Sunglasses at Night

Sunday morning. Last evening I went to a Christmas party and had an absolutely lovely time; but stayed much longer than was probably warranted and got home much later than I should have. But there were lots of laughter, and I got to hang out with friends that I don’t see nearly enough, and so overall, I would classify it as a win. I also slept beautifully and deeply and restfully after getting home, so that, too, was absolutely lovely.

Today I have to do a lot of writing; I finished a project yesterday, which was also lovely, and managed to get the cleaning of the downstairs finished. Today I will move to the upstairs, doing cleaning and organizing when I take breaks from the writing/editing I have to do. I also will read some more of Donna Andrews’ How the Finch Stole Christmas when I can; hopefully wrapping up reading it this evening as well. I’m not sure what I am going to read next; I am rather torn between a reread of George Baxt’s A Queer Kind of Death, Joan Didion’s Miami, Dashiell Hammett’s The Dain Curse (also a reread), or something else in the pile. I also haven’t done my annual reread of Rebecca, but I think I am going to save that for actual Christmas. There are also some other duMauriers lying around the apartment I haven’t read that I need to (The House on the Strand, The Progress of Julius, The Scapegoat), some Ross MacDonalds, many Margaret Millars, and so many other books by writers I adore and am way behind on–I still have Stephen Kings that are languishing on my shelves, unread–and of course, come January it’s going to be Short Story Month again.

I also have another short story to write that I keep forgetting about, which, of course, is insane. (Note to self: put post-it note up on computer.)

But the good news is I am finally feeling motivated again about writing; this past year hasn’t been, for me, a good one as far as writing is concerned. I had a long conversation with my friend Susan last night about the current Scotty and the problems I’m having with it–and of course, while talking about the problems out loud with her I solved the problem. (It really is amazing, isn’t it, how saying things out loud can make a difference and make you see what’s been missing? The same thing happened with the WIP when I was chatting about it with my friend Wendy in Toronto–as I spoke I could see in my head what I needed to add, and then she put her finger right on the problem and pointed it out just as I was coming to the realization, which confirmed that it was the correct one. Again, it’s all a matter of having the time to make these fixes, but now that I know whatI need to fix, well, that makes it all a lot easier.

I also finished post-it-noting Garden District Gothic yesterday while watching the first half of the SEC championship game, so the Scotty Bible also proceeds apace, which is also lovely.

So much I need to get done this month!

And on that note, it’s back to the spice mines.

CalvinKlein11

Borderline

Saturday morning. I have a lot of writing to do this weekend, and a lot of cleaning, My kitchen is a mess, but I made progress on the living room last night while reading Ivy Pochoda’s Wonder Valley, and am now reading How the Finch Stole Christmas by Donna Andrews. It’s a lovely comfort read; I love Andrews’ series, the characters, the lovely life of the small town of Caerphilly, where everyone cares about everyone else and has no problem stepping up when needed. It’s an idealized world that I wish were real…and Andrews’ Christmas novels are splendid; this is her fourth. It somehow seems apt to be reading an Andrews Christmas novel during the season,

It’s chilly in the Lost Apartment this morning, and I am washing all the towels (it’s a long, OCD related story, don’t ask) while I wake up and warm up with coffee. I am going to a Christmas party this evening; the first of the season, and one of my personal favorites: my friends Pat and Michael’s, with a splendiferous view of downtown New Orleans and Audubon Park. (I always try to take pictures from their balcony with my phone, but they don’t always turn out so well.) I need to finish that short story today, which reminds me of something really funny. The other day I said I hadn’t written a story for the second Lambert-Cochrane anthology, Foolish Hearts, and then yesterday when I was cleaning and reorganizing books…I saw two copies of Foolish Hearts sitting on one of the shelves in the bookcase where I keep my copies of  my books and anthologies I’ve been in. I literally did a double take; what on Earth? What story did I write for that anthology? I took one of them down, flipped it open to the table of contents, and there it was: Touch Me in the Morning by Greg Herren.

Two days ago, I would have bet anyone a thousand dollars that I never finished the story “Touch Me in the Morning” nor contributed anything to Foolish Hearts.

Kind of makes me wonder what else I’ve forgotten.

I woke up alone.

