The Warrior

Wednesday, and I finished the first draft of my short story yesterday. It’s quite dark, and I quite love it, but it needs some serious polishing and editing. I changed my mind about the ending while i was writing it, you see, and that changes some things back at the beginning. I want to have that finished by the end of the weekend, as well as another story I’ve worked on recently. Huzzah!

I am also thoroughly enjoying Krysten Ritter’s Bonfire. I do highly recommend it, even though I am not even halfway finished with it, it’s that engaging. Sure, the plot could go off the rails, but I rather like the main character and the story she is telling–both the crime itself as well as the main character’s story in confronting her past–is quite enjoyable.

This weekend, I have to work Saturday and we are going to a Christmas party that evening; Sunday we have tickets for The Last Jedi and I am very excited. I’m a huge Star Wars fan, of course, and I wisely chose to buy tickets in IMAX during the Saints game, so I am assuming the theater won’t be full. Hoping, at any rate, and since we live close to the Superdome the traffic will be going the other way in both instances as we head out to Harahan to see the movie. It’s a much more busy weekend for me than I would ordinarily prefer, but the next weekend is a four day weekend for Christmas and of course, the next is the three day weekend for New Year’s. So…not really having a full day at home this weekend isn’t going to be nearly as traumatizing as it could be.

Anyway, I am really happy with my story. I was asked to write a story for an anthology of crime stories inspired by the work of Joni Mitchell, and when I chose my song, read the lyrics and listened to it again, I really went down a rabbit hole and man, did it ever get dark. Really dark. But what was also fun about it was having to research malls in the early 1990’s; research can be a bit of a drag sometimes, but for me, most of the time it’s so much fun because it triggers a lot of memories, or inspires me even more if it’s from before my time. (note to self: do some research on Washington DC in the early 1950’s; I’ve written a story set during that time but I’ve never done the back-up research, which could be incredibly fun.) Usually, when I write a story that’s set during a time I lived through, I depend on my memory–which ain’t what it used to be, but priming the pump by looking up things on-line triggered memories; memories of stores and displays, the way malls smelled, the parking lots and so forth.

And on that note, ’tis back to the spice mines.

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Union of the Snake

So, I braved Costco AND the grocery store on a frigid Saturday two weeks before Christmas; but I did manage to get a lovely space heater at Costco which has already changed everything in the frigid kitchen.  I also forgot to turn the heat off when I went to bed last night, but it wasn’t obnoxiously hot upstairs–which makes me tend to think that it must have been really cold outside last night. But whatever. I am up this morning, my kitchen is getting warmer thanks to the space heater, and I have some things I need to get done today so I am going to buckle down and try to get it all done as much as possible. Next weekend I have to work on Saturday, so it’s a very short weekend for me, but I can hang with it.

Pual went to a gallery opening last night for the guy who donated his art for the cover of the Saints and Sinners Anthology, and so while Scooter dealt with his abandonment issues by sleeping in my lap I got caught up on this season of Riverdale; I hadn’t realized they hadn’t gone on midseason break and had missed two episodes, with the midseason finale coming up this week. I am pleased to report that KJ Apa was shirtless a lot in last week’s episode (finally), and this season’s mystery is deepening nicely. It really is a good show, probably the best young actors on a teen soap-style show I’ve ever watched, and visually it’s just stunning. I also got our tickets to see Star Wars: The Last Jedi for next Sunday at one, which is also incredibly exciting. I only have to avoid spoilers for a week.

I also watched two episodes of Soundtracks last night, the CNN series about how cultural and societal events influenced the popular music of the time. I watched the episodes about gay rights and Hurricane Katrina; each one made me unexpectedly tear up at moments as I remembered things. I recommend the series; I’m going to keep watching it. CNN series are really quite good; I’ve enjoyed their Decades series and their History of Comedy; and when I am not in the mood to write (or finished for the day) and not in the mood to read, they’re an excellent way to pass some time.

