Author: gregh121

I am a writer and editor who lives in New Orleans.

Away in a Manger

And it’s Wednesday, my last day in the office before Christmas holidays. We have the next two days off for the holiday, so we all have a lovely four day weekend. Huzzah? At least I don’t have to make condom packs, which will be kind of nice, but I do have things to do. The book is proceeding apace, if a trifle slowly, but I am happy with the work I am doing on it but the question is, as always, will I get it done in time? Heavy heaving sigh. It is definitely going to be a lot of work to get done in a very short period of time, but it will get done eventually. I will most likely take Christmas day itself off from doing anything; a recharging day, if you will, but that and New Year’s Day should be enough of a recharge to keep me going. I’ve been sleeping much better lately–the cold snap (such as it is) has been an enormous help in that regard–and so am feeling more rested than I have in quite some time. I am also trying really hard to not let my stress levels go up; stress, not fear, is the mindkiller, thank you very much, Frank Herbert.

It’s also Pay-the-Bills Day; huzzah? At least I don’t have to worry about being able to pay the bills, which lessens the sting somewhat. It doesn’t make paying them any more enjoyable, mind you; it just makes it hurt a little less.

I don’t think I will ever stop resenting paying the bills–but you can certainly see that the heat has broken; the power bill this month is less than half of the last one.

Silver linings, you know.

The manuscript is coming along nicely, sort of; I write about 2500-3000 really shitty words per day (a chapter a day, really) and keep going, and then I spend a day trying to clean up the mess I’ve created. It’s working so far, and at the pace I am going I should pass the midway point this weekend–if I stay focused–and might actually get it all finished by the deadline. Huzzah, indeed!

It’s cold again in New Orleans today–well, cold for New Orleans; as always, I assume everyone north of I-10 will snicker behind their hands as they do whenever I complain about it being cold here–but I am actually going to wear a sweatshirt beneath my Crescent Care T-shirt today, and the floor here in the Lost Apartment absolutely felt cold to my stockinged feet this morning so I had to put on my slippers–but I would like to remind everyone it’s not a dry cold down here but rather a damp one. Cold and damp is miserable.

It’s going to be lovely having four days off, which should–laziness, cold, and procrastination aside–enable me to get a lot of work done, as well as organizing and cleaning of the Lost Apartment. I am going to have to start taking boxes out of the attic and determining what is to be done with them; most likely I will be donating a lot of books to the library sale in the future, and I figure if I target one box per weekend minimum it won’t take more than a few months to clean out a lot of what is up there and make room for other things I need to put up there. I really do need to stop buying books for a while; the apartment is quickly becoming overtaken with them yet again, and the TBR stack was already well out of control. Tonight I am going to spend some more time with Vivien Chien’s Death by Dumpling–I want to finish it so I can read Donna Andrews’ The Twelve Jays of Christmas on Christmas itself (after getting my writing done for the day–yes, I am not going to be able to take any holidays off until the book is completed, and all the other things I am writing are done.

Progress. I must always make progress.

And I really need to make that to-do list, which means I need to see what I’ve agreed to write and when it is actually due. I know I have some tighter deadlines than perhaps I would prefer; but that’s the writer’s life and it certainly always has been mine; months with nothing really due for a really long time, then a flurry of requests and deadlines all within a ridiculously short period of time.

And I had wanted to start talking about #shedeservedit every day on here, but I am not sure I have anything to say about it today? Really, it could and should probably wait until the lead-up to the actual release date (1/12/22) but preorders are shipped early–as early as 1/1/22, in fact–and I’ve even gotten my author copies already. So, is it too early to start talking more about this book? My experiences in Kansas? Will people be heartily sick of me talking about it before the book is even released?

Tis a fine line one must walk when doing blatant self-promotion. Although my stand methodology of blog posts is no one else reads this besides you so write about what you want to write about.

It has always, after all, served me well.

And on that note, tis time to head into the spice mines and hope to not freeze to death. 😉 Have a lovely Christmas Eve Eve Eve, everyone!

Silver Bells

City sidewalks, busy sidewalks, dressed in holiday style….in the air there’s a feeling of Christmas….

“Silver Bells” is, hands down, one of my favorite Christmas songs.

I’ve always wanted to write a story built around the song; maybe that’s something I can do for next year–but then again, who knows what will happen between now and then as far as my writing and deadlines are concerned? Heavy heaving sigh.

The other night, when I did my ZOOM thing for the release of #shedeservedit, afterwards I had a horrible rush of doubt and fear about the book itself. Who am I, after all, to write about rape culture and sexual assaults and so forth? Was writing the book an attempt to assuage my own guilt for my own complicity in the systemic toxic masculinity of our society, culture and civilization?

Some of the above? None of the above? All of the above?

I started writing the fiction collectively known and referred to as “the Kansas book” when I was actually in high school in Kansas. I created a fictional version of my high school and the county, including the county seat; it went through many iterations and renamings over the years as I worked on aspects of this enormous book, with interconnected characters and stories and so forth. Some of it was pulled out of this enormous “Bible” (for wont of a better word) to become my novel Sara about ten years or so ago; bits and pieces of it have now been pulled out to use for #shedeservedit, which will be out in January and has been what I have mostly referred to as “the Kansas book” for the last six or so years. The first draft of this iteration was written over a month, in July of 2015; I wrote three thousand words per day (or tried to; I did take some time off here and there) and by the end of the month I had nineteen chapters of about five thousand words in total of what needed to be a total of twenty chapters; I’d done ninety-six thousand words in a month but still didn’t know how to end the book (this is always a problem for me, by the way; and I am always afraid I don’t stick the landing). Over the next four or five years, I revised and rewrote the book, trying to see if I could figure out how to stick the landing as well as figure out what the dismount should be. I knew how I wanted to end it, but wasn’t sure if it would work…but also never wrote it, thinking the endless revisions and rewrites and changes might point the way to the proper dismount.

