Author: gregh121

I am a writer and editor who lives in New Orleans.

All for You

Saturday, and it’s lovely to have it be the weekend again. Huzzah!

I finished “Never Kiss a Stranger” last night after the gym, which made me extremely happy. It’s slightly less than twenty thousand words, and it needs a lot of work before anyone else will ever be allowed to see it, but that’s two novellas down, and as they sit right now that means the collection sits at around forty thousand words; halfway done. Huzzah! This makes me quite happy, frankly. I had thought I’d finish it over the course of this weekend, and having it finished already means I have the weekend free to do some other things, other writing. Reading and cleaning, definitely.

So, the first part of the final line edit of Bury Me in Shadows dropped into my inbox last night, and so I skim-read it last night in my easy chair while we watched a few episodes of Happy Endings–which was quite funny, although some episodes missed the mark; I am really surprised it only lasted three seasons–and having NOT read it in months, I was relatively pleased with it. It’s much better than I remembered, to be honest, and it flows really well, and it feels like I nailed the main character’s voice. The mood seems right, too. This is quite a relief, frankly. One of the hardest parts of writing anything, for me at least, is the contempt that familiarity brings in its wake. I am so roundly sick of everything I write by the time I turn it in I literally have no concept as to whether it’s any good or not, if I got the mood and the characters right, if it flows…so inevitably there’s always that moment when I hit send on the email with the manuscript attached where I have that fleeting thought this could be the last nail in the coffin of your career. So, it was quite a relief last night to read the first third of it, post line edit clean-up, and realize, hey, this is really pretty good. I am kind of proud of this book, and hope my readers like it, too.

I’m also pretty pleased with myself for finishing “Never Kiss a Stranger” last night. As opposed to “Festival of the Redeemer”, I knew what the ending for this one was going to be–the question was how to get there. (“Festival” I only had a vague idea of what the end would be, but the proper ending revealed itself to me as I got closer to the end, and I am pretty happy with its ending as well.) Both stories are going to need significant edits and revisions–I suspect there are a ridiculous amount of run-on sentences to break up; paragraphs that need to be moved; scenes to be strengthened; and maybe even a scene or two that need to be added. I also want to revise “The Sound of Snow Falling” this weekend; possibly write a chapter of Chlorine, and get to work on either the next novella, or another story (for some reason, “Parlor Tricks” has been hanging out in my frontal lobe this past week); I definitely want to finish reading Bath Haus so I can move on to Razorblade Tears.

I also slept rather well last night–I even slept in a little later than usual this morning, which was not only a surprise but a very pleasant one. We watched Fear Street 1978 last night, which was a lot of fun (the first was better, but it also set a pretty high bar), and next week the final episode, Fear Street 1666, drops, which should also be a lot of fun. I read a lot of the Fear Street books back in the day–they were fun–and R. L. Stine, whom I finally got to meet a few years back, was quite a lovely man; very gracious and kind (which was really nice; it’s awful when you meet someone whose work you admire and they turn out to be horrible).

Looking around the apartment this morning as I sit here, slurping coffee and scarfing down coffee cake, there’s also a lot of cleaning that needs to be done around here, too. I have errands to run later–getting the mail; picking up a book at the library; possibly stopping around Uptown to take pictures; possibly stopping to get a few things at the grocery store–but for now, I am content to just sit here and write this and drink my morning coffee, and bask in the glow of being well-rested as the caffeine slowly clears the cobwebs inside my head. Paul is going to the office this afternoon, which is a prime opportunity for me to get some more writing done rather than wasting time watching videos on Youtube (which has become my go-to when I am too tired to focus on anything or don’t want to commit to watching a movie or something)–I love the Kings and Generals channel; I watched some great videos of theirs on the sack of Constantinople during the Fourth Crusade in 1204, which is the starting point for a stand-alone Colin book I’ve always wanted to write (I know, I know–but I’ve always wanted to do a Colin stand alone which is an action-adventure thriller along the lines of Indiana Jones or Dirk Pitt; I’ve had this idea since the late 1980’s, and after creating the character of Colin I realized he was the perfect lead for this story, should I ever get around to it…and then I think, wouldn’t it be fun to do a series of books about Colin’s capers while he’s away? And then think, but part of what makes him so fun is that he is kind of an international. man of mystery and then but he still would be that to Scotty, just not to the readers…and yeah, you see how this goes)–so who knows what will happen today? Tomorrow I definitely have to go to the gym and have a good workout; I enjoyed last night’s work out but the problem with those week night workouts is there’s always too many other people there, which I have never liked…so Sunday’s workout is inevitably the best one of the week.

And on that note, I should probably get to work else I will wind up wasting the day. Have a happy Saturday, Constant Reader!

I Think about You

Friday finally, and so much to do, as always.

