Tag: David Eddings

Promises

Tuesday morning, and I hope all is well with you, Constant Reader. I slept deeply and well, didn’t want to get under the weight of the blankets, but did and now I am waking up. I just had a piece of King cake (the on I bought Sunday has mysteriously been almost completely eaten since yesterday morning) with my coffee this morning. It’s forty degrees again this morning, only getting into the mid-fifties later. I did pick up my copy of Bemused (and a few other books, Disclaimer plus two non-fiction tomes, one about Appalachia and another about the Satanic panic and the Go Ask Alice literary fraud), came home, and Paul and I started watching season two of The Rig, which is interesting; I remember nothing much about the first season, but the show has shifted from the smaller story of the workers trapped on an oil rig in the North Sea and weird shit happening to a much bigger story that was kind of jolting. I do like the cast (including Emily Hampshire from Schitt’s Creek), and it’s interesting as it shifts from a horror story into The Abyss. Definitely an interesting choice, and one I did not see coming.

This year has turned into something, hasn’t it? Everyone was so glad to see 2024 usher itself out the door that we weren’t prepared for 2025 to be a disaster from day one. A terrorist attack on New Orleans to ring in the new year, and of course California is still burning. The very notion of putting conditions on federal aid, as well as “blaming” California for its own situation, is so not very Christian (looking at you, Mike Johnson–the fact that you consider yourself a modern Moses instead of a modern Jesus is telling) and an absolute joke when we open the federal wallet for hurricane relief without question every hurricane season (AS WE SHOULD)—when what we should be doing is figuring out way to make hurricane relief faster and more effective and efficient and to do better by victims of natural disasters–which are only going to keep increasing and with greater impact as we navigate the treacherous waters of the new regime. They come so fast and furious now that it’s easy to forget even the more recent ones. California is burning while North Carolina continues to recover from it’s unexpected hurricane disaster–does anyone even think about North Carolina now, in the winter? I do find it interesting that their state government is far more interested in overturning a free and fair election in their state while so many of their citizens don’t have shelter or power (or both). But we move on, like we always do, and assume that the recovery is completed once the story is out of the news. Angelenos are suffering a trauma right now, just as the North Carolinians still are, and the effects of those traumas are very long-lasting. Trust me, I know, and it will be years before either region is recovered, if they ever do.

Well, the New Yorker dropped its horrific article on the sexual abuse (re: rapes) perpetrated by Neil Gaiman on a LOT of women, and yes, I needed a Silkwood shower after reading it. It’s awful, and yes, it is terrible, but it doesn’t surprise me as much as it did the Gaiman fanboys and fangirls. I’ve never truly been that kind of a fan boy for anyone, really; there have been a few whose beliefs and values wound up not aligning with mine, but it wasn’t a trauma for me nor did it trigger an emotional meltdown because I don’t get that vested in artists as a general rule, so when they turn out to be awful in some way my reaction is generally well that’s a shame and I don’t read them anymore. Simple. Getting rid of Orson Scott Card from my shelves wasn’t a big deal, nor was never reading any further of Marion Zimmer Bradley’s1. I had read David Eddings’ The Belgariad2 in the 1980s when I went through my fantasy reading period, but didn’t know about his crimes (with his wife and co-writer) against their adopted children3 or that they did jail time until the piece on Gaiman dropped yesterday and the Internet lit up with angry former fans and friends denouncing his behavior. As for me, well, I’ll always be fond of The Sandman and sorry the Netflix series is ending after a wonderful first season, but I probably won’t be reading anything else of Gaiman’s, or revisiting The Sandman again. But I do think you can separate the art from the artist, to some degree; but that’s up to individuals and their own ick factors, I think. My mentality is I won’t ever get a chance to read everything I want to read, so why revisit the works of problematic, or read new works by them? I had no problem whatsoever cutting Dan Simmons out of my must-read list, and he was one of my favorite horror writers.

The Internet blew up at Carrie Underwood yesterday for agreeing to perform at the coronation of the anti-Christ Monday. Hey, if she wants to lick his boots, go for it, bitch. I’m not the one who’ll have to answer for it to God someday. Have at it, but remember no gay will ever listen to, download or buy anything you ever record from now on. Everything he touches dies, and why do you think you’ll be exempt from that? I imagine you lost any non-MAGA listener you had, but hey–you’ve got that Aryan Master Race thing working for you, so have fun performing for the glory of the Fascists. How did that work out for Leni Reifenstahl?

I was also a little saddened to read about the death of one of my favorite soap stars, Leslie Charleson, recently. She was the second actress to play Dr. Monica Quartermaine on General Hospital, and she lasted decades longer than the original. I always liked Monica, and absolutely loved the way Charleson played her. Sure, I enjoyed the whole Luke-and-Laura stuff, but I primarily watched General Hospital for the Quartermaines, who were conniving and backstabbing and fucking hilarious. (Jane Elliott’s Tracy remains my favorite soap character ever; scenes between the two were great television.) I always thought they should have their own show, and the way they kept killing off Quartermaines willy-nilly over the years was really aggravating; I wanted more Quartermaines, not fewer, and they never deserved to be on the back burner.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check back in with you again tomorrow.

  1. I was a fan of her gay romance, The Catch Trap, and had always meant to read her Arthurian novels…I can live without reading The Mists of Avalon, after all. ↩︎
  2. I’d actually considered revisiting that series, because of my fond memories of it, but now? Ick ick ick. ↩︎
  3. It’s pretty horrible to adopt children so you have victims at your mercy. ↩︎

Show and Tell

So, audiobooks and A Game of Thrones.

