Tag: Nick Mamatas

For the Love of Money

I firmly believe that writers should be paid for their work.

On the other hand, it ain’t easy making a living from writing.

Good morning, it’s Monday and I have the day off. If the plans hadn’t changed, I’d be driving back this morning and I would be very, very tired. Instead of spending the weekend visiting family, however, I spent the weekend at home getting things done. I worked on the filing some more yesterday, and will probably do so for at least part of today as well. The file drawers still need to be alphabetized, but all the “in process” book files have all been gathered together, duplicate files deleted, and I am in much better shape now with them than I have been in years. Sparky let me sleep until seven this morning, and I decided to stay up rather than going back to sleep after feeding him; since I need to get used to getting up again I thought it was smarter to just stay up. I’m going to read some this morning, and I also plan on writing today. I am going to make shrimp fajitas for dinner tonight, which is ambitious–but could be very tasty. We shall see how it all turns out, won’t we? But my kitchen is clean, the counters are all cleared off, and there’s a load of dishes that need to go into the dishwasher at some point today, too. There’s another load of laundry that also needs to be done, and I think I may just stay inside the house all day.

Last evening we got caught up on House of the Dragon and Interview with the Vampire, and I’ve got to say, Dragon moves at about a glacial pace. Very little has happened this season thus far, which is weird and odd. I mean, isn’t there going to be a dragon war? Why all this delay in getting the story moving again? They’ve all been preparing for war since the last episode of the original season and guess what? They still are. Vampire also moves at a slow pace, but it’s interesting to watch and is following the story of the book pretty closely, even with the differences and changes made to Mrs. Rice’s original works. Next week is the season finale, and I was a little taken aback that we’ve already watched so much of it already. Tonight we’ll get back to Dark Heart, and of course tomorrow it’s back to the office for one Gregalicious. I don’t mind, really, and the staycation I’ve been promising myself for August and my birthday is actually looking not only do-able but something to actually look forward to. I mean, look at all I got done this weekend! Maybe that will give me the motivation to clean and clear out the attic–stranger things have happened.

We’re also in a heat advisory until seven o’clock tonight. Hurray–and now it’s even more likely that I will not go outside today.

The opening of this entry–about writers deserving to be paid for their work–was inspired not only by today’s title, but by a post I saw on some social media by Gabino Iglesias, who is one of my favorite current writers (seriously, you need to check out The Devil Takes You Home, which was an Edgar finalist and won the Stoker for Best Novel; I can’t wait for his next book), and is one of the best authors to follow on social media because he’s all about supporting his fellow authors, giving good advice for those getting started, and basically boosting other authors every opportunity he gets. (There was also a thread from Nick Mamatas on the subject, in which he explained why some genres don’t pay well while others do.) The bottom line they both made was that everyone should get paid for their writing and no one should ever give it away–because accepting that your work has no monetary value is terrible and gives publishers an excuse for either low-balling or not paying anyone they publish. I’d never really thought about it that way, and I have been, throughout my career, guilty of doing work for free like an idiot or not properly placing a value on my work. Doing work for free has never really appealed to me; I certainly don’t give the day job one extra minute that is unpaid, but I often have gifted short stories to anthologies for one reason or another, mostly because the anthologies raise money for charity. Early on in my career, you see, I didn’t have extra money to donate to charity. When I worked for the airline, I did volunteer work for charities because I didn’t have money and that continued through developing my writing career. If I couldn’t donate cash, I’d donate my time or my work if the cause was something I believed in. I’ve also sold work that I was never paid for, either, which isn’t in the least bit acceptable.

Things to ponder.

One of the things I decided over the course of the weekend (I also figured out how to improve “The Sound of Snow Falling”, huzzah!) was that all the extra time I seem to have on my hands now that I no longer volunteer my time anymore can be better utilized than I’ve been doing; I am going to teach myself some things, I think, and I’m going to start working on doing more marketing and promotion, too. I also want to be able to take my time more with my writing; there really is no rush other than the ticking of the clock counting out the grains of sand left in my hourglass. I would like to finish every project that is unfinished at the moment, and of course I am always going to be getting more ideas all the time.

And is there any better way to unwind and relax after a day at the office than reading? I think not, and now that I can stream Spotify through the television, I am going to listen to music while I read and write and clean from now on rather than having something playing for background noise that I inevitably wind up watching rather than getting other things done.

And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will be back with a Pride post again later–I finally finished reading Sins of the Black Flamingo, and it definitely requires an entry of its own. Ta for now!

Walk a Thin Line

Yesterday morning it was cold for here; it was only forty degrees out when I got out of bed and lumbered downstairs. It was even colder inside that it was outside–the joy of old New Orleans homes, built to be cooler inside than out–and sat here shivering at my desk trying to get some work done. It wasn’t easy and I was so cold, so cold that I decided when out running errands to buy gloves in order to cut off their fingers so I could type with them on so it wouldn’t be an issue. It wasn’t, of course, until later that I remembered I had a space heater in the closet upstairs, which I brought downstairs and set up. It’s not as cold this morning as it was yesterday, but I do have it on and I am relatively comfortable in here. This is a good sign. I didn’t get as much writing done yesterday as I’d intended; I have to write at least two chapters and revise two short stories this weekend–so of course, I started writing an entirely different short story yesterday, and one I don’t have a market for.