I think I’m going to read Krysten Ritter’s Bonfire next. It’s gotten some excellent reviews, and I’m a fan of hers; Jessica Jones was terrific, and Paul and I both enjoyed Don’t Trust the B, her one season sitcom. I actually think I may spend the rest of the year focusing on reading y/a fiction, to be honest. I have a lot of amazing books in my TBR pile, but…I want to get the WIP whipped into shape to start the agent hunt again in earnest next year; and I have two more y/a manuscripts to whip into shape as well as the Scotty to completely redo. I hate having to throw out eight chapters worth of work–and maybe some editing can get them into decent shape and usable again. As I said, in talking to my friend Susan last week I realized the plot I was developing for the book simply doesn’t work; primarily because New Orleans is such a small town, and New Orleans society is an even smaller one. There’s no way Scotty wouldn’t have known something before he was surprised with it; just given both sides of his family he would have met the person any number of times and would have heard about him; that kind of throws that plot right out the window. Maybe the entire thing should just be scrapped and I should start over completely. I don’t know.

But so yes, there’s a lot I need to get done. I also have a short story due by the end of the month I need to work on, another project is also calling my name, and I have a grant application I need to get ready. I’ve decided to start applying for grants, long shots that they are; but you cannot get one without applying, and while I may not have an MFA or a Ph.D. behind my name I do have an awful lot of publications; my c.v. is at least fifteen pages long–and it hasn’t been updated in years. But I think I have proven that I can write. And I think perhaps a collection of personal essays, of experiences and observations I’ve made throughout my life, studying our culture and the deep flaws in our society and culture, could actually be rather interesting. I have years of diaries and blog entries to cull from; and I often find writing personal essays, on those rare occasions when I’ve had the opportunity to write them, quite rewarding. My favorite essay is “I Haven’t Stopped Dancing Yet”, which was in Love Bourbon Street, and was edited down to be included in another collection, and I could possibly make that the lynchpin of the collection. I also want to pull together my horror and crime short stories into a collection, which will undoubtedly have to be self-published. So many projects, so little time.

And yes, reading Joan Didion has inspired me a bit on that front.

And on that note, I am going to dive back into the spice mines this cold morning in New Orleans. Here’s a lovely hunk to get your week off to a lovely start:

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Twist of Fate

It snowed yesterday in New Orleans, and it is still cold today–albeit sunny. I am sitting at my desk this morning wearing fingerless gloves so I can type, a  knit LSU cap on my head, and a blanket wrapped around my legs. I also have to go to Costco at some point today, and I also have to get some things done. Needless to say, a temperature around fifty at my computer doesn’t make that more likely. I may check into space heaters at Costco today–although I may check the attic. There should be another one around here somewhere.

When I got home last night I turned on the heat and cleaned the upstairs, then grabbed a blanket and headed for my easy chair.I stopped reading The Last Picture Show when I got to the bestiality part (which I’d completely forgotten about) and even though there’s an even more important part of the story after the cow-rape (seriously), I just couldn’t pick the book up again. I know I can skip over that part, but honestly. I didn’t remember it, or the relatively nonchalant way McMurtry talked about it in the book–like it’s very common place amongst farm boys (literally, “every farm boy has done it”)–and I don’t know…I still have fond memories of the book, but despite the fact that it’s still really well written, I don’t know if I’m going to keep reading it; although I suppose if I continue reading it as an example of toxic masculinity…and the homophobia in it–what would toxic masculinity be without some good old homophobia?–is also not easy to read; because it’s so casual. 

Then again, that was the thing about the culture back then (it’s set in the 1950’s); the hate was so casual and matter-of-fact. It’s a short book, I may go back to it later today. (And interestingly enough, Larry McMurtry also co-wrote the screenplay for Brokeback Mountain, so there’s that.)

Speaking of homophobia, I was scrolling through HBO Now last night looking for something to watch, and noticed they had American Gigolo available. I had watched that movie only once, years ago on videotape, when a female friend had rented it. I didn’t remember much about it, other than Richard Gere was so incredibly beautiful and at the end Lauren Hutton came through for him at the end, and Blondie’s “Call Me” played over the opening credits and it was criminal that the didn’t at least get an Oscar nomination for Best Song. It should have WON, damn it. It’s a great song and it still holds up today.

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I also remembered that it wasn’t very good.

That memory was correct, but watching it again…so much wasted potential in this movie. It could have been a noir classic.