Yesterday was an interesting day on social media. I was working at home and so not paying nearly as much attention as I would ordinarily–just checking in here and there when I was bleary-eyed from working, plus tired from the insomnia the night before–and was more than a little amused to see some weird stuff going on around that short story for The New Yorker that went viral a while back–“Cat Person”, which didn’t impress me much–but apparently the author had based the story on her own experience with some guy, after which someone had told her about another woman’s experience with the same guy so she based the female main character on THAT woman, and THAT woman wrote an essay about having her life appropriated for someone else’s fiction?

It’s been my experience that people will see themselves in characters you create that they like and identify with, even if there’s nothing further from that truth. People I know have always seen themselves in characters that I’ve written about–and I can only think of one instance where I actually DID base someone on a friend–Scotty’s best friend David, who disappeared from the series after the first three books (mainly because I could never figure out a way to bring him into the stories; although I do think about bringing him back every now and then because I really liked the character). David was based on my friend and workout partner Mark, who always wanted to be killed off in a really brutal fashion. I never obliged, of course, but as I said, when I picked up the series again after several years away from it, I could never figure out a way to involve him in the story so he kind of became an absent character.

Now that I’ve said that, I am determined to involve him in the next Scotty book. It might be kind of fun, actually.

I slept better last night than I did the night before, so I am better rested today. Yesterday I was so tired I actually felt unwell, which of course had me thinking about COVID variants and so forth, and made me also think I should be more diligent about wearing masks everywhere. I did make groceries last night after work, despite being tired, and i did wear a mask, and I think that’s going to be my standard practice going forward. Why risk getting sick, and I sure as hell don’t care what people I don’t know think about me. (I have gone into a few places unmasked over the past few weeks; like a very bad Gregalicious.) I also had a nightmare last night that when I got up and came downstairs this morning, there would be another pile of forms for me to enter into the CDC database–which was a most unpleasant dream, frankly.

I also got my copy of S. A. Cosby’s new book, Razorblade Tears, in the mail yesterday. I will move on to it once I finish reading Bath Haus, which should be this weekend. I’m very excited to read Shaun’s new book–I’ve heard such wonderful things about it already, and frankly, I am a huge fan. Blacktop Wasteland was one of my favorite books of last year. I am also excited that the next part of the Fear Street trilogy is dropping on Netflix today.

I also haven’t written in several days, which is not good–but the tired thing is for real. Since I am feeling rested today, I am hoping to tear through the next part of “Never Kiss a Stranger,” with an end goal of finishing the first draft this weekend. I am going to also start writing the next chapter of Chlorine this weekend, provided I stay rested and motivated. My phô restaurant is reopening today as well, so I am going to be able to get some phô at some point this weekend as well. Maybe tomorrow? And I will be going to the gym later today as well. On the walk home from the gym today I intend to swing by another street into the Garden District–First–and will be taking pictures of Anne Rice’s former home, which was the house she made the longtime home of the Mayfair witches, beginning with The Witching Hour, which is one of my favorite New Orleans novels. Despite the heat and the gallons of sweat these picture taking walks home creates, I am enjoying them because I feel like I am reconnecting with the city in some ways. I certainly don’t feel as disconnected as I have over the past year or so.

And on that note, it’s time to go make condom packs. Have a glorious Friday, COnstant Reader, and I will talk to you tomorrow.

Dress You Up

Thursday and a work-at-home day. I have data entry to do and condoms to pack, reality shows to catch up on, emails to answer and an apartment to clean from top to bottom (always). My insomnia is back again, so yesterday when I got off work I was too tired to go to the gym or do much of anything once I got home–in fact, the evening is kind of a foggy blur. I know Paul and I binged out way through some more episodes of Happy Endings, and I did spend some time reading Bath Haus, but other than that, I can’t really think of anything interesting that went on last night around the Lost Apartment. I did get my contributor copies of the Sherlock anthology, The Only One in the World, and they are quite lovely. Yay!

At some point today I also have to make groceries. I was going to do it Tuesday night after work, but was tired that night, too. I hate that the insomnia is back, and when I see my doctor (at last!) next week I am going to talk to him about options besides the alprazolam. I need the alprazolam because it keeps my mood swings under control, but at the same time, if that prescription isn’t going to be increased–I need at least four prescriptions for six months, not three, if not more–then I am also going to need to have something else prescribed that I can take on the nights I don’t take the alprazolam.

I also need to get back to work on “Never Kiss a Stranger” tonight. I am so close to being finished with it that I hate that I’ve stalled so much on it. It would be great to bang out three thousand words today and another three thousand tomorrow, so that it will be finished in a first draft form; and then I can get to work on some other things.

