Strawberry Wine

Tuesday, Tuesday–can we really trust this day?

I’ve always found Tuesdays to be more questionable than Mondays, if we’re going to be completely honest. At least on Monday–despite the inevitable ring of the alarm, the grudging getting out of bed earlier than you want to, the unpleasantness of the desire and need for caffeine–you’re rested from the weekend. When the Tuesday morning alarm goes off, you have already worn off that weekend glow and are tired from a full day’s work already, with several more still left to go…I daresay that Monday’s blue and Tuesday’s, too.

I got some writing done last night–I’ve found three different versions of the first chapter of the Secret Project, so  I spent some time merging them together; today I am most likely going to edit that chapter and get it revised, polished and pulled together. I also worked on the new short story idea I had, “Festival of the Redeemer”, which is a  noirish Daphne du Maurier-type story with a bit of inspiration from Highsmith, Ripley, and the film; which I will watch another half hour of tomorrow morning at the gym. My writing muscles are much more slack and harder to whip back into shape that the regular muscles of my body. Sunday’s gym trip broke me through the tired-muscle syndrome I was experiencing that first week back; now my muscles no longer feel a bit achy and tired all the time, and I am sleeping ever so much better.

I know I have to push through and the writing muscles will eventually catch up and the words will start coming out of me again, but JFC, what a pain in the ass. I guess the message here is to never let my writing muscles get out of shape ever again–not that I ever remember letting them get out of shape in the first place.

I do think “Festival of the Redeemer” has the potential to be a terrific story, but again–gay main character, gay noir, who’s going to publish that? I currently have a “gay” story out on submission to a mainstream market, but feel relatively confident that story is going to be rejected eventually; they’ve had it longer than they had the one they already published, and delayed response usually means eventual rejection. Every story, of course, is a different animal than the one that came before it; so a quick turnaround on one story doesn’t mean the next one will get that same quick turnaround, of course, and it’s a different story so–

I wonder what it’s like to not have to wonder if your story is going to be rejected because you wrote about gay characters?

But it’s been awhile since i wrote a short story, and I’m writing this one around the Secret Project; once the Secret Project is finished I’ll have to put this story aside to focus on the Sherlock story–which I still can’t believe I’m actually writing a Sherlock story. But this year I know I will have at least two stories for sure in print: my story for The Faking of the President will be out around the same time as my story in The Beat of Black Wings. Which is incredibly cool; both stories have the same kind of noirish dark tone, but I still think “This Town” is the best short story I’ve written over the last few years. I don’t know if it will get an Anthony nomination for this year’s Bouchercon, but you never know; stranger things have happened, and I never thought “Cold Beer No Flies” would have been an Anthony finalist, either.

“Festival of the Redeemer”–well, I’ve wanted to write a story about Venice ever since I visited there, and of course, the film of The Talented Mr. Ripley is reminding me of how much I loved Italy when I was there; I haven’t gotten to the “Tom in Venice” segments yet, but just thinking about it–and the weird friendship between Tom and Dickie–made me finally understand how I could write this story; what the crux of it is, and why it should be told–and where the story should come from within me; and I think I finally can root the story out.

At any rate, I am probably going to have to stop at the grocery store tonight on my way home to start storing provisions for the coming weekend of being trapped inside the parade route for most of the weekend. It’ll be fun, of course, wandering down to the corner to watch the parades and catch some things, watching the crowds and seeing who else from the neighborhood is out there; it always is, if somewhat exhausting. Barkus of course is Sunday afternoon in the Quarter–the dog walking parade–and there’s no parades on Sunday night, I suppose so we can start getting rested for the marathon to come beginning on Wednesday. I decided to do my usual Outreach shift on Friday afternoon, which will mean walking down to the Quarter after doing my workout Friday morning–no need, obviously, to do my cardio since I’ll be walking several miles that day–and then trying to get to the gym Sunday morning before the first parades start arriving in the neighborhood. I don’t remember who is Bacchus this year–nor do I remember who is riding in Orpheus–but I know Jennifer Coolidge is the celebrity guest Muse, riding in the big shoe this year.

I’m probably going to have to write another book about Mardi Gras someday; I think seeing Scotty and the boys through another Mardi Gras is probably a good idea–hell, it might even be worthwhile to take them through Southern Decadence again. I don’t think Scotty’s quite done with his partying ways, frankly, even with sort-of-nephew Taylor around to be badly influenced–although I would imagine it would be relatively awkward for him and Frank to be wasted on Ecstasy on the dance floor at Oz and run into Taylor and some of his friends from Tulane. Hmmm.

But I need to get back to reading Where are the Children? so I can get back to my reading of Tracy Clark; I also need to read Lori Rader-Day’s The Lucky One for a panel I am moderating this year at the Tennessee Williams Literary Festival. And I also have some MWA business I need to work on this week–the life of an executive vice-president is always intended to be, well, interesting–and as such, I should probably head back into the spice mines.

Have a lovely Wednesday Eve, all!

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Amazed

Show of hands: who predicted I wouldn’t get as much done yesterday as I wanted to? I was pretty confident that would wind up the case, as it always is. But I did get a lot done yesterday–some of it even writing-related, so have a seat, guilty conscience!–and that pleases me. I am hopeful I’ll be able to get more done today as well. Granted–it’s easy to say that as I sip my first cup of coffee. I also stayed in bed later this morning than I wanted to–since I woke up at seven on my own yesterday I thought perhaps this morning would be the same so I didn’t set an alarm–but I wound up getting up at eight, so that wasn’t too terrible I also hit a wall yesterday around four thirty–I got very tired–and so I repaired to the easy chair to finish reading my book.

