Sara

Sunday morning, and the time change has me bleary-eyed and irritated. I hate losing an hour, absolutely hate it, and would gladly give up that extra hour of sleep in the fall that makes up for it being taken away now. It’s always disorienting, and it’s been hard enough recovering from the one-two-three punch of the Great Data Disaster of 2018 followed by the weeks of Carnival followed  by the Laptop Death of 2019. Seriously, I am so not in the mood for this.

But I suppose it’s a sign that spring is on its way, with the blasting heat of the summer right behind. I need to get caught up on my homework for the panel I’m moderating–I did have a lovely experience yesterday at the car wash while reading Alafair Burke’s The Better Sister while I waited for them to finish cleaning my car. I spent most of yesterday being a trifle on the lazy side; I was worn out and the rest was kind of necessary, although I probably should have read more. I did do the laundry, ran the errands that needed running, and wound up back home extremely worn out, and made the perhaps not good decision to simply relax and rest for the rest of the day rather than doing anything constructive.

I watched American Graffiti again Friday night for the first time in decades; it’s available on Starz, and as I scrolled through the available options I thought why not? The movie itself, which was a huge deal when released, made a fortune, and got a number of Oscar nominations (including best picture), was one I remembered a bit fondly, and in all the hubbub of George Lucas/Star Wars, people tend to forget American Graffiti was the hit movie  that actually made him, and made Star Wars financing a possibility in the first place. I think he was even nominated for best director? I don’t recall. But American Graffiti was notable to me as a young teenager because it triggered a nostalgia wave for the 1950’s at the time; the soundtrack was hugely successful, and anthology albums of hits from the 1950’s became all the rage. (The irony that the film was actually set in 1962 was lost on everyone.) It’s actually kind of a dark film, really; while it reintroduced Chinese fire drills and cruising and sock hops and the music of the period to teenagers (the Beach Boys also came back to prominence; their double album greatest hits compilation Endless Summer was released during this nostalgia craze) rewatching the film now, the darkness is plain to see. Vietnam is on the horizon, and the ‘innocence’ of these teens, on the brink of adulthood, isn’t all that innocent, really. There wasn’t really a cohesive plot; it was just a mishmash of interconnected characters with their own stories sometimes bisecting others–very Robert Altman-esque in that way.

And as I said earlier, it did lead to a 50’s nostalgia craze, which eventually led to shows like Happy Days and Laverne and Shirley, which also wound up starring Ron Howard and Cindy Williams, as the film did. Richard Dreyfuss also has a lead, and this was before Jaws and his Oscar for The Goodbye Girl and Close Encounters of the Third Kind. The movie kind of launched quite a few careers. It was also one of the first “teen movies” to be quite so dark, a big change from the silliness of the Disney films for teens at the time or the beach movies of the 60’s. An argument could, in fact, be made that American Graffiti set the stage for the 1980’s teen movies that redefined the genre.

I’ve also always kind of thought that the kids from Graffiti who went off to college became the adults in The Big Chill, but that’s just me. (There was a sequel, More American Graffiti, that was made in 1979, but the less said about that the better.)

I also rewatched Play Misty for Me, which is also available on Starz. Play Misty for Me was the original Fatal Attraction, also was Clint Eastwood’s first film as a director (he also starred), and scared the crap out of me when I was a kid; we saw it as a family at the drive-in, part of a triple feature with another Eastwood film, High Plains Drifter (which I think is his best Western), and a really bad low-budget movie starring country singer Marty Robbins called Guns of a Stranger–which was so laughably bad it became kind of a benchmark/joke for my family for years. I’ve never seen Play Misty for Me again, and so was curious; I remember Jessica Walters played Evelyn Draper, the “Alex Forrest” of the movie, and was absolutely terrifying as the psycho woman obsessed with Clint Eastwood’s Carmel deejay (I also recognized a lot of the locations as the same ones used for Big Little Lies). It doesn’t hold up as well on a rewatch some forty years later, alas; it has a lot of “first director-itis”, and kind of has a “made for TV” feel to it, but it was a pretty adequate little thriller, and was groundbreaking in its way–it was really the first movie to deal with a stalker situation.

I seem to have also developed some kind of a strain in my right calf muscle; I’m not sure what that’s all about, but it’s not incredibly painful or anything; but I am always aware of it when I’m walking. Crazy.

