2021 dawns, and theoretically, at any rate, it’s a new year and a fresh start–at least that’s the mentality everyone else seems to embrace. I don’t get it, myself, never really have. But far be it from me to rain on anybody’s parade–or their New Year’s hangovers.
It’s a lovely morning again in New Orleans; blue skies and sunshine. I’m going to swill down some coffee this morning and then head to the gym–they are only open until 2 this afternoon–before coming home to put one last coat of polish on Bury Me in Shadows before I turn it in, on time, later today. I finished it last evening–there are still some holes in the plot that need filling, as well as some contradictory elements I need to catch–but it’s essentially finished. I have not, in fact, finished a book since early 2019, when I turned in Royal Street Reveillon; so it’s very nice to have another one done. I go back and forth between thinking it’s really good or the worst thing I’ve ever written, so there’s that part–par for the course, really.
I also got my first inoculation for the COVID-19 vaccination yesterday. It wasn’t so bad, really–my shoulder is kind of sore still this morning, glad I had them do my left arm–but I felt off for most of the rest of the day; which could have been the inoculation, could have just been the fact that I was tired. I’ve not really slept that great this week, and the fluctuations in the weather have not helped in the least–sinuses, you know–and I’ve not really had much of an appetite lately, either, so I’m probably experiencing low blood sugar and all of that. But the next inoculation will be in 28 days, and then my life sort of can go back to normal? Not really–I’ll still be wearing masks everywhere I go, and washing my hands religiously as often as I can, but at least I no longer have to worry (too much) that I am going to get infected and sick.
2020 was one of those years, like 2005, that we will look back on and wonder about. A lot of my memories of the year just past are foggy and gray; I don’t remember much of the year rather like I don’t really remember much of the year and a half after Katrina. It’s always weird when there’s a major world paradigm shift; Katrina really only affected those of us in Louisiana and Mississippi and coastal Alabama–while the rest of the country and world looked on in horror, they also were able to move on within a few weeks whereas we were not. The COVID-19 paradigm shift affected everyone in the world, and as we (hopefully) are beginning to move past it–which will not finally happen until we achieve herd immunity, and who knows how long that’s going to take–things aren’t going to go back the way they were before the world came to a screeching halt. Things have changed, whether for the better or not remains to be seen; but one lesson that everyone has learned is that almost everyone actually can work from home and be productive, something employers resisted like the plague before, you know, an actual plague forced them to adapt. Now businesses and companies have to ask themselves–do we really need all that overhead of having an actual office, when our staff can do their jobs efficiently and effectively from home? Same with book signings–publishers probably aren’t going to be paying to send their authors on tours anymore since virtual ones actually get a higher attendance. What about conferences? They also became virtual–but in all honesty, I will want to continue to go to in-person conferences once they are feasible; drinking at home on Zoom isn’t the same thing as hanging out in the bar with friends and laughing our asses off.
I do miss seeing my friends.
I usually set goals on New Year’s Day for the new year; I’ve not really put much thought into goals for 2021, to be honest. I did achieve one of my 2020 goals, despite the pandemic: getting back into a regular gym routine and going regularly. I’ve noticed a change in my body, even though I’m not really pushing myself as hard as I could–I don’t want to overdo it, nor do I want to injure myself again, which started the whole spiral ten years ago in the first place–but it’s nice to see my muscles hardening and getting more defined. My weight hasn’t changed at all, but I can see a difference in my face and my pants/shorts/sweatpants, which were already a bit too big, have gotten even bigger (I really need to wear a belt). I do want to continue focusing on taking care of myself a bit more in 2021; dental work and vision exams and new glasses and possibly the occasional massage. I have a number of secret projects lining up as well, which is kind of exciting, and of course, I need to finish the Kansas book now and I want to get to work on Chlorine. I think there’s probably another Scotty or two in my head, and I also want to experiment with novellas–I have at least three or four or five in progress, and I really need to finish them. I also want to get some more short stories finished and out for submission.
I watched a movie for the Cynical 70’s Film Festival yesterday afternoon as I made condom packs: Something for Everyone, starring Michael York and Angela Lansbury, based (or rather, according to the credits, “suggested by”) on the novel The Cook by Henry Kessing (recently brought back into print by Valancourt Books), which I recently read about as “the queerest movie of the 70’s”–and yes, it is indeed very queer. (It’s not streaming anywhere, but there’s a bootleg of it on Youtube, which is what I watched) It reminded me somewhat of The Talented Mr. Ripley in several ways, and it also made me think about how amazing Michael York would have been playing Tom Ripley. York plays Conrad, a drifter from no one knows where and, like Tom Ripley, we really never learn about his past or who he is. He shows up on screen in Bavaria, riding a bicycle and wearing cut off khaki trousers that are cut very high; Daisy Duke-ish in fact, and he looks splendidly beautiful and alluring in the German sun. He decides he wants to get a job working for the local impoverished Countess and her children, who no longer have the money to maintain their castle or live in it, but it’s entailed so they can’t sell it. (Neuschwanstein, the fairy castle of Mad King Ludwig of Bavaria–who was also queer) stands in for their castle.) Angela Lansbury plays the Countess, and she is truly splendid. Conrad begins killing people who get in his way, but is also doing it to help the family he now work for, while slowly seducing and sleeping with everyone in sight in order to get what he wants–he seduces the Countess’ son and eventually the Countess, and York is simply breathtakingly gorgeous to look at in all his youthful, lean beauty. (I had an enormous crush on him in the 1970’s.) But Angela Lansbury is truly fantastic. She’s beautiful and slender and elegant, and those expressive eyes are perfect for expressing the Countess’ malaise and ennui with her situation and with the world. Watching her slink around in gorgeous clothing, I could but marvel an wonder why she was never a bigger film star, and in all honesty, I’ve never really seen her as Mame Dennis before. Yes, I know she played the part on Broadway and it was a huge smash hit, but for me Rosalind Russell was definitive….but having watched this movie now, I am now convinced the casting of Lucille Ball as Mame in the film instead of Lansbury was an even bigger crime than I considered it before–I watched the Lucy version and it was awful; but the crime that was casting Ball is now even more egregious. I could literally imagine Lansbury as Mame as I watched this movie. It’s cynical and a bit cold, but it definitely fits into the Cynical 70’s Film Festival in that Conrad never is punished for any of his own crimes–he’s outwitted in the end, but not really punished…and knowing Conrad, I am also confident that at some point after the film ended he got the upper hand back.
And on that note, tis back to the spice mines with me. One more cup of coffee and I am off to the gym; and then its back to home and the grindstone. Happy New Year, everyone!