And that’s the problem with the insomnia. When I am tired I can’t think; when I can’t think it becomes harder to write, and then I get stressed, and the stress leads to more insomnia, because then I am too tired also to do much of anything, let alone stay on top of everything I need to stay on top of, which begets more stress, which turns into more insomnia, and so forth. So stress management is probably the most important thing for me right now, and as such, I need to take deep breaths and remember, at all times, it is what it is. I can only do so much, and pushing myself even harder will only create more stress, lessen the quality of my work, and end up being more defeating than not getting something finished.

Which is always bad news.

I also reread–just remembered!–my story in the Sherlock anthology; I tend to not reread my work very often–generally by the time it is finished and I have gone over the page proofs, I am so heartily sick of it I never want to see it again–but usually, whenever I got a copy of the finished book or anthology, I will sit down with it and read it as a finished product before putting them on the shelf and never looking at them again. So, last night I did sit down with The Only One in the World and revisited “The Affair of the Purloined Rentboy” (still one of my favorite titles ever) and you know what? It’s pretty good. I don’t ever give myself enough credit for anything I ever write or do–ever, and it’s a lifelong problem–instead, whenever I reread something of mine in print I continually edit it or rewrite it or think “why did I say it that way? This would have been better” and find flaws and pick it apart and frankly, it’s exhausting and emotionally debilitating and inevitably sparks a downward spiral of some sort. (Sometimes I wonder why I went into this field; I am clearly not emotionally strong enough for it, or mentally stable enough, for it. I also need to remember these things when I am reading about some writer from the past who was an alcoholic–I often think why were so many writers alcoholics? This is why.)

So, yeah, it’s not a bad story. It’s a nice read, there’s some lovely language and characterization, and I feel like I did a pretty good job of conjuring up the New Orleans of 1916. I would like to revisit my Holmes and Watson sometime, but not sure how to go about doing so–and perhaps someday when the inspiration or idea comes to me, I will–I do have a vague idea for another tale set in Storyville with them, based in a true story of a murder in at a brothel; but not sure I will ever have the time or investment to write “The Mother of Harlots” (also a good title.)

And now back to the spice mines.

Got to Be Real

Here it is, Wednesday and Pay the Bills Day yet again–MADNESS.

I wrote about twelve hundred words or so last night–not bad but not great–but it was also a transitional section of the novella, as we get ready to launch into the third and final act, and I’ve always struggled with transitions.But that’s cool–I did get twelve hundred words out before giving up the ghost for the evening–and while the night was not as productive as recent writing sessions, I’ll take whatever I can these days; especially on a work-at-the-office day, which tend to be more wearing than work-at-home days. Tonight, for example, after work I need to run errands before getting home and going to the gym, so not only do I have a very short window for writing, but I will also most likely be very worn out from the work out (even though it is likely to be a half-assed weeknight workout). But since this is a short week, I will be home for the next two days…

I am making a lot of progress on my efforts to get the apartment under control; I was expecting to be further along by now than I am, but Monday for whatever reason I was so exhausted I couldn’t get anything really done–cleaning or writing. I am also beginning to get the sense that July is starting to slip through my fingers again–never a good thing; I hate that time is beginning to feel like quicksilver in my hands, before I know it, it will be my birthday and I will be sixty–but the right amount of focus should be able to get me back into gear. Last night wasn’t a good night for sleeping, alas; but perhaps tonight will give me the rest I need. I am seeing my new doctor next week at long last; I am going to talk to him about upping the prescription refills and possibly prescribing something non-narcotic to help me sleep. I think Ambien is not a narcotic, but isn’t that the medication where people do things–like sleep-walk or sleep-drive? That makes me nervous…I get into enough trouble without having to add the worry of getting in trouble while I am asleep.

It looks to be a gloomy, rainy day today; which is never helpful when I am already feeling sleepy. But I shall make it through, and I will go to the gym, and I will pay these pesky bastard bills, and I will get some writing done. So let it be written, so let it be done.

I think we’re going to start watching a Swedish show on Netflix, Young Royals, which appears to be an angsty teen soap at an exclusive school with some queer content, which makes it all the more fun. I also need to get back to reading Bath Haus. My copy of S. A. Cosby’s Razorblade Tears should be arriving today; I am itching to sink my teeth into that one, and of course I’ve got some other Diversity Project books piled up on my end table–there’s Christopher Bollen’s A Beautiful Crime–which I’ve been putting off reading because it’s set in Venice, and I wanted to get the first draft of “Festival of the Redeemer” finished before I read another gay crime story set in Venice. And since that draft is now finished–and now that I know how it ends, and I do think the ending is perfect; I just have to go through it and clean it up significantly, including rewriting some of the passages–I can move on to the Bollen after I finish the Cosby. I also have David Heska Wanbli Weiden’s Winter Counts on the table, and I really want to get to that one, too.

