Last Song

Sunday morning, and so much on my plate this morning. That’s okay, Constant Reader, I slept really well and once I have enough caffeine in my system, I will be up for the challenge. I still need to do some chores around the apartment today as well, but I am going to be keeping my head down and focussing on the things that need to be finished today–or at least, that’s the plan this morning. Being distracted is, of course, always a possibility; I may even close my web browsers to avoid that once I get started on my work.

Yesterday I spent some time with S. A. Cosby’s My Darkest Prayer, which is absolutely fantastic. That voice, and the influence of writers of color–Walter Mosley and Gary Phillips–are apparent, as are the biggies of crime–Chandler and both MacDonalds (Ross and John  D.) are also there. The result is staggeringly original, a little raw, and completely absorbing. One reason I want to get all my writing and chores done this morning is so I can curl up in my chair with the book later today.

I also started streaming a CNN documentary series last night on Hulu–The Movies, which is very similar in set-up to their decades documentary series; a history of film by decade, which is quite frankly the smartest way to go; you certainly can see the difference in film by decade. It was fun to see films I’ve either not seen nor heard of (or had but forgotten) talked about, along with the blockbusters, the big movies, the award-winners, and how stars built their careers from their big break movie. I highly recommend The Movies, even if you aren’t a film fan; it’s also an interesting look at how films reflected the times they were made, which is always, for me, the best way to examine popular culture. (I really wish someone would write a non-fiction book about the gay publishing boom of the 1970’s, a decade that saw a gay novel, The  Front Runner, hit the New York Times bestseller list; saw the birth of a queer literary sensibility, and also saw the enormous success of the Gordon Merrick novels–and no, please don’t say why don’t you write it, Gregalicious? There’s no time for me to write anything like that, and as it is, I have to start reading VOLUMES of research about gay life in post-war Hollywood, as well as what was going on in Hollywood in that time as well, and again, so very little time.) I think literature also holds up a mirror to society much in the same way as film and television does; it would be interesting to see a series of essays on how books published not only reflected, but influenced the society which produced them.

As I was reading My Darkest Prayer yesterday, I was thinking about how some of our larger cities, with their more cosmopolitan and international feel, should be reflected more in crime novels by, about, and for minorities. I’d love to read some crime fiction about New Orleans about people of color by people of color–whether it’s African-American, or Latino, or Vietnamese, for that matter. I’d love to see the same for cities like New York, Boston, Chicago, Houston and Los Angeles, to name a few. I loved Steph Cha’s Juniper Song novels, as well as her soon-to-be-released Your House Will Pay, which is, simply stated, genius. I’ve always wanted, for example, to give Venus Casanova, the African-American police detective who is both my Scotty and Chanse series (as is her partner, Blaine Tujague) her own story–but at the same time I have never thought myself capable of telling her story, or having the right to do so, at any rate. I have a great idea for such a story–a way of writing the end to her story, as it were, which would of course mean removing her from the two series I already write afterwards, which would probably rank up there with shooting myself in the foot as it would mean introducing a new cop to both series…although that in and of itself might not be such a bad idea, either. Could be just the thing to shake both series up a little bit.

I’ve also thought about writing a stand-alone Colin book. I’d once thought about spinning him off into his own series–wouldn’t a gay undercover operative make for a great series? I had thought, originally, that after the initial Scotty trilogy I would write Colin out of the series (SPOILER) and possibly give him his own series. I thought it would be fun to do a gay kind of Indiana Jones/James Bond hybrid with our boy Colin as the lead of the story. (It’s always fun to revisit ideas I had in the past.) Katrina of course ended that possibility, but I am still thinking it might be an interesting idea to write a Colin stand alone before tackling the next Scotty, which is going to be Hollywood South Hustle. There are–I will tell you this now–some unresolved Colin issues left over at the end of Royal Street Reveillon, and it might be interesting to tell Colin’s story before we get around to getting back to another Scotty book. I’m also probably going to do at least one more Chanse novel as well, but I don’t know when I’m going to get to either of these stories–Chanse, Scotty, or Colin’s.

But the Venus story is reverberating in my brain, and I might just have to write it to get it out of my system. It’s working title is Another Random Shooting and I’m jotting ideas down in my journal as they come to me.

And on that note, tis time to get back to the spice mines. I want to get the Major Project done today, and some work on the book, too.

