The Weight

While I am a Reacher fan, I would not go so far as to claim “Reacher Creature” status.

I stopped reading the series after it got into the late teens; I don’t remember why I stopped, but I did and then I got so far behind I couldn’t remember where I left off in the series (even now, looking through a list with synopses I don’t remember where I stopped reading), and while I know I enjoyed each Reacher story I read, I don’t have the time to go back and try to figure out where I stopped. I clearly remember Gone Tomorrow–I remember the set-up with the woman he thinks is a suicide bomber on the subway at the beginning, which is almost the entire synopsis–but the last one I think I read ended up with him in a mansion on an island with a causeway leading out to it; with no other way off the island and it’s basically an armed stronghold (reminded me of Tintagel from Arthurian legends); the synopses of the next two books don’t ring any bells.

Maybe when I retire I’ll have time to revisit the series and get caught up. Lee Child is one of the loveliest men in the crime genre–he was in New Orleans years ago for a romance convention–and Alafair Burke (God, I am namedropping!) had invited me to join her for lunch, as she was also in town for the romance event (I think it was Romantic Times’ conference?), and so I met her at the Marriott on Canal (which was hosting) and as we walked to Green Goddess for lunch, we ran into Lee on the street and Alafair invited him to join us.

I don’t think I spoke much as I sat there at lunch with LEE CHILD and ALAFAIR BURKE, completely starstruck and not believing the incredible luck of my life. (Seriously, am I the luckiest homo on the planet or what?)

But I always remember fondly the first book in the series, The Killing Floor, which set the tone for the entire series, and I fell in love with the character–which was unusual for me. As a gay man, I tend to avoid books with these alpha male types; toxic masculinity and misogyny (as well as homophobia) tends to run in these kinds of books and I ain’t got time for reading that shit. But Reacher wasn’t like that–yes, he was an enormous man (250 pounds of solid muscle, 6′ 5) and he could kill you with his bare hands in less than three seconds, but he was more of a knight-errant; traveling around the country with just the clothes on his back, some money, an old war medal of his father’s, and coming to the rescue of countless people who need help. He had a code of honor that he lived by, and I respected that…not to mention the imagery of what he looked like as I dreamed him up in my head as I read (I’ve always, always, had a thing for big men–but that’s a subject for another time) and yes, he became a bit of a fantasy type for me. (I will not discuss the films based on the novels or the casting of those films, as so many others have inevitably done in the wake of the Amazon Prime series arriving; it’s really not necessary and the show should be judged on its own merits, not how it stacks up against the films–good or bad.)

But when I heard they had cast Alan Ritchson as Reacher, I may have done a fist pump.

I mean….

I first became aware of him when we were binge-watching Smallville. He had a small role as Aquaman in one season (just as the equally gorgeous Justin Hartley was cast in a recurring role as Green Arrow for several seasons–was delighted to see Hartley’s career take off with This Is Us), and I remembered thinking, he should be spun off into his own series (just as I thought about Hartley’s Green Arrow; I was bummed when Arrow was announced with Stephen Amell as Oliver Queen–but was also incredibly wrong about being bummed about that casting), but Aquaman would be a hard television series to produce, particularly budget-wise, since there would inevitably have to be a lot of underwater scenes shot, which also makes dialogue difficult to pull off. I would have watched Titans anyway–Teen Titans was always one of my favorite teams–but was delighted to see Ritchson playing Hawk, and was horribly disappointed when (SPOILER) they killed him off.

But had they not killed him off, he couldn’t have gotten the lead in Reacher, and it’s a star-making turn…so hopefully this will mean more Reacher, and more Alan Ritchson projects.

We’ve only watched the first episode, but we are hooked. Ritchson is perfect at the role, and even if he is a few inches shorter than the character in the novels, the way they shoot the show makes him seem much bigger than he actually is (I also wonder if they deliberately cast shorter actors to make him seem bigger, but it’s an effective optical illusion). The big takeaway for me always about Reacher was his size; he was a physical giant that you couldn’t NOT notice. The script is good, the direction and cinematography great, and the rest of the cast is also good (it includes Willa Fitzgerald, a favorite of mine after her turns on Scream the television show and Dare Me), and it has everything it could possibly need to be a hit.

And now I kind of want to read The Killing Floor again.

Also: while watching, it occurred to me that Ritchson would make a terrific Travis McGee.

The Composer

Well, I managed to go to the gym after work yesterday–yes, I had to literally talk myself into it again, nothing ever changes with me–and it felt great. It was crowded, but I never had to wait for anything (miraculous in and of itself) and I was able to get through the whole workout quickly, work up a lovely sweat, and then walk home. It felt terrific, of course–and even this morning the stretched out and worked out muscles feel good, still. With parades this weekend I’m not sure when or if I’ll get to the gym this weekend, but I am going to do it, even if (as always) I have to make myself do it.