It wasn’t the first time, and it most likely wouldn’t be the last, either.

I could count on one hand the number of times a guy had spent the night with me—genus gay pick-up always seemed to slip out in the middle of the night, desperate to avoid that awkward conversation in the morning, with the exchange of phone numbers that would never be dialed.

Yet somehow, against all odds, I’d hoped this time somehow would be different.

I lie there in my empty bed, eyes still closed, with daylight bleeding through the blinds. I chided myself for having hoped, for even taking the moment to wonder if maybe he was in the kitchen making coffee, or in the bathroom. When will you learn? I thought, softly pounding the mattress with a fist, life isn’t a Disney movie—your prince may not come—stop being such a hopeless romantic.

But was it so sentimental, too much to ask, to want to wake up with his body spooned against mine?

I was time to face reality. I couldn’t hide in bed all day, so I pried my eyes open. My lashes were gummy, and my head felt like it was hosting a heavy metal battle of the bands. I sat up in bed and fought a wave of nausea as I lit a cigarette, not yet having the energy to go to the bathroom and brush my teeth and splash water in my face first. My stomach lurched against the combination of the taste of the smoke, the fur that had grown on my teeth, my swollen tongue, and the aftermath of too much alcohol and tobacco from the night before.

God, I’d been drunk.

Maybe that was the best way to play it. Too much alcohol added to smoking too many joints plus the depression from being dumped for the umpteenth time this year—wouldn’t that justify just about anything short of committing murder?

I closed my eyes and groaned, wishing I’d had the sense to die in my sleep.

How could I face Dennis this morning?

I looked at the clock. It was ten thirty. I closed my eyes and thought about it. He always taught an early morning aerobics class at six on Mondays, and then trained clients until about eleven. He’d be free after that until the late afternoon, and always came home, usually taking a nap to rest up for the next round of classes and clients. Maybe that’s why he left, I rationalized. Of course—he had to go to work, and I had been sleeping the sleep of the damned, the drunk, and over-indulged. Maybe he’d tried to wake me up to say goodbye before he left, but I was too unconscious to wake up.

There might be a note in the kitchen.

I remember when I wrote this story to begin with; I have absolutely no recollection of finishing it or revising it or anything, seriously. It was part of a series of interconnected short stories I was writing about a group of gay guys who all lived around a courtyard in the French Quarter–the courtyard I actually used in Murder in the Rue Dauphine and my story “Wrought Iron Lace”–which I basically was hoping to turn into a book called The World is Full of Ex-Lovers. That book, obviously, never happened.

And now, back to the spice mines as I wonder what else I’ve written and published and forgotten.

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She Bop

Well, the brake light thing was nothing serious; merely an internal computer malfunction of some sort, so the internal computer had to be reset, which took longer than I would have liked, but I love my dealership and I love my car, and sitting there gave me the opportunity to finish reading the amazing Ivy Pochoda novel, Wonder Valley.

Scan

He is almost beautiful–running with the San Gabriels over one shoulder, the rise of the Hollywood Freeway over the other. He is shirtless, the hint of swimmer’s muscle rippling below his tanned skin, his arms pumping in a one-two rhythm in sync with the beat of his feet. There is a chance you envy him.

Seven a.m. and traffic is already jammed through downtown, ground to a standstill as cars attempt to cross five lanes, moving in increments so small their progress is nearly invisible. They merge in jerks and starts from the Pasadena Freeway onto the Hollywood or the Santa Ana. But he is flowing freely, reverse commuting through the stalled vehicles.

The drivers watch from behind their steering wheels, distracted from toggling between radio stations, fixing their makeup in the rearview, talking to friends back east for whom the day is fully formed. They left home early, hoping to avoid the bumper to bumper, the inevitable slowdown of their mornings. They’ve mastered their mathematical calculations–the distance x rate x time of the trip to work. Yet they are stuck. In this city of drivers, he is a rebuke.

When I was watching the Joan Didion documentary, I was stuck by something that was said about Ms. Didion’s work; that she wrote beautiful sentences about terrible things. It was a terrific quote, and as I was currently savoring Ms. Pochoda’s stunningly brilliant novel, particularly apt: because that is what Wonder Valley is;  beautiful writing about terrible things.