So, I have lots of plans for today now that my coffee is starting to kick in; I’m looking forward to doing some cleaning today, writing some, and of course, reading. Alafair Burke’s The Better Sister is quite good, and I can’t wait to get caught up in it later today when I finish my chores and to-do list.

And on that note, ’tis back to the spice mines with me.

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I Pledge My Love

Good morning, Saturday, how are you doing? I’ve been up for over an hour and am just now finishing my second cup of coffee. I slept really well last night, and feel incredibly rested this morning. This is a good thing; I have a few errands to run later this morning (including getting my filthy filthy car washed) and therefore I need a lot of energy. I am also dropping off several bags worth of beads and throws at the Latter Library drop-off for the ARC of Greater New Orleans (attention locals: if you’re looking to get rid of excess beads and throws, here is a list of the drop-off points.). There are also a few odds and ends I need to get at the grocery store, and of course I always need to get the mail.

Yesterday was a bit of an adventure.

So, Thursday afternoon my MacBook Air started…well, acting a little funky. It was working just fine, no worries on that score, but on the left part of the screen, a series of vertical black lines suddenly appeared. I could still see what was behind them, but there was some flickering and the wall paper just turned into flickering blotches of color. Uh oh, I said to myself, that can’t be good. I spoke to Apple Support on-line, and we determined that yes, it wasn’t software but a hardware issue, which is what I suspected all along. We made an appointment for me to take it to the Genius Bar at the Apple Store in Metairie, the earliest available appointment being for 3:15. Terrific, I thought. I get off work at one, can drive out to Metairie and go shopping at Target–which I need to do anyway–and then head to the mall.

So, I did precisely that; I got off work at one, headed over to 610, and took it to where it merges with I-10 just over the parish line and drove out to Clearview Parkway. I spent far too much money at Target (it’s just like Costco in that way; even with a list I buy more than I intended to–oh, look, I need toothpaste but this deal for two is a dollar cheaper than buying two separately at separate times; oh, coffee is on sale? This is too good a deal to pass up…and so it goes) and loaded everything in the hatch of the car (where there were already all the bags of beads and throws to be donated) and headed to Lakeview Mall. I checked in–an hour early–at the Apple Store, then went to eat at the Smashburger in the food court (good, but a little too expensive; I should have stopped at Atomic Burger, which is also expensive but worth it). I returned to the Apple Store and started checking out the MacBook Airs, just in case the old one wasn’t reparable. I really can’t afford to buy a new one at this time, but was prepared to because I can’t do without a laptop.

And long story short, no they couldn’t repair it because it was too old. I bought the Air in 2011–eight years old, and eight years of it working brilliantly whenever I needed it to.

So, I decided to go ahead and get the least expensive one, which was actually very similar to mine. Except…

..they had none in stock, it had to be ordered, and the earliest I could get it would be April 1st.

Um, no. They did have the more expensive models in stock, of course.

But there was no way I was taking that financial hit and then having to wait four weeks to actually get the damned thing, all the while hoping that the current one would continue to work.

But this happened before, I remembered, with my current iPad–the store told me it would take five weeks to get it on back order, then I came home, went on-line, ordered it from Apple.com and had it within a week. So, I decided to come home and do the same thing–order it on-line and see what happened.

But as I was leaving the mall and turning around to head back to New Orleans, I saw there was a Best Buy on my right. What the hell, I thought, and pulled into their parking lot. Long story short, I bought a HP Stream for $251 total and it didn’t cost me any cash out of pocket; the cashier signed me up for Best Buy credit and if I pay it off in six months there’s no interest…which means even if it is a cheap piece of shit and breaks down or turns out to be useless, it should give me at least another year of use while I save up to buy a proper Apple laptop. And I may not even go with the Air next time and might get a MacBook Pro.

This HP Stream also looks just like my old iBook, which I loved and used for six years or so before its motherboard went out. It’ll take some getting used to, of course, but this all kind of worked out really well for me and I am most pleased.

And when I got home, there were no places to park on my street–remember, hatch was full of bags from shopping at Target–but as I drove down the street, resigned to having to lug everything two blocks in the heavy humidity we get before a rain, someone pulled out of a spot right in front of my house.

Seriously.