Yesterday was an odd day at work; odd in the sense that things didn’t go smoothly the way everything usually does. Obviously, we can handle odd situations or problems–one thing I am always proud of at the office is how well we adapt to situations that arise–but it’s really been an odd week at work. I suspect it has to do with Parade Season looming and that we’re in the midst of Carnival, which always tends to make things around the office a little off and weird. I’ve not really looked much at the parade schedule–I vaguely know it by heart anyway–but I do know that I am trapped in the neighborhood all day Saturday, all evening Friday, and until late afternoon Sunday. Then of course they take a two day break and start up again on Wednesday night for the big final weekend. I have a lot to do before the end of the month (where did February go?) but that’s fine. I’m overall pretty pleased with the work I’ve been doing (or thinking about doing) this month, but I need to get more done–which isn’t really going to be very possible with parades going on all the time.

Scooter apparently slept under my desk all night and is still there, so periodically when I move my foot I touch him and it startles me. He, of course, doesn’t even wake up. I slept pretty well myself last night and feel rested this morning; not to jinx anything but this really has been a good week for me to sleep. I may go ahead and get up early again tomorrow anyway, even though I don’t have to go into the office–I am finding that getting up early is actually proving to be more productive than sleeping later (go figure) but we’ll see how I feel tomorrow morning. The bed always feels so lovely and comfortable…but this week I’ve literally had no trouble rising when the alarm goes off (after hitting snooze twice, but not to sleep more but because I know the clock is set 16 minutes fast so I can hit snooze twice)…and I believe this to have been the case last week as well. I think my body clock has finally reset? Am I becoming, at sixty, a morning person at long last? Perish the thought.

I guess we’ll see how it goes tomorrow morning.

So this morning before i head into the office I am going to update my to-do list (make a new one), get some of my emails answered, and try to figure out everything important that needs to be done.

And on that note, tis off to the spice mines with me. I think tonight after I do all the chores and maybe write a little while, I may watch Nightmare Alley at last. Have a great Thursday, Constant Reader!

I’m So Glad (I Got Somebody Like You Around)

And now it is Wednesday, aka Pay-the-Bill day, and I actually had already started paying the bills yesterday. Yay? But at least I can pay them without any stress about buying the groceries or missing a payment or anything. There are few things worse, really, than financial stress–I can’t think of a single situation that financial stress has ever made better, for example.

I did sleep pretty well again last night, and I think maybe my body is beginning to get used to the getting up at six a.m. thing at long last. I certainly am not sleepy or tired this morning (I’d still rather be in bed under my blankets, though) and my mind feels pretty awake thus far. I got tired yesterday afternoon, but I get tired every afternoon at the office, frankly; I didn’t think too much of it. I also managed to do another load of dishes and laundry last night when I got home before collapsing into my easy chair with the Chlorine folder. I thought I’d been reading the wrong versions the other day, and I was correct; there were more recent versions of those first three chapters, and I reread them last evening. They were much better than the sloppy mess I originally read the other night, which was an enormous relief (after reading them Sunday or Monday I was actually thinking well, I need to revise these or this project is completely not worth even trying). The voice and tone need to be cleaned up a bit, and there are contradictions and continuity errors to be sure, but over all I think it’s going in a better direction than I had thought based on the last reading. I am actually kind of excited to be getting back to it as well.

I did some more work on the anthology yesterday as well, and am hopeful that I’ll continue making progress on it until it is actually finished and out of my hair once and for all. It’s always a lovely feeling to be making progress–yesterday I really felt like I wasn’t just spinning my wheels but was actually getting somewhere, the tires were actually getting traction on the road, and that’s a lovely feeling. I also went through my to-do list yesterday, crossed off a bunch of things, and realized that hey, it’s time for a new to-do list and felt very accomplished, to be honest. It felt really good. I stopped and got the mail on the way home, too–my copies of Cupid Shot Me were there, as was the new Robyn Gigl, Survivor’s Guilt (a great title, he typed with an eyebrow raised and an amused smile)–and I decided that I really need to get back to reading. Tonight is my night to get back to the gym after work for my second workout of the week (muscles still feel good this morning from Monday night), knowing it will probably be half-assed and so forth because it will probably be very crowded by the time I get there; but a half-assed workout is better than no workout, and then I can come home and relax, maybe read for a while. I want to get some more work done on “Condos for Sale or Rent” this week, and I am also playing around with the ideas for the sequel for A Streetcar Named Murder, should they want one…I think the title I am going to use is The House of the Seven Grables, and I think I know how to make that title work as well (publisher will probably hate it, so the back-up title will have to be something like Death on a Hot Tin Roof or The Hound and the Fury or something along those lines). So I am feeling creative again–those batteries have clearly recharged completely and finally, thank you baby Jesus–and am sleeping well and am feeling content these days, which is lovely. It’s still parade season–they start on Friday and run all weekend–which is going to take some adapting to and is inevitably going to make me feel even more tired (but hey, Fat Tuesday is a paid holiday, so that week will be a disrupted and shorter work week, which is always pleasant and a nice surprise), but that’s the price of living inside the parade route.