The prose is spare, like James M. Cain’s and Megan Abbott’s; each word chosen with care for its evocative power with an economy of writing that it so much more difficult to do than being overly florid. The novel is complexly structured as well; bouncing around in time between something awful that happened in 2006 and how the ripples from that event are affecting 2010, the current day. She juggles timelines and points of view effortlessly, and changes the rhythm of her words accordingly so that each point of view has a distinctive voice and view point; you can tell by tone and sentence structure what point of view you are seeing the story from without having to know the character.

That is some seriously mad skill.

There were parts of this novel that reminded me of my favorite James M, Cain novel (Serenade); and having been to Palm Springs and that area, she captures the bleak beauty of the desolation of that sun-blasted arid area. Her characters are fully formed, damaged, lost, trying to cope with issues of guilt and damage with varying degrees of success and failure, yet these deeply flawed people are heroic in their simplicity, their desire to move on and affect change in their lives they are somehow powerless to achieve; the shadows of guilt are too long and have consequence. They are so brilliantly drawn and developed that you want them to succeed; whether it’s Britt’s struggle with her own self-destruction; Ren’s attempts to move past a crime he committed when he was twelve; James’ being trapped in a life not of his own design because of a mistake; Blake’s dark desire for vengeance. Their lives cross and intersect on a Los Angeles traffic jam. This is a difficult style of story to pull off; dating back to The Bridge of San Luis Rey by Thornton Wilder; which was a Pulitzer Prize award winning novel about a group of people who died in a bridge collapse, and how their interrelated lives all brought them together on the bridge that fateful day. The lazy way to do this kind of story is, of course, the Arthur Hailey formula (Airport, Hotel), but the way Pochoda has done it is worthy of Wilder, maybe even surpasses his own novel which created the trope. She also explores class in how each of the characters have dealt with their own guilt–and only Ren was actually punished by the system, of course; people of color are always punished by our system, while the wealthy white lawyer, the daughter of privilege, even the white son of the cult leader live in prisons of their own mind and guilt–and even those mental prisons are colored by their own levels of privilege.

It’s not an easy read, but it is a book to be read and savored and cherished.

I’d not read her first novel, Visitation Street, but it’s definitely moved closed to the top of the pile. I would be very surprised if Wonder Valley doesn’t make Best of lists and award shortlists. It’s simply extraordinary writing and story-telling.

I Guess That’s Why They Call It The Blues

My brake light came on in my car yesterday, so I have to take today off to take it in to the dealer for an inspection at eleven this morning. Hardly thrilling, and not how I wanted to spend my day–but Ivy Pochoda’s Wonder Valley will make the trip with me, so there’s that. The book continues to enthrall me; it really is quite remarkable, and I don’t think I’ve read anything quite like it before, either.

That is quite an accomplishment.

Writing/working on that short story the other day seems to have shaken me out of the glumness about writing/career that I’ve been experiencing lately; there will obviously continue to be peaks and valleys, but I am thinking more about being pushed, and pushing myself to do better work. I watched the Joan Didion documentary last night, The Center Will Not Hold, and that, too, was inspirational. Writing should always be about your quest to find the truth, whether it’s about a situation or your characters or your work or your life; a way of learning,  not only about the world but primarily about yourself. I am going to finish that story today–after the car dealership–and then I am going to work on some other things. I am also going to clean the Lost Apartment a bit, possibly run to the gym for a light workout–something I’ve been putting off for quite a while–and get organized, with a plan to get me through the rest of the year.

I am most likely going to read Donna Andrews’ latest, How the Finch Stole Christmas, when I finish reading Ivy’s wonderful book, but I may read Joan Didion’s Miami soon as well; I’ve never read any Didion. I’m aware of her, and her body of work, but I could have sworn I had a copy of Play It as It Lays around her somewhere, but I looked for it last night and couldn’t find it. It also required me to look in a vastly neglected bookcase, the one nestled in the corner where the staircase makes its first ninety degree turn on its way upstairs, and I noticed a lot of books that I’ve not only been meaning to read but others that I’ve forgotten that I owned. It’s always fun, for me, to look at a book and try to remember it’s provenance, how it founds its way into my collection: oh, yes, I met him at a conference and he was lovely; oh, someone mentioned this book on a panel I was on and I was intrigued by it; oh, I was wondering what happened to this book, I remember going to the signing and enjoying the talk immensely; and so on The only Didion I can lay my hands on right now is Miami, which seems like a perfect time for me to read since I am getting ready to start working on the Florida Bouchercon anthology. Didion may just be my muse; I’ve been thinking about writing a sort of memoir lately (because that is what the world needs; another memoir from a writer), but it’s something I’ve unknowingly been gathering material on for many years, and rediscovering my journals will be an immense help in that regard as well. We shall see.