But this version, that begins with the star quarterback going missing after a game one night, might use the characters I dreamed up in the late 1970’s and have adapted and changed and grown over the years, but the plot-line that runs through this book wasn’t born until about 2004, when I decided to take all the things I’d been loosely working on over the decades since high school and pull it all together into a crime novel: the final and complete edition of the Kansas book. And it has gone through many iterations before I started that massive attempt to write an entire first draft of the new story in one month; back in 2004 I saw it as a book that flashed back between the present and 1977, when the quarterback was to have gone missing. I eventually abandoned that attempt–though I have reserved the right to do another such book, flashing back and forth in time, set in this universe somehow; I’ll figure that out later–and moved on to this final version of the missing quarterback theme/story.

Ironically, even from its earliest iteration, the underlying story here was about privilege; the privilege that comes with being a football player in a small city (am never sure where the cut off between town and city is precisely; I know when I lived in Kansas Emporia was considered a large town–population 27k or so–while the town we lived in was considered small–population 952; and Wichita, Topeka and Kansas City were considered cities) with a highly successful high school football team. With athletic success comes privilege; that was even true back in the 1970’s, and was even more true when it came to college teams. Originally, the quarterback’s body was found, naked, on the fifty yard line with evidence he’d had rectal sex the morning after Homecoming. That changed–the location of the body at any rate–and I also realized the Homecoming murder was also a cliché, so I had to move it up further in the season–which also made more sense with the timing of the event that may have possibly triggered the murder in the first place…this was a huge issue with the original draft I wrote in a month; why would it have taken so long for the murder to happen if the potentially triggering event was in the summer?

These are the trials and tribulations that an author must face when writing a crime novel.

Sometimes fate intervenes, as well. When I was writing Sleeping Angel all those years ago, I kept thinking something was missing from the manuscript; there was a hole where I should have been making a point and wasn’t. I was writing this book around the time when there were a rash of queer kids committing suicide in the news–basically being bullied to death–and this was around the same time that Dan Savage started the “it gets better” campaign. Ah, I thought, there’s what’s missing from the story.

It wasn’t like I didn’t know how it felt to be bullied, after all.

I decided to pull the Kansas book back out, and write that first draft, in the wake of two news stories that happened around the same time: Steubenville, Ohio and Marysville, Missouri. As I watched those cases unfold, I knew that was the answer to the Kansas book; my ‘small city with a great football program’ (and whose name went through many changes over the years–Kahola to Greenfield to Carterville to its final name, Liberty Center) obviously had to have a rape culture problem, derived from the culture of toxic masculinity that was created in order to have a successful football program. This decision was reiterated when I read Missoula: Rape and the Justice System in a College Town by Jon Krakauer–which I bought and started reading one day when I was trapped in the Newark airport by a flight cancellation for like eight hours or so. (Also: shout out to friend Gwen Florio, a reporter for the Missoula paper whose coverage of the stories there featured heavily in the book)

So, when I sat down to write that draft in a month (oh to have that kind of focus again), that was in the forefront of my mind: the triggering event that may have potentially have led to the murder was the sexual assault of a cheerleader at a party before school started.

So, yes, I have written a crime novel set in a small town with a rape culture problem. Am I the best person to write such a book? Maybe, maybe not. But that’s why I am so nervous–how are people going to react to this story? From me?

And then I think, oh, it’s not like anyone pays any attention to you or your career anyway.

And now back to the spice mines.

Christmas Won’t Be The Same Without You

I did not want to get up this morning.

A quick look at today’s temperature–it is currently forty-eight degrees–explains it. It is chilly in the Lost Apartment this morning, and my heavy blankets felt all too marvelous for me to want to get out from underneath them when the alarm began it’s insistent cacophony far too early this morning for my tastes, quite frankly. The first day of winter looms nigh this week–perhaps even today or tomorrow–and then we’re in for the cold spells of winter in southeastern Louisiana, I would presume.

It’s weird–since Christmas is this weekend I only have my three days of work in the office this week, and then I have a four-day holiday. The holiday will be spent, of course, trying to get back on schedule with everything–I had a semi-productive day yesterday, and that productivity needs to continue today–but as my coffee kicks in I am also not tired, I am finding; more like I was groggy and didn’t want to come fully awake just yet. The stiff soreness in my shoulders also isn’t there this morning, so perhaps after work tomorrow I can actually return to the gym and start easing my way back into working out again. Yay? Yay.

I spent some time with Vivien Chien’s delightful Death by Dumpling yesterday, which is also an immersive experience into an Asian business center in Cleveland; which is interesting. I know we have a rather nice-sized Asian immigrant community in New Orleans–there was a section along Canal Street that was once our Chinatown–and there are a lot of Vietnamese families in New Orleans East (Poppy Z. Brite’s Exquisite Corpse explored the New Orleans Vietnamese community)–yet another part of New Orleans’ rich and varied culture/community/history I’ve never touched on in my work. The lovely thing about New Orleans is you can never ever run out of things to research, explore and write about here; the sad thing about New Orleans is realizing there is so much that it’s incredibly humbling; I always kind of laugh to myself when I hear myself being described as a “New Orleans expert”–please. There’s so little that I actually do know as opposed to the actuality; I am always realizing how little I do know about the city and its history and culture.

I also spent some time writing on the book yesterday, and it is beginning to really take shape nicely. If I can maintain a decent schedule on it, I should be able to finish on time–which will be just in time to head to New York next month, barring the trip getting canceled for one reason or another (please please please let that not happen again). I also managed to get the promo recordings done–I hate, as I have mentioned, hearing and seeing myself on recordings, so I can’t rewatch them to see if they are any good or not–but maybe I should start recording myself doing readings from my books and stories as promotional materials? I don’t know, it’s hard for me to imagine that succeeding, but…is that part of the self-destructive mentality that is rooted in my deeply felt Imposter Syndrome, or is that a valid critique of me, my attempts to promote myself and my career, and that very really sense that no one cares whether you do or you don’t?

Heavy thoughts this morning on my second cup of coffee, right?

But at least I got an email this morning from one of the places I recorded a video for–a brief read of “The Affair of the Purloined Rentboy”, from The Only One in the World–and Narrelle Harris, the very kind editor, seemed to have really liked it, so there’s that part going for me this morning. Yay, I think?

