Tag: John Cameron Mitchell

She’s About a Mover

Thursday morning and I’ve almost made it completely through the week. Tonight I am going to that party, which is my first public event/party this is not part of some kind of conference weekend in I don’t know how long. It’s a lovely opportunity to dress up and meet some people that I should meet, or that I should probably already know.

And it’s at John Cameron Mitchell’s home, he bragged again.

Yesterday was a good day. I felt good and rested for most of the day, but after running my errands, I came home and kind of hit a wall. I worked on an essay a bit, and then went to give Sparky his cuddle time in my easy chair while I caught up on the news (and the new season of Real Housewives of Beverly Hills, more on that later), but I was daydreaming about writing–what else I was going to say in the essay, what else to write in my short story, what to do with the Scotty book–so my creativity and my drive to write and be productive is coming back. That’s kind of cool, and I am really happy about it. Going to the party tonight meets not having time to do any chores–I have a sink full of dirty dishes, for example–means tomorrow during work-at-home times I’ll have to do chores, as well as going to have lab work done at Quest over my lunch break. I cannot believe Thanksgiving is looming on the horizon, either. Paul is leaving on Tuesday for a week, and so I’ll have those four days at home alone to just either be a vegetable, or get a lot of shit done. I am hoping for “getting a lot of shit done”, but we’ll see how it rolls and all plays out.

I also have emails I need to answer, but I’ll most likely let that slide until Friday morning, unless I can get some of them done between clients at the office today. I don’t think we’re going to be terribly busy–we were yesterday–and we won’t be terribly busy the two days I am in the clinic next week, either. So I should be able to roll into the holiday weekend fairly well rested already, so we’ll see how that long weekend turns out. I’m hoping to not have to leave the house much, if at all, and hibernating in the Lost Apartment while trying to finish reading The Reformatory and get some writing done, too. This looming weekend I am going to try to write and get some editing done. I’m also going to have to read some short stories for the short story contest I am judging for S&S, too. I’m just glad I’m not traveling for the holiday; those alone days will be much more productive and nice for me. Sparky will be needy since I’ll be the only one home here with him, so he’ll turn into my shadow and won’t let me out of his sight. I was reading an article about where your cat sleeps explaining how he feels about you yesterday–so apparently Sparky thinks I am both his mom (sleeping in my lap) and someone he needs to protect (either under the bed or at the foot of it). Sweet, isn’t it?

He really is a sweetheart, even if he goes on damaging rampages periodically. When I got home from work yesterday the Brita pitcher was on the kitchen floor and the rug was soaked (it’s drying on the banister outside), and some other things were down on the floor, too. I really do need to keep up with the chores in the kitchen so the counters remain cleared, so he can’t make a mess when he gets the Zoomies and runs around the apartment at high speed knocking everything off every surface he leaps and bounds off.

Sigh.

It’s also cold this morning–58 degrees. It’s nice–probably partly why I slept so well last night, and hopefully will again tonight. The high for the day is a whopping 64 (dead of winter, really), which is nice. I like when it cools down like this, even if I do get weary of it relatively quickly. It should be a relatively easy day at the office, and I am not going to make myself crazy rushing to come home and get ready/change for the party. I am definitely not making the VIP pre-party cocktail hour at six, so will instead shoot for arriving around seven-ish. I can wear my saddle shoes! I always love an opportunity to wear my saddle shoes. I will probably not drink anything, maybe a glass of wine, and probably won’t stay all that long–even with my anxiety under control, I’m not sure how walking into a social situation like this will play out, but maybe the meds will help me relax and be social and make small talk without breaking into a cold sweat with my stomach clenching and unclenching.

And on that note, I am going to head into the spice mines and venture out into the chill. Have a lovely Thursday, Constant Reader, and I may be back later; one never can be entirely sure with a Gregalicious.

You think the garden hose is symbolizing something? I wonder if Facebook will think this is suggestive.

What The World Needs Now is Love

Yesterday’s post was removed from Facebook because bare male torsos are sexually explicit, you know. I don’t think I’m going to be around there much longer, frankly. There was nothing sexual in yesterday’s blog image, other than it being a man in his underwear (and I get hit up by underwear and jock ads there all the fucking time that are more revealing than anything I post) but hey, male nipples might offend someone, you know. But if you’re a person who finds this blog on Facebook every morning, you might (and it’s perfectly okay if you don’t) want to subscribe to it and my Substack. Both are free, and will always be free; and if I should ever decide to make this an income stream (not likely) there will be plenty of notice. Decisions, you know. Paul and I have also come up with a worst-case scenario plan in case things get really bad–which it’s looking more and more like it will with every passing day–and so that’s kind of a relief of sorts. Kind of half-joking, half-serious. Paul and I are both too pragmatic to not think ahead for possible worst cases, and I feel okay about it. It’ll be a huge upheaval–but it won’t be one of our making. (I have some research to do, but it’s a good plan.)