And on that note, it is perhaps time to return to the spice mines; I have many emails to answer and generate before I depart for the dealership on the West Bank this morning.

Here’s a Calvin Klein underwear ad:

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Stuck on You

Nothing makes me angrier than when a writer slags off a genre, or a style of writing. Every genre comes in for it now and again; but without question the most maligned genre is also the biggest and most successful: romance.

You think it’s so easy to write a good romance novel? Try it sometime. It isn’t easy, by a long shot, nor is it something that I would ever dare attempt. The closest I’ve come to writing one–actually, there are three–would be with Sorceress, The Orion Mask, and Timothy. But those were also crime/suspense novels, with a dash of romance thrown in.  I don’t know that I could write a strictly romance novel. Perhaps someday I will try, just to see if I can do it.

I’ve written some short stories that would, or could, be classified as romance; I am currently trying to write one that I promised to an anthology and should have been turned in months ago. It’s actually a story that’s been in my head for a long time; it’s a sequel to a story I wrote a long time ago, “Everyone Says I’ll Forget In Time.” That story was originally published in an anthology called Fool for Love, edited by Timothy J. Lambert and R. D. Cochrane; a wonderful anthology in whose pages I appeared with numerous other writers I admire, some of whom were just getting started and have become writers of note. I’d intended to write the sequel for a second anthology Lambert and Cochrane were putting together, Foolish Hearts, but I never wrote the story or they decided they didn’t want one from me or something; it’s lost in the mists of time but if I had to hazard a guess I would say I was supposed to write one for them and wound up not doing it.

I’ve been worried lately about my lack of motivation with writing; wondering if, with all these abortive short story problems I’ve had lately that perhaps I had, finally, run out of juice for writing and was finished. But yesterday I opened a new word document, and over the course of the day I managed to write almost three thousand words of a story called “Passin’ Time,” which is, at long last, the sequel to “Everyone Says I’ll Forget in Time.” I had to reread the original in order to get the names of the characters, and I have to say, it was quite a lovely little story, if I do say so myself. “Passin’ Time” is a title I’ve always wanted to use for a New Orleans story; it’s a uniquely New Orleans saying; it means waiting; because in old New Orleans at least, you always found yourself waiting–waiting for the parade to show up; waiting for the streetcar; waiting for the bus; waiting in line at the grocery store; waiting, waiting, waiting. We call that “passin’ time,” and you generally do it by talking to the other people who are doing that as well. Now, of course, everyone has a cell phone and there are parade tracking apps; even the New Orleans MTA has an app so you can see where the streetcar/bus is. Writing the story, thinking about the phrase, made me a little sad and nostalgic for times past; yet another little piece of old New Orleans that has changed over the last decade or so since the levees failed and the city rebooted; one of the little things that was so friendly and charming and lovely about this city that made it so different and precious, something that was so worth saving.

Here’s the opening of “Everyone Says I’ll Forget In Time”:

The bed still seems empty every morning when I wake up.

It’s been almost two years since he died. We were together for almost fifteen years, and the disease took us by surprise. Then again, you never see things like that coming. I suppose on some level we knew we weren’t immortal, but it was something we never talked about, never planned for. Sure, we had powers of attorney paperwork and wills and all of that in place, but we never thought we would ever need them. We loved each other and had a wonderful life, and thought it would go on forever.