Gere plays Julian, or Jules, who basically is a gigolo, and not cheap. He works for several different pimps–one a blonde woman with a great beach house, the other a black gay man–but Jules is so in demand and so good at what he does-and let’s face it, Gere smolders. You can see why he catches everyone’s eye when he walks into a room, and no one wears an expensive suit like he does–but he’s also become incredibly arrogant because he is so good. Both of his pimps argue with him about the split on jobs they get for him–but he’s so good he always gets his way, but both warn him that his attitude and ingratitude to them is going to bite him in the ass one day. The gay pimp sets him up with a kinky job in Palm Springs–he has to be abusive to the woman while the husband watches–which makes him incredibly uncomfortable but he does the job well because the pimp tells him they want him back. Jules throws the word ‘fag’ around a lot–“I don’t do fags” etc., which, as someone who is paid for sex, I can certainly see why he would want to be clear on what he does and what he doesn’t, but again–casual homophobia. He meets and falls for Lauren Hutton in a restaurant at a posh hotel, who turns out to be an unhappy politician’s wife. They embark on a secret affair, but she turns out to be his alibi for the night the Palm Springs wife is murdered…and he can’t tell the police about her. This is also kind of where the movie goes off the rails. The crime itself is treated as an afterthought, and Jules being suspected and investigated–and he is being framed–are all secondary to his development as a character; all of this is just a moral lesson for him about being humble and how you shouldn’t treat people badly because they won’t stand by you when you need him, all the while he’s making this incredible noble sacrifice for the woman he loves.

A woman is brutally murdered as a plot point and pivot so Jules can learn humility.

Whoa. And wow.

And even the resolution doesn’t make sense. Turns out the gay pimp pulled off this elaborate ruse and frame just to teach Jules a lesson in humility? I wasn’t really clear on this at the end; it didn’t make sense to  me the first time I watched and it still didn’t make sense this time. The confrontation with the pimp ends with him accidentally knocking him off the balcony, but Jules tries to save him, but he can’t hold him. He falls to his death with Jules literally left holding his boots. He is taken in by the police and arrested, refuses to speak to his lawyer, but then Lauren Hutton comes forward and alibis him for the original murder, because she loves him…and they speak to each other through glass in the prison’s visiting room when she tells him she’s cleared him because she loves him. The end. And my first thought was, well, your alibi isn’t going to do him any good NOW that he’s killed the pimp, even if it was an accident. So you just blew up your own life for no reason because he’s still going to jail.

None of that was resolved. It’s really a shame, because it could have been a great noir classic. And it many ways it is actually a good film, and highly original: it was one of the first movies to ever focus so heavily on male beauty, and Gere is often in underwear or naked (full frontal, at that) or shirtless; the camera lingers over him lovingly the way it previously only did for women; the soundtrack by Giorgio Moroder was excellent and also the first time electronica music was used for a film score; and the entire film is beautifully shot. But the writer/director didn’t see it as a film noir or a crime film; he saw it as a character study with a redemptive arc, and that was where the film fell flat.

Pity.

And now back to the spice mines.

I Guess That’s Why They Call It The Blues

My brake light came on in my car yesterday, so I have to take today off to take it in to the dealer for an inspection at eleven this morning. Hardly thrilling, and not how I wanted to spend my day–but Ivy Pochoda’s Wonder Valley will make the trip with me, so there’s that. The book continues to enthrall me; it really is quite remarkable, and I don’t think I’ve read anything quite like it before, either.

That is quite an accomplishment.

Writing/working on that short story the other day seems to have shaken me out of the glumness about writing/career that I’ve been experiencing lately; there will obviously continue to be peaks and valleys, but I am thinking more about being pushed, and pushing myself to do better work. I watched the Joan Didion documentary last night, The Center Will Not Hold, and that, too, was inspirational. Writing should always be about your quest to find the truth, whether it’s about a situation or your characters or your work or your life; a way of learning,  not only about the world but primarily about yourself. I am going to finish that story today–after the car dealership–and then I am going to work on some other things. I am also going to clean the Lost Apartment a bit, possibly run to the gym for a light workout–something I’ve been putting off for quite a while–and get organized, with a plan to get me through the rest of the year.