I am, of course, a huge fan of the HBO program Game of Thrones, based on George R. R. Martin’s epic fantasy series A Song of Fire and Ice. 

As I explained to Paul when we started watching, “It’s like medieval history, only with magic and zombies and dragons.” The first season was incredible–I had not read the books–and I remember thinking, in the season finale, as Dany walked out of the smoking ashes of Khal Drogo’s funeral pyre with baby dragons perched on her, my god, this entire season was simply set-up, before we get to the main story.

Little did I know what we were in for–although I liked, with the execution of Ned Stark, whom it seemed was the main character, the reality that anyone can die at any time–which of course increases the dramatic tension; if any character can die at any time, the stakes are much higher–and Paul and I have thrilled to the ups and downs and highs and lows. The show has done a wonderful job of weaving his story as well as forcing us, as viewers, to understand that, ultimately, life isn’t fair and good doesn’t always win over evil in the end.

I had been resistant to reading the books, primarily because they aren’t all written and published; I despise having to wait for the next book in a series, particularly when it’s very possible that by the time that book has come out you’ve lost the thread of the story and forgotten who is who with the characters (I’m looking at you, Stephen King and The Dark Tower); this epic series, though, is a bit different precisely because there’s a television show, which would make the remembering easier. But still…I hate waiting for another book. I did order a paperback set of the series books currently available, but when I saw how long they were and realized the time commitment that would be involved, I just didn’t think I could do it.

Flash forward to week before last, and my decision to give listening to Audiobooks a try on long car trips. As I may have mentioned before,  the concept of Audiobooks wasn’t something I was terribly keen on; I’ve always hated being read to, and I also had no idea how long audiobooks were and how long it would take to listen. But I did think, “I bet A Game of Thrones would be long enough to last the entire drive” and I set about looking for an audio book I could download. Nothing from the Public Library, and so finally, after trying out some other options, I finally went with the thirty-day free membership to Audible and downloaded A Game of Thrones…only to see that the recording lasted just over thirty-three hours. I also knew that if I really got into the story, I wouldn’t want to wait three days to finish listening, so I decided to go ahead and take my physical copy of the book with me, so I could finish reading it.

Which I did, in a lot less than the over twenty-one hours that was left on the Audiobook.

a game of thrones.jpeg

“We should start back,” Garen urged as the woods began to grow dark around them. “The wildlings are dead.”

“Do the dead frighteb you?” Ser Waymar Royce asked with just the hint of a smile.

Garen did not rise to the bait. He was an old man, past fifty, and he had seen the lordlings come and go. “Dead is dead,” he said. “We have no business with the dead.”

“Are they dead?” Royce asked softly. “What proof have we?”

“Will saw them,” Gared said. “If he says they are dead, that’s proof enough for me.”

Will had known they would drag him into the quarrel sooner or later. He wished it had been later rather than sooner. “My mother told me that dead men sing no songs,” he put in.

If you can remember back that far, the very first episode of the TV series opened with this exact scene; members of the Night’s Watch, in a frozen cold forest north of the wall, investigating…only to encounter the horror that is coming. The story then switches to the epic power struggle in the seven kingdoms of Westeros, primarily the set-up of the bad blood between two of the major houses: Stark and Lannister. The Starks are of course set up as the good guys; the Lannisters, with their deceit and money and incest, the bad. As I listened–and later, read–I found myself getting very caught up in the story, even though I knew most of it already; the book is more layered and obviously has more backstory and information than the television series. Also, as I read along, I was reminded of my original comment to Paul: its medieval history with magic and zombies and dragons.

I’ve always loved history; I’ve read a lot of historical fiction and I’ve read a lot of history. I mentioned before Maurice Druon’s The Accursed Kings series, recently reissued and marketed as the “inspiration for Game of Thrones!” , with introductions by Martin himself. (I took my new copy of The Iron King with me on the trip, and started reading it after I finished the Bibliomysteries Volume 2 and A Game of Thrones.) I’ve always wanted to write my own history, with countries and lords and ladies and so forth all invented in my fevered brain; primarily because I wanted to change the way some histories ended. (What if the Babington Plot succeeded and Elizabeth I was assassinated?, for one example) This is kind of what A Song of Fire and Ice is; and I am of course the perfect audience for this.

I’ve not read much fantasy fiction. I’ve read The Lord of the Rings, of course (who hasn’t, really?), and I read the first few books of the The Shannara Chronicles many years ago; I’ve also read a few volumes of David Eddings’ The Belgariad, and of course McCaffrey’s The Dragonriders of Pern (hello, Showtime? This series would be perfect for a television show). One of the common themes of all of these series, along with Martin’s, is a lesson we never heed: those who do not learn from history are doomed to repeat it. In each of these series, there was an enormous and great threat from the past that everyone has forgotten or dismisses as “legends”; but the threat is very real, the stories are true, and in the present day, the threat is reemerging and everyone has to remember how to fight it.

Another theme of A Song of Fire and Ice is also history, and politically, related: people will always put short term gain ahead of long term success; instant gratification, apparently, being far far more satisfying that careful and strategic planning; selfishness often leads to doom.

I am really looking forward to reading more of A Song of Fire and Ice.