But cancer doesn’t care about love when it starts rotting you from the inside out. And when it finally took him, my life didn’t end. I didn’t go into the grave with him, no matter how much I wanted to, no matter how much I just wanted to curl up and cry. I still had my horror novels for teenagers to write with deadlines looming, a cat to take care of, bills to pay, a life to somehow keep living. The world didn’t stop turning, even though I thought it should. I had to get used to all the changes, the little ones that you don’t think about so they blindside you and make your eyes unexpectedly fill with tears and your lower lip quiver.  I had to get used to cooking for one, shopping for one, and deal with those sudden moments in department stores when I’d see a shirt he’d love and pick it up, carry it to the cash register, and have credit card in hand before I’d remember, and somehow manage to hold myself together while smiling at the clerk and saying, “Um, I don’t think I want this after all” before returning it to the display table and fleeing the store. I had to find ways to fill those hours that used to be our time together, flipping idly through the many channels on the television looking for any distraction to take my mind somewhere else. I had to get used to sleeping alone, to not having something warm and cuddly next to me every night and every morning. There were no more pancakes to surprise him with in the morning, on a tray with a glass of milk, to wake him with. I’d had to accept that I would never see the sleepy smile of childish delight he always displayed when he smelled the maple syrup again. He was so cute, just like a little boy on those mornings when I’d decide to give him his favorite treat. I got through it all, I survived, I went on. I went through the closet and the dresser and took his clothes to Goodwill. I did all the things you are supposed to do, and I got through it all. But the bed still seems empty every morning when I wake up. The house seems quieter, no matter how loud I play the stereo. The world seems different, somehow—the sun a little less bright, the sky a little less blue, the grass a little less green.

Everyone says I’ll forget in time.

I am trying to mirror that melancholy, that slight sadness, that poignant matter of factness, in the new story. I hope it turns out well. I really want it to.

For Throwback Thursday, here’s a Marky Mark Calvin Klein ad. (And thanks for no one pointing out that yesterday’s was actually a Perry Ellis ad.)

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Oh Sherrie

Wednesday morning. I just paid the bills, so the glow of seeing my post-electronic-paycheck-deposit swollen bank account has worn off more than a little bit, but hey, what can you do? Bills must be paid–the little mundanities of life, you know? Bills must be paid, floors must be cleaned, dishes must be washed, laundry must be folded, faces and scalps must be shaven, and so it goes, every morning, every few weeks, every month, every year, ad nauseum.

I slept fitfully last night but at least I feel rested this morning and not foggy; yesterday was one of those dreadful morns where I was tired and sluggish and wasn’t really able to shake it off, the kind of tired that aches. That was partly because, of course, of working in storage Monday and moving boxes around; my back muscles are still achy this morning and my legs feel a bit tired, but nothing that I can’t handle and nothing I can’t get through. I am, of course, behind on everything, but I am taking Paul to the airport tomorrow since I don’t have to go to work until later–he was surprised when I offered, but I had to remind him (and myself) that part of the reason I wouldn’t take him to the airport had everything to do with hating driving and not the drive itself; now that I have the new car and no longer hate driving…rides aren’t really an issue for me anymore.

It’s amazing what a difference a reliable, lovely new car can make in one’s life; which is something I have to remind myself of every time I make that substantial payment every month.

The MWA anthology deadline is Friday, and it’s kind of a relief to know that I’ve accepted the fact that I won’t make it. The second story, or even revising the first one, aren’t an option and I have some other things I need to get done that are more pressing. Having Paul gone means I’ll have a needy cat to deal with, but I will also be incredibly bored; and what better way to deal with boredom than getting things done?

Also, I am editing the St. Peterburg Bouchercon anthology, Sunny Places Shady People, and the submission call went out yesterday. Here’s the link: one click here and there you are!

And on that note, I am back to the spice mines.

Here’s today’s Calvin Klein ad.

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The Glamorous Life

So… I spent three hours in the storage unit yesterday.

The case of Mardi Gras Mambo is still missing.

I did find a few copies, and a stack of ARC’s, but where the hell could the rest of them be? They aren’t in the attic, they aren’t in any of the boxes I use for tables (don’t judge me) in the living room…mysteries abound. Maybe I need to hire Scotty to find them?

And the storage unit is totally organized now.

So…that box is probably stored somewhere in the Lost Apartment. Paul is leaving to visit his family for a week on Thursday, so it looks like I will spend part of that time he is gone turning the Lost Apartment inside out looking for the box o’books.