I have to say it’s really nice feeling creative again, even if it’s all over the place. The return of the creative ADHD is always a pleasant surprise; I just need to remember to stop riffing and brainstorming and actually laser-focus my attention on something to write, which for now is going to be that short story that is due by March 1 and the other due on April 1; both have been started but are nowhere near finished in even a first draft form. I think both have potential, really; and I also am thinking about trying my luck with Ellery Queen again, if I can get a story I have almost nearly ready polished and revised. I had been writing a story for the Bouchercon anthology, but am not really sure now if I should send it to the blind readers or not. (My last two stories for Bouchercon anthologies made it through the blind read process; but I also only wrote stories for the ones I was editing. Even though it was fairly done–the readers didn’t know either story was mine–it looked untoward. I do think the fact both stories went on to be nominated for awards undermined any controversy or smack talk done behind my back…but I think this time around I am going to take the story and sell it elsewhere. It’s a good story, and I am betting I can sell it somewhere else. And I think we got a lot of really good stories submitted for this anthology; it’s not like it needs a story by me; not that any anthology ever does, of course.) There are some other stories, too, that I’d like to get finished at some point…

And on that note, I think I should head into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.

I’m Gonna Make You Love Me

I’ve always considered myself to be a child of the seventies.

Sure, I was a child for during the sixties, but I turned nine in 1970. While I am sure that turbulent decade provided some (a lot of) influences on me, my personality, my likes/dislikes, and my future, I am equally confident that my values and thoughts and beliefs probably weren’t as shaped from that turbulent decade as they were by the 1970’s. The seventies are really the first decade for which I have a lot of recall (recently, a friend was amazed that I remembered those horrible Rag City Blues jeans for women that were, for some reason beyond my thought processes, popular in the latter part of the decade; what can I say–I do remember the decade fairly well for the most part–or at least as far as my memory can be trusted). I’ve always wanted to write books either set in the seventies completely or even partly; Where the Boys Die, my 70’s suburban Chicago novel, keeps pushing its way to the forefront of my increasingly crowded (and clouded) mind. (NO I AM WRITING CHLORINE NEXT WAIT YOUR TURN)

I remember Watergate and how the scandal grew. I remember the 1972 landslide reelection of Nixon, and the country’s negative reaction to the Ford pardon of the man who brought him to power; I also remember Jimmy Carter running for president out of seemingly nowhere and getting elected. There was The Brady Bunch and The Partridge Family and Archie Bunker and Mary Richards; Sonny and Cher and Carol Burnett and Donny and Marie and the Jackson 5 and Grand Funk Railroad. Top Forty radio ruled the AM airwaves; not every car came equipped with FM capabilities, and the only way you could play your own music in your car was with an eight-track player. I started the decade reading the Hardy Boys and Nancy Drew and The Three Investigators; by the end of the decade I was reading John D. MacDonald and Sidney Sheldon and Harold Robbins. It was a very weird decade…of odd color and fashion choices; avocado greens and browns and American cheese orange were ridiculously popular, as was shag carpeting, velour, clingy polyester shirts, corduroys, bell bottoms and slogan T-shirts. Baseball shirts and rugby sweaters also became popular later in the decade. People had feathered hair parted in the center, and there was this weird sense of, I don’t know, missing out? Movies were grittier, harsher, more realistic; actors went from the polished shine of the old Hollywood system glamour to warts-and-all realism. Television was also beginning to change but was still heavily censored. Boogie and truckin’ and shake your booty became part of the vernacular; the decade began with the break-up of the Beatles and ended with disco’s last gasps while new wave and punk and rap started their rise.

It was the decade I went through puberty and realized that I was attracted to other boys instead of girls; I wasn’t quite sure what that meant but definitely found out in the seventh grade it meant I was a faggot, fairy, queer, cocksucker, and all those other lovely words that were burned into my brain that year. It was the decade where I read Harold Robbins’ Dreams Die First (a truly execrable novel) over and over again because the main character had sex with both men and women, and if I am not mistaken, contained the first male-on-male sex scene I’d ever read (oral); it was also the decade where we moved from Chicago to the suburbs to the cornfields of Kansas and I graduated from high school. (Ironically, it was in Kansas that I discovered gay books with explicit gay sex scenes in them–the News Depot on Commercial Street not only carried The Front Runner by Patricia Nell Warren and her other novels, but also Gordon Merrick; and their magazine racks also had gay porn magazines–which, now that I think about it, meant there were others there in Lyon County and environs; I didn’t realize it at the time, of course.) It was when Norah Lofts’ The Lute Player made me aware that Richard the Lion-Hearted was like me, too; and Susan Howatch’s Cashelmara and Penmarric also had gay characters and plots involving them…

I’ve always thought the seventies was a much more important decade than ever given credit for; usually it is merely considered a connecting time from the 60’s to the 80’s…but almost everything that came after–socially, politically, culturally–got started in the seventies. So I was glad to see this book about that frequently dismissed time.

As I mentioned previously, the Seventies were turbulent; they were the decade that also saw the beginning of the end of the post-war economic/prosperity bubble. Gas shortages, skyrocketing inflation, and the insidious use of racism to break the Democratic coalition began–everything we find ourselves dealing with today had its roots in the Seventies–and it did seem, to those of us growing up in the shadow of the mushroom cloud, that the world had lost its mind and our country (or rather, its mythology) had lost its way. Schulman’s study of the decade, breaking down how the shifts in culture, politics, and our society began, were exploited for divisive purposes, and permanently changed attitudes moving forward was a fascinating, if chilling, read. I remember the terrorist attacks. I remember watching the Munich Olympics that ended in bloodshed on an airport runway and murdered Israeli athletes. The book brought back a lot of memories; I am not so sure I agree with all of Schulman’s assertions about the decade–there certainly wasn’t very much about the burgeoning gay rights movement, other than how it chased lesbians off into the Women’s Movement–but it was interesting to read the book and relive the decade a bit, as well as the memories it triggered.