I also got the cover artwork for one of these anthologies I have a story in–Cupid Shot Me, Valentine’s Day gay crime stories, and that is the book that “This Thing of Darkness” is going to be revised/edited for (I made a note on my list of stories/manuscripts due this morning to note that this is the one due on January 10th)–and it’s pretty cool. I do love landing short stories, wherever I can. I hate that the short story market isn’t as strong as it used to be; even writing gay erotica was a nice supplemental income back in the days before everyone began truly using the internet to scratch their porn itches…remember the days of porn videos, either renting or buying for the exorbitant price of $89.95? The bargain bins of gay porn videos that had been remaindered? I’ve never pretended not to have written gay porn (or erotica, whichever makes you feel better about it), but it has been a hot minute since I’ve actually written or read any. That doesn’t mean I won’t ever again–there’s some gay noir I want to do that needs to be lusty, sweaty and erotic–but for now…it’s certainly not in my immediate future or in my plans for what I need to get done over the next two months.

And on that note, tis perhaps time for me to head into ye olde spice mines. There’s a lot I have to get done before the holidays this weekend.

Have an awesome Monday, Constant Reader!

Do You Hear What I Hear?

It’s hard to believe that Christmas will be all over one week from today, but there it is. It’s been humid and in the eighties here in New Orleans the last few days, which is about as un-Christmas like as one can imagine. I don’t mind the heat, to be honest, but wouldn’t mind a slight temperature dip to recognize the holiday–a slight one. Not even a fan of it going much lower than sixty-five, and will inevitably whine when and if it does.

Yesterday was, all in all, a lovely day. I managed to get my chapters done yesterday, as I had hoped–the book is turning out nicely, and I am most pleased with how it’s going, even if I am behind schedule (as always)–and I managed to not make a complete fool of myself on the ZOOM promotion thing I did last night (well, at least I don’t think so). I slept deeply and well last night, managed to get a lot of cleaning up done around here and some organizing, and hopefully today the writing will go well yet again. I also am hopeful that I’ll have the energy to also get other things done around here today. I wasn’t as tired yesterday as I had been the previous two days, which had a lot, I would imagine, to do with sleeping well the way I have the last two nights. I probably need to run to the grocery store today, but I think I might actually wait and go on the way home from work tomorrow. We shall see, I suppose.

And I still need to figure out when things are due and what all I have agreed to do–which means at some point today I need to make A List, which is never really a bad thing to do at any time, really. I do feel a little overwhelmed with deadlines, and A List is precisely the thing I need for right now. All I want to do right now is actually go sit in my easy chair with my coffee and read Vivien Chien’s book, but that’s undoubtedly the part of my brain that always throws up roadblocks and tries to keep me from succeeding, which is the part of my brain I should also never listen to at any time.

Yet here we are.

I’ve also been abstractedly thinking in the macro sense about next year already, and what I want to get done. I had wanted to do another Scotty book this year (the book I am currently writing supplanted it in the schedule), but with so many odds and ends hanging out in my files…I think that after I get all the short stories that are promised out of the way in January, I am going to spend February writing Chlorine while working on the Bouchercon anthology, which I would love to have finished and out of the way by the end of February (while being aware that I probably won’t get Chlorine finished in that same period of time, most likely), and then I want to get all these novellas and short story collections and potential essays finished and out of the way before I dive into another Scotty book. I know what that Scotty book is going to be–which is a lot more than I usually know going into a Scotty book, other than the title, which this time around is Mississippi River Mischief–but I doubt that’s going to make it any easier to write for me, either.

I also have to bear in mind that Crooked Lane may want another book in this series, too, which I would have to carve out time for.

It never ends–and I hope that it literally never does, frankly; I never want to stop writing and publishing, ever. Even if I stop publishing traditionally, I would probably keep writing and might go the indie route, to be honest. I’ve always written, and will always write as long as I can sit in my desk chair and move my fingers across the keyboard.

There’s also another Corinth County book I want to write, and more Corinth County stories to work on as well.

It’s gray outside this morning, which means clouds and that inevitably means rain at some point. There’s no condensation on my windows so it’s not humid–or not terribly so, at any rate, outside.

Nightmare Alley and the new Spider-Man movie both opened this weekend, and I actually would like to see both films, but am not entirely comfortable going to sit in a movie theater at this point in time. I do love the original Tyrone Power version of Nightmare Alley, and I love the darkness of the book (which was recommended to me by my friend Megan); it’s one of those I would like to have the time to reread at some point. Spider-Man is making bank at the box office, as one would expect it to, and I do love Tom Holland–I think he’s adorable, charismatic, and a good actor–but as much as I think this spectacle probably would work best on a big screen, this current variant situation has me reluctant to go see anything in the theater. I mean, why take chances? And since I am in close contact with people every day I see clients at the office, why push my luck this way? Hopefully both will wind up on a streaming service relatively soon, and I’m not in any huge rush to see either film. There aren’t many films I absolutely have to see immediately right now cannot wait for them to stream these days.

We’re still watching the OG Gossip Girl, which is still fun even if the characters create drama by doing things that have always failed before, which makes it very definitely a soap opera. We’re up to season four now, with only two left once we get through this run, and I suspect our Christmas day is going to be nothing more than a massive Gossip Girl binge watch. There certainly are other shows now piling up on our “must-watch” list, so this lengthy visit with the Gossip Girl gang is certainly allowing us to bank up a lot of shows to watch in reserve–which hopefully means not running out of anything to watch for a good long time.

And on that note, I think I am going to retire to my chair for an hour or so with Vivien Chien before diving into the book for today. Wish me luck, Constant Reader! I’ll check in with you again tomorrow.

Night Fever

I read comic books when I was a kid, and around the age of eight or so moved on from Archie to DC Comics and their pantheon of super-heroes. I did watch the Batman television show when it aired when I was even younger; it was a lot of fun to watch–silly and campy (even though I was too young to even slightly understand what camp was or have any idea that it was even a thing; I just knew I liked it). I’ve dipped my toes back into the world of comics from time to time over the decades as I’ve gotten older. I don’t know a whole lot about comics–enough to know that I don’t know much, but just enough to be able to participate in a conversation about them for a little while before getting lost. I never followed writers or artists, I followed the characters–but have always had an appreciation for the art, both in story, drawing, and colorization–that make the books what they are.