The funniest thing about living in New Orleans is, despite Louisiana’s descent into Gilead since the election of Governor Can’t Be Wrong and his lickspittle legislature, is I feel far safer here than if I lived in a city in a blue state. Orleans Parish (aka New Orleans) went over eighty-two percent for Harris/Walz; can your city/county say the same? New Orleans isn’t just a blue island in a red sea, it’s so fucking blue that it can be seen from space. There’s going to be a lot of conflict coming between city and state as well as city and federal–it’s one of the reasons the governor sent the state police into our city (Troop New Orleans, or NOLA or whatever fascist thing he called them) to fight “crime”. They have no legal jurisdiction here, but every time I see one of their vehicles on the road I think “ah, the SS is here.” So much material in Louisiana to write about–as long as I get to keep writing about anything, really. And the Super Bowl is coming in a few months, too. Sigh. That means a conflict with Carnival, which I’ve not bothered to look into quite yet.

It rained as I ran my errands last night after work. It rained pretty much all day, and it’s raining again this morning. I slept really well last night, too, and didn’t really want to get up this morning but I did. I felt rested, and while I would love nothing more than to climb back into bed with Sparky and go back to sleep, that’s not possible since I obviously have to go into the office today. Next week is only a three-day work week, and then I have a lovely four day weekend while Paul is out of town where I am hoping to get some serious rest as well as get some shit done around here. I did work a bit on writing last night when I got home; mostly an essay for Substack which is still unfinished but it was still writing. It’s a start, after the derailment of the election and the horrors to come. I suppose the best thing to do here is to enjoy the time we have left before January 20th, when our country ceases to be a democracy and becomes whatever the hell it becomes once dollar store Mussolini and a cast of monsters move back into the White House. I imagine my blog and my Substack are enough to damn me as a dissident–without my writing, my life, and my sexual orientation–and of course my day job, however long it lasts in our brave new world.

We also finished Outer Banks over the weekend (or as Paul calls it, “outer skanks”), which was fun. It’s nothing terribly serious, and the plots on the show never really make a lot of sense, but the writing is bonkers and it moves really fast, and I kind of loved how completely insane and over the top it was. A lot of shows we enjoy are back with new seasons–Bad Sisters, for one, and The Diplomat for another–so we have plenty to watch, but the TF Gala is Thursday (the party at John Cameron Mitchell’s, he bragged again) so Paul’s evenings will be taken up this week with last minute details and plans, so we won’t be watching anything this week, so I need to dig up shows that Paul didn’t want to watch but I did so I can do that while he’s gone. I’ve let college football pretty much go this season–I’ll still watch LSU games, but no one else other than as a background noise while I clean around here–so my Saturdays are pretty much freed up for the rest of the year. It’s also hard to believe Christmas is just around the corner–and New Year’s, then Mardi Gras, then the festivals…sheesh. So I really need to get back to writing the book sooner rather than later, don’t I?

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again soon; maybe even later on. I still have to write about Agatha All Along, which was probably my favorite show of the year, and Joe Locke, and any number of other posts I have started but never finished for some reason or another. Having that many drafts is starting to bug me, so I need to get them cleared out. A good project for me between clients today, methinks. Sorry if this was boring, but I’m not always jousting with dragons. Sometimes I take time off. 🙂

This is gorgeous, out triple-threat performer Nick Adams, who sings, dances and acts. He also has the most beautiful eyes, an incredible physique, and a great face. He’s the one who had to wear sleeves in A Chorus Line because he had bigger arms than Mario Lopez, the star. He always plays arrogant bitchy queens, like he did in Fire Island, which is a waste. He’d be great for the lead in a gay rom-com.

All The Beautiful Worlds

I would not describe myself as a big comics fan. I love them, still have a strong attachment to them and their characters, but I am hardly an expert–not even close.

