La Marseillaise

Nothing to me was more amusing in the “brou-ha-ha” that triggered MAGAs during the Paris Opening Ceremonies. Their myopic and narrow view of what art and history can be, as well as their whining about blasphemy (while being the target audience for the Trump Blasphemy Bible), made me laugh really hard as I watched it unfold on-line the other night. Nothing shows American tribalism in its purest form (and earns us the scorn and mockery of the world) than criticizing the art and culture and history of another country–one that has existed centuries and centuries longer than ours can ever dream of lasting–and being offended by probably one of those strongest and most respected cultures of all time in the fucking world is why Europe is currently laughing at us as uncultured idiots.

(And for the record, there would be no United States without France. Period. We had no navy and therefore couldn’t have trapped Cornwallis at Yorktown. Know your own fucking history, MAGA morons, and miss me with all the “We saved France from the Germans twice!” bullshit. We were repaying a debt that can never be fully repaid, and if you think the French aren’t grateful–they honor our fallen soldiers far more than we do…especially taking into consideration the MAGA’s hero wouldn’t even visit the cemeteries in Normandy because it was “raining”, i.e. “it takes too long to do my face and hair to go out into the rain.”)

My personal favorites were the uneducated whines about the French mocking Marie Antoinette by showing her holding her head and singing from the disembodied face. Um, the French hated her, and whether she was to blame for France’s cratering economy or not is besides the point. She wasn’t a martyr, and the French have never regretted executing either her or her husband Louis XVI. France doesn’t regret its revolution and toppling its monarchy in the least. There is no revisionist history in France, like how the Russians have done with rehabilitating the Romanovs–and that was more about distancing themselves from the Bolsheviks more than anything else. There have been a lot of books over the years that have tried to rehabilitate her, and make modern readers have sympathy for her. I’ve never really understood this, even as I myself was convinced into pitying her for being stupid and pretty vapid (Victoria Holt’s The Queen’s Confession was the first of these apologist books I read) and getting unfairly blamed by the French people for their problems–which existed long before she came from Vienna to be their dauphine and eventual queen.

In a nutshell, she never had a chance with the French people. She was Austrian, and Austria had been a mortal enemy of France’s since the marriage of Maximilian of Austria to Mary of Burgundy in 1476. The rise of Prussia as a militaristic power in the early eighteenth century had both France and Austria alarmed; so France changed its natural alliance with Prussia (an enemy of Austria’s) and partnered up with Austria and Russia. The result was the Seven Years’ War, which ended with France losing its global empire and bankrupting the country–which was already on shaky economic ground. The unpopular alliance with Austria was further cemented by the marriage of the young dauphin to the Austrian princess in 1770. The people and court hated her almost from the start, but even without the “enemy princess” stuff, she was the symbol of a hated alliance that had cost the country a lot of its pride and income sources, making the economic issues in France even worse1. The smears from rival factions at court–in which politics were treated as a game everyone was playing, for good or bad, no matter how much it weakened the monarchy and aristocracy–or even more egregious: how it weakened and destabilized France on the world stage. The inequality in France–and the carelessness of the aristocracy in believing the people would never rise against them–was a gathering storm all through the 1780’s, and even worse, the French support of the American Revolution caused France to default on its debt not once but twice that decade. Louis XVI was an ineffectual king at a time when France needed a strong king who could take the reins and fix things with reform, but it was not to be.

And in the end, the Bastille was stormed on July 14, 1789, and four years later the French executed their by-then deposed king and queen–and most of the aristocracy that hadn’t fled abroad when they could.

The French are very proud of their revolution; their national anthem (this entry’s title) was the song of the French Revolution, and their national flag is the flag of the revolution. Why would anyone think the French have rehabilitated the reputations and historical views of the king and queen they executed in a revolution that is still a source of national pride?

I’ve always found the way English and American writers love to rehabilitate the reputations of reviled kings and queens throughout history. Do the British celebrate Charles I as an English martyr and saint? They do not–although modern writers definitely are apologists for him and his awful wife. The way Americans–the original anti-monarchists in the world–are so fascinated by royalty and apologists for their awfulness is an irony that would have confused the founders…as well as how many Americans seem to be on board with authoritarianism.

Seriously, Americans. Read a fucking book sometime, and stop embarrassing us all on the world stage.

French Olympic gold and silver medalist for ice dancing Guillaume Cizeron.
  1. This is why Les Liaisons Dangereuses was such an electrifying work when it was published in the 1780s; we’ve enjoyed it as a modern entertainment, but the time that has passed since it was published has removed the sting from what was at the time an indictment of the French aristocracy’s immorality. ↩︎

Don’t Get Me Wrong

Monday morning and I’m not fully awake yet this morning, which isn’t really a surprise; I had a feeling when I went to bed last night I’d not want to get up this morning. I was correct; I was awake when my alarm went off but the bed felt so lovely I simply wanted to stay there other than get up and get the day started. I have to work both of my long days this week, which is going to be a bit rough. But next week is Thanksgiving week already, and I have that entire week off, which is going to be absolutely lovely.

