Hello Darlin’

I was reminded yesterday morning of one of my favorite shows of all time–Moonlighting–which made me think of how this particular show (and television crime shows) have influenced me and my writing.

For those of you who are too young to remember, Moonlighting was a television show in the mid to late 1980’s, that starred Cybill Shepherd as Maddie Hayes, a wealthy retired supermodel, who had been completely wiped out by an embezzling accountant (or agent, or manager; I’m not sure I remember which clearly) and the only asset she had left was a private detective agency–which she had primarily invested in as a business loss to reduce her tax bill every year. Facing financial ruin, Maddie needs to turn the Blue Moon Agency into a source of income, which puts her squarely into conflict with fun-loving extrovert David Addison, the private eye who enjoys life, takes nothing very seriously, and has a joke for everything, and is the primary boss at the agency. David Addison was played by Bruce Willis–this role, along with Die Hard, made him a star–and he and Shepherd had the most amazing chemistry. The writing was whip-crack smart, sometimes breaking the fourth wall, with the two characters always arguing and talking over each other, kind of like classic comedies like His Girl Friday and Bringing Up Baby, and out of nowhere it became a huge smash hit. The first season was abbreviated–a spring replacement, with maybe four or five episodes–but season two was absolutely phenomenal. But the pressure on the writing and production staffs was incredibly difficult, the show always ran behind on filming, and it didn’t help that Willis and Shepherd hated each other. She also got pregnant during the run of the show, and they wrote the pregnancy into it.

Ironically, the chemistry between them was what drove the show’s success–kind of like Sam and Diane on Cheers–but once the show’s focus moved away from their cases and onto their relationship, the quality went down and so did the ratings. It’s a pity, because those first two seasons were pure gold.

One of my favorite things about the show was how every episode opened with David and Maddie arguing about something–and then over the course of the episode, the case made each other see the other’s side, and then at the end they had reversed themselves, arguing the opposite positions from the original argument….and sometimes, agreeing that they could the other’s point, and accepting that there’s another way of seeing everything.

I absolutely loved that. My goal, years ago, when I started the Chanse series was to make sure that Chanse learned something about himself by working on, and solving, whatever case came his way.

I really wish someone would buy the streaming rights to the show. I’d love to watch those first two seasons again. Like I said–all those episodes were pure gold.

I took yesterday afternoon off–I’d intended to work from home, after getting the mail and stopping at Rouse’s–and also started the lengthy process of trying to get my email inbox cleaned out, which is a Sisyphean task, to say the least. But progress was made indeed, and far now the rock is at least most of the way up the hill. I also sat down in my easy chair and read some more of Daphne du Maurier’s odd Gothic fairytale “The Archduchess” with Scooter purring in my lap and, as one is wont to do with a purring cat in your lap, fell asleep for about an hour. People rarely talk about how cats all possess that super-power; adorable little agents of Morpheus that they are. I did manage to read some more of the story, though–I’m interested to see where it’s going to go, since there’s such a dreamy, fairytale-like quality to the story, which is about the fall of the monarchy in a fictional little European county called Ronda. It’s weird that it’s taking me this long to read the story, but this is also my first full week of going to work at eight every morning, so there’s little wonder that it’s getting harder to wake up and harder to stay awake the further the week progresses.

But today is Thursday, and I only have one more day to get through before it’s the glorious weekend, and I really do need to get my shit together. I’ve got to get that Sherlock story done, I have to pay the bills, I need to get back to work on the Secret Project…there’s so much to do, so little time in which to do it, and I can’t keep wasting precious time.

On that note, tis back to the spice mines with me. Have a lovely Thursday, Constant Reader, and stay safe out there.

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Casanova

It’s Thursday morning in New Orleans and all is well–or right–in the world; well, at least in mine. It was also chilly and my bed comfortable and warm; and as I was sleeping well for yet another night, I didn’t want to get up. But I have things to do this morning before I head into the office, and once I’ve had enough coffee to sharpen and get my brain under control, I shall accomplish these tasks before getting ready for work.