I’ve always loved Nightwing since he was introduced, and that’s an abiding fandom that has flickered, off and on, over the years. (If ever asked who my favorite comics character is, I always unhesitatingly reply “Nightwing.”) It was this fandom that actually led me to the Titans television show, which I enjoy, and recently, a friend on Twitter was recommending a graphic novel that combined the first six issues of a new Nightwing story arc, the issues collected into a book called Nightwing: Leaping into the Light.

I also had to examine, for the first time, the questions why does Nightwing resonate so much with me? Why do I connect so much with this comic book superhero?

Which leads to the character of Dick Grayson.

The great irony of my connection to Nightwing is that I absolutely hated Dick Grayson as Robin. The only time I ever really liked Dick-as-Robin was on the Batman television show, as played by Burt Ward. But the costume, the weird subjugation of his personality as anything other than a pale reflection of Bruce Wayne/Batman never really connected with me, yet at the same time I felt like I should connect with him, as he was closer to me in age than Batman or any of the super-folk I followed. I mean, I liked Jimmy Olsen’s identity as it was established in his own spin-off series, so why didn’t I like Robin? I think it was because of that subjugation, that strong willingness to be just like Bruce without questioning it; there was an unflinching eagerness to please the older male/father figure that probably reminded me, harshly, of my own failures to meet up to the societal and parental expectations for a male child–because I resisted strongly against conforming to those expectations because they weren’t who I was. My childhood, therefore, was a long period of resisting what everyone was trying to turn me into.

Dick Grayson not only didn’t resist, he eagerly embraced the role his father figure expected from him. And so, I couldn’t relate to him.

I didn’t connect with him until he rebelled and became Nightwing; struck out on his own and grew up, determined to find himself and who he actually is rather than trying to fit into the mold his father figure created for him.

And that was when I connected with him–because I could identify with that entire internal struggle between who people expect you to be, and who you really are; as well as how hard it can be to find yourself when you’ve been relentlessly trained and told who you are.

So, in some ways, Nightwing’s hero’s journey emulated that of so many gay men; he had to find himself rather than fit into the mold he was also told he was made from and the fulfill the role that was expected of him.

And maybe it’s not just gay men–it’s any man, really, who have been raised to emulate their father (figure) so much that they try to turn into them, and find out that isn’t who they are.

And Nightwing was also one of the first characters in the DC Universe to actually age.

Nightwing: Leaping into the Light is an exceptional treatment of the character. The artwork is phenomenal; the writing exceptional. I don’t follow comics as closely as I used to–I simply don’t have the time, but maybe when I retire–and I know there have been a lot of changes to the DC comics universe over the last decade or so, and I’ve not been able to follow them all. I know there are a lot of characters now in what’s considered the “bat family”–I would have to look them all up–and I also know the character of Nightwing himself has been through a lot on his recent journey; this book alludes to his troubled recent past–but now he is actually trying to make a difference in the world, to be the “light” the world (or the deeply criminally contaminated city of Blüdhaven that he now calls home) needs. Alfred has died–that was a deep shock–and it also turns out he left young Master Grayson a fortune. Over the course of his story, as Dick/Nightwing recognizes the issues and problems in his new home city, he decides to use that money to try to turn back the darkness and help people, while working at night as his persona to fight crime. It’s done extremely well, and I love the dog he rescues and winds up adopting at the beginning of the book; and Nightwing’s character…who he is…and what he stands for…is very well defined in this story.

And now I want to read more.

Jingle Bells

I was tired all day yesterday–very low energy for most of the day, too tired to deal with a lot of anything. I spent the day making condom packs and watching a strange reality show on HBO MAX–Finding Magic Mike–and it really wasn’t what I was expecting, to be honest. I was thinking it was going to be an excellent piece of camp; Bravo had tried this with the trashy Manhunt, which was about casting a male strip review in Las Vegas. But this was…different. This was about helping the contestants “find their magic” by gaining confidence in themselves by learning how to perform for women while taking their clothes off. “I don’t feel like the main character in my life story anymore,” one of them says in the first episode, and many of the others echo the same kind of discontent and dissatisfaction with their lives. The process of the show was kind of interesting, and the contestants were actually kind of likable? (One was incredibly arrogant, but the editors did a really nice job of softening his edges by showing other sides of him, interacting with the others and helping them? He was the closest thing to a villain the show had, and I was actually kind of glad the editing didn’t try to fit the contestants into the boxes you usually see on competition shows.) It was actually kind of nice to see, particularly as the contestants bonded with each other.

So, while I was kind of disappointed in it, at the same time I was rather glad I watched. It did make me think about a lot of this “cultural war” stuff; like how “men aren’t men anymore”–but I would posit that men never used to be men, either; it was all a facade because of societal expectations placed on men to be “tough” or “strong” or “big boys don’t cry” and make them emotionally distant and disconnected from everyone in their lives. Societal norms and expectations when it comes to gender roles are quite damaging, I think–and while of course there are those who bemoan the breakdowns of those cultural norms. I do think/feel/believe that that the breaking down of gender roles and the redefinitions coming in their wake will make for a stronger society in the long run. I found male gender roles to be terribly confining and revolted against them most of my life; which means–in theory, at any rate–that my life has been subversive.

Which, while a cheery thought, is also kind of sad.

And I certainly didn’t expect a reality show where guys learned how to strip like Vegas professionals to lead me down a brain wormhole of examining masculinity roles and expectations. So, well done, HBO MAX and producer Channing Tatum. Well done, indeed.

I am going to work on the book as much as I can today, while cleaning and organizing; I have to do a live reading and panel thing this afternoon–which means turning on the camera in the computer, which means people can see the kitchen behind me, which means it can’t be in the condition it currently is in–and I am also supposed to record some promo videos. Sigh. I really hate being on camera and I really hate the sound of my own voice. But I agreed to do all of this, like it or not, and so I really need to commit and get it all done. I also need to figure out when all the things I’ve agreed to do are actually due, because the first quarter of 2022 looks to be booking up with all kinds of things that need to get taken care of and I need to pay attention to, or else I am going to be horribly frantic in the first few months of the next year.

And one thing I really need to get done is this book. I need to make enough progress into it so that I am not feeling stress about it–good luck with that, right?–because that stress will shorten my fuse and make me start snapping at people, and that’s not a good thing on any level. For anyone. I need to plan and make lists and get organized.

Last night I dipped into Death by Dumpling by Vivien Chien, and it’s absolutely charming. I also found my copy of Johnny Tremain and read the first chapter again–which is so dramatically different from the film that I am now wondering how much of what I remember of the book is actually from the film? Paul is going to be gone most of the day–he has Wacky Russian in the morning and then he is going into the office–so I am going to try to get as much writing done as I can before three my time, which is when I need to start rehearsing my reading for the panel at 4 central time. I also have to do a promo video for #shedeservedit, and I also have to record a short reading from “The Affair of the Purloined Rentboy,” which I am dreading. I’ve never liked seeing recordings of myself, am usually not terribly fond of photos of myself either (until years have passed), and I absolutely hate the sound of my voice. I am not sure what that is–a lack of confidence in myself? More deep-rooted self-loathing? Not feeling like the main character in the story of my life? (Damn you, Finding Magic Mike, for triggering all these self-questioning self-examinations in my head!)

I also finished reading Nightwing: Leaping into the Light, and it was, as I expected it would be, truly wonderful. I also started evaluating Nightwing as a character and why I connect with him so much; which will inevitably the blog entry/review of the book, no doubt–and possibly another essay at some point as well. (Honestly. I have so many essay ideas…maybe make that a part of the new year’s goals; finish the essays.)

I did make a list yesterday of all the writing that I have to get done by the end of the year, or by the end of January, and it’s staring at me from my notebook. I am resisting the urge to flip it over and not look at it, but I really do need to know and I really do need to get to work on all of these things. Ass in chair, fingers on keyboard is what is absolutely called for here, and focus.

So, on that note, I am heading back into the spice mines. Have a lovely Saturday before Christmas, Constant Reader, and I will talk to you tomorrow.

Johnny Are You Queer?

I have been wanting to rewatch Johnny Tremain for quite some time now.

When Disney Plus went live, the first thing I did (after subscribing) was search for it there; I did this at least once every two weeks since the service launched, to no avail. I would look for it on Amazon Prime, Netflix, everywhere; whenever I would sign up for yet another streaming service I would look for it. I never quite understood–and still don’t–why Disney Plus doesn’t have it; but the other day at work I realized I hadn’t looked for it for a while, so signed into Disney Plus on my browser: nope. Oh might as well give Amazon Prime a try, I thought, although Disney not having one of its own properties while another streaming service had it was, I thought, highly unlikely.

And yet, there it was: to rent or buy. I didn’t want to buy it, and I really hate paying to rent to stream something when I already pay for far too many streaming services (I really need to get past the mentality of subscribing when I want to watch something when it’s far cheaper in the long run to merely rent the movie or show), but I’v been wanting to rewatch this movie for years and there it finally was; so I did, and rewatched it yesterday whilst making my daily allotment of condom packs.

I also remembered, when I found the film, that Johnny Tremain was my gateway drug to not only my lifelong interest in American history–which eventually led to an interest in history in general. We had an assembly at my elementary school to watch the movie, and I saw it again when it aired on The Wonderful World of Disney (it may even have still been Disney’s Wonderful World of Color). I eventually read the book, which I got from a Scholastic Book Fair, and it became a treasured favorite. I also recognized, before rewatching the movie as a sixty-year-old, that it was a Disney film aimed for kids made in the 1950’s during the Red Scare when we were all living under the shadow of the mushroom cloud; Walt himself was, among many other things, a deeply conservative pro-America anti-Communist homophobe, and given all those things, it was going to most likely be–if looked at with a cold, judgmental, independent eye–a barely disguised propaganda film. (I am also curious to reread the book; since it was published in 1943, during the height of the second world war, it was also probably pro-American propaganda, when all the country needed to be united to believe that we were fighting evil to make the world a better place, and since American democracy was the be-all end-all…you see what I mean?)

I mean, once you recognize and identify Lost Cause mythology as an ideation to perpetrate and protect white supremacy, it’s also relatively easy to start reexamining all of American history and see the mythology that has been built up around the founding and creation of the country, as well as the deification of the Founding Fathers.

But while I was researching the book and movie the other day, I also came across a paper–queer theory–by Dr. Frank Henderson at Furman University that essentially reexamines the text of the novel from a queer perspective looking for subtext: the piece is titled “Could Johnny Tremain Be Gay? Reinterpretation as a Subversive Act” and was published in the Journal of Homosexuality (I read the abstract, and an article about it, rather than paying $40 to access the actual paper and read it; seriously, how do academics research if this stuff is so expensive? I will probably try to track a copy down through the library; which I guess, actually, is what academics do), and it gave me some pause for thought. I do remember that Johnny was more bratty and selfish in the book than he was in the movie (I remember being startled by this when I read the book the first time) and he literally had nothing but disdain for Cilla or any other girl in the book (which, at the time, was part and parcel of that weird societal norm or belief that prepubescent boys think girls are icky and don’t like them or want anything to do with them–again, very odd in a heteronormative culture) but when he becomes friends with Rab, an older boy involved with the Sons of Liberty, he almost idol-worships the older boy and allows himself to forget his innate selfishness and get involved with something bigger than himself–the revolutionary thinking that led Boston to revolt in the first place. That can be read, as Dr. Henderson states, as a queer relationship between the boys, and that Johnny could be read as queer. I seriously doubt that was what Esther Forbes was thinking when she wrote the book–the book was meant for boys and there was, as I said, that weird “boys don’t like girls” norm for a very long time (it certainly was a consistent theme in Disney productions aimed at boys; same with the Hardy Boys book and other mystery/adventure series aimed at boys from the time). This was in theory erased from the film…but I’m not entirely sure it was.