I got some very good background writing stuff done yesterday–the old “let me sit and think about this some more” mentality, and I think it worked; I am, at the very least, very pleased with the changes I came up with for the manuscript, and realized I need to go back to the beginning to input those changes rather than moving forward with it. While I’d much prefer to simply keep going forward, I need to go back and put those changes in, because they shift the tone a lot and plus, it’s excellent character backstory for my main character, who I’m starting to feel like I know a lot better. I know what I was trying to do with him–mostly make him somewhat unreliable–and in order to do that, I was keeping my distance from him; making the story told in a distant first person point of view. But I felt like this made my character distant and cold and unrelatable; there’s a way of doing this–which hit me smack dab between the eyes yesterday–where I can make him relatable and likable, even if he isn’t being completely honest with the reader.

And that, I think, makes the story work even better.

The Saints won yesterday at Tampa, putting the bad taste left in everyone’s mouth from last week’s inexplicable loss to the Falcons away. It was a good weekend for Louisiana football, what with LSU winning (if sloppily) Saturday and the Saints on Sunday. It’s looking like both teams will be in the play-offs, with a good shot at possibly running the table. It’s certainly going to be a memorable season for both, which is lovely for us fans. I did some more cleaning yesterday around the game, and finished reading The Ferguson Affair, about which I’ll probably be writing a more detailed blog entry about–knowing full well I still owe one for Richard Stark’s The Hunter.

When I mentioned I was reading The Ferguson Affair, a friend on Twitter tweeted at me, “the lovely thing about reading MacDonald is it doesn’t matter which one–as they are all the same” and I soon realized that while I was initially resistant to the statement, she was actually kind of right; and the tropes were all there in this book, which wasn’t a Lew Archer–but it might as well have been. The primary trope of MacDonald’s work–the wealthy, beautiful woman haunted by demons from her past and that of her family–was certainly front and center in this one; the main character was a lawyer in a small California coastal town called Buenavista whose wife is about to give birth any day now. I was, however, particularly interested in the book (as I read it) for two particular reasons–there was a tie to Hollywood in the story, and there was some interesting dynamics of race and class at play in Buenavista; which is why I want to give the book its own blog entry. But now that I have finished reading it, I can now move on to Colson Whitehead’s The Nickel Boys, which I am really looking forward to. Whitehead has become one of my favorite writers–and that, of course, is entirely predicated on my reading Underground Railroad, which I absolutely loved. The Nickel Boys mines the same territory as Lori Roy’s superb The Disappearing–the boarding school for troubled boys in Florida, which is an idea I’m also terribly interested in (John Hart also wrote about the ‘reform school’ in Iron House), but with all of those heavyweight talents already covering the same material I don’t see much point in my doing so as well.

I also watched a Netflix series called Greatest Events of World War II in Colour, in which they’ve taken the actual black-and-white war footage from the second world war and colorized it. World War II fascinates and repels me at the same time for any number of reasons, but I never tire of watching or reading about it. I’ve been trying to find the old The World at War series that aired on PBS when I was a child, but can’t seem to find it anywhere. As I watched the first six episodes of ten (the war begins, the rescue at Dunkirk, the battle for Stalingrad, Pearl Harbor, Midway, and Normandy) I kept thinking about Herman Wouk’s epic novels about the war, The Winds of War and War and Remembrance, wishing I had the time to give them a reread. I also remembered the absolutely brilliant Foyle’s War series, which I loved and should probably rewatch, and also was reminded of yet another book idea–one which would require several trips to Hawaii for research. I’ve not read a lot of World War II fiction–From Here to Eternity, The Naked and the Dead, etc.–but have always meant to get around to it. I suppose one of these days I actually will. I particularly want to read the unabridged version of From Here to Eternity, which apparently includes depictions and scenes of the underground military gay scene in Hawaii on the eve of the Pearl Harbor attack. Reading I the Jury by Mickey Spillane and, to a lesser degree, The Hunter by Richard Stark, has also reminded me of the period…and I do think that essay about toxic masculinity and PTSD and how that played out in the Spillane novel could still work.

If I only had the time to write the damned thing.

We also started watching Netflix’ Unbelievable last night, and what that poor young girl went through with the cops–and everyone basically in her life after she was raped–was horrifying, and I also got the sense that the way they depicted how someone is treated after they are raped–the necessary medical exams and tests, the constant having to repeat the story of your trauma, over and over again, to unsympathetic people who clearly don’t know if they believe you or not–was absolutely horrifying. I always knew rape was underreported and part of that was due to the dehumanizing experience of reporting…I had no idea, naturally, as a man just how horrible and horrific it is.

As we watched, Paul said, “It really is a wonder any woman reports, you know?”

And this also gave me thoughts about the Kansas book.

I also started a new journal this weekend. Huzzah!

And now back to the spice mines.

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