So, today I am going to run my errands and come back home to clean. I also plan on doing one last copy edit of Scotty before I send it in to my editor, and also get back to work on the WIP. I also need to read some more of Alafair Burke’s The Better Sister, in preparation for our panel later this month at the Tennessee Williams Festival.

And I hope you have a lovely, lovely day, Constant Reader.

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Stand by Me

Friday; the last day of my work week and it’s a half-day, at that. How lovely.

Or it would be, but I have to go to Metairie to the Apple Store this afternoon. My laptop is acting funny, and I really really don’t want to replace it. Granted, it is eight years old, and it may not even be fixable, but it doesn’t hurt to find out one way or the other. Yesterday morning some long black lines showed up on the left of the screen, and the images beneath the lines were flickering. Heavy heaving sigh.

It never fails, does it? I was just starting to feel a little bit more comfortable. That’ll teach me, right? Plus this is throwing a monkey wrench into my plans for the weekend. Oh, okay, yes, I had only a two and half day work week, sure. But still. I was really looking forward to not leaving the house this weekend. Heavy heaving sigh.

Ah, well. It is what it is. The worst part of the trip to Metairie is going to be returning to the city during rush hour. Just thinking about it turns my stomach…heavy heaving sigh. Now i am also thinking I should have made the appointment for Saturday and kept my Friday as originally planned.

Paul and I started watching You on Netflix this week, and I have to say I was most impressed with it. At first I was like, oh, okay, a stalker story where the girl falls in love, unknowingly, with her stalker. I’ve seen this before, thank you very much and thought I’d give it an episode or two…but then the first episode took a much darker turn that I didn’t see coming and that woke me the fuck up. I am looking forward to watching the rest of the show now…alas, with the festivals looming on the horizon, Paul is terribly busy so leisure watching isn’t really a priority for him these days.

I am still feeling a little bit out of it this morning; like my life is something I’m watching on television and not actually participating in. Needless to say this is a bit disorienting. I’ve not been doing as much creative thinking this week as I would have preferred, but this entire week has been an exercise in “just make it through till the weekend”; I’m not sure why that is, but it has been. I also feel very disconnected from the world at large; Carnival always has this weird tendency to separate us here from the rest of the country and the rest of the world and what’s going on out there, and these days the news moves so quickly that it’s impossible to get caught up on what’s happened during the parades.

I did do some creative thinking yesterday, about the long-abandoned and pushed to the side used-to-be-WIP. I had already decided to do one last revision of it and turn it in to my publisher; it’s what I am going to do once I finish the first draft of the current WIP. I also am going to start doing my research on the next Scotty; I suppose that makes it kind of official that I am going to do a ninth one. But don’t get too excited, Scotty fans; I am going to have to finish these other two first and there’s another first draft I want to write before I get to the Scotty; a gay noir I’ve been wanting to write for quite some time. That would be Muscles, and over this weekend one of the things I want to get done is pulling all of the material I want together (that I already have on hand) for the next three manuscripts. I am also going to go over Royal Street Reveillon one more time; one final read and copy edit before it finally is turned in for good.

And on that note, ’tis back to the spice mines for me.

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Heartbreaker

Adjusting to normality after the madness of Carnival is never an easy thing to do.

Fortunately, it always involves a short work week–three days–and before I know it the weekend will be here and Monday will be when things really get back to normal around here.

In other exciting news, my own Mardi Gras Mambo was included in a round-up of crime novels set during Carnival, along with noted writers whom I admire, such as Bill Loefhelm, James Sallis, James Lee Burke and Barbara Hambly, among others. (You can check out the entire list here.)

Isn’t that lovely? It’s always nice–and a bit of a surprise–when I find myself on lists like this, whether it’s “gay crime writers” or “books about New Orleans” or “New Orleans crime writers” or pretty much anything, really. I must confess, whenever I see a list where I could be included and am not, it always stings a little bit; I suppose that’s something I will never get used to…and I always wonder, is it because I’m gay? Do queer writers not count? Of course when it’s a list of queer writers it can be a bit maddening, but if you let things like that derail you or hurt your feelings…you’re in the wrong business.

You have to not let the exclusions bother you and celebrate the inclusions…which isn’t easy.