Not to mention everything I have on the iPad. I was thinking on my drive to work this morning that I really would like to go back and reread Mary Stewart’s Madam Will You Talk?–I really enjoyed the Reread Project when I was having difficulty reading during the pandemic; and I am overdue on my reread of Rebecca by Daphne du Maurier, which may be my favorite book of all time; I also want to read some more of the du Mauriers that I have not already read, like The House on the Strand, Rule Britannia, and The Parasites.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader!

Feelin’ Jovani

Tuesday morning and it’s back to what passes for normal. I am up waaaaay earlier than I would prefer, and am staring down a nice day at the office.

I went to the gym yesterday afternoon. I woke up feeling tired and kind of out-of-sorts; I’m still not quite sure what that was about, but my stomach was bothering me some, and since i couldn’t seem to focus on getting anything done yesterday morning–other than some lame blog posting, and reading a bit of Bath Haus–I thought to myself, just go to the damned gym already, and on your way home detour into the Garden District and walk up Philip Street, taking some pictures for Instagram, which is precisely what I did. Lord, was it hot–I was drenched in sweat by the time I got home, and after some PediaLyte and a protein shake, I felt much better than I had before I went to the gym.

Go figure.

I also slept really well last night–I certainly wanted to keep hitting the snooze button, that’s for sure–but eventually I dragged myself out of bed and started getting ready to face the day. The extra day off, while lovely, really messed with my body clock. After the gym yesterday, and the walk home with its detour, I was too tired to do much of anything once I did get home, so I read for a little while and then we binged on Happy Endings–we still aren’t finished with it, but the third season of High Seas isn’t especially interesting, so I am not sure if we are even going to finish that at any point in time. I probably should have worked on “Never Kiss a Stranger,” but didn’t-so I will probably get back to that tonight when I get home from work. Yesterday was a do-nothing-much kind of day, and that was fine, I suppose. I didn’t get nearly as much done this weekend as I would have liked to have, but that’s every weekend, really. I tend to set the bar pretty high for what I do want to get done every weekend, and inevitably am never able to get around to any and all of it…which inevitably, while making it possible for me to get more done than I probably would otherwise, also is a bit on the self-defeating side; in which I invariably beat myself up over not getting everything done I had wanted to get done.

#madness.

It’s weird that it’s July already, weird how much faster this year is passing than last–which seemed to last forever in an endless swoop of weirdness and misery and difficulty–and at some point I shall have to assess how the weirdness of this past year affected me emotionally as well as intellectually and physically. The gym routine seems to be going well–no difficulty with any exercises, really, other than the back (I have always, and will always, hate pull-downs; I’ve never really understood why my back is so much weaker than my other body parts, and probably never will); and keeping the gym routine going hasn’t been terribly difficult. I am managing to deal with the walking to and from the gym in miserable humidity and heat thing fairly easily; and yesterday I added stretching back into the work out, which felt great–it had been a few weeks since I had done so, and my flexibility didn’t seem to suffer too terribly from the break–and so I am hopefully going to be able to make it through July and then switch to a more intense, different body part per day workout in August (chest and back one day; arms and shoulders another; and the return of the always dreaded and disliked leg day). I want to get all these odds and ends I am working on finished in July–I want to get “Stranger” finished in a first draft this week, and then get some other short stories finished–so I can focus on Chlorine in August, before moving on to other novellas and stories again in September, preparatory to writing yet another Scotty book in the last few months of this year.

We’ll see how it all plays out, won’t we?

So I am going to spend this week trying to get caught up on a lot of things, be grateful that it’s a short work week, and ease myself back into the whole working thing. Have a happy Tuesday, Constant Reader, and I’ll check in with you again tomorrow!

Open Your Heart

Back in the 1990’s, I was lucky enough to get to write book reviews–in addition to my fitness column–for a long departed and still missed local queer paper here in New Orleans, IMPACT News. A lot of really good things came out of being the queer paper book reviewer–friendships with queer writers I still cherish to this day, like Michael Thomas Ford, Felice Picano, Jean Redmann, and Sarah Schulman, to name just four; and of course, it also played a part in helping get my first fiction published with Alyson Books. But for the first few years I reviewed queer books for IMPACT, I only reviewed books by gay men, with the occasional lesbian title thrown in. When a new editor, Melinda Shelton, came in after a few years, she insisted that I start reviewing more books by lesbians. I was a bit resistant, but also understood there was a parity issue; lesbian books weren’t getting coverage in New Orleans, and there was a strong, vibrant reading community of lesbians in the city. So, I started, and before long, through reading fiction by, about, and for lesbians, I began to come to a deeper understanding of my lesbian sisters; it helped me shed the toxic masculinity I’d been raised to believe in, for one thing, and helped me become more of a feminist ally. The more I read about feminist issues, the more educated I became–and the better of an ally I could be to women. This was an enormous help when I went to work for Lambda Book Report, and knowledge of women’s fiction, and women’s issues, was also enormously helpful back when Paul, Jean and I started Saints and Sinners way back when dinosaurs roamed the earth.