I do highly recommend this book for people who weren’t around for the Seventies and might be wondering how the fuck did we end up in this current mess?

Time Changes Things

I was a late adaptor to audiobooks; just like I was with ebooks (which I still kind of recoil away from, for some unknown reason; during the early stages of pandemic shutdown I revisited Mary Stewart and several other favorites on my Kindle or iBook apps and enjoyed them heartily–yet for some reason I never go back to the iPad to read…probably the enormous stack of hard copies in my TBR pile glaring at me from directly across the room from my chair). I always worried, you see, that I would get so caught up in listening to the book that I wouldn’t pay attention to the road, or my mind would wander and I’d miss something important. Several years ago on a trip to Kentucky I listened to A Game of Thrones on the way up and End of Watch (by Stephen King) on the way back; both turned out to be highly pleasant experiences and yes, while my mind did wander at times–my subconscious was listening so I never got lost when I was able to give the book my attention again. The last time I drove to Kentucky I listened to Foundation on the way up and Donna Andrews’ delightful The Falcon Always Wings Twice on the way back. Audiobooks make the time pass much faster than listening to music and singing along (I am quite the rock star in my car), and so, when it was time to drive up to Birmingham this past weekend, I selected Lisa Lutz’ The Passenger to listen to on the way up and back; it wasn’t quite long enough to last the entire drive…but I also had some Lisa Unger short stories downloaded as well, and I figured once the Lutz was finished, I could listen to one of those.

But the Lutz…my God. Why on earth did I wait so long to read/listen this impressive work?

When I found my husband at the bottom of the stairs, I tried to resuscitate him before I ever considered disposing of the body. I pumped his barrel chest and blew into his purple lips. It was the first time in years our lips had touched and I didn’t recoil.

I gave up after ten minutes. Frank Dubois was gone. Lying there all peaceful and quiet, he almost looked in slumber, but Frank was noisier asleep than he was awake. Honestly, if I had known what kind of snorer he was going to turn into, I never would have married him. If I could do it all over again, I never would have married him even if he slept like an angel. If I could do it all over again, there are so many things I would do differently. But looking at Frank then, so still and not talking, I didn’t mind him so much. It seemed like a good time to say good-bye. I poured a shot of Frank’s special bourbon, sat down on Frank’s faux-suede La-Z-Boy, and had a drink to honor the dead.

In case you were wondering, I didn’t do it. I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it. I was taking a shower when Frank died. As far as I could tell, he fell down the staircase all on his own. He had been suffering from vertigo lately. Convenient, I know. And I doubt he mentioned it to anyone. If I had waited for the place and told them the truth, maybe life could have continued as normal. Minus Frank.

This book was recommended by practically everyone I know; I’m not really sure why I never got around to reading it. I did read her next novel, The Swallows, and absolutely loved it; I also have her new one sitting on my coffee table waiting for me to get to it.

And as I said, now that I’ve listened to this one, I am really pissed off at myself for taking so long to get to it. I am not joking. When I arrived at the hotel in Birmingham on Friday, I literally stayed in the car until the chapter finished. When I got in the car to drive to Wetumpka Sunday morning, I even left earlier than I needed to in my eagerness to get back to the book, it was that good–and I had no idea how it was all going to turn out.

That opening! How do you stop reading after that? Who is this woman? Why does she have to go on the run after her husband’s accidental death? Who and what else is she running from? And most importantly–who is she? We’re never sure who “Tanya” really is; she picks up and discards new identities (who knew it could be so simply done? Even if it’s only temporary? But something bad happened in her past–something she is still terrified about, and doesn’t want the police to find her, so clearly it’s pretty fucking bad. As she goes on the run yet again, we start to understand who she is, in some ways–there are some things we’ll simply have to wait for Lutz to let us know about “Tanya”–but you can’t help but root for her. She has a sense of humor about her horrible situation, and you also can’t help but like her, whatever it is she did in her past. As the narrative continues, we are also fed some email communications between “Jo” and “Ryan”–one quickly picks up that at some point in her past, “Tanya” was also “Jo”–that rather cryptically talks about the past and the original situation that set her on the run.

And while “Tanya” never talks about what that was, or much about her past, we do get some information from her on that score: a distant mother who was alcoholic and went through men like Kleenex; an unstable home environment, she used to swim competitively–and each new piece of the puzzle fits securely into place.

As the book continues, she breaks the law to survive from time to time, and each new identity she takes on comes with its own challenges and difficulties and dangers. We follow her from one end of the country to another and back again; it’s almost like a series of vignettes, really, strung together into one over-arching narrative that you can’t stop reading. How is she going to get out of this? you wonder every single time, and the book just keeps barreling along until all the threads of her many lives come together at the very end, with a startling final twist just before the final resolution.

Do yourself a favor, Constant Reader, and get every Lisa Lutz book and read it. I certainly intend to.

All I Know About You

Well, home again and back to reality. Sigh.