Heavy heaving sigh.

But I did some other fun things in the storage unit.

I certainly didn’t think I had any copies remaining of FRATSEX or Full Body Contact, so those were nice to find, and so were some of the other copies of my books. I also have a couple of boxes filled with anthologies I contributed stories to–who knew there were so many? I also found the Spanish translation of my porn, and the German as well. I also found copies of Men for All Seasons, the anthology that I sold my first ever short story to.

And I found the rest of my journals!

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I used to buy those blank books and fill them up with journal entries, as well as writing down ideas, books I wanted to buy, notes to myself, my work schedules, important phone numbers; they literally were my personal assistant as well as my journals. I stopped using blank books right around the time my first novel was published; and of course now I blog instead. Just opening them at random, I am amazed at how many of my entries start with I am so fucking tired.

Apparently, I’ve always been really tired.

Ah, well. It’s weird having my work week start on a Tuesday; I have a long day at the office today which enables me to have a half-day on Thursday, and I always work half-days on Fridays, so I can really ease into the weekend in a lovely, easy way. Yay, weekend!

And on that note, that spice ain’t gonna mine itself.

 

I Can Dream About You

Hello, Monday! How are you?

I’m in a remarkably good mood this morning, which is unusual for a Monday, and even more unusual for a Monday during which I intend to tackle my storage unit. (There are copies of Mardi Gras Mambo in there, I know there are, there has to be.) Granted, my mood will undoubtedly be completely different once I’ve finished that slog, but it must be done. I will not rest until I have found that case of books.

In other news, I am continuing to enjoy the hell out of Ivy Pochoda’s Wonder Valley, and have all kinds of thoughts about it that I can’t wait to share with you, Constant Reader–but they shall simply have to wait until the book is finished. It’s also making me think some more about an idea I had (what? I told you before, great books inspire me and give me ideas for my own stories! This is nothing new! Keep up, you there in the back) a while ago on our expedition to Bombay Beach and the Salton Sea. Seriously, if there’s ever a place that needs to be the setting for a short story/noir novel, it’s that town. The fact that hundreds of thousands of fish die there in the summer, gasping for air and making the surface look like its boiling, and that the shoreline is literally littered with fish corpses–that alone is a great opening scene, don’t you think? And that the stink of the rotting, dead fish can be smelled in Los Angeles when the wind is from the east?

There’s some serious metaphor just waiting to be written, don’t you think?

I am hoping that when I am finished in the storage unit I won’t be too worn out to come home and write. I just remembered yet another short story I promised, haven’t started, but at least I already had the idea for it. I need to work a mystery into it somehow, which I am not certain I can do, but maybe I’ll just write the story, see what happens, and then get input from the editor. (I also tend to think of mysteries as always involving murder, and that’s not necessarily the case.) We shall see.

Okay, I am going to finish straightening up the kitchen and drinking my coffee before heading off to the spice mines/storage unit.

Here’s another Calvin Klein ad.

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99 Luftballoons

One of the things I managed to do during my Facebook exile was finish reading Adam Sternbergh’s The Blinds, which is, for wont of a better word, simply extraordinary.

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She’s old enough, at thirty-six, to remember flashes of other places, other lives, but her son is only eight years old, which means he was born right here in the Blinds. She was four months pregnant on the day she arrived, her secret just starting to show. If the intake officer noticed, he didn’t say anything about it as he sat her down at a folding table in the intake trailer and explained to her the rules of her new home. No visitors. No contact. No return. Then he taught her how to properly pronounce the town’s official name–Caesura, rhymes with tempura, he said–before telling her not to worry about it since everyone just calls it the Blinds.

Caesura.

A bad name, she thought then and thinks now, with too many vowels and in all the wrong places. A bad name for a bad place but, then, what real choice did she have?

Reclining now at two A.M. on the wooden steps of her front porch, she pulls out a fresh pack of cigarettes. The night is so quiet that unwrapping the cellophane sounds like a faraway bonfire. As she strips the pack, she looks over the surrounding blocks of homes with their rows of identical cinder block bungalows, each with the slightly elevated wooden porch, the same scrubby patch of modest yard. Some people here maintain the pretense of giving a shit, planting flowers, mowing grass, keeping their porches swept clean, while others let it grow wild and just wait for whatever’s coming next. She glances down the street and counts the lights still on at this hour: two, maybe three households. Most everyone else is sleeping. Which she should be, too. She definitely shouldn’t be smoking.