I am most likely going to read Donna Andrews’ latest, How the Finch Stole Christmas, when I finish reading Ivy’s wonderful book, but I may read Joan Didion’s Miami soon as well; I’ve never read any Didion. I’m aware of her, and her body of work, but I could have sworn I had a copy of Play It as It Lays around her somewhere, but I looked for it last night and couldn’t find it. It also required me to look in a vastly neglected bookcase, the one nestled in the corner where the staircase makes its first ninety degree turn on its way upstairs, and I noticed a lot of books that I’ve not only been meaning to read but others that I’ve forgotten that I owned. It’s always fun, for me, to look at a book and try to remember it’s provenance, how it founds its way into my collection: oh, yes, I met him at a conference and he was lovely; oh, someone mentioned this book on a panel I was on and I was intrigued by it; oh, I was wondering what happened to this book, I remember going to the signing and enjoying the talk immensely; and so on The only Didion I can lay my hands on right now is Miami, which seems like a perfect time for me to read since I am getting ready to start working on the Florida Bouchercon anthology. Didion may just be my muse; I’ve been thinking about writing a sort of memoir lately (because that is what the world needs; another memoir from a writer), but it’s something I’ve unknowingly been gathering material on for many years, and rediscovering my journals will be an immense help in that regard as well. We shall see.

And on that note, it is perhaps time to return to the spice mines; I have many emails to answer and generate before I depart for the dealership on the West Bank this morning.

Here’s a Calvin Klein underwear ad:

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Oh Sherrie

Wednesday morning. I just paid the bills, so the glow of seeing my post-electronic-paycheck-deposit swollen bank account has worn off more than a little bit, but hey, what can you do? Bills must be paid–the little mundanities of life, you know? Bills must be paid, floors must be cleaned, dishes must be washed, laundry must be folded, faces and scalps must be shaven, and so it goes, every morning, every few weeks, every month, every year, ad nauseum.

I slept fitfully last night but at least I feel rested this morning and not foggy; yesterday was one of those dreadful morns where I was tired and sluggish and wasn’t really able to shake it off, the kind of tired that aches. That was partly because, of course, of working in storage Monday and moving boxes around; my back muscles are still achy this morning and my legs feel a bit tired, but nothing that I can’t handle and nothing I can’t get through. I am, of course, behind on everything, but I am taking Paul to the airport tomorrow since I don’t have to go to work until later–he was surprised when I offered, but I had to remind him (and myself) that part of the reason I wouldn’t take him to the airport had everything to do with hating driving and not the drive itself; now that I have the new car and no longer hate driving…rides aren’t really an issue for me anymore.

It’s amazing what a difference a reliable, lovely new car can make in one’s life; which is something I have to remind myself of every time I make that substantial payment every month.

The MWA anthology deadline is Friday, and it’s kind of a relief to know that I’ve accepted the fact that I won’t make it. The second story, or even revising the first one, aren’t an option and I have some other things I need to get done that are more pressing. Having Paul gone means I’ll have a needy cat to deal with, but I will also be incredibly bored; and what better way to deal with boredom than getting things done?

Also, I am editing the St. Peterburg Bouchercon anthology, Sunny Places Shady People, and the submission call went out yesterday. Here’s the link: one click here and there you are!

And on that note, I am back to the spice mines.

Here’s today’s Calvin Klein ad.

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Dancing in the Dark

Well, I finished Alafair Burke’s The Wife last night, and wow. Just….wow.

That is three, count ’em, three, amazing novels by women I’ve read recently; all of whom–Alison Gaylin, Laura Lippman, Alafair Burke–were already writing fantastic novels, and yet somehow manage to get better with each new one.  As a writer myself, reading these fantastic novels is a bit daunting–it puts me in mind of why do I bother I will never be this good–but as a reader who loves books, they make me want to send off fireworks.

I also started reading Adam Sternbergh’s The Blinds last night, and it’s also exceptional. I’d read his Edgar Award nominated debut, Shovel Ready, which was amazing, but somehow had missed his second novel; but got a free copy of The Blinds at Bouchercon (thank you, Harper Collins author signing party!) and have heard raves about it, so I decided to tackle it next. And yes, wow. I am also still processing The Wife, and Lippman’s Sunburn, and Gaylin’s If I Die Tonight. I will of course discuss all of these books closer to their release dates, in great detail, on here. But if you love great books, Constant Reader, you need to go pre-order these right the fuck now. You will not be sorry.