I had a lovely time this past weekend. I drove up to Birmingham Friday afternoon for Murder in the Magic City, a lovely event at the Homewood Library (this was my third visit in five years, I think) organized by Margaret Fenton, and the drove down to Wetumpka for Murder on the Menu, a fundraising event for the Wetumpka Public Library organized by Tammy Lynn. I always have a great time whenever I go, and there’s inevitably friends invited that I already know, and then I get to come home having made some new friends (and more books to be added to the TBR pile). For some reason, these two particular audiences respond very nicely to me–which is lovely, and in my post “just turned the book in” malaise, was exactly what I needed. Everyone is just so kind, and they buy and read my books and like them and they like to tell me how much they enjoy my books and when I am on stage; it’s just really, really, lovely.

Who doesn’t love being told they’re wonderful?

But as always I had trouble sleeping in the hotel–I did get some sleep, but not much–and so my own bed, after the slightly less than five hour drive (it would have been even less had there not be highway construction on I-10 at the Mississippi/Louisiana border that brought traffic to a screeching halt and when it started moving again, it was at a snail’s pace). I listened to Lisa Lutz’ The Passenger on the road coming and going (finished it right around that traffic slowdown, so while I was stopped I cued up Lisa Unger’s longer short story “All My Darkest Impulses,” which I didn’t finish by the time I got home), and it was amazing. I had read and loved her book The Swallows (which was fan-fucking-tastic; her latest is sitting on my end table next to my easy chair), so I thought “Everyone loved The Passenger, I should listen to it on this drive” and boy, am I glad I did. (There will be more on that later.) I also read a book called The Seventies: The Great Shift in American Culture, Society, and Politics by Bruce J. Schulman, which I greatly enjoyed (but didn’t always agree with) and there will be more on that later as well.

As always, I loved listening to other writers talking about writing and ideas and their own work; it’s always inspiring, and of course I was madly scribbling notes as ideas popped into my head while I listened (I also was getting ideas on the drive, like I always do)–titles and characters and thoughts about the story I have to finish writing today, “The Rosary of Broken Promises”–it’s due today; I’d hope to do some work on it over the weekend but I was so tired from not sleeping–not to mention how draining being “on” is for me (public appearances cause me a great deal of anxiety and there’s always nervousness and stress and worry)–that whenever I made it back to my room I just lay down on the bed and opened my book. When I got home last night, my easy chair felt so amazing–I watched some of the Olympic team figure skating event (the US got silver! USA! USA! USA!)–and unpacked and did the laundry and went to bed; oh how marvelous did my bed feel! I slept deeply and well and comfortably, and didn’t really want to get up this morning, to be honest. (Even now I am resisting the siren song of my bed and blankets; today may be a “sit in the chair and make condom packs” kind of work-at-home day while my batteries continue to recharge–or I may burn another vacation day; I haven’t really decided yet. I hate that trips require a recovery day for me now.) It’s always hard readjusting back to reality when I come home from a writing event, but it’s even harder from these two events because the audiences are so warm and kind and lovely to me that I kind of want to stay in that bubble for a little while longer, you know?

And now I have a gazillion emails to deal with, a house to get in order, day job duties to get done, and a story to write. Back to the daily grind, back to reality, back to my usual every day existence.

So, I need to head into the spice mines here. Have a lovely Monday, Constant Reader!

Love Is Here and Now You’re Gone

I finished the book and emailed it off to my editor yesterday. ENORMOUS SIGH OF RELIEF. It still needs some work–there’s a few things that need to be changed, methinks, and of course there’s probably lots of my usual sloppy errors (changing character names but not catching them all; repetitive writing; clunky sentences, etc.) but it’s not nearly as bad as I thought it was two days ago–my moods swing back and forth; one day I think it’s really good, two hours later I think it’s the worst piece of shit I’ve ever written–and I think letting it sit for a few weeks while my editor comes up with her thoughts and advice is going to be very good for it. Now I just have to get this pesky short story written and I can breathe a little bit.

For a very little bit, of course. It never ends around here, you know.

I am in that weird lull period of uncertainty; creatively and emotionally drained a bit from the big push to get the manuscript finished–along with the bipolarity of is it good or not writerly insecurity–and with my batteries drained so much, I didn’t have the energy to actually focus on reading anything, so I went onto Youtube and fell into a wormhole about the bubonic plague for a bit before I got rather fed up with myself and made myself do things. I emptied the dishwasher and did another load of dishes, did a load of laundry, and then sat down at my computer and started organizing the horror that is my back-up hard drive. I made some very good progress, but it was barely a scratch on the surface. I will never understand why I am so careless and/or lazy about computer files and their storage, really; would it kill me to take some time and carefully name files, check for duplicates, and file them away properly so they are easy to find again? The file search function on Macs has a lot to do with this; oh I can just do a file search later to find it–but the problem is really my memory; I will completely forget about something once it’s lost in the horror of the back-up hard drive. Last night, for example, I found a lovely word file with a single sentence in it that was so beautifully written and evocative I was certain I couldn’t have thought it up myself and written it…so I tried to do a google search to see where I’d originally found it–and if I couldn’t find anything, well, maybe I can use it. I didn’t find anything, but I am still not convinced; it sounds like something one of the great Southern writers–Faulkner, Welty, O’Connor–would have written.

More research is clearly needed, but DAMN I hope I thought that sentence up.