I managed to get some chores done when I got home from work yesterday, so the Lost Apartment’s kitchen is not a disaster this morning. I made mac-and-cheese again (I think this week’s is better than last week’s was, frankly) but used some of my training from McDonalds as a teenager to “clean as I go” and as such, when the mac-and-cheese went into the oven everything I’d used to make it was cleaned and in the dishwasher already. I don’t know why I don’t do this every time I cook; it’s so lovely to finish cooking and have all the dishes and bowls and so forth I used be clean already.

The lessons one learns from working in fast food as a teenager will hold you in good stead later in life, apparently.

My mind is not fully cognitive yet this morning, but the space heater is blowing lovely warm air on my legs and my coffee is delicious and it surely won’t be much longer before I am functional. Or so I hope, at any rate.

Then I’ll start cleaning out the email inbox. I kind of need cognitive abilities to answer them all, and won’t it be lovely to have an empty inbox? That’s always my goal, every morning and every week, and it’s been far too long since I unlocked that achievement.

It also occurred to me–sometime late in November–that I should use my December blog entries to write about my most recent book; focusing not only on my characters but also on New Orleans, Christmas, and Christmas in New Orleans, since the book is set during the Christmas season. And not to worry–I have lots of pictures of hot guys in Christmas-type attire to share along with those entries. So, yes, y’all, Royal Street Reveillon is an actual Christmas-in-New-Orleans book in which I resisted the urge to try to adapt a traditional Christmas story to both Scotty and New Orleans–although it was incredibly tempting and I might do that very thing later in my life and in the series. One of my favorite Christmas episodes of any television series was the very first Christmas episode of Moonlighting–anyone else remember the show that made Bruce Willis a star?–in which Blue Moon Detective Agency secretary Miss DiPesto found a baby in a manger at Christmas time. They played very heavily on Christmas stories and traditions to tell the story in that extremely brilliantly witty way the writers had in the first season or so of the show; those first two seasons are some of the best television ever written and filmed. I thought about trying to do something similar with Royal Street Reveillon, but I also wanted to get the Grande Dames of New Orleans story into the book, and there was simply no way to graft all the reality show stuff onto a Christmas tale; so the book wound up simply being set during Christmas.

The Scotty series, which was originally intended to simply be a stand-alone, and then merely a trilogy, was built around holidays to begin with; the first was during Southern Decadence, and when it became a trilogy I decided to use the trinity of gay holidays in New Orleans: Southern Decadence, Halloween, and Carnival. When Book 4 rolled around, I set it around Easter and had the book open with the Gay Easter Parade. Book 5 was built around New Orleans winning the Super Bowl; Book 6 was built around Mike the Tiger (LSU’s live tiger mascot) and Book 7 didn’t really have a holiday or anything truly local to build it around. I’ve always felt there was some separation between the first three books in the series and the four that followed; primarily because of the gay holiday associations with the first three.

I decided, when putting this one together, to set it during the Christmas season because Christmas in New Orleans doesn’t get as much play as other holidays (not here, I mean nationally; no one thinks of “Christmas” and “New Orleans” together), and I do love Christmas–some of it. I love the idea of Christmas and its message; I despise the unrelenting commercialism and the playing of carols in September and the Christmas stuff being stocked in stores before Halloween and don’t even get me started on the horrors of Black Friday and Cyber Monday and so forth. I did think I could possibly work some of that into the story, of course; but there was literally so much going on in the book that snark about commercializing Christmas wasn’t needed or necessary, even though it would have been fun.

And let’s be honest: Charles Schultz did it best with A Charlie Brown Christmas in 1966.

But I’ve enjoyed Donna Andrews’ Christmas mysteries in her Meg Langslow series so much that I thought I should give one a try. And the result was Royal Street Reveillon.

And now it’s Christmas season in New Orleans; football season is winding up, but I am hoping that after this weekend, I can take a Saturday afternoon to head down to the Quarter–or drive around the city–taking pictures of Christmas lights and decorations and so forth. New Orleans, as I said in the book, loves nothing more than holiday decorating, and it’s so dark here at night the Christmas lights look even more magnificent.

And on that note, tis back to the spice mines.

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