You’ll only be sorry if you don’t.

I don’t have to go into the office until late; which is lovely as I have about a gazillion things to do around the house this morning. I also have several errands to run: I have to stop at Garden District Books to pick up a book about the New Orleans Jewish community (more on that later); CVS to pick up a prescription; and of course, as always, I have to get the mail. I need to spend the morning outlining some short stories–one is due at the end of the month, and I am going to have to really get moving if I intend to get it finished–and I also seriously need to get some Scotty stuff finished. I also need, this week, to tear apart the WIP so I can figure out how to restructure it and add in the things that need to be added. I’d like to get that finished by the end of the year, and I think going about doing all of this in an organized fashion makes the most sense. It’s weird how disorganized I am about writing, when I try–almost to the point of being obsessive–I am about everything else in my life. I also need to start restricting my access to social media; that doesn’t help me with my attention span, which seems to be getting shorter and shorter as I get older. I’ve always had trouble focussing and maintaining that focus; I’ve got to be more laser-like in my focus if I’m going to get all of this stuff done by the end of the year.

I know I can do it, and I am actually feeling a lot more confident than I should be. But the busier I am, the more I have to do–the more likely I am to get things done.

And on that note, tis off to the spice mines.

Here’s a Tuesday hunk for you, Constant Reader. Enjoy.

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Jump

Sunday morning and the end of Daylight Savings Time. I woke up at the usual time, reset the clock to the correct time, and stayed in bed for another hour…but still got up early. It’s fine, I don’t mind, and I am actually awake rather than groggy. I need to get groceries–a minor run for some staples and a few things I need for dinner tonight–and I also need to get to the gym today. (I did not, in fact, go yesterday as planned.) I also managed to destroy my ancient iPod Nano. I took it out of my car (where it’s my music source) and put it in my jeans pocket Friday so I could take it with me to the gym, forgot about it, and yes, put it through both washer and dryer. Sigh. Now the screen is dead–the memory in it still works, if I connect it to my computer–but the controls don’t work, and they don’t make Nanos anymore, which totally sucks. I had that damned thing for almost seven years…so I guess I’ll have to use my iPod Touch, which is nine years old, for the gym instead until I can swing getting a new one, I suppose. So annoying. Then again, if it costs less than a new iPod Touch, it might be worth seeing if it can be fixed.

I suppose I could just use my phone, I suppose, but I hate how the music cuts off if you get an email or a text or something. It’s jarring.

First world problems, I know.

I am reading an advance copy of Laura Lippman’s Sunburn, and it’s really quite exceptional. It’s very different than anything she’s done before, and I have to say, it’s quite the ballsy move. It’s very easy to just write the same style and the same type of book over and over again, but Lippman has really stretched herself and grown in her stand alone novels; this, coming after the sublime Wilde Lake, is yet another gamble that is paying off big time. And as I said yesterday, reading amazing work by amazing writers is inspirational; I actually sat down at the computer yesterday and made myself write two thousand words; and they were good words. They took me longer to write than usual–my attention span is so shortened because of social media and everything else these days; I need to remember that the best thing for me to do when I get stuck is to get up and do something away from the computer; even if it is something as simple as rearranging a cabinet shelf; putting things in order and organizing, for some reason, always works as a writing trigger for me. But it’s more than I’ve written in a long time, and I am kind of excited about it, to be honest. I still have an essay to write, and there’s a short story I need to write, but I want to get some more of this Scotty done before I sidetrack myself again.

And on that note, ’tis back to the spice mines. Here’s a Sunday hunk for you, Constant Reader:

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Breaking Us in Two

Sunday. It’s one degree warmer than yesterday morning–wow, right? But you will undoubtedly be thrilled to know that I get everything on my list done yesterday other than go to the gym; and after spending two hours in the storage unit moving boxes of books around, I was pretty damned exhausted physically, and then braved Costco on a Saturday afternoon (it wasn’t bad at all, other than stupid people, which is every day). I also came across some books in the storage that I thought hey, these need to be reread and so I took them out. One of them was Richard Matheson’s Hell House, which seemed, at least to me, to be the proper reread after The Haunting of Hill House, in that they’re very similar; one could even go so far as to say Matheson basically took Jackson’s story structure and turned the dial up a notch. I am enjoying the reread very much; although I’m not very far into it thus far. I also found my copy of Michael Rowe’s groundbreaking anthology Queer Fear, which I reviewed in the Lambda Book Report many years ago when I worked there, and was to be my first encounter with Mr. Rowe; I remember he came up to me at the Lambda Awards the next year, introduced himself, and thanked me for the lovely review. We’ve crossed paths a few times since, and have become friends over the years. I do remember loving Queer Fear, and look forward to delving into it and rereading its short stories again.