First of all, there’s absolutely no question that Hal Stalmaster, who played Johnny but never really worked much afterwards, mostly guesting on television shows, was a stunningly beautiful young man.

He also wasn’t a very good actor, but the heavy-handed direction of any Disney live-action film aimed at kids for a very long time didn’t inspire the best work from the cast (Mary Poppins, of course, being an exception).

The young actor who played Rab was also ridiculously good looking–and turned out to be a younger Richard Beymer (billed as Dick) who would go on to play Tony in West Side Story and later, Twin Peaks–and they certainly had more chemistry together than Johnny had with Cilla, who was turned into a love interest of sorts, with him giving her a quick peck on the cheek (their only intimacy) as he runs through the streets of Boston with the news that the British would be leaving Boston “by sea”.

The movie was very typical Americana–so yes, propaganda–which sterilized and cleaned up the period in Boston before the outbreak of the war, with rather stiff pronouncements about ideals and principles and freedom and the rights of man and liberties and tyranny–all the patriotic buzzwords cast about by people who want to silence those who don’t agree with them–without any real explanation of what that means.

And yet, as oversimplified and “cleaned up” as this is made to be in the movie, it’s still effective–it’s very stirring to think about the nerve of the American rebels, doing something practically unheard of in history–not just defying their king (there was a long history of rebellions against the worst abuses of kingship throughout the centuries; just the century before the British actually beheaded their king and did without one for eleven or so years; 150 years before Louis XVI went to the guillotine in Paris) but defying the might of the most powerful and richest empire the world had ever seen. It’s hard not to think about–although everyone in this movie is a revolutionary, all Bostonians except for the villains, and the villainous American loyalists are actually worse than the British military themselves–what that period must have been like to live through; the divided loyalties, the betrayal of neighbor by neighbor, spies and treachery and murders. (I’d love to write a historical mystery set in Boston during this period, actually.)

It’s not a bad movie, but it’s also not a great one; and it certainly does its part in upholding the mythology created about the American revolution.

And yes, this could easily be yet another essay.

Ooh Baby Baby

There is no question that Agatha Christie is one of the giants (if not the giant) of crime fiction.

Agatha Christie was one of my gateways to adult crime fiction (along with Charlotte Armstrong, Phyllis A. Whitney, and Victoria Holt); if I remember correctly the first book of hers I bought was Witness for the Prosecution (which I didn’t know was a short story collection) and the first novel of hers I read was Murder in the Calais Coach (best known as Murder on the Orient Express; the former was a short-lived American title for the book, and frankly, isn’t an improvement; why make the title about something no one would know what is was? Everyone knew the Orient Express). I eventually read everything she wrote, with a few exceptions (I still haven’t read Murder in Three Acts or Death in the Air) but the first Miss Marple novel I read was A Caribbean Mystery. I always preferred Miss Marple to Poirot, but I kind of want to give a Poirot or two a reread; Donna Andrews made a very clever observation about him on one of my social media posts which provides another lens for me to read through.

I found a hardcover copy of A Caribbean Mystery somewhere since we moved into the Lost Apartment; I’m not sure where. I certainly don’t remember buying it on eBay (the only other Christie I have in hardcover, Halloween Party, is missing its dust jacket, and I think I got it at a yard sale? But wait! It’s a Poirot! And has Ariadne Oliver, Christie’s stand-in! Yes, that’s a reread for the new lens for Poirot! And now that that’s sorted…), so there’s no telling where it came from. I don’t know why it took me so long to reread it–it’s actually on the short side–but it did take me a while. Maybe because there was no urgency because I remembered who the killer was?

“Take all this business about Kenya,” said Major Palgrave. “Lots of chaps gabbing away who know nothing about the place! Now I spent fourteen years of my life there. Some of the best years of my life, too–“

Old Miss Marple inclined her head.

It was a gentle gesture of courtesy. While Major Palgrave proceeded with the somewhat uninteresting recollections of a lifetime, Miss Marple peacefully pursued her own thoughts. It was a routine with which she was well acquainted. The locale varied. In the past, it had been predominantly India. Majors, colonels, lieutenant-generals–and a familiar series of words: Simla. Bearers. Tigers. Chota Hazri–Tiffin. Khitmagars, and so on. With Major Palgrave the terms were slightly different. Safari. Kikuyu. Elephants. Swahili. But the pattern was essentially the same. An elderly man who needed a listener so that he could, in memory, relive days in which he had been happy Days when his back had been straight, his eyesight keen, his hearing acute. Some of these talkers had been handsome soldierly old boys, some again had been regrettably unattractive; and Major Palgrave, purple of face, with a glass eye, and the general appearance of a stuffed frog, belonged in the latter category.

Miss Marple has bestowed on all of them the same gentle charity. She had sat attentively, inclingin her head from time to time in gentle agreement, thinking her own thoughts and enjoying what there was to enjoy, in this case the deep blue of a Caribbean sea.

I decided to reread this book for several reasons. First, I am reading a lot of “cozy” mysteries (mysteries with amateur sleuths as the main crime-solver) because I am writing one myself; second, because I’ve been wanting to revisit Christie on a smaller scale (there’s no way I could reread her entire canon again); and third, because I read a piece recently somewhere (Crime Reads, perhaps?) about the enduring legacy of Christie despite some problematic aspects to some of the books (I was well aware of the classism and anti-Semitism, and VERY WELL AWARE of the various problematic title changes for And Then There Were None over the years), and this one was mentioned. I remembered the book, I remembered the story; I remembered that this was the book where Miss Marple met Mr. Rafiel and she became, in some ways, Nemesis to the two of them (one of the later Marples was, in fact, Nemesis, and Mr. Rafiel sent her a murder to solve from beyond the grave); but I wasn’t so sure I remembered why precisely this book was problematic, could be see that way. So, I took it down from the shelves, and started reading.