Yesterday was a day of utter discombobulation as I tried (and failed, really) to adapt back to my work schedule, which means I did go to work but the rest of my life floundered around the edges. I didn’t even get around to answering emails yesterday, which was a priority, or paying the bills. But this morning I paid the bills (which is always a crushing blow on pay day) and have another hour or so before I have to get ready for work–so the goal is to tear through my emails and get as many answered as possible.

Fingers crossed, at any rate.

I also started rereading Bury Me in Shadows last night; and yes, the first chapter is, as I feared, a total mess–but it’s fixable, and I am going to continue rereading those first ten chapters this week and work on fixing them before moving on to the rest of the book. I just need to get past this weird feeling leftover from Carnival, where I don’t feel like I am actually a part of my life but am kind of drifting alongside it, observing but not participating in it, if that makes any weird kind of sense.

But I am hoping today will sort that out. The kitchen is a mess–I did the dishes when I got home last night, but there still is a mess everywhere in here and the floor needs to be done–and get some more things sorted and organized. I slept really well last night and didn’t want to get out of bed this morning; tomorrow is a get up at the crack of dawn morning but it’s also only half-a-day, so I am going to try to get all my errands done tomorrow afternoon on the way home from work so as to be able to, once again, not leave the house this weekend.

I find that I really do enjoy those weekends when I don’t leave the house.

I also managed to read another short story last night, from Norah Lofts’ Hauntings: Is There Anybody There?, titled “The Bird Bath”:

Opening her door for the first time to Mr. Mitson, Mrs. Pryor felt a sense of recoil. He looked like a tramp of the kind not often seen nowadays. He had a very red face, sharp red-rimmed little eyes, and a week’s growth of beard. He wore a dirty old army greatcoat, made for a bigger man, and a hat which had long ago lost its original color and shape. He smelled strongly of beer.

Nearby, however, actually in her tiny drive, stood a reassuring sight, a white pony, plump and shiny and with the placid look of a well-treated animal. Attached to the pony was a small cart, bearing in white paint the words–J. Mitson, Dealer. This morning J. Mitson was dealing in firewood.

Over the next few days, as the widowed Mrs. Pryor settles into her new home–having returned to England after years abroad with her husband–in East Anglia, Mr. Mitson keeps coming back and selling her things…with the final thing he sells her being a strange bird bath; a plinth with a wide open space at the top.

And that’s when things get interesting.

Another enjoyable, Gothic style, softly whispering ghost story. I love that Lofts isn’t into outright horror or jump scares, but like The Turn of the Screw and The Haunting of Hill House, her whispered stories make the hair stand on end and the skin crawl.

SO glad I got this book!

And now back to the spice mines.

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Dim All The Lights

It is cold this morning in the Lost Apartment; kind of gray out there with the sun hidden behind fluffy white clouds. There’s a sink full of dishes, clothes in the dryer, and mess pretty much everywhere. At some point I have to go to the store today–there are things we need that cannot wait till Wednesday–but I am going to postpone the mail until Wednesday on the way to to the office. I also need to do some wrap-up work on the book at some point today, but it’s still pretty much finished. I want to get that done today so I can spend tomorrow reading…which, since it doesn’t seem sunny, will probably work. I wanted to take my camera out and take pictures of the Bead Trees of St. Charles–an annual tradition–but without sunshine the pictures aren’t as effective…so, unless the sun comes out today, that’s something that’ll have to wait until the weekend.

Yesterday was fun.  I gave up on Thoth about half-way through; there was an enormous break in the parade, and the longer I stood there the less I wanted to. Also the wind started picking up, the sky got gray, and I felt a few drops…tired and wet wasn’t something I felt particularly up for, so I decided to come inside and rest up for Bacchus. I’d already caught plenty of beads, and with Bacchus and Orpheus in the future…yeah, I called it an afternoon and came inside.

The three day parades yesterday rolled as floats only (no marching bands or walking groups) because of inclement weather in the forecast; they also moved them all up to eleven in the morning and they followed each other; so Thoth rolled hours earlier than usual. I was inside yesterday around two; Thoth usually begins at two-thirty and it was already half-way past.

It’s also amazing how fast those parades can move when it’s just floats.

And Bacchus was, as always, fun despite the cold. Paul caught some beads directly from Bacchus (Jensen Ackles) himself, and I got some doubloons from his float.  Here are some great shots of the parade (and Jensen).