We’ll see how it goes.

5abercrombe-fitch-ad-03282012-05

Take It to the Limit

At the beginning of this year, I decided to start something I called The Diversity Project, whose intended purpose was to read more books and short stories by diverse authors. I’ve gone back and forth on this; the sense that announcing such a thing was, in a way, virtue signaling of the most hypocritical kind; why was it necessary to make such an announcement, or to continue, once it was made, even talking about it? Shouldn’t I have been reading diverse authors all along, and making the corrective to my reading habits that shouldn’t have been necessary in the first place isn’t something that is worthy of praise in the first place. We should all be reading diverse authors, and it isn’t something that we should have to make a point of doing. We shouldn’t even have to think about it, frankly; it should be automatic.

I have always read more female than male writers; my reading aesthetic has never been geared to the straight white male experience. But just reading more women than men was also not something I have ever had to make a conscious effort in order to accomplish; I always have read more women than men traditionally. My shelves are crowded with female names: Hilary Mantel and Laura Lippman, Megan Abbott and Alafair Burke and Lori Roy and Alison Gaylin, Donna Andrews and Elaine Viets and Rebecca Chance, Charlotte Armstrong and Mary Stewart and Margaret Millar, Gwen Florio and Catriona McPherson, J. M. Redmann and Cheryl Head and Lori Rader-Day and so, so many others.

But while some of those women might me lesbians, none of them are women of color.

And that’s kind of terrible, isn’t it? Sure, I’ve read Toni Morrison and Octavia Butler and Maya Angelou and Alice Walker, but that’s kind of it for women of color. No Asians, no Latina/Hispanics, and outside of Butler, the rest all would be considered literary authors.

I also realized earlier this year, at the start of the project, that I’d never read Walter Mosley; so the first book in this project with Devil In a Blue Dress, which was truly terrific–I’m looking forward to reading more Mosley.

So, with this corrective in mind, this reboot of my brain and unscrambling and exposure of unconscious bias, I decided to read Steph Cha’s debut novel, Follow Her Home.

follow her home

It was about ten o’clock on a Friday in mid-July, the Los Angeles night warm and dry, the only wind rising from the whoosh and zoom of traffic on Rossmore. I was wearing a slinky black dress, black patent leather platform pumps, silver cascade earrings, and a black lambskin clutch. I was perfumed, manicured, and impeccably coiffed. I was everything a half-employed twentysomething should be on the sober end of a Friday night. I was calling on an open bar at Luke’s new apartment, ready to spend a little time and respectability on a blurry and colorful evening.

Luke’s place was in the Marlowe Apartments in Hancock Park, a complex towering pretty as a castle just north of the Wilshire Country Club. It stood less than two miles south of Hollywood and Ivar, where its namesake found his vocation. But the Marlowe was a luxury apartment more likely to house the rich degenerates of Chandler’s novels than his wisecracking private eye with a heart of noir gold.

Follow Her Home is Steph’s debut novel, and it’s quite excellent. It’s the first of three novels about her character, Juniper Song, a Korean-American daughter of a single parent with a younger sister. Juniper has graduated from college and is making good money as a highly paid and highly sought after tutor; the book begins with her attending a party at a childhood friend’s apartment, and being asked to ‘see if she can find out whether her friend’s father (a partner in a major law firm where the friend also works) is having an affair with a young Asian-American woman at the party who also works at the firm. Juniper is a huge fan of Chandler, as you can see in the excerpt above, and Juniper also uses her knowledge of Chandler’s novels and how Marlowe conducts his investigations to kind of LARP as a detective. But once she follows the young woman home from the party, Song finds herself involved in something even more dangerous and insidious than she could have imagined in her wildest dreams.

Cha writes in the same hard-boiled style as Chandler, emulating it while giving it a fresh face and voice in Juniper Song and reinvigorating it with a modern flair. The book–the first in a series and therefore required to give a lot of backstory on the character–is done with an interesting structure; bouncing between the modern day and Song’s current investigation to the past, when she first put on her sleuthing shoes and investigated her younger sister’s private life. Saying anything more would be spoiler-ish (always an issue when you’re writing about a crime novel), but this structure makes Song even more relatable, likable, and adds layers and textures to her character that simply focusing on the present day wouldn’t do. It’s masterful, and it would also be incredibly easy for the parallel stories to not be of equal force and value.