Heavy heaving sigh. Isn’t that always the way?

Ah, well. It’s an idea I had actually a really long time ago, and something I saw on Facebook reminded me of it, and so I actually started writing it. I’d forgotten the idea, quite frankly, hadn’t made any notes or anything, and it is a good idea, so I thought it better not to forget about it a second time so I took some action and wrote the opening. I also don’t know how to end it, either, so I am not going to try to write any more of it; rather, I’ll just print what I had and write out some notes and create a folder for it so it’s there when I want to get back to it. Which is what I usually do. Which is why I have a million folders everywhere.

We are still watching Ray Donovan, but I also discovered a new series on Netflix last night, Medici: Masters of Florence, which I of course wanted to start watching. Paul’s not into it as much as I am, of course, but he’s also going to visit his mother this coming weekend so I will have plenty of time to watch it while he’s gone. It’s focused on Cosimo de Medici (I love me some Medicis), and the building of Il Duomo. It’s lavishly and expensively shot–they’ve spared little to no expense–and the lead actor is the guy who played Robb Stark on Game of Thrones, Richard Madden, who is quite lovely to look at.

Those eyes!

The story flashes back and forth between the time when Cosimo is a young man with aspirations of being an artist, and forced into the world of banking and power by his father, Giovanni (played by Dustin Hoffman)–who dies of poison at the opening of the first episode. The present day is 1429, so the ‘past’ is 1409. Giovanni is the one who started the bank and founded the dynasty; Cosimo took it much higher–Cosimo’s grandson laid the groundwork for two Medici popes and, in time, two Medici queens of France. (The Medici eventually reached noble status, and eventually royal. Not bad for a family of bankers.) The Medici are fascinating, of course, and watching the episodes we did see made me, of course, long for Italy. (Next year’s Bouchercon anthology is themed Passport to Murder; I have some ideas for stories set in Italy, which is kind of exciting for me. And of course, there’s an Italian novel I want to write–not in Italian, set in Italy, of course.)

I am also still reading and enjoying Nick Mamatas’ I Am Providence, which is really hitting its stride nicely. I am not sure what I intend to read when I finish it; there are some lovely horror novels in my TBR pile, but then again, every book on my TBR pile looks lovely.

Heavy heaving sigh.

Brown Eyes

It has rained all night, and in the dawn’s early light outside my windows everything looks wet and soggy. It was still raining this morning when my alarm went off, but as I sip my cappuccino and prepare my lunch before sitting back down to my computer, the rain has ceased, or at least there’s now a temporary respite. These are the days when I would rather curl up under a blanket and read a book, but alas–that is not to be.

I started reading Nick Mamatas’ I Am Providence last night and am enjoying it so far, although I’m only a few chapters in. I’ve not read him before, and this is a crime novel set at the Summer Tentacular, a conference/festival in Rhode Island celebrating Lovecraft. (I’ve also not read Lovecraft, which is another reason, one would suppose, why I am terrible at writing horror; Lovecraft apparently is de rigeur for writing horror or fantasy. I tried reading him when I was a teenager and didn’t get very far; I would try again but my TBR has basically already taken over my living room.) I love books about writers, and I love books about writing conferences–two of my absolute favorite books are Isaac Azimov’s Murder at the ABA (long overdue for a reread), which is set at what was once called the ABA (American Booksellers Association) and now called BEA (Book Expo America), and Elizabeth Peters’ hilarious Die for Love, set at a romance fan festival in New York (also long overdue for a reread).

I recently realized I’ve been writing stories about writers a lot lately–a couple of unpublished short stories, and of course, Jerry Channing appeared in both The Orion Mask and Garden District Gothic; I’m even thinking about an entire book with Jerry as the main character–and it’s always been something I’ve resisted–writing about writers, even though it’s something I know intimately and always enjoy reading. I even said this to one of my co-workers at the office lately, a quote that’s always in the back of my head: there is nothing more narcissistic and masturbatory than writing fiction about writers. That thought has always been in the back of my mind, and whenever I start creating a character who is a writer or have an idea for a story about one, I always pull back, remembering that. Saying it to my co-worker recently got me thinking about it–where did I read it? Who told me that? Stephen King has, for example, always written about writers–both ‘salem’s Lot (Ben Mears, moderately successful novelist) and The Shining (failed novelist Jack Torrance) have writers as main characters; and I can think of any number of other authors who’ve also done it, quite successfully. Elizabeth Peters’ series character Jacqueline Kirby starts out as a librarian, and eventually becomes an international bestselling romance novelist, for another example.

And then, last night as I revised a short story about a writer, and then curled up with the Mamatas novel, I heard the words clearly in my head again, and knew exactly where they came from.

That wretched writing professor who told me in 1979 I would never get anything published.

I might have known.

So, tonight as I continue to revise that story and work on the new book, I am giving you once again, Asshole Writing Professor, the finger.

And now back to the spice mines.

Here’s a hunk for today: