Tag: The Best Little Whorehouse in Texas

Words

Thursday morning, and another good night of sleep was had! I feel very rested and good for a morning this late in the week. I have a lot to do today at the office, which should help the time pass, and I may stop and make groceries on my way home this evening. I did feel good when I got home yesterday, and so did some chores before giving Sparky a place to sleep for a bit while I watched the news. I know everyone thinks the midterms are going to change things…but my deeply cynical self fears the country has already fallen and there is going to be chaos and violence. I always hope I’m wrong, but I’ve been Cassandra so many times before; so many things I foresaw decades ago have come to fruition.

In good news, piece of shit transphobe Seth Moulton lost his senate primary challenge to Ed Markey, and oh, look! A so-called progressive trashed trans people and wanted to throw them under the bus! “I’m sorry if my words hurt you.” The if is the same thing as a “but” in my opinion and implies he only insulted and offended some trans people. No, bitch, most of us queers support our trans siblings and throwing them away like garbage shows you’d do the same to others if you thought it politically expedient. All that work, your entire career–sabotaged and savaged because you finally showed us who you are and we believed you. Fuck off, and good luck getting elected again in Massachusetts. Any Democrat who throws the trans community under the bus is MAGA but wearing a mask (hello, John Fetterman!), and needs to be thrown under that same bus so they can see how it feels. I suspect they won’t like it–they usually don’t. See: MAGA regrets on TikTok. Like the cattlemen their precious God-Emperor just fucked over. They thought they were hurting other people, and if it affected them, well, he bailed them out with a welfare check last time, didn’t he? It ain’t happening this time, and now they are begging the people they voted to hurt to help them out. My favorite response? Turns out you can’t own both the libs and your farm. NOW you want us to care? You get upset when you ask you who you voted for? I periodically wonder about all the people I cut out of my life for being amoral; are they still proud and gleeful?

I also finished a newsletter and sent it out yesterday, which you can read by clicking here! I watched The Best Little Whorehouse in Texas again1, this time through a more modern lens, to honor Dolly’s passing, and I talked about the movie in the newsletter. I am also working on one to send out on Saturday, and yes, it’s about college football and yes, mostly about LSU. I generally don’t pay a lot of attention to all the rumblings and talk before games actually start–nobody really knows anything about anything yet, it’s way too early in the season–but I did see some stuff about Lane Kiffin and LSU pissing everyone off again; something to do with signing players who had signed NFL contracts but never played or were cut before the season? I don’t know and I don’t care to know, frankly. The whole paying players but they’re not pro is very weird to me, and opened the lid to Pandora’s Box; it also seems weird to say you can’t pay for college and get paid if you signed but never were paid in the NFL? The NCAA is clearly not capable of managing this new system, if you want my unasked for opinion, but there’s naught to do but sit back and see how everything plays out. But I will say–the amorality at the state government level seems to be seeping into the LSU athletic department. This recent thing with Kim Mulkey is despicable–and the rehired basketball coach for the men was fired for cheating the last time he was at LSU. I guess we are entering LSU’s villain era.

Apparently, Gloria Steinem died, which isn’t a surprise as much as it is startling, I guess. She’s been around forever, and she helped change the world for women. Reviled and hated by conservatives for daring to suggest that women aren’t from another planet but actually capable human beings, she just went on telling truths that conservatives didn’t want to hear. I read some of her work back in the late 90s/early aughts when I was trying to undo my male-centering upbringing. It was revelatory; the systemic abuse and control over women the patriarchy encoded into our society is so deeply rooted that it’s shocking when you start seeing the world through a feminist lens. I recommend reading Steinem for any man who wants to unpack his internalized misogyny; it’s certainly an excellent place to start. Personal growth doesn’t end when you graduate high school.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will be back here at some point tomorrow morning.

I’ve always loved the shine of a sweaty torso—but long sweaty hair always looks greasy.
  1. It’s been a really long time; probably decades. ↩︎

Act of Contrition

Thursday and it’s my last day in the office for the week, and I’m kind of glad to not have to get up tomorrow morning. This week hasn’t been terrible as far as being tired or sleepy or feeling worn out as I was–or has this been the case now for a while and I wasn’t paying attention? (That does tend to happen quite a bit.) It’s not sleepiness that causes me to hit the snooze button; it’s how comfortable and relaxed I am in the bed and under the pile of blankets that makes me not want to get up…and that’s every morning, not just the ones when I have to get up early.

Everyone is still reeling from the loss of Dolly Parton–who kept her cancer diagnosis private so “people wouldn’t worry” (so typical)–and it is very sad. I’ve been meaning to rewatch The Best Little Whorehouse in Texas for any number of reasons; maybe this weekend would be a good time? Maybe so; I saw it in the theater back when it was released and greatly enjoyed it, despite its many flaws. Naturally, there was some trash on-line who decided to be nasty about Dolly; there was one bitch in particular whose account eventually disappeared–her biggest reason for calling out Dolly’s mourners is because Dolly recorded a duet with Kid Rock and defended it. Oh my God, why wasn’t she burned at the stake? I believe that particular piece of shit may have either blocked me (I didn’t engage so not likely) or deleted her account. There was another one to that also trended for a while–a redheaded pile of dog shit I had already blocked. Anyone who is being shitty about Dolly Parton is a fucking piece of shit themselves. Dolly was the purest example of living Christianity we maybe ever had–so it wasn’t surprising that both the far right and the far left came for her. They really are the same people.

And now, Tim Curry, too? I’ve loved him since the first time I saw The Rocky Horror Picture Show, and the performance was so fucking iconic that everyone who’s played the role since (sorry, Luke Evans) has just mimicked Curry’s performance and never quite equaled the master. He was usually the best part (or one of the best, at least; he did make a movie with Madeline Kahn, after all) of everything and anything he was in; his Cardinal Richelieu made the execrable remake of The Three Musketeers in the 1990s–and that’s a story I love, so for me to hate the film it had to be bad, right?–bearable. In fact, that was my entire opinion on the movie: Well, at least Tim Curry was in it. And yes, as I wrote about for my newsletter, seeing Rocky Horror when I was nineteen or twenty was eye-opening and mind-altering. He was just so out there and erotic and sensual and so not like anything I’d ever seen or imagined before (well, besides Liza in Cabaret)…Curry was a cultural touchstone for me, much as Dolly was.

What a shitty fucking week this has been, am I right?

Celebrity deaths generally don’t hit me very hard, with a few exceptions (Whitney Houston is one), but Dolly kind of left me off-balance, and the follow-up punch with Tim Curry while already reeling was very disconcerting. I ran an errand on the way home from work last night, and once I was home I just settled in for the night, mindlessly watching short documentaries about the Pacific War and thinking about the book. OH! A marvelous thunderstorm has just rolled in! It’s pouring rain outside! That will make driving to work fun this morning! (I actually don’t mind driving in the rain–safe and snug and dry inside the car while all hell breaks loose outside of it–but I do mind other drivers in the rain, who are absolutely terrifying here. You’d think it never rained here the way drivers here lose their minds driving in it.)

So, Janky Jeff is letting the Space Nazi build a “space port” here in Louisiana; on the Gulf Coast in Vermilion Parish…you know, on the wetlands1 that are at or below sea level–what we call a . What could possibly go wrong? A Category 3 storm surge will wipe it clean, if it doesn’t sink in the marsh first (concrete is heavy; which is why we can’t keep the roads up in New Orleans). But I am sure Janky Jeff and the Space Nazi did environmental impact studies in an endangered wetlands and…ha ha ha ha! NO they didn’t. I’d be surprised if they even did a feasibility study. This is going to help Louisiana continue to erode into the ocean and is going to destroy or wreak havoc on the ecosystem. I wonder how much Janky Jeff pocketed for this deal? Senate candidate Julia Letlow certainly has pocketed some.

Pecan Island Spaceport. You will never find a more wretched hive of scum and villainy. We must be cautious.

And on that note I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back in the morning. See you then!

This picture captures the essence of how I viewed New Orleans when we first moved here–a decaying yet still beautiful place with wild overgrowth. I think this may be the house they used for the exteriors for Mayfair Witches, as opposed to the actual house at First and Chestnut which is the actual house from the books.
  1. Pecan Island, the site, is what we call a chênière, a sandy ridge with live oaks. ↩︎

What Does It Take (To Win Your Love)

SATURDAY!

I slept in this morning gloriously, and it is apparently already above seventy degrees outside; I see nothing but blue sky when I look up, and the sun is shining through my filthy windows. I will undoubtedly have to get out the ladder and do the windows today. My plan was for today to be my day off; cleaning, of course, doesn’t count because as weird as it sounds, I actually like to do it.

I might start some preliminary editing on the secret project as well. But don’t hold me to that, okay?

Yesterday, a conversation with friends somehow ended up on the subject of the movie The Best Little Whorehouse in Texas, which I saw in the theater when it was first released but haven’t really seen much since then, other than the clip of “Little Bitty Piss Ant Country Place,” which was de rigeur at Lafitte’s on Sundays for tea dance. I liked the movie when I first saw it, and some of the music was quite catchy. But there was always something a bit off about it. Last night I decided to stream it, watch it from a modern-day perspective, and yes, the movie is quite disturbing on many levels.

It seems funny now, but back when the film was released many television stations couldn’t say the word “whorehouse” on air; many newspapers wouldn’t print the word, either. (I don’t know how they reported on actual whorehouses; I guess they called them ‘houses of prostitution’ or something like that) And the tone of the movie…well, I guess it could be best described as “Hee Haw, only with whores.”

