Imagine my delight and surprise to discover that the meeting I thought I had to go into the office for later this morning had a virtual option, so I am not leaving the house today–other than to run a necessary errand later.
I may even put that off until tomorrow.
Yesterday was a lovely day at the office. Everyone was in a pleasant mood, and everything flowed well. I enjoyed all my client interactions and everything ran smoothly the way it is supposed to always run, and that was lovely. I wasn’t even terribly tired when I got off work, but knew I’d be in a mood by the time I got home. Why? Because there was a Saints game last night in the Superdome, and traffic in the CBD was going to be a nightmare. It was, but it wasn’t nearly as bad as I thought it would be, and I made an impatient decision about the route home that was a big mistake. It took me about forty-five minutes to get home from work–what usually takes at most fifteen minutes; Wednesday night, for example, I detoured up to the Carrollton corridor to go to the Rouses, and still managed to grocery shop and everything and get home less than an hour after I left the office. Saints game also meant crowd at the bar on the corner, which meant difficulty finding a place to park. No big deal, I did find a place to park and then came inside.
Heavy sigh.
So, we have guys here working on the roof and the gutters. There’s also a bridge from the patio upstairs over to the carriage house gallery. It had apparently rotted; so they’ve been working on that. The patio is directly over my kitchen. I came inside, and there was debris all over the stove and that counter. “Weird,” I thought, and actually said out loud, annoyed, “well, I’m glad I cleaned in here” before looking up to see a blue sky. Yes, while they were working on the bridge yesterday, they were trying to do something and the kitchen ceiling/patio floor gave way. Unable to help myself I yelled, “Oh, fuck!” Well, the thing about a hole in the ceiling is the poor workers–who hadn’t really done anything wrong; it wasn’t their fault that portion of ceiling/floor had rotted out, of course–heard me. And then I went outside to see what they were doing and one of them sheepishly asked me how I was doing, and I replied in full candor, “well, I’m not thrilled about the hole in my kitchen ceiling” which led to apologies and explanations and they even came by several times to apologize again. They also cleaned up the mess in the kitchen and put up a piece of plywood to cover the hole, reassuring me this was a stopgap measure and they’d repair it. It was amusing–well, it is now, not so much at the time–but I then found myself reassuring them I knew they didn’t do it on purpose, thanking them for cleaning up the mess and covering the hole, etc etc etc. I had intended to work on my short story in progress, “The Blues Before Dawn,” when I got home and maybe read some of Angel Luis Colón’s Infested, but that of course disrupted the entire evening so I grabbed Tug and he slept in my lap while I watched the last episode of the first season of Moonlighting (it was a late midseason replacement and the first season was only six episodes, including the pilot). Paul came home, he went through the stages of grief about the kitchen ceiling that I already had, and then we watched The Morning Show and Our Flag Means Death before I went to bed (I actually fell asleep during OFMD so have to rewatch at some point today or tomorrow).
I slept deeply and well, not arising this morning until eight (other than the usual “Tug needs food NOW” daily five a.m. wake-up) and now am facing my day. I am going to get this done and posted, probably work on some emails before starting my work-at-home duties, which will also include chores around the house (laundry’s first load already going in the laundry room) and hopefully, I will get some work done on that short story. I had decided to write this as a Sherlock-in-New-Orleans story, but not told by Watson–which is a risk on top of a risk–and then see how it went. In talking to a friend yesterday I also realized part of the reason I am having trouble writing and/or getting started on a new project is because everything is in limbo because of my arm surgery. I don’t know how long the recovery process is going to be and I also don’t know how much writing I’ll be able to do in a cast and sling (and not the good kind of sling, either–see what I did there?) I’m afraid to commit to a deadline knowing that I can’t even self-delude myself that I’ll make that deadline (I never do, but I never agree to one knowing ahead of time I won’t make it). It’s also been an extremely rough year for me, and there’s nothing wrong with not being as productive as you would like because other things are going on in your life that you simply can’t avoid dealing with–which is usually my preference, immature and childish as it is–and recognizing patterns of behavior within yourself. I’ve done a lot of self-examination and reevaluating my past as well as who I am along with why I am who I am, if that makes sense. A lot of that had to do with Mom dying, as well as me recognizing that probably my absolute best work inevitably always winds up being set in Alabama. That Alabama tie, those roots, run so deep inside me that they’re inescapable, really.
I also started reading Death Drop last night. Reviews are starting to come in, and friends are reading it and telling me they’re enjoying it, and the truth was I couldn’t really remember a lot about the book so thought it was probably a good idea to reread it. So much was going on during the process of writing the book–it and Mississippi River Mischief, which doesn’t even take into consideration the fact that I was actually writing two books at the same time (not recommended, aspiring authors, don’t be a Greg; be smarter)–that I couldn’t really remember much of it (I may need to reread Streetcar too) and being familiar with your own work that you’re promoting is usually smart. Now that my memory isn’t what it used to be, rereading my work is like reading something new by another author because I don’t remember anything about the book itself other than the drudgery of writing, editing, and revising the damned thing. But I was very pleased with it–I wasn’t able to finish the reread, but got pretty deep into the book–and it flows well and there are parts that are seriously funny. Of course, like always I started nitpicking at it, but after about chapter three I turned off the internal editor and just read it as though I was reading it for pleasure rather than reminding myself of what I had written. The characters are likable and all of them–even the minor ones–seemed fully realized and with their own agency; by which I mean they aren’t always just dropping everything to rush to help Jem out at the expense of their own lives and aren’t there to simply feed him information or help him work through his problems. I also liked the voice, and I really like my main character Jem Richard, the glam artist just dipping his toes into the world of drag performance. I intended it to be a drag queen origin story–the answer to the question “so how did you start doing drag?”–and it absolutely works in that regard.
And the book itself is gorgeous, simply gorgeous. I couldn’t be more pleased.
It’s also weird having two new books drop in such a short period of time. It certainly wasn’t planned that way, and entirely happened because my life blew up and I didn’t make deadlines for either. But I promised myself I would be better about promotion and so forth, so here we go.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again later or perhaps tomorrow.
Queer and Loathing in America 