The premise of the book is this: Miss Marple had a rough winter, having contracted pneumonia, and her nephew, bestselling novelist Raymond West, has decided to send his beloved elderly aunt to a warmer climate to recuperate–St. Honoré, to be exact, in the Caribbean, or the West Indies–at the Golden Palm Hotel resort. (St. Honoré is, of course, fictional; I may use it if I ever need a fictional Caribbean setting) As she sits in the warm sun, knitting and observing the people around her–she is always watching–and half-listening to the pompous bore rattling on to his captive audience (this scene, and her thoughts about Major Palgrave being of a type who really doesn’t need anyone to really pay attention, but to just be in hearing range with the proper noises being made when necessary, is quite insightful and brilliant; haven’t we all been there in that situation?), when he asks her if she wants to see the picture of a murderer? Since she isn’t really listening, she assents and continues to observe and watch everyone around her, and as he is reaching into his wallet to show her a picture of said murderer, he stops, turns quite purple, shoves the photo back into his wallet and loudly changes the subject. This does catch her attention, and she turns around to see what he saw–but doesn’t see anything or anyone that could explain this behavior change. He then makes excuses and leaves.

And of course, he dies that night–and this incident nags at Miss Marple. His death is explained away by him having high blood pressure, and having drank too much on top of his medication; but she isn’t so sure. And then she makes up a lie about the photograph, which she tells the doctor, and it turns out the photograph is missing.

Obviously, the Major was murdered, and did he really have high blood pressure, or is that merely gossip? As Miss Marple observes, “it’s very easy to get a rumor about, and people will just repeat it. There’s never any first-hand knowledge; it always A heard it from B who heard it from C and no one can really pinpoint where the story started.”

It’s a good story, with lots of suspects and suspicious behavior and trying to sort rumor from truth, but two more people wind up dead–a very common theme in Christie is a murderer having to kill others to cover up their original crime–before Miss Marple remembers something and figures out not only who the killer is, but who their actual target was from the very beginning.

And yes, there’s some serious problematic views of the islanders from the British paternalistic colonialist point of view. But Christie herself never says anything problematic–it always comes from the mouth of one of her characters, who, given the time period, would inevitably think that way–side comments about how many of the islanders are in committed relationships without benefit of clergy; etc. etc. etc.

So, I would say it held up about 95% on the reread; yes, there’s some problematic stuff that might be jarring for someone to read now for the first time and would probably not be allowed past the editorial process today–and excising it wouldn’t harm the book in the least.

Deck the Halls

Christmas Eve is a week from today. How did this happen?

Not that I mind seeing this year coming to an end, but who knows if 2022 will be any better? I’ve always had that issue before with people being thrilled and/or happy that a year is coming to an end: the change of a calendar day doesn’t really mean a fresh start, or an “out with the old in with the new” reboot of any kind; it’s just another day. I know, it’s just symbolic, but people always seem to take it seriously. I hate to be the Debbie Downer raining on anyone’s parade, but…then again, it’s never stopped me before.

I have a lot to do today, and this morning, despite a good night’s sleep and feeling very rested, I am also feeling rather un-motivated. The coffee should help, of course–that’s what it’s for, isn’t it?–so hopefully by the time I have finished a second or third cup my brain should be clearing up and I should be raring to go. One can hope, at any rate. I did watch Johnny Tremain yesterday at long last, and I was right about some things and wrong about others; I did look for some of the queer reading of the story that I read about in an article I ran across while looking for the movie the other day–it’s there if you look for it–so now of course I want to take some time at some point and reread the book (and yes, I am thinking there’s an essay in there for me to write someday; I really need to start writing these essays that I think up else they will never get done). It’s been a very long time since I read the book, so I am not certain whether I am remembering the book itself or the film. Still, I should reread the book at any rate.

I have also picked out my book to read for the weekend–and have definitely landed on Death by Dumpling by Vivien Chien. I kind of want to see the new Spider-man movie, No Way Home, but I am not sure that I really want to be sitting in a movie theater in the suburbs right now with a crowd of people with questionable vaccination status. I’ve been vaccinated and boosted, but at the same time I’d rather not become a carrier, even if I only get mildly sick from an infection. I am excited to read it, to be honest; I am really enjoying this trip I am taking down Cozy Lane, and of course I am saving the latest Donna Andrews as a Christmas treat for myself next weekend. I’ve not picked out my watching for today’s condom packing adventures yet–there’s a plethora of things to choose from, and I did spend some time looking at what’s new on several of the streaming services last night, but there’s such an overabundance it’s difficult to choose anything. I also need to figure out what I’ve agreed to write and when it is due; I think I’ve agreed to do any number of things and so of course I need to compile a detailed to-do list so I can work my through it. And of course, the house needs cleaning and organizing as it always does. Heavy sigh. I really need to let go of the self-defeating mentality that the insane standard of cleanliness ingrained into my head by my mother is not achievable to anyone with three full-time jobs and stop beating myself up over it, seriously.

And the good news this morning is that my shoulders don’t feel sore at all anymore, so I think the strain has finally healed, so I can go back to the gym this weekend. Huzzah! I would also like to take a walk around the Garden District after sunset at some point so I can take pictures of the Christmas decorations, but there just never seems to be enough time in the day to get everything done.

I had a lovely evening last night hanging out with friends I’d not seen before Hurricane Ida; it was lovely catching up, talking about books and writing and TV shows we’ve watched and getting caught up in general with everything. It was also really fun to laugh really long and hard again–something that’s been missing in my life for far too long, or at least has become too much of a rarity since the World Closed Down. I think we are all kind of missing out on joy, if that makes sense? Paul and I have already made up our minds to try to enjoy ourselves as much as we can in 2022–which is the only kind of resolution I can get on board with; I think maybe if we all decided to spend as much time as possible in 2022 finding joy in life and the world–well, maybe things could turn around. I am tired myself of all the darkness and bad news and the constant gloom and doom that seems to be our world and our existence now. So, even if the face on insurmountable odds, I am determined to remain cheerful and happy and to always try to find the joy in things. As Ted Lasso says, “be curious, not judgmental.”