And that was really what the problem was for me, on this rewatch. Prostitution is prostitution; whether you think it should be a crime or not (for the record, I think it should be legalized and taxed) turning it–and sex–into this ‘wink-wink-nudge-nudge’ cutesy musical just doesn’t work. And there’s also an underlying cynicism to the movie that clashes with the cutesy-ness: the governor is a politician who doesn’t really care one way or the other whether the Chicken Ranch is breaking the law or is a boon to the economy of the town but only about popular opinion–making his decision only when the polls come in; Melvin P. Thorpe, the Houston news sideshow who breaks the story and gets the Chicken Ranch shut down is a snake-oil salesman of the worst kind–a phony and a liar and an anything-for-ratings shyster; likewise, the political structure of the town is perfectly fine with the existence of the Chicken Ranch and taking Miss Mona’s money until things go south and they all abandon her when the spotlight is shone upon the town; and so on and so forth. All along the whorehouse, Miss Mona and the sheriff trying to protect her as shown as the heroes/victims of the story while law-and-order/politicians/the news are shown to be slick hucksters and really of lower character than the whores–begging the question, ‘who are the real whores here? The girls are selling their bodies but the others are selling their souls.’

There’s also the political subtext of city vs. country; a very popular political subtext in our so-called liberal popular culture, in which city people are seen as buffoons and the country people are the voices of reason and common sense–this thread has frequently run through film and television and even in literature to the point where politicians will feed on it: Sarah Palin’s “real America”, etc., ignoring the fact that the urban centers are the engines that drive the economy and where most of the population live. In this story, the ‘city folk’ from Houston are seen as the villains, not understanding something that the ‘country people’ see as not a big deal, making a big fuss over something that doesn’t bother the country people, and ultimately, telling the country people how to live their lives.

The fact that this movie is based on a true story makes the fluffy film even more unfortunate. Looking into the original non-fiction piece “The Best Little Whorehouse in Texas” that ran in Playboy, the film pretty much actually follows the trajectory of the movie’s story. They did take poultry in exchange for services during the Depression; the business did exist as long as it did in the movie; the sheriff did refuse to close it down despite being ordered to by the Attorney General of Texas; the house operated pretty much the way shown in the movie.

As I watched the movie again, I couldn’t help but wonder not only what happened to the girls after the Chicken Ranch was closed, but where they came from to begin with. I almost wish the movie had been made based more closely on the original article rather than turned into a musical–although the musical was a Tony-winning hit on Broadway. Also, casting Burt Reynolds and Dolly Parton in the leads was also a mistake. Dolly was coming off her debut in 9 to 5, which had made her a bona fide movie star, and Burt Reynolds was one of the biggest male stars in the world at the time, which resulted in a lot of sanitization, which kind of hurt the movie. Burt and Dolly have chemistry together, and charisma to spare…but you never forget it’s Burt and Dolly, rather than Sheriff Ed Earl and Miss Mona. Burt and Dolly being cast also resulted in an adaptation to the original story which turned them into romantic interests, and a schmaltzy scene where they go on a picnic and stare up at the stairs and Miss Mona talks about her religious faith–having to explain Jesus to the sheriff in such a basic way that makes it clear that Ed Earl has somehow, as a small town Texas sheriff, never set foot in a church or watched a religious epic movie. I find that rather hard to believe.

There’s also a delicious irony in the fact that in a movie about a whorehouse, there is only one brief flash of bare breasts. The majority of the nudity in the movie is male–and it’s all in the post-game locker room scene, where the Texas A&M football team, having won their annual rivalry game with Texas, is excited about going to the Chicken Ranch (the winning team’s seniors are rewarded with a trip there). There are lots of great bare dancer bodies, even bare butts as they perform “Aggie Stomp.” (When I first saw the movie, I greatly enjoyed this scene as there were very few places to see the bare male form in popular culture at the time, or that many bare male forms at the same time. But even then I thought the guys weren’t bulky enough to be football players, and there certainly were no men big enough to play on the line.) The song itself again is one of those ‘wink-wink’ things, because we are supposed, as an audience, to believe that for college football players, being taken to a whorehouse was a treat–because football players never had access to women’s bodies for sex otherwise.

Riiiiiiiiight.

Of course, the Chicken Ranch is supposed to be closed until things settle down, but Miss Mona risks opening for the football party–which is, of course, when Melvin P. Thorpe and his camera crew break in and film. There’s also, if you pay attention in this scene, some subversive sexuality going on during the Aggie party–we see two players in bed with one woman; two guys and two women together; etc.

The movie now seems much sillier than it did at the time; terribly dated, more than a little misogynist, and like I said earlier, that ‘wink-wink, nudge-nudge’ approach to sex and sexuality now reads as annoyingly and insultingly coy.

I would actually love to read a non-fiction history of the Chicken Ranch, to be honest.

And now, back to the spice mines.