I greatly enjoyed reading this, and am looking forward to not only reading the next two books in the series but the stand alone being released this October–Your House Will Pay–also sounds pretty fantastic.

Bohemian Rhapsody

Is this the real life? Is this just fantasy? Caught in a landslide no escape from reality.

I do love the song. I wasn’t an enormous fan of the movie–primarily because I wasn’t that interested in the trajectory of the bad so much as I was more interested in Freddie and his life–but it was a perfectly good movie about a rock band.

I did finish reading Steph Cha’s Follow Her Home yesterday and I highly recommend it. The writing is exceptionally done well, and her character, Juniper Song, is terrific. I have some other thoughts about the book in my head, but am going to wait until they fully form before I write about it more. But…while I am sure I would have eventually gotten around to reading Steph–I’ve met her and like her–I am glad that I made a point of moving her up in the TBR pile. As I said when I was talking about the Diversity Project the other day, it’s the unconscious bias against minority writers I am fighting against within my own head and within my own choices, and trying to retrain/rewire my brain to not automatically move toward white writers when selecting the next book to read–even if they are women, who are also historically undermined as ‘not as serious as the men’ by not just the industry but by society itself. (I am really itching to start reading Alison Gaylin’s Never Look Back.)

As I’ve mentioned, my reading has always skewed more toward women than men; as a child, I preferred Nancy Drew and Trixie Belden to the Hardy  Boys (although the Three Investigators are my absolute favorite kids’ series, and they were boys), to the point where I was forbidden to read books either by women or about women for a period of time–which quite naturally made me want to read them even more.

The absolute best way to get me to do something is to either forbid me from doing it, or telling me that I can’t do it. Forbidding me makes me want it all the more, and telling me I can’t do something makes me want to prove you wrong.

I am ridiculously excited that Game of Thrones returns tonight for its final season. I am going to be terribly sorry when the show is over; I’ve thoroughly enjoyed the ride from the time Paul and I got the DVD’s from Netflix and starting binge-watching; loved it so much we paid for the HBO app subscription so we could watch it as it aired, once we were caught up. I do want to finish reading the books–I’ve only finished A Game of Thrones–and maybe if I get a long vacation on a beach somewhere, I can finish the entire series that has been published thus far. I really loved the book, and suspect I’ll feel the same way about the rest of the series. Yesterday I spent some time reacquainting myself with some of my favorite moments from the series over the years, thanks to said HBO app–the Battle of the Loot Train, the end of Ramsey Bolton, the trial of Littlefinger, the big reveal about Jon Snow’s parents, the Battle of Meereen, Daenarys conquering the Dothraki by killing all the Khals, Cersei’s revenge on the Sept–and was again, as always, blown away by the sheer scope and scale of the show, and how fucking fantastic it is from top to bottom. Game of Thrones, whether you love it or hate it, is always going to be considered one of the greatest television series of all time, up there with The Wire, The Sopranos,and The West Wing, and deservedly so. We truly are in a marvelous time for television programming.

Friday I was even more ridiculously excited to see the first trailer for the ninth episode of Star Wars and to learn its title: The Rise of Skywalker. I really cannot wait to see this movie, and I suspect we are going to go see it on opening weekend this December if it kills me. It’s very strange to realize that Star Wars has been a part of my life for over forty years now…and while the second trilogy, episodes one through three, aren’t amongst my favorites (I’ve not rewatched them very much), I still have a big love for all things Star Wars, and frankly, Rogue One just might be my favorite Star Wars film of them all.

So, after a really good night’s sleep and waking up later than I usually do, I am going to clean this kitchen and then I am going to work for a while. I might go to the grocery store; we need a few things, but at the same time I should also be able to get the things we need on the way home from work tomorrow, if they are, in fact, so desperately needed. I think I’m going to do that–wait, I mean–because if I’ve learned anything from the Termite Genocide experience, it’s that I hoard food and really need to use the things I already have on hand rather than go out and buy new things to prepare.

I’m actually looking forward to working today, if you can believe that, Constant Reader. I am determined to get the next chapter of the WIP finished, and then I am going to work on these other two ideas I’ve had, and then I am going to spend a couple of hours with the Gaylin novel.

What a lovely Sunday this will turn out to be.

Have a terrific day, everyone–and in one week, it’s Easter!

6a0105349ca980970c014e60bd8fd7970c-500wi