I’ve also been asked to write a story–or submit a story–to a market I’d never heard of before; it was an unsolicited email (I get those from time to time) and the offer of payment is actually pretty substantial (it’s not a guaranteed publication, but they’d like to see something from me and it’s not like I don’t have a gazillion stories and fragments of stories and ideas for stories lying around, right?), so I think I might actually take some time and dig through the files (now that I think of it, this was how the clean-up of the back-up hard drive began last night; me looking through the files and realizing that finding anything without doing the afore-mentioned search–if you aren’t looking for anything SPECIFIC–is well-nigh impossible, hence the start of the cleanse…) and see if I can find something. I have an idea for a weird story–I’ve had the idea for quite some time–and while I was thinking about this last night while I was going through the files, moving and rearranging and sometimes deleting, a great sentence came to me that could easily be the opening of this weird story I want to write. I opened a Word document and wrote it down, but unlike the gorgeous sentence I was talking about earlier, THIS time I gave the file the name of the story and added “sentence” to the title and saved it to the proper file for the story.

I do learn, eventually.

Tonight I want to do some more clean-up. I also have to pack, since I am driving up to Alabama tomorrow for the weekend–I may take the back-up hard drive with me so I can continue working on the clean-up, or I might not; it’s been a while since I have had a weekend of just listening to writers talk about craft and writing and books they love and authors who inspire them; why not simply bask in that environment and find inspiration from others who are passionate about writing? I am going to listen to Lisa Lutz’ The Passenger in the car (if you’ve not read her The Swallows, get on it and thank me later), and I am going to take something to read with me, too–not quite sure what; maybe Brat Farrar by Josephine Tey–to help me fall asleep every night (not that the book will put me to sleep, just that reading before sleeping helps me to relax). The weather is going to be frightful on the drive–thunderstorms the entire way–but the lovely thing about the drive is there is rarely traffic on I-59 between New Orleans and Birmingham other than when the highway passes through a city, and the majority of the cities I will be passing through (if not all of them) are all significantly smaller than New Orleans or Birmingham and the highway pretty much seems abandoned once you reach the Mississippi state line. (See: Jake driving to his grandmother’s in Bury Me in Shadows)

God, I have so much organizing to do! Maybe next weekend, when I am at home without a book deadline looming.

And on that note, I am heading into the spice mines. Happy Thursday, Constant Reader.

I’m Livin’ in Shame

As Constant Reader is aware, I have a kind of love/hate relationship with short stories.

I love them as a form. I love reading them–there are few pleasures greater than a biting short story with a sting at the end (I’m looking at you, Karin Slaughter’s “An Unremarkable Heart”)–and I love writing them…but I also hate writing them. I hate that there are fewer and fewer paying markets for them. Every writing class I took when I was younger always emphasized the short story and its importance (although I know any number of novelists who can’t or won’t or don’t write them), so it’s always a bit sad for me to see markets drying up and going away. I’ve had some great highs in my writing career thus far, and some of them have been thanks to short stories.

The thing about short stories is there are two ways to write them: you either get the idea for one and start working on it, or you’re asked to contribute one (or come across a call for submissions). I am not so great at writing for a submission call; I am inevitably on deadline for a novel (when am I not?) and the time frame inevitably for the calls never works out for me. I’ve had some luck with selling to markets with submission calls, but often I end up submitting a story I don’t feel is 100% there yet because it’s the day of the deadline and I’ve run out of time…so I will send it in, hoping I’m wrong and the story actually IS finished.

I am rarely wrong.

So, I generally just write stories when I get the idea. Sometimes I can get the first draft finished before the well runs dry or I have to put it aside to move on to something else I have to write; sometimes I just scribble down the title and the concept behind the story.

“This Thing of Darkness” was originally written for one of the MWA anthologies; I believe it was for the Michael Koryta When a Stranger Comes to Town. I didn’t think the story was actually ready to be read by anyone outside of my apartment, but it was the deadline and I thought why the hell not, nothing ventured nothing gained, and it’s an anonymous read so the judges won’t judge me PERSONALLY if it sucks. It was rejected–as I’d figured it would be, which was fine; those are such a long shot getting in through the hundreds of slush submissions is truly an accomplishment, kudos to those who have!–and so I tinkered with it here and there, now and then, over the years since that first submission. I didn’t think it was appropriate for most crime markets–it’s about a gay man to whom something horrible happened when he was a teenager, and I kind of went into detail about what happened to him–so I wasn’t surprised when I sent it to one and it was deemed “inappropriate” for their readers. So, I sat on it and figured it would be included in This Town and Other Stories.

Then Frank W. Butterfield contacted me for a story for his anthology of Valentine’s crime stories, and I thought, “You know, “This Thing of Darkness” is set during Halloween…you can change it from Halloween to Valentine’s Day” and so I did–and Frank graciously took the story.

Climbing the steps alongside the fenced in wooden deck, he couldn’t help but smile. He’d always loved that the place was named Tacos and Beer. So simple and unpretentious, in a world growing more complicated every day. The patio deck was crowded, filled with what he guessed were hipsters, with bare arms covered in vibrant multi-colored tattoos, the young men with their greasy-looking hair pulled back into manbuns, the women’s streaked with bright, vibrant colors and cut in a variety of styles. They seemed to all wear clunky boots and old, long out of style clothing stained and worn and riddled with holes. The sun glittered on their numerous piercings. He guessed their employers didn’t care about the artwork on their skin, or the posts and hoops bedazzling their faces.