For me, the best way to learn has always been through reading. I was blessed with an insatiable appetite for reading as a child, and I always had a fairly good memory for what I read. A lot of what I read about other cultures as a child and as a teenager were filtered through the prism of white supremacy, of course–but I did learn. I eventually began to recognize that those filters were there and had to rethink and relearn a lot of things. Yes, this is work–but it’s also worthwhile; I’d prefer to continue learning and thinking and growing as a person and as a writer until the day I die; I cannot imagine anything so terrible as to have your heart and mind calcified, ossified, and preserved in amber.

And while I had some issues with the “#ownvoices” movement on social media, it did effect some important change in publishing; a long overdue paradigm shift that made voices that were once considered “other” welcome at the table, and has given publishing–and fiction–a much needed shot in the arm that has reinvigorated everything.

This is particularly true in crime fiction.

His brown eyes were open, the shock of being stabbed still reflected in his dilated pupils. Sharise pushed his naked, lifeless body off of her, and he tumbled heavily from the bed to the floor, landing on his back.

Fuck, she thought, breathing heavily, I got to get out of here. No. Take your time, don’t panic. It’s two in the morning, no one will miss him for a while.

She leaned up on one arm so she could look over the side of the bed at his body, the blood pooling beneath him on the cheap mustard-colored motel carpet. Fucking bastard. You got what you deserved, you piece of shit. Turning away from him, she looked at her own blood-soaked body, and the wave of nausea came without warning. She retched over the side of the bed, adding a final indignity to his corpse.

By Way of Sorrow is an impressive debut by a writer named Robyn Gigl. I had the great good fortune to do a panel of some sort during the pandemic with her–I don’t remember what it was for, or who arranged it, or any of the particulars–but I remember being very impressed with her intelligence and wit. I made a point of making note of her name and the title of her debut novel so that I could read it when it was released. It was finally released earlier this year, and while it took me a lot longer to read it than it should have, this was through no fault of the author; but more a result of COVID brain on my part and my scattered focus.

The book is about a transwoman named Erin McCabe, who is an attorney in New Jersey. Erin has transitioned and has been living as a woman for the last two or three years. The transition wasn’t easy–they never are, really–and she lost her relationship with her brother and her father; she also lost her marriage to a woman she deeply loved. Her law partner is okay with the transition, but constantly is making mistakes using improper language, which she constantly is having to correct; her patience with almost everyone who is uncomfortable with who she is or simply doesn’t understand–and it happens a lot–is done so indelibly well that the reader begins to experience just how exhausting it must be to try to navigate the world as a transperson. The rupture of her relationships with members of her family, dealing with the knowledge that her ex-wife has remarried and moved on, and constantly having to deal with being misgendered is rendered so well that you cannot help but empathize, not only with Erin, but with transpeople in general.

But the book is more than just a “experience what it’s like to be trans”novel–it’s also a compelling crime story. Erin is hired to defend a young transwoman of color, thrown out by her family at fifteen, who has been working as a prostitute in Atlantic City. She is picked up by a dangerous john who tries to kill her, and she winds up killing him in self-defense–but who will believe her? Especially since the victim is the son of a prominent and powerful south Jersey politician? The odds are definitely against Erin and her client–and the story is a real page turner.

And if the end isn’t perhaps as satisfying as one would have hoped, it was also based in a sad reality–there often is no justice for young transwomen of color who have to turn tricks to survive.

A terrific debut all in all, I am really looking forward to more work by Ms. Gigl.

Tardy for the Party

Monday after the holiday, and I am sitting at my desk feeling a little discombobulated with this day off.

I managed to finish reading Robyn Gigl’s By Way of Sorrow yesterday (spoiler! enjoyed it!) and started PJ Vernon’s Bath Haus at long last. I am also enjoying PJ’s book–which I was fairly certain I would–and also somehow managed to clock nearly four thousand words in on “Never Kiss a Stranger”. So much for losing momentum, right? Yes, needless to say I was inordinately pleased with yesterday’s display of productivity; as I was thinking the novella would be around twenty thousand words, I am very close to having the first draft finished, which is also kind of exciting. It’s taking me a little longer than “Festival of the Redeemer” to get finished, but I am pretty confident I’ll be able to get it done by the end of this week, if not sooner.

