Tuesday, and we survived Monday again! I believe in celebrating even the smallest of achievements, so here we are. I left work early yesterday for PT–I beat the kettlebell this time, and some of the exercises that were dreadful last time were much better this time; still dreadful, but more easily borne than before. I easily could have slept longer this morning, but alas, it was not to be. I also worked on the story some more last night and I was correct; the missing piece of the puzzle I’d worked out over the weekend was exactly what was wrong with the story and why it wasn’t gelling, but the revision is working quite well, which is very pleasing to our eyes. I am slowly waking up–the coffee is quite marvelous this morning and most definitely hitting the spot for sure–and while I didn’t want to get up, I think it’s going to be a terrific day.
The other day I came across something while wandering around on-line which caught me off guard and yet was kind of cool at the same time–Ann Patchett doing a tiktok or a Facebook reel or something like that, in which she was talking about how she’d recently read So Big by Edna Ferber and really enjoyed it. Edna Ferber! I’d had a Ferber phase the last two years of high school, when I read everything I could get my hands on that she’d written–So Big, Come and Get It, Cimarron, Giant, Ice Palace, Saratoga Trunk, Show Boat–and I really enjoyed her work. Ferber was a very successful and very well known writer of the early to mid-twentieth century; many of her books were made into Oscar winning films; and they were mostly Americana, books set in some region of the US during its history and shining a light on the time. She was very well-regarded also as a playwright and short story writer. She was also a member of the Algonquin Round Table. So I thought, “I should reread Saratoga Trunk, which is partly set in New Orleans and I barely remember it” (although I also remember enjoying the film, with Gary Cooper and Ingrid Bergman) so I went on ebay and found a decent old copy.
Because I don’t already have enough to read on my plate, right?
I also met Ann Patchett a very long time ago, before she published Bel Canto and became ANN PATCHETT. She was very kind, very nice, and I liked her an awful lot. I think her only book at the time was The Patron Saint of Liars, which I read and enjoyed. I doubt very seriously she remembers me, of course; she’s become a huge literary star since I met her and I was just another face among many others that she’s met over the year, but I can say that I met and liked Ann Patchett very early in her career. Watching her success explode has also been a pleasure because it’s always lovely when someone super-nice actually finds enormous success. It restores my faith in humanity and the world.
I also started reading something over the past couple of days–exhausted brain, really–that I am enjoying for its bitchy wit but am not quite ready to talk about just yet, but it’s not anything I’ve been talking about reading on here lately. It’s also not that I am not enjoying the book I was reading–which I was, and look forward to diving back into when I can get it my full and not tired attention–but this is an easier read, if that makes sense? I already know the characters and the story because it’s one of my favorite films, and that’s all I will say about it at this time.
I also made the Saltburn connection that I’d been trying to make since seeing the film the first time–everyone keeps talking about it in reference to either The Talented Mr. Ripley or Brideshead Revisited, and while I could see that, there was always a nagging sense that there was another, more obscure film that it was more like than either of its regular comparisons/influences, and then this weekend it hit me between the eyes what film it was–because in rearranging the books, I discovered the book the film was based on, and the proverbial lightbulb went on over my head. Yes, yes, this film is more Saltburn than the others, and I did wonder if Emerald Fennell had seen the bizarre little film I watched during the pandemic while making condom packs and revisiting (or watching for the first time) /classic films from the Cynical 70’s–and now I have the hook for my essay/blog entry on Saltburn, so watch this space because I’ll eventually get around to writing it; I inevitably do, and I do think this conversation about the film is actually timeless, so there you go.
But it’s time to start getting cleaned up, pack my lunch box, and head out on the highway to the office to start my work day. I get to come straight home from work tonight, which is lovely, and maybe can get some chores done as well as some writing before Sparky bonding time. Until my next appearance, have a lovely one, Constant Reader!
Queer and Loathing in America 