It’s rather gloomy out there this morning, and it’s chilly here in the Lost Apartment–the space heater is on–and I’m a little annoyed by this return of coldness. Yesterday. while starting out chilly, eventually turned into quite a beautiful day; I didn’t even wear a jacket when I went out to run my errands. But that’s okay; I probably won’t have to go out into much today, or at least I hope not.

We watched a lot of the figure skating championships yesterday–will probably do so again today; I think the men’s is on this afternoon and Europeans is on tonight–and Paul’s been watching the Australian Open on his computer. We’re very behind on all the shows we watch, and there are also any number of new shows we want to watch–or shows we watch have returned for another season, which is very cool–and of course, the Williams Festival is approaching, which means late nights at the office for Paul; yes, it’s about that time when I become a Festival widow again. I should be able to get a lot of reading done during this time–which is what I generally use it for. I got a copy of Lori Rader-Day’s new novel yesterday in the mail, The Lucky One, and since I’m moderating that panel, I’ll need to read it soon.

I also have to make travel arrangements today for some upcoming trips in this new year; Bouchercon, Malice Domestic, etc.

Ah, it’s raining. That explains the gloomy grayness outside.

It’s the kind of day, really, where I’d rather curl up under a blanket and read all day, quite frankly, but I can’t do that. I need to work on the Secret Project, and there’s all kinds of other things I also have to get done today–odds and ends, emails to answer, etc. I’d also like to make some headway on getting my taxes at least started; I am missing only one 1099 form, and once I have that I can turn everything over to my accountant and get my return filed, which will be lovely.

I did finish reading Elizabeth Little’s Pretty as a Picture, which is fantastic–and then I started reading Dorothy B. Hughes’ Dread Journey when my energy finally flagged in the late afternoon.

pretty as a picture

They say a picture’s worth a thousand words.

That’s not what I’d say.

I’d say it depends on the picture. I’d say it depends on the size and the color and the subject and the print and the framing and the focus and the composition. I’d say it depends on what you were doing the hour before, the day before, the year before, the life before. I’d say it depends on whether you’re looking at it on a wall or scrolling past it on a screen or cutting it carefully out of a book, digging your knuckle into the gutter of the spine because the margins are so small and the blades are so long and it’s impossible to get a straight line, but you don’t want to dig up a guide and an X-Acto knife because you aren’t willing to wait, you have to have it, you have to have this picture, right now, and your kitchen scissors are close enough and good enough–yes, good enough–and Jesus Christ, Marissa, when will you get it through your thick head: Imperfection is a price happy people pay to cradle the weight of something they love.

That’s what I’d say.

Elizabeth Little’s debut novel, Dear Daughter, is one of my favorite first novels and one of my favorite books of this past decade. Her novels–why they do focus on crime, or criminal activity–are more than just crime novels; they’re stories about women–messy, complicated, complex, interesting women you want to see get past not only their current crisis, but also pull their lives together. One of the most impressive things to me about Dear Daughter is that she didn’t wrap it all up neatly with a bow at the end, with justice being served and our heroine coming out of everything triumphant; she gave the ending a more realistic, this-is-how-it-would-play-out-in-real-life ending.

I’ve been waiting a long time for Pretty as a Picture, and it was worth the wait.

The story is told in a very tight, first person/present tense style that pulls the reader into the action and the head of our main character/narrator–Marissa Dahl, an up-and-coming film editor who has primarily worked on the films of her college best friend and current roommate, Amy,  an up-and-coming director. Marissa is socially awkward–there’s a lovely scene in which she talked about meeting a superstar director, Tony Rees, at the Venice Film Festival and pulls him into a fountain with her when she loses her balance–and very unsure of herself. She meets a guy named Josh, who winds up dating Amy, and having been interested in him herself, she now has become an incredibly awkward fifth wheel and has decided to separate herself from Amy, personally and professionally, to give Amy and Josh’s new relationship room to breathe and grow–and she’s more than just a little resentful about Josh, whom she now actively dislikes (which is also wrapped up in her own social awkwardness), which is why she ends up agreeing to work on a Tony Rees’ new film–a project wrapped in secrecy and sixteen page NDA’s. She heads out to Kickout Island, off the coast of Delaware, and even has a big security man–Isaiah–who picks her up at the local airport and takes her out there.

One of Marissa’s neuroses includes a fear of the water–and we eventually do find out where that fear came from.

The film turns out to be a fictionalized film version of an actual murder that took place on Kickout Island many years ago–the murder of a pretty teenaged girl; a murder that was never solved. Strange things are going on around the set–accidents, cast and crew being fired–and we slowly but surely are made aware, through Marissa’s eyes, that things are not as they seem…and then someone else dies, and Marissa is reluctantly on both cases.

I have to say, though, that my favorite characters–besides Marissa, whom I really liked for all her tics and strangeness and constant film references (which is actually very cool)–are the two teenaged girls she first encounters in the hotel kitchen while she is scrounging for something to eat–Grace and Suzy–who are also trying to solve the original murder case. I’d read an entire series about these two girls.

But Pretty as a Picture is a great read; well-written and clever and witty and snarky at points, but an enjoyable read with a complicated, twisty plot that never condescends to the reader. Well worth the lengthy wait for this second novel by Elizabeth Little–the only problem is now I have to wait (hopefully not as long) for her third.