I started reading comic books when I was very young–I remember all the iterations of Archie, Millie the Model, Little Dot, Little Lotta, Sugar ‘n’ Spice, etc.–and eventually moved into the world of super-hero comics (while still greatly enjoy the horror/suspense/mystery comics as well–The Witching Hour, House of Secrets, House of Mystery, Chilling Tales, etc.). I stopped reading them regularly when we moved out to the suburbs–they were harder to find in our little developing suburb when we moved there–and it wasn’t until we moved to Kansas several years later than I got back into comics again. I was always a DC kid; and the few years I’d been away saw some dramatic changes made to the DC Universe–trying to modernize and update them; the 70’s were a very weird time for Wonder Woman–and then, again, when I moved to California I stopped reading them again. A friend in college brought me around to them again, this time also introducing me to Marvel. When I moved to Houston, my nephew was really into comics, and so I started reading them again with him, and continued buying them for several years. This was post-Crisis and the first massive reboot of DC, so as I was going through the racks at a comics shop in Houston one day I saw The Sandman.

The post-Crisis reboot of DC had changed some of the comics, and the heroes (this was always my favorite version of Starman, Will Peyton) changed as well. But…I wasn’t prepared for The Sandman.

I’d never heard of Neil Gaiman before, but it was this comic book series that turned me into a fan. The incredible imagination involved in creating this bizarre mythology, of the Endless siblings who epitomized some aspect of the human experience–Dream, Death, Desire, Despair, Delirium, Destruction, Destiny–and of course, the main character of the book was Dream of the Endless, master of the Dreaming, where all humans go when we sleep, and he controls our dreams, creating both Dreams and Nightmares. The story line of “The Doll’s House” especially was fantastic and enchanting; it was one of the few comics (along with the Will Peyton run as Starman) where I went back and bought the back issues because I wanted to read them all. (I’ve also gotten some of the all-in-one collections of the stories, including “The Doll’s House.”)

I’ve always loved this comic run. and have always regretted never finishing it; I stopped buying comics before the series ended. The prospect of a film version never interested me much because I didn’t see how it could be done, plus it would inevitably be a disappointment; the comics were visually stunning, the characters and stories so layered and complex I didn’t see how any of them could be condensed into a two-hour film, and the expense of recreating the brilliant and beautiful images contained within the books seemed insurmountable. The announcement of a Netflix series didn’t inspire confidence; I didn’t care for, or finish, the adaptations of two Gaiman novels I loved, American Gods and Good Omens, which to me was an omen that The Sandman would be disappointing as well. I also wasn’t sure if Paul would like it, or that it would be so difficult to follow without knowing the source material he’d pester me with so many questions I wouldn’t be able to follow it myself.

Constant Reader, I couldn’t have been more wrong about anything as I was about The Sandman adaptation.

First of all, it’s very closely adapted to the comics, at least as how I remember them. My memory isn’t what it used to be, of course, and so I couldn’t really remember much about it other than he was Dream, aka Morpheus, and he was lord of the Dreaming and had six siblings. It was also kind of an anthology series, with stand alone issues as Morpheus visited human dreams or was forced to sometimes interfere with them. (I also always thought he looked like Robert Smith, the lead singer of the Cure) So as each episode unfurled before me, I would start remembering things. I remembered that out of all the Endless, Death was actually the kindest and most compassionate, who saw her job as necessary and thus wanted to appear as a kind friend and companion to the dead to ease them through the transition (I have always thought that was brilliant). I remembered the story of him being captured and trapped by humans, and that the Dreaming had been damaged and decayed by his absence and he needed to rebuilt his world as well as capture his creations who’d escaped into the Waking World…and of course, the appearance of the dream vortex which could have destroyed everything, and how that played out.

It is such an excellent adaptation that some of the scenes in the show are perfect recreations of panels in the books themselves; I found myself smiling in recognition, visually the scene in print as well as on the television screen before me. The show is also beautifully written and perfectly cast, from Tom Sturridge as Dream himself (I don’t know how he did the voice, but its other-worldly yet beautiful at the same time; one of the things I loved the most about The Sandman is how Gaiman made everything, no matter how terrifying or scary or steeped in fear, beautiful; beauty can also be terrifying and The Sandman expresses this better than anything I’ve ever seen or read before) to Gwendoline Christie’s chilling turn as Lucifer to Jenna Coleman as Johanna Constantine (a gender switch from the comics) to my personal favorite, Vivienne Acheampong as Lucienne. It’s a terrific cast, including an Emmy-worthy supporting turn by John Cameron Mitchell and of course, break out star Boyd Holbrook as the Corinthian.

I highly recommend it; its smart and funny and clever and intelligent and beautiful, the set and art design and costumes are first rate–and the cinematography is breathtaking.

I absolutely loved it, and so did Paul–who watched in utter spellbound silence and didn’t ask a single question.

I cannot wait for season two.

(Oh, and the show is queer and gender-bending AF, for the record.)