“Never Kiss a Stranger” is very different, both in tone and structure and feel, than “Festival of the Redeemer.” I think what I am really trying to do with these four novellas is to write four vastly different ones, using different voices and different styles, pushing myself to create stories that make me have to stretch my creativity to tell properly. The point of view character in each couldn’t be more different, and of course “Stranger” is set in 1994 New Orleans, while “Redeemer” is set in present day–or at least recent years–Venice. I had already decided that the third novella for this quadriptich is going to be one of my Alabama stories; the question is whether it should be “A Holler Full of Kudzu” or “Fireflies” (I’m leaning towards “Holler,” mainly because it is set in the 1970’s; whatever the final piece will be should be set in the 1980’s, but since I am thinking it will most likely be a Chanse story, “Once a Tiger”….that will also be a present day story.). While I was originally tempted to use both “Kudzu” and “Fireflies,” the truth is both are Alabama stories, and I don’t want two of them in the same work. Of course, I could make them all about 25k to 30k and only use three…decisions, decisions.

That, of course, would make the book a triptich.I don’t now how long these things are going to end up, of course. That’s kind of the thrill with writing novellas–more room and not as limited as a short story, and no pressure to make it longer as there would be to turn them into novels.

The scenes I wrote yesterday were kind of potent, kind of sad–I think I was stalling writing them because those kinds of things are generally emotionally difficult to write, but it wasn’t as bad as I thought it would be. I was tired when I was finished for the day, of course, and retiring to my easy chair to read with a purring sleeping cat in my lap almost put me to sleep…but I managed to stay awake. We watched more of High Seas–only a few episodes left in Season 3, which isn’t nearly as fun as the earlier seasons–and Paul has found an Italian crime drama, Suburra, to watch next. I am a little out of it this morning, too–I had weird dreams last night, and woke up a lot, so am not feeling terribly rested today, and it kind of feels, I don’t know, warm and/or stuffy in the house this morning. Not sure what that’s all about…but I want to get this finished, do some straightening up around here, and I have to make groceries this morning. Then I want to go to the gym, and detour through the Garden District to take pictures of the neighborhood for Instagram before coming home to get cleaned up and write this afternoon. And then of course, tomorrow I have to get up early to go back to the office.

Heavy sigh.

I didn’t get nearly as much done this weekend as I had wanted to–par for the course, and I am not going to beat myself up over it, either; it is what it is–and I’ll try to get more caught up as the week progresses. It’s a short one, after all, and it’s probably going to be miserably hot. MUST FOCUS.

And on that note, tis off to the spice mines with me. Have a lovely day, Constant Reader.

Devils in the Canyon

More years ago than I care to remember, I returned to Palm Springs for the first time in years for a Bold Strokes authors weekend event. It was a lot of fun–I always enjoy visiting Palm Springs–and this time I rented a condo on Flipkey (this was before Air B-n-B became a thing), which was a short walk from Las Casitas, a women’s only resort place that hosting the event. It was a great trip. We made side trips to Joshua Tree National Monument (it was cold), I had my first In-n-Out Burger, and we also took an early morning expedition to Bombay Beach, a failed resort village on the shores of the Salton Sea. People still lived there, but most of the place was derelict and looked bombed-out, post-apocalyptic.

The place fascinated me, and in the years since I’ve occasionally, idly, when in between books and other research…looked it up on line to do vague informational research with an eye to eventually writing about it. It still fascinates me…sometimes stuff will come across a social media feed, or I don’t know, some reading material will be suggested to me by the algorithms. That whole area of California really is interesting to me–more so than Los Angeles or the other more, better known, better documented parts of the state–which is also why I enjoyed reading Ivy Pochoda’s Imperial Valley so much.

So when I heard about this short story collection–and the Salton Sea was mentioned, I thought, hey let me take a look at this.

Three hours out of the hospital, his left foot too swollen for a shoe, Shane’s car breaks down. It’s July, a trillion degrees outside, Interstate 10 a gray ribbon of shit unspooling east out of Palm Springs toward Arizona. Not exactly where he wanted to go, but who the fuck wants to go to Arizona? It’s what was on the other side of Arizona that mattered to Shane, the chance that there might be another life in that direction. He never liked being on the coast. The one time he ever tried to swim in the Pacific–during a vacation with his dad, so, over twenty years ago, half his lifetime now–he was gripped with the ungodly realization that unlike a pool, there were no sides. You were always in the deep end.

It was a feeling that stuck with him, even when he was in one of those towns in the San Fernando Valley that sounded like an escape route from an old Western: North Hills…West Hills…Hidden Hills…

The Honda was the one damn thing Shane thought he could depend on. But as soon as he pulled out of the parking lot at Centinela Hospital in Inglewood, the check-engine light flashed on. A hundred thousand miles he’d put on that fucking car and not a single problem and the one time he really needed it, it was telling him to fuck off. He didn’t have the time–or the money–to swing by the mechanic considering he’d left the hospital before the nurse had filled out the paperwork for the cops, which was a problem. Not as big a problem as staying would have been. It wasn’t the kind of thing that would have the cops trawling the city for him, especially since the wound did look self-inflicted, since it was…someone else holding his fucking hand while he shot himself with his own damn gun.