After Bacchus, we came back in and got caught up on Schitt’s Creek and How to Get Away with Murder, and then, tired and worn out for a day mostly spent on the parade route, I went to bed early and also managed to sleep in, which was quite lovely.  The temperature is currently in the low forties, which doesn’t bode well for Orpheus tonight, but I also don’t mind bundling up for this parade. It has the train float which is one of my favorites!

And then tomorrow, we will just rest and relax and get ready for the three day work week.

Happy Lundi Gras, everyone!

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Should’ve Never Let You Go

And my first morning of vacation looms bright, with a stunningly blue sky and the sun blinding me through my windows. The clouds will roll in later this afternoon, per the weather forecast, and the thunderstorms aren’t supposed to arrive until around eleven; well after the second parade has passed. Tonight’s parades are Druids and (Stevie) Nyx; so only two, to prep us for the madness of Thursday, which includes Muses.

So much to get done today, should I choose to do any of it; I need to get caught back up on Scotty revising, and there’s always cleaning to do around the Lost Apartment. I also have to make groceries and collect the mail, and I’d like to go to the gym at some point this afternoon as well to begin my reconnection with taking better care of my body. There’s also reading to do; I need to read the next story in the Murder-a-Go-Go’s anthology, and I need to finish the ghost story I’m reading in Norah Lofts’ Hauntings, and of course, the delicious pleasure that is Lori Roy’s Gone Too Long also awaits on the end table next to my reclining chair. I need to set aside some time to finish that because I need to read my homework for the panel I’m moderating at the Tennessee Williams Festival–Alafair Burke’s The Better Sister, Samantha Downing’s My Lovely Wife, and Kristien Hemmerechts’ The Woman Who Fed the Dogs. I am also falling very far behind on the Diversity Project, which is enormously disappointing to me.

I’m sort of in a malaise in which I keep putting things off because I don’t want to do them, which isn’t really like me–or at least, the me I’ve been for the last half of my life. The first half of my life was when I just avoided things I didn’t want to deal with, which never ended well. I’m not entirely sure what’s causing it, and the Great Data Disaster of 2018 was so long ago now (three months, almost four!) that I can’t keep blaming things on it; but I can really trace this back to losing that weekend’s worth of work and getting derailed…because I was also on a roll at that point, and I’ve never quite gotten that momentum back.

Something innocuous I posted on social media blew up in a way I certainly never intended, and no, I don’t mean the post that someone needs to do a noir reboot of The Partridge Family, which I still think is a brilliant idea–after all, we never really know what happened to Shirley’s husband, who is rarely, if ever mentioned; and let’s face it, none of those kids looked even remotely related to each other. I envision Shirley as a not only a black widow going through numerous husbands and baby-daddies, but also being a horrific stage mother, forcing her children into musical careers, while having an affair with their sleazy manager, Reuben.

No, I idly posted that someone needs to do one of those music-inspired crime anthologies based on the music of Pat Benatar…and then came up with the title, Crimes of Passion: Crimes Stories Inspired by the Music of Pat Benatar.

Well, it kind of took off, with people replying to my tweet that they’d write to it, or responding on Facebook that they wanted to, even going so far as to pick the songs they wanted. At first–I was at work–I wanted to say, yo, everyone, it was just a thought, I’m not actually doing this but as the day went on I began to think, more and more, that hey, maybe you should think about doing this. More than enough people have offered to write for it, so many so that if anyone drops out there would still be more than enough stories to fill out a volume and for it to be really good.

So…I’m considering it, and considering publishers to approach. So maybe, just maybe, that will be my next anthology.

MAYBE.

And now, back to the spice mines.

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How Do I Make You

My last day of work before my Carnival vacation. It’s a long day; roughly eight am to eight pm, one of the notorious twelve hour days. But I slept really well last night, and while it’s gloomy and rainy and gray and a bit chilly out there, I am in a good mood and feel rested. Thunderstorms are forecast for the entire weekend of Carnival. I’m not sure what that’s going to do to the parade schedule, but adaptation is always necessary when it comes to the weather here. I just pray Endymion doesn’t rain out, so they wind up rescheduling to follow Bacchus on Sunday down St. Charles. That’s happened before, and it’s always a nightmare. The parade never finishes before three in the morning, and seriously–Sunday is already non-stop parades all day.