I read Adam Sternbergh’s debut novel, Shovel Ready, several years ago when I was moderating a panel at the MWA Edgar Symposium which he was on; he was nominated for Best First Novel and I have to say, I was completely blown away by it. (If you haven’t read it, you need to. NOW.) In the years since, I’d lost track of his career and his novels; there is only so much time  and there are so many great novels and great writers. But a friend had read The Blinds in an ARC (advance review copy) and raved about it, so I made a note of it. I was also able to get a copy at the HarperCollins group signing event at Bouchercon in Toronto–where I got so much of the great stuff I’ve been reading lately, well done, HarperCollins–and last week I started reading it.

Wow. I mean, seriously. WOW.

As a reader, I am constantly blown away by some of the amazing writers and books I read. As a writer, I am intimidated and shamed. I cannot even imagine conceiving of something remotely like The Blinds, and even if somehow I could, I couldn’t pull it off.

The premise behinds the book is that a medical science technology company has developed a process which can erase memories. The driving force behind this process development was to work with trauma patients, but the company also came up with a new use for it as well: rather than Witness Protection or life sentences in prison, people could be sentenced to have their memories of what they did or what they witnessed excised, and they could then live in relative freedom (restrained) in this small community of Caesura, in the heat-blasted dry wastelands of west Texas. No one knows who anyone is there; everyone takes a new name on arrival–one name chosen from a list of movie stars and another chosen from a list of vice-presidents–and then they live out their lives in a fairly dull, meaningless way in this town.

It actually sounds quite horrible, to be honest, and Sternbergh captures the bleakness of living there beautifully and chillingly.

The book opens with a murder taking place there…a few weeks after a suicide. And suddenly, the quiet, empty life everyone knows there is no longer quite so quiet and empty anymore. Has the experiment failed? Who could have committed the crime? And as you turn each riveting page, the story gets even more complex and horrifying as the truth slowly begins to unravel and you learn the secrets of Caesura, with the tension and suspense ramping up with every page until the most amazing, horrifying, and terrifying conclusion I have read in any novel in a long time.

The Blinds is going to be nominated for every award under the sun, and deservedly so.

And now, back to the spice mines.

Break My Stride

The regular season came to an end for LSU last night with a 45-21 win over Texas A&M, and I am going to miss the seniors and the guys the team will lose to the NFL draft. It’s been a pleasure watching you all play for the last few years. I also want to shout out to Danny Etling, who has never really gotten the kind of respect he earned over the last two seasons. He’s not Eli Manning, but he was a cool, competent quarterback who made some big plays and only threw two interceptions this entire season. That’s pretty amazing. And considering where the team was at one point, it’s no disgrace to take pride in how they closed out the season, winning six of their last seven games–including a win over Auburn, who went on to win the West division spot in the conference championship game by beating Alabama yesterday–the second CFS Number One team they defeated in three weeks.

GEAUX TIGERS!

I also continued working on the Scotty Bible yesterday–found some discrepancies that may not be able to be corrected, at least maybe not right away–but the ones I can’t correct are easily explained away; and I can correct things like the fact that Storm apparently had children in the first two books that completely vanished from the series later. Oops. (I’m not sure if they disappeared or just were never mentioned again; I don’t think I ever said Storm didn’t have children; I just never mentioned them, and that is kind of weird, really; why wouldn’t Scotty or his parents ever talk about his nieces and nephews? Although it might be kind of fun to bring them into the story at some point….hmmmm. Also, I mentioned in one book that Frank’s parents lived in Chicago and then in a later one that they were dead. I think I can correct that in the earlier book; let’s hope.

Obviously, I should have done this years ago.

But I have only one more book to go through–Garden District Gothic–which is incredibly exciting, and then I can create the Scotty Bible, which….is not so incredibly exciting. Ah, well. I have a lot to do today, so it’s probably best to get to it.

Here’s how it looks so far:

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