I also found my high school scrapbook and my diaries from the 1990’s. I used to buy blank books and carry them around with me everywhere, so I could jot down story and/or book ideas, or write diary entries whenever I wanted to. I am always hesitant to reread my old diaries; I often wince from my immaturity and my over-dramatization of events in my life. Yet at the same time, the diaries also served as a very vital source of self-reflection and self-examination; I suppose this blog has served that purpose since I started it on Livejournal back in 2004 (the idea that I have been consistently blogging for thirteen years rather staggers the mind, doesn’t it? But I’ve been writing in a diary of some sort, off and on, since I was a teenager; this seems to be a natural continuation of that process).

I also found the three ring binder where I kept everything from the Virginia situation of 2005 and 2006; including the ACLU letter to the school board. I’d always intended to write a non-fiction book about it all, called Gay Porn Writer, in which I examined what happened to me in the context, not only of the times but extrapolating it out further into what was going on in publishing and the culture. My memory lies to me now, of course, so I am not certain that I’ll ever write such a book–I don’t know that I would remember things correctly, and even then, what is colored by my perceptions of things. I’ve since moved on, of course–I mentioned the incident in passing on my panel at Bouchercon and had to explain it a little, which was kind of crazy. It was so long ago, and I used to get invited to speak about it all the time. The memories are now hazy and unclear, but I am definitely going to keep all this information.

You never know.

I think I am probably just going to scan everything in the scrapbook, in order to preserve it electronically, and then throw it away. I don’t really need to keep programs from my high school football games, or from choir concerts, and scanning them will better preserve them anyway.

I have one errand to run today, and I also want to go to the gym for a little bit, start dipping my feet back into the water of working out regularly, and despite the cold, I am going to give that a try.

And hopefully, I’ll get some writing done, or at least something done that will move all projects forward.

Here’s a Sunday hunk for you:

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Don’t Cry

Saturday in New Orleans. I have a big to-do list to get through today, and I must get it all done so we can stream season 2 of both Stranger Things and Freakish this weekend, guilt-free. I also want to get some writing/editing/reading done on Sunday before launching into yet another week of work. I also slept late this morning; which felt wonderful–probably because it is a mere fifty two degrees here (AIEEE!) but I feel rested, which is truly the most important thing. I’d wanted to get up earlier, but hey–them are the breaks, kids. So, when I finish this cup of coffee I’ll probably make one to go and start running the errands, so as to get them over and done with. We were going to go see It tonight, but decided to wait and stream things tonight; we can always watch it when it’s available for streaming later.

I did finish my reread of The Haunting of Hill House last night before going to sleep, and as always, it was just a wonderful experience. That final sequence on the tower staircase terrifies me, as it always does; my fear of heights and my fear of spiral staircases no doubt stems from reading this book and seeing the original film, which was fantastic and remains, to this day, one of my top five horror films. (Do NOT under any circumstances watch the horrific, embarrassingly bad remake.) After I finish all my errands today, I am going to dive into End of Watch, which will probably bring my Halloween Horror reading to a close for this year. I am most anxious to dive into some of these books by authors I love (Laura Lippman, Alison Gaylin, Donna Andrews, Alafair Burke, Adam Sternbergh), and then of course there are the books collecting dust for far too long in the TBR pile. I also realized yesterday that I’ve not reread Rebecca this year, but that may wind up being something I tackle over the Thanksgiving holiday season. (I was also thinking last night of the similarities between The Haunting of Hill House and Rebecca last night; which might make for an interesting essay at some point…must make a note of that.)

Heavy heaving sigh.

So much to do, so little time in which to do it.

And on that note, tis off to the spice mines…since I overslept I can’t get more in depth on The Haunting of Hill House  as  I would like to; perhaps later, when the errands are finished.