And so begins the first story in the collection, “The Royal Californian,” and what a ride this story is!

This story reminded me of a story I read in college, in a writing class, by Barry Hannah–all nerves scratched raw and in-your-face. The voice is incredible, and the noir sensibility–really, what could be more noir than the desert of southeastern California?–is right there. We don’t really learn a whole lot about Shane, but just enough to understand who he is, why he behaves the way he does, and that weird sense of desperation that drives him. This low-end, low-rent motel he finds himself in, the Royal Californian, kept reminding of the Eagles’ classic hit, “Hotel California”–this was a place you check in, but you never leave. Everyone he encounters at this place–from the two-bit lawyer, the knowing bartender who’s seen too much and doesn’t care, and the mysterious clown at the motel bar–is kind of a lowlife, kind of a desperate character, and out for themselves. No one can be trusted at this hellish motel– least of all Shane. As the story unfolds we learn why he was on the road on his way out of California, and a little of his backstory…and while you kind of want him to get his shit together, everything he does indicates that he is not going to.

And there’s also a truly marvelous twist at the end, that gives this story that extra little sharpness in its edge that makes it truly memorable.

I was highly impressed with this story, and am looking forward to reading more of Tod Goldberg…I just wish I had before!

History Has Its Eyes On You

Ah, Independence Day.

That’s really what the 4th of July commemorates–the day the Continental Congress ratified, and began signing, the Declaration of Independence, when the thirteen British colonies along the Atlantic seaboard threw off the yoke of the King of England and his Parliament and said, nah, thanks–we’re going out on our own. It was extremely radical–particularly since the British Empire was the greatest power in the world since the end of the Seven Years’ War (to the colonials, the French and Indian War) in 1763; perhaps the largest empire to date in world history.

And yet…no rights for women and there was still slavery for another ninety-odd years, give or take.

Someday I will write an essay about American mythology and how I learned it as absolute truth as a child; American history (or rather, US history) was my gateway drug to world history. I should have gone into History as my major in college; it’s entirely possible that History rather than English (or business; I switched back and forth between the two for a very long time) might have garnered an entirely different result when it came to my academic career. But I also would have had to have picked a time to specialize in, and how on earth could I have ever decided? There were so many interesting periods…although inevitably, I tend to think my metiér would have been sixteenth century Europe.

Someday–probably after I retire–I am going to write A Monstrous Regiment of Women.

Yesterday was rather lovely. I actually slept late, of all things; I cannot remember the last time that happened, and thus got a rather late start to my day. I started cleaning up around the house, and organizing things, but again–a late start kind of threw me off my game a bit, and I didn’t get near enough done that I had wanted to get done. I did read a couple of short stories for the Short Story Project, and I also read some more of Robyn Gigl’s wonderful By Way of Sorrow; that was lovely. I also listened to some Bette Midler albums on Spotify (joking on Facebook that I was doing my part to break down gay stereotypes by doing so); in particular I listened to It’s the Girls and Bette Midler, before moving on to Liza with the Cabaret soundtrack, and the little known sequel to Rocky Horror soundtrack, Shock Treatment, and then moved on to the Pet Shop Boys. I made meatballs in the slow cooker for dinner, and then we watched Fear Street 1994 (which was remarkably fun), then a few episodes of High Seas (which is really fun) and a few episodes of Happy Endings before bed.

R. L. Stine and Christopher Pike, who were hugely successful writers of young adult suspense/mystery/horror in the 1990’s, actually had an influence on me as a writer, surprisingly enough. I read most of their novels when I lived in Tampa back in the day (I actually preferred Pike, to be honest), and I actually wrote three novels–Sara, Sorceress, and Sleeping Angel–for young adults during that time. I had always intended to do the Fear Street thing–where the books were all connected somehow and minor characters in one would become the lead characters in another–and spread them across the country, as opposed to one town, as Stine had done; mine would be scattered between Kansas, California, Chicago, and Alabama (one of those ideas became Dark Tide and another Bury Me in Shadows). Then I discovered, through Paul, gay mysteries and all those ideas went into a drawer, along with those manuscripts, and I started creating Chanse and his world, and what eventually became Murder in the Rue Dauphine.