I did no revising yesterday. Shameful, I know, I was in a fairly good mood but completely unmotivated. I didn’t even read anything yesterday. Horrific, I know. I did start doing some laundry last night but didn’t finish, either. I am going to stop at the grocery store tonight on my way home from work and get some things; at some point over the next few days I am probably going to make a Costco run as well. As always, I have a sink full of dishes and at least two loads of laundry to finish…

Ah, the excitement! I can only hope I won’t be too overstimulated to sleep.

I also think I am going to use this vacation time–I am out of the office from tomorrow until Ash Wednesday–to head back to the gym. I stretched a little yesterday morning, and it felt fantastic; at the very least, even if I can’t drag my enormous and ever-growing ass to the gym to do weights every day, I should at least stretch because it feels good and I love doing it. Seriously. I actually LIKE lifting weights and working out; I don’t know why I have so many issues with actually DOING it.

But that’s everything in my life, isn’t it? I love writing. I love revising. I love cleaning. I love cooking. I love working out. So why do I never want to do any of those things, and when I do them it’s always grudgingly?

So, my goals over the vacation are these: finish revising Scotty and get it to my editor; get back to writing the WIP; finish reading Lori Roy’s brilliant Gone Too Long; clean and organize the entire house; get my car washed (I parked it under a tree; you can guess the rest); get my brake tag; go to Costco and eat at Five Guys; and start working out again. I think I can make all these things happen, and hopefully once I am working out again I will continue working out. I don’t really need to lower my BMI all that much to trim off the excess fatty tissue; the problem with the size gains I’ve made over the last seven years or so is any excess fat makes it ALL look like fat. Heavy sigh.

I CAN DO IT.

And on that note, tis back to the spice mines with me.

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Romeo’s Tune

It’s PARADE SEASON, boys and girls!

Tomorrow’s afternoon parades were moved up an hour due to the possibility of inclement weather–which does rather make one wonder about the evening parades–but tis Carnival Season in New Orleans, so the weather is what it is, and we celebrate and enjoy around it. I mean, it usually rains during Jazz Fest, too. And I don’t think I ever remember a Carnival season where there wasn’t at least one cold, rainy night for parades.

The weather has been interesting lately; what I like to call New Orleans Gothic. It’s gray, rainy and warm during the day, and then the fogs rolls in as the sun goes down and it gets about ten degrees cooler. The cloud cover reflects the lights, so the clouds above at night aren’t dark but strange, light shades of orange and pinks and blues, yet closer to the ground, beneath the live oaks, its dark and the fog wraps itself around things so things begin to disappear about five feet or so ahead of you.

As I drove home from work and running errands late yesterday afternoon I began to notice the tell-tale signs; portable fencing lined up on neutral grounds, ready to be put into place for the parades. More and more houses are hanging Carnival flags and putting up their decorations. Fences are festooned with beads glittering in the sun when it peeks through the clouds for a moment or two. The grocery stores have, of course, been stocking King cakes since before Christmas, and everything you would need to party outdoors for days on end are on prominent display throughout the stores. The mood of the city is also starting to lift, which is always lovely.

New Orleans is always in a state of flux; but change seems to come slower here than it does in other places, and there’s always some resistance to those changes. I was thinking the other day that the New Orleans of today is so vastly different than the New Orleans I moved to all those years ago, that I fell in love with even longer ago. But no matter what, it’s always New Orleans here; there are some things that never change, that never go away. The friendliness, for one, and that peculiar to New Orleans us against the rest of the world mentality I’ve never really experienced anywhere else; the way the city will fight and squabble and complain and argue and bicker, but band together as one against outsiders. (In some ways, the Saints are the embodiment of this particular virtue, but that’s a subject for another time.)

I was at the office a mere two hours this morning, which I spent doing odds-and-ends I’m responsible for, and then hit the grocery store on my way home since I won’t be able to get anywhere this weekend. It’s warm–low seventies–but yeesh, is it ever muggy out there! I was sweating bringing the groceries in from the car, which…I mean, it’s still February. But I got enough stuff to get us through until the staycation next week starts.

I also read another one of Norah Lofts’ ghost stories from Hauntings: Is There Anybody There?, titled “Victorian Echo:”

When my great-aunt Julia died she was eighty-seven, and she had attained her last objective, which was to die in her own house.

