyone who could afford a trainer had left town. Those who didn’t leave didn’t want to sweat any more than they already were. Can’t say that I blame them—except when the second notices from my utilities start arriving.

Happy Labor Day weekend, everyone!

Puttin’ on the Ritz

Sunshine and blue skies out there this morning, which is lovely, particularly since we are on the eve of Southern Decadence. Revellers will, of course, begin to arrive today, building to peak gayness on Friday night. I will be out on the corner at St. Ann and Bourbon tomorrow from 430-9 pm, passing out condom packs (four condoms, free lube!) with my co-workers. If you’re around, come say hey. It will be hot and humid, of course, but it’s always fun to stand out there and watch the crowd while trying to convince people to have safer sex.

The LSU-BYU tickets went on sale yesterday for the game relocated to the Superdome this Saturday night, and yes, I did set my phone alarm for 4 (when tickets went on sale to the general public) so I could get us tickets. And I was successful! Woo-hoo! It’s going to be so much fun; LSU playing a name opponent in the Dome; the season opener, and we can walk. Yes, I am in walking distance of the Superdome–although we’ll most likely take the streetcar and get off at the Girod Street stop. I am so excited! And I can’t believe it’s football season again already. August certainly flew right past, didn’t it? I’m not sure how good LSU will be this year–first full season under a new coach, lots of starters gone to graduation–but LSU football is always fun to watch.

I also got some great work done on Scotty yesterday. It started flowing, and I think I’ve found his voice again–it usually takes me a couple of chapters on a new Scotty to get there–and seriously, opening Chapter Four with this sentence: There really is no family bonding experience like rolling up a dead body in a carpet made me laugh out loud as I wrote it (it just sprang into my head) and then the next few paragraphs literally just flew out from my fingers. Chapter Four is a transitional chapter, which I hope to get finished today (those always take longer to write) but after coming up with that opening for the chapter, the rest should be relatively easy–because once I came up with that sentence, the rest of the chapter opened up in my mind, and I figured out how to flow Chapter Four into Chapter Five.

Huzzah!

So, I am now going to head back into the spice mines on this fine day before I head into the office.

Here’s your Throwback Thursday hunk, actor Glenn Corbett, from his early physique model days.

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You Are

It’s raining this morning here in New Orleans, and very dark outside my windows. We’re in a flash flood warning through Thursday, but from everything I’ve seen on-line this morning the eye of Harvey is going to pass far to the west of New Orleans; but a lot of Louisiana is going to be impacted. Not to the extent Houston and Texas were, of course. Just thinking about what’s happened to Houston (still happening, actually) here is terrifying. I saw on Weather.com that three times the water pumped out of New Orleans after the Katrina levee-failure has dropped on Houston…although it’s a much bigger area. Houston is going to need us all, everyone. It’s the fourth largest city in the United States; a major port and contributor to the economy, and a major cog in the oil/gas industry. Most everyone I know and love and care about in Houston has surfaced somewhere on social media, so I know they’re all okay, but the images are absolutely horrific.

It’s odd that today is the anniversary of Katrina and it’s raining, with a hurricane heading for the western part of the state. I’ve thought a lot about the post-Katrina flood these past few days as Houston has been ravaged, and my heart breaks for all the lives that are going through what so many here experienced. So many New Orleanians evacuated to Houston and stayed there, and now are going through the same experience all over again. It makes my heart hurt. I don’t doubt that Houston will rebuild; I lived in Houston for two years and have spent a lot of time there. Houstonians and Texans are, no matter what else you may think about them, are a hardy, tough lot who can’t be kept down.

HOU DAT.

The LSU-BYU game, which was scheduled to be played originally in Houston this Saturday, has been moved to the Superdome; I think we may try to get tickets. It’s going to be interesting trying to drive to work today, and even more interesting trying to get home later this evening after a day of incessant rain. Heavy sigh.

Oh, the wonderful Paul D. Marks did a blog piece about us Macavity Award finalists; you can find it here:

http://www.sleuthsayers.org/2017/08/2017-macavity-award-short-story.html

I started inputting the edits on the WIP yesterday–I stand corrected; that is more tedious than doing a line edit–and have decided my next read will be The Cry of the Owl by Patricia Highsmith, a writer I love and admire and haven’t read enough work by; I’ve read some of her short stories (wonderful) but I think the only novels I’ve read (and loved) are The Talented Mr. Ripley (which I need to reread) and Strangers on a Train.