Fear Street 1994 is a lot of fun, as I said, both a mystery, a slasher film, and horror–the main romantic story is a lesbian love story, which was very cool–and it also slightly involved class differentials between the town of Shadyside (often called Shittyside) and it’s wealthier, preppy neighbor, Sunnyvale. It was a fun homage to Scream as well, and it was clever, witty, and quite a fun ride. I do recommend you watch it, if you like those kinds of movies. Nothing deep, but lots of fun, and now I can’t wait for the next part of the trilogy, which drops this Friday: Fear Street 1978.

I did try writing yesterday, without much luck, logging in less than a thousand words. But rather than despairing, as I am wont to do (Oh no! I knew I was breaking my momentum!), I chose to understand and recognize that the scene I was writing needed to be set up better–which was why it wasn’t working–and it needed more than just the cursory slide over I was giving it. I am going to open the document back up later this morning–probably after getting another load of laundry finished, and emptying the dishwasher–and scroll back a bit to start revising and getting into the story again. There really is such a thing as thinking too much about what you’re writing; that’s when the door to doubt starts to open a crack and Imposter Syndrome starts saying pssst through that open crack in the door.

And on that note, I am heading back into the spice mines. Have a happy and safe 4th of July, Constant Reader!

Cold-hearted

I’ve spent a lot more time over the last year reminiscing about my past than I probably have in the last three decades of my life. I’ve never been quite sure why that is–probably the rapidly approaching sixtieth birthday–but it’s been interesting; trying to remember things, looking things up on-line to verify memories, listening to music from those various periods, and remembering things of social and historical and cultural importance, which were at the time primarily just background noise.

Some of it is undoubtedly because I had to mine my memories for the two books I wrote over the last year–Bury Me in Shadows (Alabama) and #shedeservedit (Kansas)–and the creation of fictional places based on real places where I lived (often forgetting that since I was fictionalizing them, I could change things and they didn’t have to be exact–which was helpful while realizing my memories were often incorrect!). I’ve mined my memories for work before–mostly short stories, really–but never to the extent that I had to for those two books.

And now that I think about it, that probably has more to do with these frequent trips down Memory Lane than the milestone birthday approaching.

I’ve been meaning to start reading short stories again lately; I’ve really fallen off on the Short Story Project over the last year, but today I decided to read “The Boy Detective and The Summer of ’74”, by Art Taylor, which has been nominated for a ridiculous amount of awards–as Art’s work so frequently is.

And what a jewel of a short story it is.

That summer, the summer of 1974, all the boys in the neighborhood wanted to be Evel Knievel–John especially, who’d gotten a brand new bike with chopper-style handles for his birthday. He and his younger brother Paul and I, like a brother myself, raced constantly around the hot asphalt of the small block where we lived. We built rough ramps out of old bricks and leftover plywood, jumped Tonka toys, a rusty wagon, a battered Big Wheel.

Other times, we tried to be like the Six Million Dollar Man, sprinting from yard to yard, mimicking with our lips that metallic reverb that meant we’d engaged our bionic powers. We liked Kwai Chang Caine from the Kung Fu show too, and Paul sometimes thrashed his arms in karate chops as we wandered into the woods and fields behind our neighborhood–land that my father owned and that he was waiting to develop, same as he had built each of the nine houses that made up our small corner of that North Carolina town.

Turns out that while we aspired to be Evel Knievel or Kwan Chang Caine or the Six Million Dollar Man, my father had his own ambitions for me–that was another thing about that summer.

But one dream was mine alone. Secretly, I wanted to be Encyclopedia Brown. And the summer of ’74 offered the chance for that dream to come true.

We founds the first bone about midmorning one day in late June….

Art Taylor is an exceptional short story writer. Every time I read one of his short stories, his skill–constructing beautiful sentences, creating amazing images, the structure of the story and the strength of the voice–consistently blows me away. He never tells the same story twice, or falls back into the ease of reusing a voice he has used before, either.

Reading this story took me back to my summers as a child in Alabama. I could hear the cicadas and crickets and tree frogs, feel the heavy wet air, smell the freshly mown grass; I could remember the innocence and how it felt to want to be like the characters in the mystery stories I loved to read–whether it was Encyclopedia Brown or The Three Investigators or Trixie Belden, hoping to stumble over a mystery that I would be able to solve through my sharp observations and my deductive reasoning, stunning the adults by my intelligence, savvy and acumen. He also manages, in this story, to evoke that childlike sense of innocence, of noticing weird things adults do while not completely comprehending what they mean, and while this is obviously told as a flashback story–an adult man remembering something from his childhood, it’s not done in an obvious way; and I also like the choice to not tell it in the young boy’s voice–which is a difficult balancing act and one that is very difficult to do.

I love this story so much, can you tell?

And as always, with great writers, reading this story unlocked the key to a long-dormant story that I’ve never been able to solve the problem with–so I can now dust it off and finally get it finished.

Seriously–do yourself a favor and track down Art Taylor’s short stories. You can thank me later.