She left far more money than anyone would have expected. Most of it went to rather obscure charities, but she left her house, its contents, and a thousand pounds to me; a surprise, and a very pleasant one. She had always lived rather parsimoniously; I had sometimes wondered if she had enough to eat and on my visits had taken food, making rather thin excuses.

Jon and I went out to look at my inheritance on a Sunday, the only day on which we were both free. It was mid-March, a sunny, windy, hopeful day with catkins in th ehedges and primroses in the ditches. Joe did not know the house well; he had come with me a time or two, but Julia disliked him and showed it.

Norah Lofts’ ghost stories are more Gothic than scary; her goal isn’t necessarily to give you a jump scare, but rather to get under your skin and make it crawl just a little bit. Her Victorian style of writing is absolutely perfect for this; she’s very much in the school of The Turn of the Screw and Shirley Jackson in that way. For our happily married young couple in this story, pinching pennies to make ends meet, this inheritance of a house and a small fortune is indeed a blessing for them…until they start to notice that their behavior changes when they are actually inside the house…

Great, great fun.

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Rise

Sunday! Yesterday I braved the AT&T store and upgraded my phone. It’s kind of cool. I wanted a red one, but had to settle for silver as they were out of red. Maybe next time.

I didn’t really want a new phone, but since it’s a lease–which I really am not sure I understand how that works, but whatever–it was overdue for a replacement. Other than the lengthy wait–and the usual irritating length of time it always takes for Apple operating systems to load and so forth–it wasn’t that bad. And now I have a new phone.

Now I need to get that pesky brake tag, and I’ll be all set. DON’T JUDGE ME.

I also put some books away in storage, and filed away the last few editions of manuscripts I’ve worked on over the last year. I still have to figure out where that extra seventy dollars in my checking account came from, do my taxes, and clear out all my emails…heavy heaving sigh.

But despite the limited progress on anything of merit yesterday, I am refusing to berate myself as per the usual. I work forty hours a week, after all, and write around my job. I don’t quite have the energy I used to have, so recharging a bit on the weekend is necessary and also kind of the only time I have to do it. So, having a low-energy not get a lot of writing done day is kind of work; I need to recharge in order to get the work done.

I also began reading Lori Roy’s Gone Too Long and once again, I am completely blown away at her mastery of language. She truly has mastered what I think of as Southern Gothic, and when I am reading her work I am always reminded of Faulkner and Flannery O’Connor. Gone Too Long has also come along at precisely the right time in my reading; it’s about the Klan in Georgia. One of the things I love about Roy’s work is how patiently and deftly she plays her cards, never letting you know anything you don’t need to know until you absolutely need to know it; there’s also a haunting, dream-like quality to her work that I wish I could figure out how to do myself, quite frankly. I am savoring the book, and not wanting to rush through it. I read some more this morning with my second and third cups of coffee; and now am reluctantly putting it aside in order to get the work done I didn’t do yesterday.

Had I done the work yesterday, I could spend more time today reading Gone Too Long.

Which is yet another shining example of not putting off till tomorrow what you can do today because you will definitely regret it.

On the other hand, if I get everything done that I want to get done today, I can go back to reading it. I also want to finish reading a short story from Hauntings: Is There Anybody There?

Always so much to do, so little time in which to do it, and very little desire to get it done.

But I also got up early this morning, so there’s no excuse. If, for example, I buckle down and start writing now, I can be finished in a few hours and have the rest of the day to enjoy this book.

We also started watching Russian Doll last night, which is holding our interest–more so than The Umbrella Factory–and so we’ll probably delve into another episode of that this evening as well.

And on that note, tis back to the spice mines with me.

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Cool Change

Saturday morning and I slept late, which felt positively marvelous. I feel rested and ready to kick some ass and take some names–at least for now, at any rate. Paul is going to be out of the house most of the day–appointments and going to the office–and therefore I have the Lost Apartment to myself for most of the day and no excuse not to get a lot of things done. I am still planning on walking over to the AT&T store to replace my phone–who knows how that is going to go?–but other than that, my day is pretty much set for cleaning, revising, and reading.