Here’s a Saturday hunk for you, Constant Reader.

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It’s a Mistake

Tropical Storm soon to be Hurricane Nate is out there, drawing nearer by the minute and moving pretty fast across an incredibly warm Gulf Of Mexico. I slept very well last night–woke up a few times, one of course being the daily five a.m. purr kitty lying on me and kneading my chest with his paws, but was able to fall back into a restful sleep every time. It’s gray out there this morning, and the storm seems to continue shifting eastward (sorry, Biloxi!), and they’re now saying we’re going to get tropical storm strength winds. The west side of a hurricane is usually the dry side, too, so we won’t get as much rain. I have to stop by the grocery store today to get a few things, but I imagine it won’t be quite the madhouse it would have been yesterday when STORM PANIC mode was gripping the city. I also don’t need water or bread, so am not too worried about the few things I need to get. I can’t imagine there was a run on cat food, for example.

Paul had some late afternoon/early evening meetings last night, so while I waited for him to come home I read R. L. Stine’s The Lost Girl and started reading Colson Whitehead’s Zone One. It’s a zombie apocalypse novel, so I figured it fit with my Halloween Horror reading for this month. It’s also remarkably good, and while it is not my first zombie apocalypse novel (I’ve only read Michael Thomas Ford’s Z, which is really good and vastly under-appreciated), it’s not like how I imagined any zombie apocalypse novel to be (I still have one of Joe McKinney’s in my TBR pile, but I don’t think I’ll get to it this month).

Scan

What I remember most about that afternoon was the shimmering scarlet and yellow of the sky, as if the heavens were lighting up to join our family’s celebration. The sunlight sparkled off the two-day-old snow at teh curb, as if someone had piled diamonds in the street.

I think I remember everything about that day.

Running all the way home on the slushy sidewalks from my weekend job at the Clean Bee Laundry. The smell of the dry cleaning and the starch still on my clothes and my skin. I remember the blood thrumming at my temples as I ran and the feeling that, if I raised my arms high, I could take off, lift off from the crowded sidewalks of the Old Village, and glide easily into the pulsating colors of the sky.

The Lost Girl is a Fear Street novel, one of many R. L. Stine has published, set in the small city of Shadyside where Fear Street is located, where the ruins of the old Fear mansion, which had burned to the ground decades earlier, remained…only now, in this relaunched Fear Street series, the ruins have been cleared away and it’s a vacant lot. Stine built quite an empire with the Fear Street books, but his scary books for children, Goosebumps, were what really made him an industry. They were adapted into a TV show, and movies, and as the Goosebumps took off, the Fear Street books became less and less important and disappeared eventually. A quick glance at his Wikipedia page shows that there are, to date, 166 young adult novels written by Stine; the majority of them having something to do with Fear Street. I read a lot of those books in the early 1990’s–he and Christopher Pike and Jay Bennett, and those are the books that gave me the idea to write young adult novels in the first place–Sara, Sorceress, and Sleeping Angel were written in first drafts during that time. The Fear Street books were also what gave me the idea to link all of my y/a novels in some way; not all being set in the same town because that didn’t seem realistic, but linked in some way. I did manage to do that.

The Lost Girl is an entertaining enough read–it took me about two hours to get through it before I moved on to the Whitehead–and it’s very much what I remembered of the Fear Street books; very likable protagonist caught up in something terrible and awful through no fault of his own…loses some friends to the supernatural force, but eventually figures out how to bring it all to an end. It was a pleasant way to spend the evening while I waited for Paul to come home, and that was kind of how I read Stine back in the day; I always kept a few of them around on hand to read when I had some time to kill but didn’t want to get into anything truly heavy.

Stine is also a very nice man; I met him at the Edgars several years ago, and he was a Guest of Honor at Stokercon in Vegas, so I got to arrange his travel and email back and forth with him a few times. He’s very gracious, very kind, and it was kind of a thrill for me. Since I was representing Stokercon and the Horror Writers Association, I couldn’t gush and make a fool of myself the way I probably would have otherwise–which is probably a good thing.

And now, back to the spice mines. I want to find some more markets to submit my short stories to, and get some of this mess cleaned up.

Have a great day, Constant Reader!