And on that note, ’tis back to the spice mines with me. Here’s a Tuesday hunk for you, Constant Reader:

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Mr. Roboto

I finished the line edit yesterday, thanks be to the baby Jesus. Now I have to input it into the document, but the worst part–the actual line by line edit–is done done done. Huzzah! Huzzah!

I lived in Houston for two years, and of course, my parents lived there over ten. So, I feel connected to that city as well–not to mention all the friends I have there, and my favorite specialty bookstore, Murder by the Book, so my heart breaks every time I see the flooding pictures, videos, and the posts. Keep Houston in your hearts, everyone, and know they are going to need help. Twelve years ago it was New Orleans, and Houston opened its heart to us. Never forget. Rebuilding Houston is going to be a long and incredibly challenging process. We need to be there for our fellow Americans.

I spent the rest of Sunday–pre-Game of Thrones epic season finale, reading Jeff Abbott’s extraordinary Blame.

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What she would never remember: their broken screams starting with I love…and I hate…, the sudden wrenching pull, the oh-no-this-is happening-this-can’t be-happening feeling of falling as the SUV rocketed off the road, the horrifying downward slope of the hillside in the headlights, his hand tight over hers on the steering wheel, the smashing thunder of impact, the driver’s-side airbag exploding in her face, the rolling, the lights dying, the unforgiving rock, and then the blow to her head that undid her and wiped her clean and made her new.

The old Jane died; every version of David died. The new Jane, product of a dark night’s fury and tragedy, knew nothing more until she woke up four days later, remembering nothing, not her name, not her mother’s face, the crash, what had happened to her in that hospital bed, or any of her past seventeen years. Slowly the memories began to seep back: her birthdays when she was a child, cake sweet and soft on her lips; the smoky, rich aroma of her grandfather’s pipe matched with the woolly smell of his tweed jacket with leather elbow patches; her mother’s favorite lavender soap; the notebook she’d filled with short, dark adventure stories one summer and proudly read to her dad; the faces of her teachers; the smile of the librarian who’d give her stickers during the summer reading program; the feel of her hand in her father’s palm; the faces and the laughter of her friends when they were kids.

Sometimes the memories felt immediate; sometimes they felt like something she’d seen in a film, present but distant, nothing to do with the person she was now.

Except for the past three years.

Jane was seventeen, but as the memories surged back, she was stuck at fourteen. Those last three years were gone, all the joy and drama of her high school life, lost in the damage and the trauma. Including those mysterious, unexplained last few hours, when she was with a boy she wasn’t supposed to be with, when she was out doing God knows what. The girl lived and eventually limped back into the bright sunshine, and the boy died and went into the cold ground, a secret sleeping with him.

And so the world she knew turned against her.

Except someone watched, and waited, and wondered how much of that night Jane Norton really remembered.

Amnesia. While not nearly as common as soap operas make it seem, it’s an actual thing. I did a lot of research on amnesia when I was writing Sleeping Angel–most of which I’ve actually forgotten–but if done right, amnesia is an excellent foundation for a crime novel/thriller.

Jeff Abbott has done it right with Blame.

Two years have passed since the terrible accident that took Jane’s memory and killed her neighbor, David–one of the most popular boys in their high school in an affluent section of Houston. Jane’s early memories have come back, but she doesn’t remember high school before the accident, or the tragic accident that killed her father when she was a freshman. Hated and resented by many of her classmates, she’s now homeless, sometimes crashing in one of her few friend’s dorm rooms in a local college. Her mother is too much for her to handle–think Mildred Pierce on steroids–and of course, David’s parents also still live next door; his mother hates her and makes no bones about hating her. Her mother refuses to sell the house, and David’s parents are splitting up. On the anniversary of the accident Jane unfortunately encounters David’s mother Perri at David’s grave, which turns into an incredibly ugly altercation when Perri attacks her; Jane’s Uber driver records it all–and it goes viral.

At the same time, someone named “Liv Danger” is going after Perri on social media–Jane as well–and soon other people involved somehow, even peripherally, the night of the accident are under attack. Slowly but surely, Jane has to slowly start piecing together what happened that day as the Liv Danger’s behavior becomes more and more menacing and dangerous…and other dangerous characters are getting involved.

This book was, quite simply, an extraordinary read. The tension begins on Page One, and not only does it not let up, it builds. I literally took the book into the kitchen with me, reading while I was making dinner because I couldn’t stop, didn’t even want to take twenty minutes away from it because I had to know what happened that night! 

I cannot recommend this book highly enough, but along with that recommendation comes this warning: set aside a weekend to read it because you won’t want to put it down.

Easily one of my top reads of this year.