And there’s really so much to be curious about!

And on that note, as the coffee begins to kick in, I am heading into the spice mines. Y’all have a lovely day, you hear? And happy Friday, Constant Reader–hope you have a lovely weekend.

Christmas Alphabet

Thursday and working at home today. Huzzah!

I got some very good work done yesterday on the book, as well as an invitation to write a story for a tribute anthology, which meant it was a very good day. Today I am working at home, and am also very excited because finally, at long last, I have found Johnny Tremain on a streaming service! And while it disturbs me to no end to actually have to pay to rent it, but I’ve been wanting to see it again for a very long time, and I think I can cough up the couple of bucks to pay for it.

I’ve long wondered where my interest in history came from, and when I saw Johnny Tremain available to stream at long last on Amazon Prime the other day, it hit me: when I was in the first grade, at Eli Whitney Elementary School in Chicago, one afternoon we all gathered in the auditorium and they screened the movie for us. It was my first time seeing anything to do with American history–at that point, I was aware of the Civil War (I was from the South and lived in Chicago; of course I did) and who Washington and Lincoln were, but it was watching this movie–about a teenager in Boston during the period leading up to the American Revolution, that triggered my interest. This was when I started looking for books on American history at the library instead of ones about dinosaurs, and I was in the fourth grade when I finally got a copy of the book (I didn’t know it was a book first) from the Scholastic Book Fair, and it remained a favorite of mine for the rest of my life. I’ve always, always, remembered watching that movie and wanted to see it again; but it wasn’t until recently that I realized that it was the trigger that led me to my interest in American history, and from there to history in general. I am sure, since it’s a Disney picture made in the 1950’s, that it’s very rah-rah patriotic–there’s a thirty minute clip from it on Disney Plus that I tried to watch out of context, but it was so…hit you over the head with AMERICANA and FREEDOM and LIBERTY that I couldn’t really watch all of it; I am hoping that the entire movie won’t be such blatant propaganda, but then again, it was during the height of the Red Scare and it probably was intended to indoctrinate (white) children with a pro-America mentality; patriotism to the nth degree.

So, we’ll see how that goes, won’t we?

I got some good work on the book done last night, after which I was very tired, so I climbed into the easy chair (with a sleeping purr-kitty in my lap) and finished reading A Caribbean Mystery. (More on that later.) I also started reading Nightwing: Leaping into the Light (based on a recommendation from my friend Alex, who always knows whereof he speaks) and it reminded me (again) of why Nightwing is and always has been my favorite super-hero ever since I was a teenager (since he evolved from Robin into Nightwing); and it also finally hit me last night precisely why that was the case; it should make for an interesting blog entry when I get to it. I have so much writing to do–and fortunately I am in a creative state of mind these days, which needs to be more laser-focused. I am pretty confident I will get the book finished in time now, as well as everything else I need to do. We need to make a Costco run at some point, and of course there’s always mail to pick up, dishes to do, floors to clean, and laundry. I also have condoms to pack, and so much reading to do. I inevitably always have more than enough books on hand so that I will never run out of things to read–and that’s not even taking into consideration the ebooks loaded into all the reading apps on my iPad. I slept really well last night–a lovely side effect to being exhausted yesterday–and my shoulder is starting to feel better–at least I can move my arm without feeling a stab of pain, but I do want to keep resting it for another few days before attempting the gym again. I think tonight I might also walk around the Garden District taking pictures of Christmas decorations, which is always a lovely thing to do; one of the many things I love about this city is how it dresses itself up for any and every holiday, which makes it always seem so festive here.

I also have all my Christmas shopping done, and I actually did my Christmas cards last night as well. Now if only my house weren’t such a mess, I could claim I was winning at life!

Paul and I have decided that 2022 is going to be a year dedicated to living our best lives, and we’re thinking about taking another jaunt to Europe (pandemic permitting); but Amsterdam and Berlin will be our destinations. I’ve always wanted to visit both–there’s really nowhere in Europe I don’t want to visit, really–and the appeal of the art museums in both, plus Amsterdam is primarily a walking city, is a hard pull to resist. I’m thinking we might even take the occasional weekend getaway to a panhandle beach, why not? I have to do some traveling for my career (pandemic willing), and I am sure Paul will want to come to Minneapolis with me for Bouchercon, since we both lived there (he lived there much longer than I did; I only lasted eight months, and only agreed to live there on the guarantee it would be eight months and then we would move to New Orleans–other than the weather I really liked it there) it makes sense for him to come with. He works so hard, and he really does deserve to have down time where he can just relax and have fun.

Yesterday at the office I was walking out of our cubicle area to a testing room because one of my clients had arrived. I had noticed that the Crescent Care shirt I was wearing fit rather nicely; I have three of them in purple (one for every clinic day) and one of them, for some reason, fits better than the others and looks more flattering when I wear it. I actually had just thought about it again when I stood up from my desk (“hey, my pecs looks HUGE in this shirt”) and as I walked out, our nurse (hired in July) was sitting at the front desk and she said, “You know Greg, I can see the potential that you were fine when you were younger.” Fifty year old me would have been offended (“what? I look old and tired now?”) but sixty year old me accepted it in the spirit it was intended–a compliment–so I just laughed and replied, “thank you, I was.” Like I said, ten years ago I would have let that hurt my feelings; now I saw it as a compliment–if worded a bit bluntly–and it amused me. Even thinking about it, I am smiling about it.

I do wish I hadn’t been so insecure and self-conscious when I was younger. I also wish I could transfer this very mentality to my writing. I don’t get Imposter Syndrome as much as I used to–more maturity of age, perhaps?–but I do worry about whether people will get what i am trying to do when I write. I worry about unintentionally offending people more than I ever used to before (trust me, if I am trying to offend you, it’s pretty fucking clear); and I am trying to be kinder, more aware, and to exercise empathy as my default rather than getting offended myself. I don’t know how well I am succeeding, but I certainly don’t have my Julia Sugarbaker tirades are regularly as I used to.

Interesting.

Maturity, or just tired?

And on that note, tis off to the spice mines with me.