He knew he was hopelessly, tragically, unhip. He’d never been one of the cool kids, and long since lost the desire to be one.

Although he would have thought they’d be too cool to celebrate Valentine’s Day? But many of them were obviously couples. Flowers wrapped in tissue paper adorned tabletops: carnations in various shades of pink, white and red; bullet-headed roses with baby’s breath; and arrangements of lilies and snapdragons and blooms he couldn’t identify. Heart-shaped boxes of chocolates, still tightly wrapped in cellophane, sometimes caught the light of the dying sun while he glanced at them.

He sat down at a tall table-top for two inside, perching on a stool facing the door. The inside wasn’t nearly as crowded as the deck. It was the first sunny warm day in New Orleans in quite some time—Carnival had been cold and gray and damp and miserable– and what young person didn’t want to be outside basking in the sunshine while drinking their artisanal craft beers and munching their tacos, laughing, enjoying being young and in love? He watched through the window, imagining he could hear the youthful spirit in their voices.

Oh, to be young again.

Or to be in love, for that matter.

This is, even though it is set in one of my favorite (or used to be, anyway; I don’t know if it’s still there or not) places to eat in my neighborhood, Tacos and Beer on St. Charles Avenue, really not a New Orleans story; it’s one of my Kansas stories. Glenn, my main character, grew up in Kansas and now is a writer living in New Orleans. (Hmmm.) The premise of the story is that, years after he left Kansas never to return, he gets an email out of the blue from someone he went to high school with, someone he hasn’t seen since Graduation Night, David Zimmer. David was the first friend he made when he moved to rural Kansas and started up new as a junior at Kingston County High. David stayed his friend even as he moved on to hanging out with more popular kids and, having been the bullied gay kid at his old high school, Glenn gives in the allure of being a football player and being part of the “in” crowd, having friends and not being picked on, desperately afraid that the gay rumors and bullying will somehow catch up to him at Kingston County High. Sadly, it does…and then one night at an end of the school year party, Glenn gets deeply into trouble, and needs David’s help–David, the first friend, the one he left behind in his need to be a “cool kid,” is the only person to whom he can turn in his hour of need.

At Graduation, they both agreed it was best they never see or speak to each other again.

Until now, and David is coming to New Orleans and wants to meet.

The idea for this story originated in something that actually happened; I did hear from an old friend I went to high school with; whom I’d neither seen nor spoken to since we graduated from high school (he went away to school at MIT; I eventually left Kansas, never to return), and he was coming through New Orleans on his way to run a marathon or something in Mississippi, so we decided to have dinner together and catch up. We did indeed meet at Tacos and Beer–but the horrible thing that happened to Glenn in high school never happened to me at any rate, and I’d certainly not turned to him for help in a dire situation we’d kept secret for forty years. I did, as the character in the story did also, arrive early. In fact, while I was sitting there waiting for my friend, watching the people out on the deck, that the idea for the story came to me.

I think it went something like I should write a story about two high school friends meeting up for the first time in nearly forty years to but what would the story be about to ah, they covered up something when they were in high school, were never found out, and have avoided each other deliberately for all that time, so of course the email out of the blue has made my main character nervous–what could he want after all this time?

And the longer I waited, the more I delved into the story in my head (and yes, this is also a cautionary tale about knowing writers: literally everything is material for us, and we can find inspiration for a new story almost anywhere), the more I liked the idea behind it, and when I got home (I only drank iced tea so I could write the story down when I got home) I parked at the computer and started writing.

I am very happy with the story and how it wound up turning out; dark and twisted, yet all under the happy veneer of a busy restaurant on St. Charles Avenue.

And if you’re interested in a copy of Cupid Shot Me, order it here.

Going Down for the Third Time

Wednesday and your biweekly Pay-the-Bills Day for one Gregalicious.

It doesn’t feel like Wednesday to me, though; I’m still all messed up with my days of the week with the change in my work schedule. (I had to keep reminding myself last night that it was, indeed, Tuesday and not Monday.) I have to pay the bills today, finish revising the last chapter of the book, do some final tweaks on it, and turn it in. (Naturally, last night I was already breaking it down and figuring out how to fix it and make it better–slow down, Sparky, see what your editor says first….although it never hurts to prepare yourself and do your own critique.)

We finished Archive 81 last night, and it was interesting. The season ended on a cliffhanger, from which they can hang season 2, but I really enjoyed the show from beginning to end. I appreciated particularly the filming esthetic–you never realize how used you are to background soundtracks until you watch something that doesn’t have one, and it’s so odd it makes the show seem off-kilter, which was the exact right touch for this show. I think we’re going to move on to the second season of one of our Spanish language shows from Mexico next; the second season of Dark Desire drops today, and it stars our favorite Spanish-language hunk, Alejandro Speitzer (trust me, gorgeous)–although it’s been so long since we watched the first season (and have watched so many other shows in the meantime) that I don’t really remember a whole lot about the show, except it’s a well done crime show with all kinds of wild twists and turns along the way. I also remember the first season ended with a big surprise twist at the end, which was incredibly fun because it changed everything that had come before–always effective if you can pull it off, and far too ambitious for me to ever try.