Last night, we started watching the new Netflix show The Umbrella Academy, based on the Dark Horse comic series–and while I didn’t madly love it, I am curious enough to continue watching. For one thing, it has both Ellen Page and Tom Hopper (who I’ve been crushing madly on since his days as Billy Bones on Black Sails), and it has an interesting premise. We will be continuing with it tonight, I think. I had just started reading Lori Roy’s Gone Too Long when Paul got home last night, and then was distracted by getting caught up on How to Get Away with Murder and then The Umbrella Academy.

And I’ve been dealing with yet another Apple upgrade issue that has fucked with my desktop, laptop, phone and iPad since last night. Now the cloud drive is missing from both my desktop and my laptop (I managed to resolve the handheld device issues last night) and so am trying to get that resolved this morning. Seriously, Apple–when you update/upgrade your systems, is it absolutely necessary to fuck up everything for your customers? 

Seriously, Apple. Do better.

So I am trying to resolve all this before scheduling a call from Apple Support…which I also don’t understand; you used to be able to do this in an on-line chat, but now of course they make you take a phone call. Why, precisely? And how able-ist is this? What about those of us who are hard of hearing, or those who are deaf? Seriously, fuck you in the ass without lubrication, Apple. HARD.

Thank you for allowing me to vent about these issues, Constant Reader. It’s helping me reduce the future body count.

This week I got a copy of Kyle Onstott’s bestselling Mandingo from the 1950’s. As Constant Reader is aware, I’ve been trying to diversify not only my fiction reading but to learn more about the horrible history of race in North America. Part of this has taking an amorphous shape in my head around a lengthy essay, tracing revisionism of slavery and the Old South and civil rights from such novels as The Clansman (which was filmed as Birth of a Nation) to Gone with the Wind to To Kill a Mockingbird and The Klansman, which I recently reread. As I was scrolling through Amazon Prime looking for something to watch the other night, I came across the late 1970’s film Mandingo, and remembered that it was also a novel. I bought a copy from eBay which arrived this week (I wasn’t able to get far in the movie because it was just incredibly bad; not even campy bad, like Showgirls, just bad.) The book arrived this week and….just looking at the note from the publisher in the beginning was horrifying. Yet Mandingo might just be the only novel about slavery and the Old South that actually tears the veneer of respectability and gentility away and exposes the true horror of what the “peculiar institution” was actually like. (Even John Jakes’ dreadful North and South series never delved deeply into the actual horrors; Colson Whitehead’s Underground Railroad was one of the first novels to truly explore this that I’ve read.) Barbara Hambly’s Benjamin January series, set in New Orleans before the Civil War, also does a terrific job of exploring how deeply entrenched and horrible racism/slavery were.

This essay I am thinking about would probably wind up, should I ever have the time to read the books and write it (it would, for example, require a reread of Gone with the Wind and it’s over eleven hundred pages, as well as some in depth reading of actual history) would probably be a part of Gay Porn Writer: The Fictions of My Life…which is a project I really do want to work on someday.  Mandingo takes on an aspect of slavery and the South that is rarely, if ever, touched on in fictions: the sexual abuse of the female slaves by their masters (come on, like it never happened. Really?) as well as the breeding of actual slaves for better, more valuable stock, as well as raising them for fighting–kind of a human version of cock-fighting or dog-fighting. Is it more likely that never happened, or that it did? Slavery, as Harriet Beecher Stowe repeatedly explained in Uncle Tom’s Cabin, debases both slave and master; are we really supposed to believe that slave-owners didn’t abuse their ‘property’?

Given how people of color–theoretically free and equal in the eyes of the law in the twenty-first century–are treated in the present day, I’m not buying the notion of the kind, gracious slave owner.

Take, for example, this passage from the Publisher’s Note to the movie tie-in paperback edition which I just received in the mail:

From today’s vantage point,, almost a hundred years after the cataclysm, the developing situation may be viewed objectively. Actually, the finger of blame should be pointed at no one geographical group of people. Although the factions that promoted the abolition of slavery were ethically in the right (emphasis: mine), Southern planters in general are shown to have been victims of circumstance rather than diabolical tyrants as they have sometimes been painted. (again, emphasis mine.)

Doesn’t get more apologetic than that, does it? Those poor planters. (massive eye roll)

And is it any wonder that we still have so many societal problems of racial injustice today?

And on that note, back to the spice mines.

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