Well, never say never.

It’s miserable in New Orleans today–wet and gray and drizzly, and yet warm at the same time (rainy weather always changes the temperature; if it’s already warm the rain makes it cold; if it’s cold the rain warms things up. It doesn’t make sense to me but I am also not a meteorologist). I’m going to make groceries–not much, really, just a few things–on the way home from the office tonight, and I was kind of lazy last night so tonight I have to do some clean-up around the apartment. My sense of days and time is completely fouled up; my default keeps telling me this is Tuesday and not Wednesday, which means I have to leave for Alabama in two days not three–which I think is why I messed up last night and didn’t clean the kitchen like I should have. I may go ahead and pack tonight as well to get it over with; one less thing to worry about tomorrow night after work, or Friday morning before I leave town (the drive to Birmingham is actually the same drive Jake makes in Bury Me in Shadows, which will make for some interesting thinking in the car). I’ve also downloaded Lisa Lutz’ The Passenger to listen to in the car; I may also make some phone calls while I am on the road. Stranger things have happened, and probably will again.

But I am very pleased that I am gradually making progress on the to-do list and everything that needs to get done. The list seems to endlessly refresh, alas, but I suppose that will always be the case until I am in an oxygen tent in the ICU waiting for the Angel of Death. (Note to self: update the to-do list.) But I still am having trouble wrapping my mind around the fact that not only is today Wednesday but that doesn’t mean I do not have to come into the office tomorrow. Change is hard!

And on that note, methinks it’s time for me to head into the spice mines. Have a lovely Wednesday, Constant Reader, and I will talk to you again tomorrow.

I Guess I’ll Always Love You

Sunday, Sunday.

Yesterday morning my all-in-one printer/scanner/copier bit the dust. It was fine, really; it was cheap and a stopgap when my last nice one died; and it was hard to find the ink for it. So, I went to Office Depot before starting my errands and bought a new one–fancier, to be sure–and it took me a while to get it set up and functioning properly–and then I had issues with my computer for a bit; which was particularly annoying because I was also working on my book–and Microsoft Word kept crashing; at one point my computer restarted all on its own because the crash was so bad. But it eventually worked itself out somehow, and I was able to get the work done that I needed to get done. Tomorrow will be trickier; I have one chapter to revise and another one to write from scratch and then edit/revise…and I think there’s going to have to be at least one more chapter after that as well. I should still be able to get it turned in on time, but it’s going to be a slog and a lot of work.

I also got a contract for a story for an anthology–the Anne Rice tribute thing, and my story is called “The Rosary of Broken Promises,” which was actually a better title for the story I was actually originally using it for, to be honest; but I think I came up with a good replacement title for the story I stole the title from, which is now called “When Wrens Make Prey”–which is part of the Shakespearean quote that includes the title Alistair MacLean made famous, Where Eagles Dare (it’s from Richard III, by the way, he typed pedantically, and no, I can’t quote Shakespeare from memory; I even had to look this up to see where I got it from just now). I also spent some time moving files around from the cloud to my back-up hard drive, so I have back-ups–it’s astounding how many duplicate files there are when I look for a file. I was looking for another file yesterday, my figure skating noir story, and it wasn’t on the back-up anywhere. (It is now, in case you were wondering.) I may have a home for that story, which was started a long time ago, and I also know what it wrong with it–and maybe, just maybe, how to fix it.

We’ve started watching Archive 81, which is really creepy, well done, and interesting. I’m not really sure where the story is going–we’re only three episodes in–but so far it’s really not looking all that great for our hero. Our hero is hired to go live on a creepy estate and restore video recordings that have been damaged in a fire, which he is an expert at doing, and as he watches the videos after he repairs them–they follow a young documentarian who moved into an apartment building with the idea of making an oral history film of the building; but the truth is, she is looking for the mother who abandoned her as a child and whose last known residence was this building–from where she disappeared entirely. It’s a terrific premise, and the way it is filmed is quite excellent; very high production values, and the mystery is also somehow tied to the main character’s father in some way; the missing woman who made the tapes was also a patient of his father.

I did manage to get a lot done yesterday, but today’s work is going to be ever so much harder than yesterday’s, frankly. I have one more chapter to revise, and as I mentioned before, I have to write at least two new ones to end the book before turning it in. I don’t know that I’ll be able to get both written today; I have some other chores and tasks to do today and tomorrow as well, and at some point I need to run to the grocery store. Heavy heaving sigh. It never ends around here, does it? But there’s nothing to do but buckle down and get to it, I suppose. It’s certainly not going to do itself–the bastards never do it themselves–and realistically, I do think I can get it all done over the course of the next few days. I slept deeply and well again last night–the bed was so warm and cozy and comfortable this morning that I didn’t want to get out from under the blankets. (Plus, I knew I had a lot to get done today on my plate, and therefore…yeah, didn’t really want to get up and start working.) But now I am up and swilling coffee, and I actually feel awake and energetic, so hopefully as long as I don’t lose any steam along the way I should be able to dive into everything and get some stuff done.

And on that note, tis time to head into the spice mines for the day. Have a lovely Sunday wherever you are, Constant Reader, and I hope you aren’t too cold or too buried in snow to enjoy your day. Talk to you tomorrow!